Andrew™

@anxovert.bsky.social

1191 Followers 455 Following

58yo Australian genderqueer/feminine-of-centre ASD male. Married with three adult kids. He/him. Nintendo Switch friend code: SW-0942-4628-4596 I’m too fungible for my social media platform. #2f4smp

Cover of Ryan Adams’ album Gold. Adams stands in front of a large inverted American flag with his head bowed and his hands at his hips. He has messy black hair and wears a dark blue sports jersey with red-and-white shoulder stripes and the number 79 across the chest, blue jeans, a studded belt and several bracelets.
Kindle quote graphic on a white background. Large black text reads: “‘Fuck, fuck, fuck,’ she cried out, and I made a mental note to correct such coarse language.” Below, the quote is attributed to Ella Ford, Lesbian Weekends: The Complete Trilogy. At the bottom is “#kindlequotes”.
Illustration on a teal background of one person in a red top and pale trousers lifting another person into the air in an enthusiastic embrace. The person being lifted wears a black-and-white striped shirt and light blue trousers, holds a baguette, and laughs with their legs kicked out behind them. Handwritten text across the top reads, “WE ARE EUPHORIC BECAUSE WE FOUND THE MOST DELICIOUS BAGUETTE.”
Colour illustration on an orange background of a woman riding an oversized black toy-like pony with a long green mane and tail. The woman wears a flowing pale dress and a tall orange traffic cone as a hat. She raises part of her dress dramatically in one hand as confetti falls around her. A speech bubble says, “YOU’RE SO WEIRD…” She replies, “THANKS, I HOPE ONE DAY YOU’LL FIND THE COURAGE TO BE YOURSELF TOO!” Artwork credited to @LANEY.MOLNAR.
Album cover for Joan Armatrading’s Track Record. Against a pale blue background, Armatrading poses like a sprinter at the starting line on top of a black grand piano, leaning forward with both hands down and one leg extended behind her. She wears a loose black outfit with white socks and shoes. At upper left, “Joan Armatrading” appears in white with “Track Record” in red-orange beneath it. The A&M Records logo appears at lower left.
Quote graphic on a purple background scattered with small stars. Large white italic text reads: “As she met his eyes, electricity jolted between them—luckily the voltage was low and safe.” Below, the quote is attributed to Cari Silverwood, Dark Math Jesus. At the bottom is the hashtag “#kindlequotes.”
Screenshot headed “Content Summary.” A note explains: “This summary is AI-generated based on top 100 posts by engagement (Prompt). As with all AI models, it may contain errors and misrepresent users’ statements. This is experimental - interpret with caution.” The AI-generated summary describes the account as primarily focused on literature, music, and personal reflections about social media. It highlights frequent discussion of books and reading choices, particularly romance and lesfic, along with a desire for more genuine social media interactions and meaningful connections rather than self-promotion. It also notes frequent posts about album covers, music videos, bands, and songs, suggesting a strong interest in the arts. The second paragraph says the account engages with current cultural trends, including the portrayal of women in romance novels and online social dynamics. It mentions the use of emojis and hashtags in posts about reading and music, and concludes that followers can expect “a blend of literary musings, musical insights, and reflections on the state of social media interactions.”
A wooden clothes peg set upon a plain white background. Tiny closed eyes with eyelashes are drawn on the two upper tips of the peg, turning them into two faces pressed against each other as if kissing. Beneath the peg, handwritten text reads, “THE KISS.”
Album cover for Chappell Roan’s The Rise and Fall of a Midwest Princess. Chappell Roan poses in front of a brightly lit dressing-room mirror with voluminous curly red hair, dramatic makeup and a small tiara. She wears a sparkling turquoise pageant-style dress and a sash bearing her name, and holds a bouquet decorated with pink ribbons and flowers.
