ABWAL 🏳️‍🌈 🌱

@abwal.bsky.social

2047 Followers 1353 Following

Our paintings are borne of the love of good in all of us.

This is a joyful painting of pansies on a blue sky background. The pansies are large and colorful... in blues burgundy yellows and whites. A very dramatic visual and physical texture.
A landscape painting done in blues, yellows and grays. A radiant sky of yellow gold passes over a periwinkle blue field with details of foreground tree and field in yellows. A dark blue silhouetted treeline forms a midline horizon in the distance. The painter made this field in these hues for his dog.
The painting is done in shades of blue and green interwoven with mauves and burgundies and pinks. There are many greens and blues interacting with metallic finishes in the sky that encompasses the canvas without any inference of land. The surface of the painting is glass-like and reflective.
A high textured stone boulder waterfall scene in a deep woods filled with yellow light filtered through emerald pines. At the foot of the falls a young sycamore reaches up into the yellow light.
A lavender and green forest shrouds the view of a freshly snow-covered mountain, a violet sky holding pink clouds passes by.
Ink blue night sky looms over jagged treetops covered with snow reflected in metallic paint of green-blue-silver and violet. The metallic paint reacts to the ambient light of the viewing area, creating an 'aliveness' on the surface of the painting...heightening optics.
High textured to-be-touched painting. Background air and sky is a cobalt blue. The dried brambles are golden-ocher, streaked beet-red and sliced with black lines. There is a path through it into dark cobalt night.
An aerial view of a molten skyscape built of dulled metallic bronze gold and burnished red somewhat submerged in a frothy blue glaze. The painting is a bold, low relief, smooth, texture designed to be explored by touch.
Wind enters the lower left corner of the painting in flames of white and lemon-green-yellow. Rushing strokes, bends and bubbles of darker greens sway toward the ground and upward to the iridescent pale blue sky. Grasses reach in all directions and are hovering from top left to downright over an earthen red clay soil.
A close view of a woven reed basket filled with bright orange and red tomatoes and green and darker green peppers... adorned with small yellow sweet tomatoes.
A wet evening landscape under a sky that is blue with silver striated clouds. In the far distance, a hill with a wooded ridgeline rises above a spring l-lime-green field sprawling behind a row of chiseled-burgundy and rose trees. The foreground is an uncut grassy field in waves of heathered green, blonde, burgundy and blue. All these colors are metallic and interact with changing light.
A close up 'selfie' of two men and their border-pointer on the way out for a day trip. The driver is a happy bear of a guy, furry beard, dark framed glasses, gray cap and a grin. The other man, in the passenger seat, is in navy blue over shirt, white tee, white beard. Tuscan, their dog, in his black and white fur with spots is leaning forward on the protective mesh. His tongue is out and his eyes are bright! Moving forward!
A set of portraits of two men on a yellow background. Both men have on dark blue shirts. Both men are bearded with white-gray and matching hair. The men are older. Strong presence carried in their eyes.
A field of exploding colors: honey-gold -amber, crimson, olive-dark-green, light-orange-tangerine strewn with white under a sky filled with aqua-blue-violet against a camouflage of golds, amber, mint-greens flowing with violet-blue 'faeries'.
Set of three 5x7 inch paintings creating a panoramic beach scene on a bright day with a windy-blue sky, silver-white-foamy ocean, golden-ocher sand beach. The composition is bright and fresh and full of action on a beautiful 'last' day.
A portrait of a mature chestnut tree in a well-maintained park setting. Chestnuts and burrs and leaves are strewn about the ground. The tree's leaves are fading, yellow, green, and sienna. The twisted trunk is in many silver-gray-whites. The sky is crystal blue.
A set of two emblematic portraits of autumn blooming plants: goldenrod and iron weed. The left panel,goldenrod, is a heavy golden bloomed plant oceanside under blue sky with high clouds. The right panel, ironweed, is a full bloom purple plant with green leaves against a golden field under a cerulean blue sky.
A gently winding stone path leads the viewer into a garden of flowers, trees, raised beds, white post light, shells, stones and richly glazed ceramic pots. Blooming is in a flood of high summer colors: red, pink, white, purple, blue, green and cinnamon. Details cover the canvas inviting the viewer to stay a while.
A white and gray cat is lounging on a mowed path around a garden full of lush tall green ornamental grasses that have seed tassels of champagne-blonde to glowing bronze. The scene is held in by distant emerald green ridges under a deep cerulean blue sky.
An oceanside town under a champagne-white-violet sky. Yellow sand beaches border several rooflines and plotted dunes. The colors of the buildings are blue-gray. The roofs mostly dark forming a structurescape of sorts along a northern curve of the shore.
A high-gloss high-textured landscape of a garden scene at the height of lush summer. Stones border a central garden with irises immersed in sun-golden soil. A background of flowering pink and lavender trees under a metallic silver-blue sky. Two white iris stand tall as a focal point showered with pink blooms of a vine climbing to a white pole.
