Ahari

@ahari.bsky.social

127 Followers 159 Following

Hobbyist pixel artist & game dev. 🔞 but probably nothing too strong. But still: 🔞.

A cropped image of a fake newspaper page from Team Fortress 2 promotional material featuring a fake ad for a rocket launcher. It features a stock image of a rocket launcher and a picture of Fred Astaire in top hat, cane and tails. The fake ad reads: TAKE THE LIFE OF FRED ASTAIRE Only $37.53 MAKE HIM PAY WITH THIS ROCKET LAUNCHER Transfer his fame to you!!!! PO Box 857, Saratoga NJ
A clip from Forbidden Letters (1979). Robert Adams (Larry) in bed on the phone with Victoria Young (Iris) in a phone booth. Larry: Iris, what am I going to do today? Iris: Look, Larry, sweet, lovable, schizo that you are. Get out. Cruise, go to a movie, do something a little kinky. See a porno flick, get hot, take a Quaalude, sleaze around. Hmm... not the bars, the streets. Meet someone, talk, blow them, fuck. Do anything!
Screencap of the "recent activity" panel of a letterboxd profile. It shows posters for: Gold Diggers of 1933 (1933) Love Me Tonight (1932) The Smiling Lieutenant (1931) The King of Jazz (1930)
Sprite rip of the robot dragon boss from Megaman 2
Dr. Wily from Megaman 2 sitting in his flying saucer with the stem of a word bubble to suggest that he's speaking the quoted tweet
The Gay Divorcee (1934). A close-up shot of a clock. It has a low base of dark marble and a large circular face. The numbers on the face are printed in an elegant art deco font.
Screencap of the tumblr sexyman wiki's rules, which reads: 4. No Characters from NSFW sources, or characters heavily popularized by NSFW material. Characters such as Ankha from Animal Crossing are banned from this wiki. While NSFW scenes can appear in the source material, they shouldn't be its main focus. The rule of thumb is: if the source material's genre or basic description of the premise contain the words "erotic", derivatives (such as eroge or erotica), or similar terms, the characters are not allowed 99% of the time. This also applies to fetish material that doesn't immediately read as sexual. For example, Puro from Changed is banned due to the source material dealing with transformation kinks. While the Furry fandom is not inherently sexual, many characters that are exclusively popular within this fandom fall under this rule. Characters that have a lot of Rule 34 of them ARE allowed as long as there is a genuine non sexual interest in them besides that.
A screencap of the recent activity panel on a letterboxd profile, showing posters for The Killing of Sister George (1968), All About Alice (1972), Spy on the Fly (1967), and The Roman Springs On Mrs. Stone (1963).
Poster for Vampire Boys (2011). A row of four muscular white guys with open shirts/vests who are dressed/styled like it's 2006. Notably all wearing crucifix necklaces despite being vampires.
Screencap of the Recent Activity panel on my letterboxd profile. It contains posters for: Different From the Others/Anders als die Andern (1919) Pink Narcissus (1971) Fireworks (1947) Screen Snapshots (Series 16, No. 1) (1936) Screens Snapshots was a short film that featured Cary Grant and Randolph Scott spending time together in public, and was paired with My Favorite Wife (1940), which featured them as "romantic rivals" for Irene Dunne's affection.
Angel (1937). Herbert Marshall is getting dressed for the evening with the help of his valet, played by Edward Everett Horton. EEH: You're going to the opera tonight, sir? HM: Yes, yes, that's where I'm going. EEH: If I may say so, sir, my favorite opera is Cavalleria Rusticana. EEH: It's only one act, but it has everything: Love, jealousy, hate, murder. And all in 35 minutes. I timed it once. HM: Isn't that the one where the husband suspects the wife of... singing with another man? EEH: And catches them. Right in the middle of a beautiful duet. HM: He kills her, doesn't he? EEH: Well, not immediately. No, sir. EEH: First, he joins them in the most exquisite trio. HM: Naturally.
A cropped screencap of a reply that solely consists of 4 crying face emojis followed by a snowflake emoji.
Garfield looking at a "NO GARFIELDS" sign and saying, "Huh. I wonder who that's for."