Alt text: Screenshot titled “Andrew’s read next folder,” showing a grid of 20 book covers. Titles include • In at the Deep End by Kate Davies • Attachments by Rainbow Rowell • The Girls by Emma Cline • Conversations with Friends by Sally Rooney • Pretend I’m Dead by Jen Beagin • Everyone in This Room Will Someday Be Dead by Emily Austin • Milk Fed by Melissa Broder • Cold Heart Creek by Lisa Regan • Paradise Valley by Robyn Carr • When the Sun Goes Down by Arabella Black • Greetings from Jamaica, Wish You Were Queer by Mari SanGiovanni • Fixer Upper by Cara Malone • The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid • Behind the Green Curtain by Riley LaShea • Lou Reed: A Life by Anthony DeCurtis • Eligible by Curtis Sittenfeld • The Uncool by Cameron Crowe • What I Want by Frances M. Thompson • Queenslander by Laura Garden • A Kink in the Deal by April Cross, Alec Lake and Kristin Lance.
Album cover for Graham Parker’s Struck by Lightning. A circular photograph shows a sunny rural landscape surrounded by trees and hills. In the foreground, a man leans forward, pointing toward a child in the distance who is holding a butterfly net. Large red text across the top reads “STRUCK BY LIGHTNING,” with a lightning-bolt symbol incorporated into the title. “GRAHAM PARKER” appears in large white letters across the bottom.
A McDonald’s fries carton filled almost to the brim with ketchup, with three tiny condiment cups of French fries arranged in front of it. A laptop sits in the background on the table.
A screenshot from Disney Dreamlight Valley showing a player character dressed in a full-body orange-and-black tiger onesie with a hood and ears, standing on bright green grass. Beside them is a large tiger, while a small tiger cub stands in front. The character rests one hand affectionately on the large tiger’s head. Trees, rocks, and blue sky fill the colourful background.
Screenshot of a social media “Add muted words and tags” settings screen. The word “lettuce” has been entered as the term to mute. The selected options mute it for 30 days and apply the mute to both post text and tags. Other duration options shown are Forever, 24 hours, and 7 days, with an alternative option to mute tags only.
Album cover for Bob Dylan’s Desire. A close-up photograph shows Dylan in profile outdoors, wearing a large grey hat with a patterned band, a thick fur-collared coat, and layered scarves. The softly blurred background is filled with green trees. “Bob Dylan Desire” appears in stylised white lettering at the upper right.
A four-panel comic titled “How to Hold a Cat When You Are Not Used to Holding Cats.” A person repeatedly ignores warnings not to pick up a cat. The panels read: “1. Don’t hold the cat.” “2. Don’t do it.” “3. What did I just tell you?” and “4. Fucking idiot.” By the final panel, the furious cat has latched onto the person’s head as they run away screaming. Comic by The Oatmeal.
A repurposed “Flat Earth Society” graphic altered to read “Flat Ear Society.” In the centre is a grey-and-white cat with noticeably flat, folded ears. The slogan at the bottom has been altered to read, “The ears is flat.”
A scanned newspaper clipping headed “HEALTH HINTS FOR THE HOT WEATHER.” It presents a series of tongue-in-cheek Victorian-era tips: Don’t lie on the damp ground; and to avoid lying on the damp ground unexpectedly, keep a civil tongue in your head at all times. Be regular in all your habits, especially that of drawing your salary. Don’t sit down at a picnic party without first ascertaining that the place is not occupied by a small but frolicksome bee. Keep your mouth closed when you are travelling, and, if you are a married man, don’t open it too often when you are at home. Always say a plain “Good morning” to your wife when you are leaving home for your place of business. “By-by” sounds very endearing, but she may misinterpret the remark, and buy a high-priced bonnet. Don’t depend on your own knowledge of medicine if you are ill. The jury might return a verdict of suicide whilst in a state of temporary insanity, and this would give your late neighbours an opportunity of remarking “I told you so!”
A black-and-white collage of three cropped photographs of smiling women. On the left, a woman smiles directly at the viewer above the caption, “I DO”. In the upper right, the same woman smiles at another woman, who smiles back, above the caption, “I DO, TOO”. In the lower right, three women smile together above the caption, “WE ALL DO”.
Vintage-style illustration of the interior of a rustic bunkhouse with three men quietly reading. One man lies on the upper bunk with a book propped in front of his face. Below him, a second man reclines on the lower bunk, also reading. In the foreground, a third man sits on a wooden chair with his feet resting on a table as he reads a newspaper or magazine. A pair of boots lies on the floor beneath him. The wooden walls are decorated with pin-up illustrations of women, and a kerosene lamp is mounted high on the wall, suggesting a simple, old-fashioned setting.
