🛸💫Space Rock 💫🛸

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// 👽They/Them👽 // 🏳️‍🌈Queer🏳️‍🌈 // 💖🔪Attack And Dethrone God🔪💖 //

A silver fridge with black marker doodles of several overlapping Sirenheads. The artist is clearly a child.
Title of book in large white blocky font “You Weren’t Meant to be Human” with worms winding around the letters. The author’s name smaller and at the top in red, Andrew Joseph White. All against a black background.
An excerpt from Dracula by Bram Stoker. The highlighted lines read “a cheery-looking elderly woman” whose dress was “fitting almost too tight for modesty.”
Centered is a paperback book of Michael Crichton’s “Jurassic Park.” The author’s name is in a large red font at the top of the cover and the title is in the same font slightly smaller at the bottom of the cover. A black silhouette of a t-rex skeleton is left of center and facing the right. Tucked underneath the book on the left side of the picture is a neon yellow post-it note with a line art doodle of a Pachycephalosaurus bust.
A golden retriever has its head stuck in a cat door with the caption “excuse me what the fuck.”
A picture of a ball python wearing a small blue crocheted hat with a white pompom on top poorly. The hat is sliding down her neck as she moves forward to wiggle out of it. A hand reaches towards the hat to secure it from the left side of the picture. The snake is on a green couch with an orange throw blanket. The picture is blurred with motion.
White block text on a black background reads “poorly explain what you do for a job.”
On the left side of a black background is a human figure from the waist up with his arms hanging down and hands cradling in front of his waist. From the head to middle burned away. On the right is the title in white font “Calling a Wolf a Wolf” and underneath “poems by Kaveh Akbar.”
The the top is a historic photograph of five women in a band of neon green. Below the band is a smoky gray background with a hazy neon green analog clock set to 6:50. Below the neon green band in small white all capitals is “New York Times bestseller.” Between this and the clock is the title “The Radium Girls” in a large white font. Below the clock in a small yellow font reads “the dark story of America’s shining women.” At the bottom of the cover in a white font is the author’s name “Kate Moore.”
Walking forward against a background thick with exploding skeletons is a female figure in plain black clothes, skull face paint, and aviator sunglasses wielding a sword. Above her is the title of the book “Gideon the Ninth” in large stylized white font. Above the title in smaller burnt orange font is the author’s name “Tamsyn Muir.”
The background is solid red. At the center in large yellow letters is the title “Lord of the Flies.” Above the title in a smaller white font is the author’s name “William Golding.” In the bottom left corner is an illustrated blue snake with orange eyes, two red circles, a green stripe, and a thick white outline.
Three illustrated, small children are screaming. The text beneath them reads “a screaming song is good to know in case you need to scream.”
The background is navy blue. There is a figure wearing a red tracksuit and gold chain with a gray wolf’s head from the chest up facing forward. The author’s name is in small yellow font at the top center “Hanif Abdurraqib.” Under the name in a larger white font is the title “They Can’t Kill Us Until They Kill Us.” Underneath the title in a smaller yellow font reads “essays.”
The title “The Faggots and Their Friends Between Revolutions” in black, all capital letters, and stylized font is large and centered on a bright red background. Above the title are two pairs of nude figures each entangled with their partner by the legs and facing forward. Below the title in a small yellow font on the left side is the author’s name “Larry Mitchell” and on the right in the same font “illustrated by Ned Asta.”
A close up of a man saying “I’m gonna spot their weaknesses, I’m gonna take them down.”
The background is made of five stacked bands of gray that meet at a point in the bottom left side of the page. The bottom gray band is dark gray and the stacked bands increase in lightness. These bands are styled to look like a book opening. At the top of the page in a large, fine red print is the title “Steering the Craft.” Underneath the title in a smaller gray font is written “a 21st century guide to sailing the sea of story.” In the bottom right corner of the cover is the author’s name in a white font “Ursula K. Le Guin.”