A screencap of the original post that got this account (netrennai.bsky.social) blocked. It features text art of a little person with a... fish(?) on a fishing line. The little person says, "nanka tsureta" (Caught something). Next is the same little person striking the fish thing. They say, "Fuzakenna, kono yarou." (Google translate renders this as "Go fuck yourself, you bastard!") The little fish thing says, "itai" (ow)
A preview thumbnail of a video by youtube user MuraXII titled "Why Is Japan OBSESSED With This Fat Dude?" The preview thumbnail features Torneko from Dragon Quest IV standing on a pedestal labeled "#1" with a mountain of coins and a line of five stars behind him.
Photo of the lower screen of a 3DS showing a freshly hatched shiny charmander.
Meme of the robot cop setting up a "NO FUN ALLOWED" sign
Screencap of part of the letterboxd page for A Free Soul (1931), directed by Clarence Brown. At the top of the page, a photo of Clark Gable and Norma Shearer staring into each other's eyes. The tagline reads, "She wasn't a divorcee but she believed that strangers could kiss!" The plot summary reads, "An alcoholic lawyer who successfully defended a notorious gambler on a murder charge objects when his free-spirited daughter becomes romantically involved with him."
Screencap of the title screen from the cartoon Rude Dog and the Dweebs. Rude Dog is a very stylized Bull Terrier-ish cartoon dog with one hot pink eye and one black eye, with chevron-shaped pupils in contrasting colors
Clip from the wikipedia article for "My Friend Irma," the franchise as a whole. Under the heading "Lawsuit," it reads: In 1946, writer Arthur Kurlan had worked with CBS Radio in an attempt to bring the premise and characters of the popular play and film My Sister Eileen to radio. Soon after this effort failed, the very similar My Friend Irma was created. Kurlan took legal action, and ultimately received a settlement from CBS.
No Highway in the Sky (1951). Glynis Johns in a nurse's uniform speaking to Marlene Dietrich. Glynis says, "He was so old-school about us both staying here. It was very sweet really."
A rendered image of a metallic monkey's head ("Suzanne," a default geometric object for doing tests just like this) lit by a couple of spotlights. A bit of lens distortion and glare is added before a bit of film grain on top.
A screencap of the "recent activity" panel of a letterboxd profile, featuring Cheaper by the Dozen (1950), No Highway in the Sky (1951), Woman of the Year (1942) and Harvey (1950).
Variety Magazine, Jan 4th, 1950, pg 44. A smiling anthro lion in a coat and tails swings on the clapper of a giant bell labeled "1950." At the top, "SWING INTO" in large letters. Below, a box with a photo of the MGM lion and the text "This symbol of great entertainment appeared on 100% of the nation's screens in celebration of M-G-M's twenty-fifth anniversary!" followed by some smaller text hyping up MGM.
Nightmare Alley (1947). Ian Keith as Pete Krumbein, the alcoholic assistant to his wife Zeena's carnival mind-reading act. He's demonstrating cold-reading for Stan (Tyrone Power). The subtitle reads, "[scoffs] See how easy it is to hook 'em?"
The Letter (1940). Bette Davis wrapped in an intricate lace shawl, looking off to the side.
The Dark Corner (1946). William Bendix holding up a lit match in a dark room near an open window.
Chicago Deadline (1949). A close-up of a hand placing a small photo of Donna Reed as Rosita into a notebook. Beneath the photo, fragments of handwriting are visible, including "What has Spingler to do with Rosita?", "Why is Solly scared...", "Tommy tried to...", and "She died... cheap hotel..."
Screencap of Legends Arceus showing a newly evolved Ursaluna.
High Wall (1947). Audrey Totter, distorted as a shimmering water effect plays over her face. The subtitle reads, "YOU CAN'T RESIST."
Screencap of Pokemon Legends ZA on the Requests screen. All of them have been completed except for "Winning Pokemon Battles (15)." Current progress on the task is 843 out of 1000.
Screencap of Pokemon Legends: ZA. A box full of newly-reconstituted Tyrunts, with the cursor on an Alpha Tyrunt.