Album cover for Art by Regurgitator. A minimalist design consisting of a bright yellow background with the band’s name printed in bold black lowercase letters across the top, followed by an asterisk. Beneath the asterisk, in small black text, is the disclaimer: “actual product may not match expectations”. The album title, stylised as "...art", appears in large white letters with a thin black outline positioned at the centre-right of the cover.
A tabby cat lounges on a neatly mown lawn, reclining casually with its front legs stretched out as if relaxing in the sun. In the foreground, a sign on a wooden stake shows the silhouette of a dog inside a red circle with a diagonal slash, indicating that dogs are not allowed. The cat is positioned just behind the sign, making it look smugly at home in a space where dogs are banned.
A photograph of two black bears sitting facing each other in a grassy clearing surrounded by tall trees. The bears lean toward one another with their noses almost touching, creating the impression of an intimate conversation or affectionate moment. Overlaid text at the top of the image reads: “you’re like me if i was you”.
Kindle quote graphic on a muted blue background scattered with small pale stars and decorative quotation marks near the top. The image contains a passage from For the Long Run by Cheyenne Blue: “Tell the truth or lie?” She hadn’t realised she’d spoken aloud until a man dragging a wheelie case shot her a glance. “If you’re asking me, I’d say don’t lie, but if it’s tricky, don’t tell the whole truth either. You can explain later, hopefully.” “Thank you.” She gave him a thumbs up. Random advice from a stranger was as good as anything else. Below the quote, the author’s name, Cheyenne Blue, appears in pale yellow text, with the book title, For the Long Run, beneath it in italic text. The hashtag #kindlequotes appears at the bottom of the image.
Album cover for Serene Machine by Ed Kuepper. The photograph shows weathered suburban sheds or outbuildings behind a patchwork fence made from corrugated iron sheets and rough wooden panels in varying shades of brown, rust, cream and faded red. The foreground is dominated by the mismatched fence, while the simple geometric shapes of the buildings rise behind it against a muted blue-grey sky. The artist’s name, ED KUEPPER, appears in large pale yellow letters at the top right, while the album title, SERENE MACHINE, is printed in large bright blue block letters across the bottom left.
Book cover for Fifty Shades of Grey by E. L. James. The cover features a close-up photograph of a silver-grey necktie tied in a loose knot and draped diagonally across a dark blue-black background. The tie has a repeating geometric texture that catches the light, giving it a metallic appearance. The title Fifty Shades of Grey appears in white and pale grey text in the upper right, while the author’s name, E L James, appears near the bottom left above the line “#1 New York Times Bestseller”.
Screenshot of a music statistics grid showing the user’s most-played artists over a recent period, arranged in sixteen square tiles with artist photos and play counts. The artists shown are: Elton John (144 plays), Ryan Adams (96), Madness (78), Dave Graney ‘N’ The Coral Snakes (74), Machine Gun Fellatio (59), Self Esteem (55), Sam Fender (54), Fightmilk (53), Olivia Rodrigo (49), Amanda Lear (42), Scott Bradlee’s Postmodern Jukebox (42), Deep Purple (39), girl in red (36), Jill Sobule (31), Pretenders (31), and Sia (31). The artist images range from live performance photographs and studio portraits to band publicity shots. Notable images include Elton John leaning back at a piano in front of a huge crowd, Ryan Adams sitting beside a ginger cat, Madness posing on a snowy mountain, Self Esteem seated in a tiled bathroom, and Olivia Rodrigo performing at a piano. The collage reflects an eclectic mix of classic rock, indie pop, punk, singer-songwriters, and alternative music.
Album cover for We Have the Technology by Custard. The band’s name, CUSTARD, appears in large black letters across the top of the cover, with the album title, We Have the Technology, printed beneath it in smaller purple text. The artwork below is a rough, hand-painted scene in bright colours. A large satellite dish dominates the left side of the image, angled toward the sky. In the centre stands a simple white building, behind which a ringed planet hangs in the sky, forming a surreal backdrop. In front of the building, an overturned vehicle burns, sending flames into the air. On the right, a figure with short dark hair holds a microphone close to their mouth as if singing. An aeroplane flies across the sky overhead.
