מאסטרנט בהיסטוריה ופילוסופיה של המדע, מקשקש לפי חשק על קומיקס, מוזיקה, אקטואליה וחיים עם מוגבלויות.
![The driverless mules cause plow damage to his [Benjamin's] property in excess of $50 million. Benjamin loses another $5 million due to the loss of productivity from his one remaining employee, who no longer guides a plow but instead spends 100 percent of his time shoveling mule shit. Goldman Sachs builds an altar to Benjamin in their lobby and cuts out the heart of a junior analyst on it every Friday. They call it "Blood Sacrifice Friday". The name isn't catchy, but the event becomes a management favorite nonetheless.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:xzvslcfdvokvycj5f6z4nyg7/bafkreia4azlqe5vbuxmt7npsypqqg6gcfvy6bkmmfod72hk26776cmg75u)
![Screenshot of the opening paragraph for the paper "The Making of History: Remediating Historicized Experience" by Luke Tredinnick. The text read as follow: What does the past look like through the lens of digital culture? This chapter recounts three moments during the last one hundred years that touch on the nature of historical consciousness: a theft, a death, and a disaster. These moments span a century of unprecedented change in the media and communication technologies, from the beginnings of popular photography to the proliferation of social media. Nevertheless each was incidental to these changes. Nor are they related, other than being brought together here. Each stands in this chapter as only an illustration o the influence of technology on how we understand the past. [Highlighted] Today, digital information technologies open up history, exposing the mechanisms of its fabrication, and placing the historical past in the hands of the masses. By pluralizing access to primary historical materials, and to the means of making future historical records, they emphasize the highly partial and situated nature of the historical trace [end highlight]. Digital technologies also enable us to represent historical subject matter in new ways, through film, video games, and digital imaging. But in addition to the changing of the craft of history, and the possibilities of historical representation, the proliferation of digital technologies may also help us recognize the historical past as a product of mediation. They may help us recognize historical subjectivity in the making of history.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:xzvslcfdvokvycj5f6z4nyg7/bafkreihxnjphwesz2qmvxcymabxmchklohkehhyoe3e5tfi4ds4ric5a2i)
מאסטרנט בהיסטוריה ופילוסופיה של המדע, מקשקש לפי חשק על קומיקס, מוזיקה, אקטואליה וחיים עם מוגבלויות.