A portrait of the classic white iris 'Immortality' reblooming in an early autumn. Its leaves are green-blue and smoothly curved in upward thriving growth. In the background a red roof rises this side of a pure light-blue sky bordered by cascades of golden leaves of giant miscanthus grass.
A high-blue-pink sky above a dark ridge of green giving way to the sand roof and chimney of a singular cottage surrounded by many greens of a landscape with a detailed foreground of blue shade below tall grasses. A scarlet-crimson flower vine is splaying blooms in the mid ground. Evergreen branches hold a mugo pine in the dusky-blue foreground.
Three bright blue oceanscapes of Assateague Island. The horizon is near mid-height of the canvases. One view is straight out over dark blue ocean. Another view is of a pile of conch shells with dotted green dunes up the beach with Ocean City in the very distant distance. The third is a southerly view of a lilac sand beach with distant darker green covered dunes forming an edge of the far-off horizon.
A late autumn view of a spray of tassled grasses in red, yellow and gold with white plumes screening the roofs of a couple cottages in a hilly landscape of umber and warm yellows. A bright composition of natural autumn.
Historic view of old Bethany Beach, Delaware. A simple small scape of structures from a penthouse balcony view jutting out into the white and blue space of the ocean and sky. Sketched brown-purple roofs cluster at the shore below.
A panoramic view of a sky-ocean scene that is made of high and deep blues. The horizon is midline. The sky is full of smeared-white stretching clouds. The beach has wisps of wave crests touching cream and blush sands. Calm. Light.
Portrait of a mature man, silver hair, dark frame glasses, full beard, dark blue-green short sleeve shirt, beige drawstring shorts, bare feet on a stone path surrounded by cobalt blue pots with many white blooms, a post light, purple smoke tree branches and evergreens veiling the unusual opaque blue-violet air. Mists hover about the light.
The second of three studies of a teal glass bowl in full light holding several pure lemon yellow lemons. The simplicity and color are joyous. The shadow is a teal glimmer on a gloss porcelain-white surface.
A vertical white stucco porch wall serves to border a deep ultramarine blue sky and a forest of green growth. A pitch of a red metal roof is veiled in the foreground by a blue pine. The focal point is a red geranium in a clay pot on a weathered wooden slotted table.
A garden view along a stone path that dissolves into an unfinished blue sky as it passes a raised garden bed and several plants in dark blue pots and some in a fire orange ceramic pot. Beautiful weaving of blue and greens in an organic setting.
A circular phase of 'uncountable' dots of hues rich in prismatic colors giving way to a passage formed by light in a near perfect roundness. Puddles of saturated primary colors form the entire composition in motion giving-way to more.
A vermilion sun rises over dark purple-black clouds in a blue sky space revealing sparkling glitter effects of stars high in the sky over a silver-blue morning ocean in dark hues of blue-gray.
A portrait in high gloss texture of the iris Mother Earth. The standards are cream-white with tones of violet. The falls are lavender and rose-blue. The beards are orange. The bud at the throat is deep lipstick-red. A stone wall is in the background surrounded by lush green grass and shade.
A very bright day view of windy-white sky with shades of light blue over a choppy ultramarine ocean noisily rushing to the shore washing and moving beach sands of ocher and green and turquoise and gold-amber.
A square view of a heavily full blooming iris under a blue sky surrounded by emerald green spear-shaped leaves. The iris standards are gloriously white-magenta. The falls are velvet blue-burgundy. The beards are vermilion-orange. The flower is highly textured and ruffled in its continuous motion.
A night view through the wisteria fills the entire canvas with blooms and branches against emptiness. Background colors are metallic forming solder-like colors of silver, violet, blues and greens, hanging in a fresh, wet slick gloss.
A mature male figure fully bearded under a dark cap in an orange-red short sleeve shirt over black shorts, walking on the beach with the ocean fully behind him and seagulls on the sand and in the air around him. He's holding an empty bag and there are actual bread pieces on the beach. The ocean water is highlighted spotted in whites and silver points. The horizon line is made of silver dots. The sky is peaceful, cloudless.
Many metallic colored forms are mingled together: navy blue, tonal pinks, emerald green, prussian blue, yellow, gold-ocher, plum, blue-plum and several others. As a composition of metallic colors that give a glass-like sheen the pieces appear in action with each other like in an aquarium.
This sunrise occurs on, and in, a wetly applied paint of layers of blue over violets. The large orbed sunrise is sandstone. There are violet hazes in the sky over the ocean of infinitely layered blues and greens soaked over each other with a faint reflection of the sandstone sun and violet haze on the water.
The sky is less than a fifth of the top of the canvas done in smudged-grocery-store-stamp-ink-blue. The ocean is midnight-blue, calm, with small waves coming ashore in thin-water-white. The beach sand is warm-clay (wet where the waves soak in.) A small light colored rowboat is pulled up by a lifeguard shed near the dune fences down front.