Four-panel minimalist comic drawn in simple black lines on a white background. In the first panel, one character asks, “So, what kind of stuff do you enjoy?” In the second panel, the other replies, “I enjoy looking at my phone and not moving my physical body for hours.” The third panel shows a brief silent pause. In the final panel, the first character, now looking slightly flustered, asks, “Are… are we allowed to admit that?”
Screenshot of a Kindle quote card on a white background. Large black text reads: “Ally gave in to the urge to doom scroll on social media. She tried to pretend she was looking for inspiration for her own posts, but she was barely paying attention to what she was looking at.” Beneath the quote, the attribution reads J. J. Arias, followed by the book title The Love Conspiracy: An Age-Gap Lesbian Romance in italic text. The hashtag #kindlequotes appears at the bottom in blue.
Meme using a formal Regency-era family portrait showing eight children dressed in early nineteenth-century clothing. Two young girls sit together in the lower left corner, two boys stand beside them, three older girls stand around a table, and a small child stands on the tabletop while another boy stands nearby. A large speech bubble added to the image reads: “Wait…where are Mom and Dad?? You know what happens when we let them be alone!!” A watermark reading @homeschooling_withtheclassics appears near the bottom.
Album cover for Disintegration by The Cure. The image is a dark collage of blurred flowers and soft-focus textures surrounding a partially obscured face emerging from the shadows. Pale flower heads and petals appear to float around the composition, against the predominantly black background. Near the centre, the album title and artist name, “THE CURE - DISINTEGRATION”, appear in small pink lettering.
Album cover for California Years by Jill Sobule. Against a soft pale yellow painted background sits a small green cactus in a terracotta pot. From the cactus rises a tall stem topped by a large, vivid pink flower in full bloom, creating a contrast between the prickly plant and its delicate blossom. The artist’s name, Jill Sobule, appears in thin hand-drawn black lettering across the top of the cover, while the album title, California Years, is written in the same style near the bottom.
Meme about book reviews. Large text at the top reads: “WHEN YOU READ A BAD REVIEW OF A BOOK YOU LOVE AND STRUGGLE TO COME TO TERMS WITH THE FACT THAT NOT EVERYONE LIKES WHAT YOU LIKE.” Below is a screenshot from Wallace and Gromit showing Gromit the dog and Wallace sitting at a kitchen table with cups of tea. Gromit looks sideways with a doubtful expression while Wallace appears awkward and uncomfortable as he holds his teacup. A subtitle from the scene reads: “I suppose you can’t be everybody’s cup of tea, can you?” A watermark reading @ROMANTICALLY_INCLINED appears near the top of the screenshot.
Screenshot of a social media post about gender identity featuring actor Olivia Colman. The upper half of the image contains a longer quote on a dark background reading: “I’ve never felt massively feminine in my being female. I’ve always described myself to my husband as a gay man. And he goes, ‘Yeah, I get that.’ And so I do feel at home and at ease. I feel like I have a foot in various camps. I know many people who do. I don’t really spend an awful lot of time with people who are very staunchly heterosexual.” A Getty credit appears beneath the text. The lower half shows Olivia Colman posing in front of a wall densely covered with red roses. She has short dark hair and wears a high-necked sage green dress and long earrings, looking directly at the camera with a slight smile. Overlaid text summarises the quote: “I’ve always felt sort of nonbinary… I’ve never felt massively feminine in my being female. I’ve always described myself to my husband as a gay man.” The image carries a PinkNews logo and identifies the quote as Olivia Colman discussing her identity.
Cover art for Effortless Cool by Homespun, a musical project of former Beautiful South guitarist/songwriter Dave Rotheray featuring vocals by Sam Brown. The cover shows a black vintage four-door saloon car parked in tall grass beneath a pale, cloud-filled sky. Photographed from a low front angle, the car’s boxy shape, chrome trim, grille and round headlights dominate the image. The registration plate reads “BHC 2”. The band name “HOMESPUN” appears in bold block lettering in the upper left corner, while the album title “EFFORTLESS COOL” is displayed in large metallic text across a white strip at the bottom of the cover.