He Walked By Night (1948). Richard Basehart, seen in silhouette and clutching a flashlight, fleeing through the spacious sewers under Los Angeles.
Where the Sidewalk Ends (1950). Dana Andrews sits in an office, being lectured by his boss. The subtitle reads, "You don't hate hoodlums, you like to beat them up. You get fun out of it."
Angel Face (1952). A couple of smiling old women who are patients in a jail hospital ward. One holds a little single-tier wedding cake. She says, "But kids, we sure hope you beat the rap."
Noroi (2005). Rio Kanno as Kana, looking down as she draws at a low table. She says, "I guess it's too late for all of us."
Mandy (2018). Andrea Riseborough as Mandy in the passenger seat of an 80s sedan, holding a cigarette and looking toward the driver. A reddish light and filter are applied on the image, giving it a fiery look.
Screencap of Pokemon Legends ZA. My character sitting in an outdoor booth near a food truck/cafe. Across from him is a shiny Fletchinder.
The Quatermass Xperiment (1955). A glass tank containing a live white mouse and a goopy lump/puddle of organic tissue.
Barbarian (2022). A cathode ray tv/vcr combo with a VHS tape labeled "GAS STATION RED HEAD" visible in the slot.
I Saw the TV Glow (2024). A close-up of a burning cathode-ray tv sitting on a lawn at night with the tube busted out.
Pokémon Legends ZA. On a Lumiose street, a woman says, "I don't get this Z-A Royale... Do people just want to brawl?"
The Babadook (2014). Essie Davis as Amelia, looking haggard. She says to her child, (offscreen) "I am the parent and you are the child so take the pill."
M3GAN (2022). The titular robot doll, connected to the harness used in her development. She says, "The total and permanent cessation of all vital functions."
Under the Skin (2013). Shot from inside a van, looking out of the front passenger window at a man trying to give the driver directions. He says, "This is gonna be pure hard to explain."
Longlegs (2024). A close-up of a life-sized porcelain doll with a shattered head. Something from within the head is giving off black smoke.
History of the Occult (2020). A smear of bright red color on a pure black background. The smear reveals a red and black image of a human skull.
Lake Mungo (2008). Grainy digital video still of a Nokia phone, a bracelet and other small items in a plastic shopping bag, harshly illuminated by an off-camera flashlight.
Nosferatu (2024). Simon McBurney as Herr Knock, kneeling, mad, and bloodied. He says, "Charge me. Use me."
Murders in the Rue Morgue (1932). Bela Lugosi as Dr. Mirakle grinning widely at Erik the gorilla, eerily lit from below.
The Mummy (1932). Zita Johann and Boris Karloff locking eyes in inexplicable recognition of each other.
Screencap of the Recent Activity panel of my letterboxd profile. It displays posters for Night of the Demon (1957), The Incredible Shrinking Man (1957), Violated (1953), and The Return of the Vampire (1943).
Night of the Demon (1957). A close-up of a slip of paper with two rows of runes written on it.
The Incredible Shrinking Man (1957). Grant Williams as the Incredible Shrinking Man, seated on a couch in a dollhouse and contemplating a shard of metal that's angled like a box cutter. The subtitle reads, "But each day I thought, 'perhaps tomorrow.'"
Violated (1953). A woman reading a newspaper, holding it up with the front page to the camera, so that only the top of her head is visible behind it. The front page reads, "Ripper still at large--Police baffled!"
Return of the Vampire (1943). Matt Willis as a wolfman, in a foggy cemetery, holding a package under his arm. The subtitle reads, "(seething)"
The Unknown (1927). Norman Kerry as Malabar and Joan Crawford as Nanon, performing a stunt/stage magic trick where he appears to be holding two horses in place as they try to run in opposite directions.
The Hands of Orlac (1924). Fritz Kortner tilts his head back to show off a scar that completely encircles his neck
The Hands of Orlac (1924). In the corner of his father's living room, Orlac (Conrad Veidt) sinks his head between his shoulders as low as possible and clutches his face with both hands in anxiety as he watches police detectives (off camera) do their work
The Hands of Orlac (1924). Conrad Veidt staring dead into the camera looking like he's trying to explode his own head through sheer force of will