Portrait of three irises: yellow, opal, yellow-burgundy and several color-tipped buds below. Much leafing spear-shapes in dark and bright greens. The irises are ruffled and plain, velvety and silken and brushy bearded. The sky is pale blue-gray. The sheen is high gloss and luminous.
A very high textured composition in colors of purple-burgundy-blue thinning to white creating a torrential sky of forceful wind pushing tattered cloud-like formations across the canvas. Designed for touch.
A bright blue sky winter day with tall gold-bronze-feathered dried grasses covered in snow. A leaning rose of sharon tree is the focal point. It's fine black branches and dotted dried bloom casings of last year's growth covered in thick snow creating masses of parallel lines in the branches holding sprays of dots.
A gradual sloped hillside covered with growth, trees, bushes, flowers in color ranges of orange-reds, yellows, greens, violet, cream and clay. The horizon line is formed by an earthen violet-turquoise ridge 2/3 up the canvas and all across it in the background. The sky moves right to left with dark violets turning to blues in a misty-opal silver streaked sky.
A harsh steel-gray snow sky pushes down on a black ocean pelting it in white throws of snow. The storm has hit hard and broken over dune grasses and heavily covered the beach. Stains of sand color weave throughout the flimsy wooden fences along the shore.
The bluest windswept sky with wisps of white moving through it. Daylight shows a calm ocean with waves and chops of water in tones, and shadow tones, of deep prussian blue.
A cloudless metallic ultramarine-blue sky over a dark gray-white ocean. New white snow covers the beach, dunes, fencing and crimson remnants of last year's grasses.
A threaded white-aqua morning sky with high-blue openings over a misted ocean of muted-turquoise rushing a new wash-up of shells on wet coral-pink and gold sand.
The painting depicts two men and a dog on a walk to a lake under bare-branched trees holding the light of a full moon. The sky is a dark-aqua with some lighter-blue-gray and violet mists. The moon is large and fully white. The hills surrounding the far-side of the lake are grape-purple. The water is luminous-blue. The beagle dog is pawing at its edge and the men are catching up.
Looking into a pastel sky of light-blue-gray. Passing by, and through, floating puddles of greens and blues splashes of gold and purple-violet.
A startling close up of blooming morning glories in light blue, pink, white and magenta bursting out from the vine and broad ribbed deep-green leaves.
More than a dozen irises short-stemmed in a clear vase against a dark periwinkle-blue background. The colors of the iris vary greatly and include turquoise, electric-blue, blue-grape, orange yellows, alizarin crimson, pale-violets, pinks, pale-blue, white, cream, burgundy, mint-green with a variety of beard colors. The stems are tonal touches of sea-green. The bud tips rise throughout the bouquet with richly colored crayon-shaped tips. The table the vase sets on is black lacquer. The entire finish is glass like.
Two tiers of white cotton curtains dress a double hung window against a pale yellow wall. The scene out the window is a dark green-gray hillside with a road winding up seen through a spray of tall ornamental grasses standing right-out the window. There is a raw gold-bronze tone in the grasses. There is a white-iridescence in the curtains of two full length panels and two half linked panels opened to different widths exposing the view.
Perspective from waters edge down beach. Sky and ocean are dark gobbed colors of purple-blue. Tiny stars are scattered in the blue-black heights above the bruised-purple horizon. The midnight-blue ocean has been applied to the canvas in thick smears and touches and is fully textured. The waves are breaking in shards of light that crest white and fade blue onto the wet smooth sands of the beach deep into the night.
A man in his early sixties is looking directly at the viewer. His eyes gently invite contact. His skin and face are smooth and fresh from new sun. His hair is several shades of brown-amber-gold. He's wearing a loose hoodie that is white and has lines for drawstrings and folds of the fabric. The background is a pretty-blue tonal effect making place for the bright presence.
A horizontal view of a streaming effect made by a cake-icing-applied modeling paste process of high textured acrylic in striated colors of dark, medium and light blues crusted in silver-frost with an undertone blush of almost-pink-violet. Designed for touch.
A portrait of a mature man in his late thirties with a full black-blue beard, whitening temples, eyes and brows dark blues. Hair is a dark burnt-sienna with strokes of blue-black. Man is wearing a navy blue shirt detailed with scraped lines. Shadowing in darker flesh tones. Background smeared white.
This vertical panel has a burgundy background washed over with blue-satin glaze. The Blue Himalayan Poppies consist of three leafy stems. The leaves are highly textured and are in a brilliant grassy incandescent green applied with darkening stains. The blooms, of which there are three, are sculpted in texture and colored a pure light-blue-violet with yellow-white centers.
Portrait of a mature man, looking inward, in a stilled position arms resting on the table in front of him. Background is cream. The portrait is formed with bold lines of prussian blue and blue-green. The face has half tones breaking across cheeks and throat. Lips are a spot of crimson. Hair, beard, eyes and eyebrows are in dark blue-aqua. The portrait is airy and light and solemn.