Screenshot of a digital bookshelf or library app headed “New Arrivals”, displaying six recently added book covers arranged in two rows of three. Top row: • 2 in the Pink by Tabatha Kiss, showing two men in dark suits against a pink background, cropped so only their torsos and hands are visible. • The Fifty Shades Trilogy by E. L. James, featuring the silver necktie motif associated with the series against a dark background. • The Barrier by Victoria Avelan, with an eerie blue-green cover showing two silhouetted figures and a small animal standing before several large, ghostly faces and human forms that seem to materialise from mist or water. Bottom row: • The Story in Your Eyes by J. D. Lorien, featuring a sketchbook-style illustration with pencils, headphones, and a partially drawn figure wearing sunglasses. • A Small Country About to Vanish by Victoria Avelan, showing the worn keys of an old piano beneath the title text. • A Kink in the Deal, an MMF romance by April Cross, Alec Lake, and Kristin Lance, with a cover depicting a woman embracing a shirtless man while a second shirtless man stands close beside them.
Poster styled like a vintage travel advertisement reading “VISIT WIDOW’S BAY” in large cream and yellow lettering above a small island surrounded by calm water beneath an overcast sky. A slogan below the island reads: “THE NEXT MARTHA’S VINEYARD & DEFINITELY NOT CURSED.”
Two-panel comic by Ryan Mason of At Random. In the first panel, two hospital workers stand at a reception desk as an orange cat walks through a doorway behind them. One worker says, “They say he visits patients to comfort them shortly before they pass.” In the second panel, the orange cat sits upright on the chest of a patient. The cat holds a pillow in both front paws as it approaches the patient’s face.
Cover art for Lost Dogs and Mixed Blessings by John Prine, illustrated in a folk-art style. The title and artist’s name are hand-lettered in large black text. In the foreground, a simple country house with a patchwork roof occupies the left side of the image. On the porch, a red, satanic figure in blue overalls sits playing music with a blond angel sporting a halo and white clothing. Across the rest of the scene, small winged dogs run across the ground and fly through the air while rolling green hills in the background are dotted with gravestones enclosed by fences.
A ginger cat lies on a wooden floor beside a white shelving unit, apparently engrossed in an open paperback book propped upright in front of it. One paw rests against the page as if holding its place while reading. Several other books are scattered around the cat, with more books stacked vertically inside the shelf alongside rows of CDs and a media player. A deep red shag rug fills the foreground.
Screenshot from Magic Carpet, the 1994 fantasy PC game by Bullfrog, showing the game’s distinctive low-polygon 3D graphics and tilted perspective. The view looks across a desert landscape past white buildings topped with terracotta roofs. Two characters stand on flying carpets hovering above the ground. A bright yellow sun hangs in a pale blue sky streaked with clouds, while several stone pillars rise from the desert in the distance. A small circular minimap appears in the upper left corner.
Screenshot of a social media post by Merritt K featuring the quote: “From the moment I understood the weakness of my flesh, it disgusted me. I craved the strength and certainty of steel. I aspired to the purity of the Blessed Machine.” Beneath the text, a white cat sits inside an elaborate cardboard mech suit constructed from shipping boxes and cat food cartons, with only its head visible through an open cockpit at the top. The suit resembles a bulky robot or powered exoskeleton, complete with boxy legs and arm attachments. Several sections display Japanese text and Sheba cat food branding. A second cat, white with dark patches, stands upright on its hind legs with one paw raised toward the machine, as though greeting or inspecting its newly mechanised companion.
Cover art for I’m Doing It Again Baby! by girl in red. The album cover features the title “I’M DOING IT AGAIN BABY” in large, chunky, dark green letters arranged across a white rectangular panel against a pale, minimalist background. The oversized word “BABY” spans the bottom of the design. In the lower right corner, a blurred figure wearing a dark suit and a bright red hat runs across the foreground in mid-stride, partially overlapping the lettering.
Full-length promotional portrait of a smiling older man with neatly styled grey hair and a trimmed grey goatee, standing indoors in a dark navy ship captain’s uniform. The double-breasted jacket features gold buttons, gold cuff stripes, and epaulettes with multiple rank stripes on the shoulders. He wears a white shirt, dark tie with a tie bar, and a white pocket square, with one hand in his trouser pocket and the other resting near the captain’s hat tucked under his arm.
Quote graphic on a white background featuring large black text reading: “TRANS WOMEN ARE WOMEN. KINDLY SHUT THIS BOOK IF YOU THINK THAT IS UP FOR DEBATE.” Below the quote, smaller text credits: Rebecca Lucy Taylor A Complicated Woman: The Instant Sunday Times Bestseller by SELF ESTEEM At the bottom of the image is the hashtag #kindlequotes in blue.