Against a burnt orange background are the black silhouettes of two dogs. One is seen from snout to the base of the tail mid-leap at the center of the cover and the other is above the first in the top left corner in a running pose and only the mid-section to snout of the right side of the dog can be seen. In the middle of the page superimposed over the centered dog in large white font is the title “Fifteen Dogs.” At the bottom of the page in a smaller, fine white font is the author’s name “André Alexis.”
Against a black background is the bust of a woman facing left. She is featured as a black and white realistic portrait while her shirt is a pink cutout. Her face is bisected horizontally between her nose and her eye and above that line is a red cutout of a cattle’s face from the bridge of the nose to the tip of the horns. On the top left side of the cover in thick white font is the title “Tender is the Flesh.” In a livestock style stamp over the woman’s ear is the author’s name “Agustina Bazterrica” and at the center of the stamp “a novel.” To the right of the title is a blurb in fine, white print that reads “This book will pull you in, take hold, and not let go until you reach the final page. Without a doubt, my favorite read of this year. Christina Dalcher author of Vox.”
In the foreground is a black woman in a red dress with an orange triangle pattern and matching head wrap faces the right. The background is cream with two curved diamond shapes - the top being orange and the bottom being red, both the same colors as her dress - stacked to the left of her head. To the right of her beginning at her head and across from the shape on her left side are four of the same shape stacked. From top to bottom they are colored red, orange, yellow, and orange. At the top of the page in a fine black font and all capital letters reads “featuring a new foreword by acclaimed actor and author Levar Burton.” To the left of the figure in the middle of the page is the title in a medium red font “Parable of the Sower.” At the bottom of the page in large black font is the authors name “Octavia E. Butler.”
On a black background with a white boarder is an open mouth with white fangs. Inside the mouth is a black castle with four black bats on a red background. Beneath the open mouth in a white font and all capital letters is the title “Dracula” underlined in a thin red line. Beneath the title in a red font and all capital letters is the name of the author “Bram Stoker.” At the top of the page is a small amount of red blood.
A picture of an orangutan side-eyeing the camera with the caption in white font that says “various things are occurring.”
In the background is a a bridge that spans the cover from left to right and a dirigible flying above it from right to left. In the foreground is the face of a goblin from the eyes up peaking over the bottom of the cover and looking left. He wears a crown that looks like a palace. At the top is the title “The Goblin Emperor” in green script and below the title in smaller, white print is the author’s name “Katherine Addison.”
At the center of a stately room is a large throne with decorative metal spikes arranged behind it to resemble sunrays. There is a small figure seated in the throne dressed in white robes with gold trim. Another figure in plain clothes approaches the seated figure. Above the scene in white font is the author’s name “Arkady Martine” and below in large gold text is the title “A Memory Called Empire.”
On a light blue-gray background sixteen blue anatomically correct human hearts are in neat rows. The title “Frankenstein” is in small blue font at the top and the author’s name “Mary Shelley” is in the same font at the bottom.
On a background of stars is centered a rectangle in which the face of a blue man is shown from the brows to the chin and is looking left. On either side of the rectangle is a conical shape of blue-purple light extending through the end of the page. There is a bright white cluster of stars directly behind the centered shapes. At the top of the cover in light blue font is written “Ursula K. Le Guin” and at the bottom of the page in the same color and font is written “The Birthday of the World.”
The cover art for Ray Bradbury’s “There Will Come Soft Rains.” In the foreground is a yellow, two storied mid century modern style home with a yellow car in the garage. The home and car are damaged and covered in debris. There are tools, junk appliances, and broken glass strewn around an overgrown yard and cracked driveway. In the background is a decimated city scene with ruined blue-gray buildings and a gray mushroom cloud blooming in the distance. At the top of the image in a white font is written the title with the author name slightly smaller underneath.
Two white, simply drawn and very round creatures with black wizard hats stand behind an open ornamental gate leading into a hedge-maze with a decorative tower at the center. Beneath the picture in a blue font is written “welcome to my wizard maze.”