Album cover for Live at the Star Club, Hamburg by Jerry Lee Lewis. The image shows a live performance on a dimly lit stage, with Jerry Lee Lewis performing at a grand piano under a bright overhead spotlight. To his right, members of his backing band play drums and bass in the shadows. The stage floor is illuminated by warm amber light, while the audience is barely visible at the edge of the frame. Large white block letters across the top spell out JERRY LEE LEWIS. In the lower left corner, the text reads “LIVE” AT THE HAMBURG in black and red lettering, while the venue name Star Club appears in red script with a star motif. A Philips logo sits in the upper right corner.
Black-and-white single-panel comic divided into four scenes showing people outdoors while paying more attention to their phones than their surroundings. In one panel a man walks through a park while looking at his screen. In another, an older man sits on a patio beside a coffee cup, staring at his phone. A third panel shows a woman lying on a picnic blanket with a dog beside her while using her phone. The final panel shows a hiker beside a lake and mountains, also looking at a phone in hand. In the centre of the comic is a large caption styled like an advertisement logo reading: “OUTSIDE” followed by the slogan: “it’s like checking your phone inside, but outside!”
Screenshot of the Spotify mobile app’s Your Library page in dark mode, showing recent playlists and albums arranged in a two-row grid beneath category buttons for Playlists, Audiobooks, Albums and Artists. The top row shows: • Auf Wiedersehen, Pet, a playlist by Andrew, with a black-and-white portrait of a bearded man against a purple background. • 24/7 Mix, a playlist by Andrew, featuring a cartoon avatar DJing behind glowing turntables. • A Time For Love by Stacey Kent, showing the singer in profile with windblown hair against a pale background. • WOR$T GIRL IN AMERICA by Slayyyter, with a blue cover featuring partially visible figures and a large red dollar sign. • Cruel World by Holly Humberstone, showing the artist in a white blouse against a dark blue background with her head resting on her hands. The bottom row shows: • Last Week’s Horse by Happy Just to See You, with a colourful floral cover surrounding the album title. • We Mean It, Man! by Gogol Bordello, featuring a black-and-white figure and bold pink lettering on a green background. • REDSTAR WU & THE WORLDWIDE SCOURGE by Genesis Owusu, showing a glowing yellow horse and rider marked with a red star against a dark background. • Secret Love by Dry Cleaning, featuring a close-up of a reclining woman’s face framed by several hands. • Best of Our Possible Lives by Boy Golden, showing a moustached man in a cowboy hat standing chest-deep in the ocean. At the top of the screen are search and add buttons, while the section is labelled Recents, indicating these are the user’s most recently accessed playlists and albums.
An illustration in pink and peach tones showing a young woman lying sprawled on a wooden floor surrounded by vinyl records, album sleeves and music memorabilia. She wears headphones and smiles with her eyes closed, one arm folded beneath her head as if completely absorbed in the music. A turntable beside her is playing a record, with the tonearm lowered onto the disc. Record sleeves and loose vinyl are scattered across the floor in every direction, alongside two boxes overflowing with albums. Many of the covers appear to reference punk, alternative and indie bands and artists. Behind the woman stands a pale pink cat.
Vintage comic panel showing two women together in a bed under white covers while an older woman with glasses leans in from the left side of the frame, apparently confronting them. A red-haired woman sits in the foreground while a dark-haired woman wearing a flower in her hair lays beside her. Both women in the bed are turned toward the older woman and appear to be responding to her question. The speech bubbles read: Older woman: “WHAT ARE YOU DOING IN HILDA’S BED, SUE?” Red-haired woman: “I WAS COLD–SO–” Dark-haired woman: “THAT’S RIGHT, MISS KLATCH! SHE ALWAYS COMES IN MY BED WHEN SHE’S COLD! YOU SEE, I’M A LITTLE PLUMPISH, AND–!”
Album cover for The Horse’s Prayer by Mick Thomas and the Sure Thing. A large draught horse wearing a harness fills the left side of the image, standing on a city street at night. Behind it, warmly lit shopfronts glow in orange and yellow tones while pedestrians, bicycles and a parked scooter are visible in soft focus. Near the top of the cover, handwritten text reads “the horse’s prayer” alongside the Chinese character for “horse”. Large white lettering across the centre reads “MICK THOMAS and the sure thing”. A black circular sticker in the lower left corner proclaims: “THE BRILLIANT NEW DOUBLE ALBUM FROM THE FORMER FRONTMAN OF WEDDINGS, PARTIES, ANYTHING”.
A young woman sits cross-legged on the floor with her chin resting on one hand and an unimpressed expression on her face. She has brown hair tied in a side ponytail and wears a blue button-up shirt, dark trousers and black shoes. A mug of coffee sits beside her, decorated with a rainbow and cloud design. The image is framed by a pale blue border and overlaid with the text: “Without me, my coffee is useless.” At the bottom, larger text reads: “Good Morning”.
Screenshot of a “New Arrivals” section displaying six book covers arranged in a two-by-three grid against a dark background. Top left: The Best Friend Bargain by Crystal Kaswell. A bright turquoise cover showing illustrated figures of a tattooed man in a blue shirt and a woman in a white top with a red jumper tied around her waist standing beneath pale palm trees. Subtitle: “An Inked Love Novel.” Top centre: bad nikki by Arnica Butler. A black-and-white photographic cover featuring a blonde woman looking over her shoulder toward the camera, with the title in layered and partially repeated red text across the top. Top right: good nikki by Arnica Butler. A colour photographic cover featuring a blonde woman with smoky eye makeup gazing directly at the viewer, one arm raised behind her head, with the title in red lettering across the top. Bottom left: Under the Bridge by Delores Swallows. A woman in a fitted burgundy dress and high heels stands with her back to the viewer against a pale yellow background, turning her head slightly in profile. Bottom centre: The Assistant by Rivka Demone. A close-up image of crossed legs in a short black skirt beside scattered papers and office items on a desk or floor, framed by pink dotted patterns with the title in large pale pink lettering. Bottom right: Byrd & Bea by Rivka Demone. A black-and-white cover showing the lower legs of a person wearing high heels, with the title in large pink lettering and the tagline, “She’s going to get what she asked for.”
Album cover for Bitch Epic by Deborah Conway. The image is tinted in vivid pink and purple tones, with the artist’s name and album title printed in large yellow letters around the edges of the cover. Deborah Conway is shown from the waist up, her mouth open wide as she raises a large piece of cake toward it from a tray balanced against her chest. Her body, arms, and hands are coated in Nutella hazelnut spread, giving her skin a glossy, textured appearance under the studio lighting. The tray is piled with cake and cream.
A white quote card featuring a passage by J. J. Arias from the novel The Love Conspiracy. The quote reads: “As a society, we think men are bad at communicating and showing their emotions, but the message they get their whole lives is to be the strong, silent type. At our cores, I think people are people. If we were to start over, I think the natural order would be genderless. It’s a construct.” Below the quote, the author’s name, J. J. Arias, appears in bold, followed by the book title in italics. The hashtag #kindlequotes is centred at the bottom in blue.
A screenshot of a post by Edgar Allan No (@itsmethemaniacc) on a dark-themed social media interface. The post reads: “If romance novels have taught me anything, it’s that if I hate my hot neighbour and bicker with him everyday, I’ll end up marrying him and have his children in the epilogue.”
Book cover for A Complicated Woman by Rebecca Lucy Taylor. The cover is minimalist, featuring a vivid gradient background that shifts from deep red to orange. The title, “A COMPLICATED WOMAN,” appears in large embossed block capitals across the upper half of the cover, with a glossy, metallic effect that catches the light. Beneath it is a review quote reading: ”‘An oracle’ – Dolly Alderton.” The author’s name, “REBECCA LUCY TAYLOR,” is printed in equally large embossed capitals near the bottom, followed by “AKA SELF ESTEEM” in smaller embossed text.
A minimalist cartoon on a cream background. At the top, black text reads: “i have stability! (the ability to stab)”. Below, a small pink rabbit with a content expression sits holding an ornate dagger in each paw. The blades are pointed outward, and small pink sparkles surround them as if they are gleaming. The rabbit’s calm, satisfied pose contrasts with the menacing weapons. The artist’s signature, “clarice tudor,” appears in the lower right corner.