@bampfa.bsky.social

@bampfa.bsky.social

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Film still from "Taxi Driver" showing a man in sunglasses sitting behind the wheel of a yellow taxi with an "Off Duty" sign on top.
Series graphic for Nathaniel Dorsky & Jerome Hiler: Film Offerings over an abstract image of glowing lights and foliage. August 14–29, 2026.
Promotional graphic for The Unbearable Lightness of Being (Philip Kaufman, United States, 1988) featuring a shirtless man in a bowler hat beside a woman lying in bed.
Entrance to Maren Hassinger: Living Moving Growing with exhibition title on walls and sculptures visible beyond.
Illustrated child holding a bamboo pole and umbrella outside a weathered building. Promotional graphic for an Isao Takahata film series.
Promotional graphic for White Light/Black Rain (Steven Okazaki, United States, 2007) featuring a painted portrait with closed eyes and white hair blowing sideways.
Promotional graphic for The Killing (Stanley Kubrick, United States, 1956) featuring a man offering a drink to a seated woman holding a glass.
Promotional graphic for L’avventura (Michelangelo Antonioni, Italy, France, 1960) featuring a blonde woman looking over her shoulder beside wooden shutters.
Dark gallery with beanbag seating facing a large video projection of Earth glowing with blue and green light.
Black-and-white promotional graphic for BAMPFA’s French Noir: From the Shadows into the Light series, featuring a still from Elevator to the Gallows (1958) of a man in a suit looking up as someone points a handgun toward his face.
Black-and-white promotional graphic for BAMPFA’s A Complete Stanley Kubrick series, featuring a still from Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) of a bespectacled man holding a telephone receiver to his ear while several suited men stand behind him in a military command center.
Wide view of a gallery with mixed-media sculptures on a central platform and installations displayed throughout the surrounding space.
Promotional graphic for The Story of Yanagawa Waterways (Isao Takahata, Japan, 1987) featuring a narrow canal lined with trees and traditional houses.
Promotional graphic for The Shining (Stanley Kubrick, United States, United Kingdom, 1980) featuring a woman screaming as an axe swings through a doorway.
Promotional graphic for Teresa the Thief (Carlo Di Palma, Italy, 1973) featuring a close-up of a woman with curly red hair behind iron bars.
Installation view of Collection Focus / Meriem Bennani: Life on the CAPS showing a projected animation of a green animated crocodile character in a gallery with black beanbag seating.
Promotional graphic for Eyes Wide Shut (Stanley Kubrick, United States, United Kingdom, 1999) featuring a sleeping woman beside an ornate Venetian mask.
Magenta graphic announcing BAMPFA as a Spring 2026 Grant Recipient from The Andy Warhol Foundation for the Visual Arts.
A watercolor-style illustration shows Princess Kaguya in profile with long black hair, wearing a pink floral kimono as she reaches upward with a joyful expression. Large white text at the top reads "THE TALE OF THE PRINCESS KAGUYA." Smaller text lists director Isao Takahata, Japan, 2013, with screening dates of July 18, 2026, at 3:30 PM and August 28, 2026, at 4 PM.
Book cover for A Language of Stitches: The Radical Quilts of Rosie Lee Tompkins by Constance Moore. The illustrated cover features a woman in a long pink dress and patterned headscarf gently pulling back a vibrant patchwork quilt made of colorful geometric fabric pieces.
Large-scale installation of thick natural-fiber ropes suspended from the ceiling in looping forms that hang toward the floor, creating an immersive sculptural environment against white gallery walls.
A black-and-white still from L'avventura shows Monica Vitti wearing a polka-dot jacket and pearl necklace, looking off into the distance as a group of people stands blurred behind her. Dates June 11–August 13, 2026. The lower text identifies the image as L'avventura by Michelangelo Antonioni, Italy, France, 1964.
An animated teenage boy in a light-colored military-style uniform sits beside a smiling young girl with a short bob haircut on a wooden bench at night. Large white text lists GRAVE OF THE FIREFLIES, director Isao Takahata, Japan, 1988, and screening dates: July 11, 2026, at 1:30 PM and August 23, 2026, at 4:30 PM.
Promotional graphic for BAMPFA’s Nathaniel Dorsky & Jerome Hiler Film Offerings series. A person in a white baseball cap and brown jacket sits on a wooden bench in a sunlit field of tall golden grass, facing a distant body of water and low hills. Large white text announces the series dates, August 14–29, 2026.
Promotional graphic for “Film Preservationist Ross Lipman in Person,” featuring a still from Wanda of a woman in a floral robe and hair rollers standing in a doorway. Text includes dates July 9–11, 2026, and BAMPFA branding.
Promotional graphic for The Girl with a Pistol (Mario Monicelli, 1968) showing a red-haired woman in an orange jacket holding a green notebook. Text includes the film title, date and time, and BAMPFA branding.
Artist Maren Hassinger stands outdoors beneath leafy trees with their arms outstretched toward the sky, wearing glasses, a textured olive-green wrap, a white shirt, and a yellow scarf. Large text from a New York Times feature reads, “Maren Hassinger Likes Her Art With a Twist.”
Promotional graphic for Only Yesterday (Isao Takahata, Japan, 1991) showing a young woman in a striped shirt and straw hat seated on a train while a smiling girl with pigtails leans over the seat behind her. Text includes screening dates and BAMPFA branding.
Graphic with the text “Join the BAMPFA Team!” on a black background with a blue-to-purple gradient bar along the left side. Listed positions are “Project Processing Archivist” and “Director of Individual Giving,” with “bampfa.org/careers” at the bottom.
Wide view of Stephanie Syjuco: Present Tense (Roll Call) on BAMPFA’s Art Wall. Large-scale black-and-white images of books, index pages, and highlighted texts cover the wall above tiered wooden seating, where two visitors sit and talk among black text-covered cushions
A person in a floral outfit holds up two dresses while standing beside a clothing rack labeled “Short Sleeves.”
Screenshot of a The Guardian article titled “There’s a kind of magic to her work: Maren Hassinger’s one-of-a-kind sculptures.” Below the headline is a black-and-white photograph of Maren Hassinger balancing among tree branches as part of her 1974 performance Tree Duet I.
Poster for "Virgina" by Srđan Karanović, featuring a film still of a young person smiling. Bright pink and red text on a black background lists the screening date and time: June 24 at 7:00 PM at BAMPFA, as part of Frameline50.
Diptych image showing two partial portraits. On the left, a person holds bunches of leafy greens. On the right, a person stands among plants wearing a dark garment.
Black-and-white still from Fear and Desire (1952), showing two soldiers in military uniforms resting on the ground in a wooded setting.
Poster featuring a photograph of a child standing outdoors with arms outstretched, holding a cape open behind them and looking upward, surrounded by event text and bold graphic elements on a black background.
A film still from "L'eclisse" (1962) where two people recline side by side, smiling and laughing while one holds an open hand fan.
Purple background with large white text reading “MODIFIED HOURS.” Smaller white text below says, “Saturday, June 6, BAMPFA will open late at 1 PM.”
Black slide with large white text reading “Join the BAMPFA Team!” and smaller orange text listing a job opening for a Curatorial Fellow, Chinese Cinema.
Six people standing in a museum gallery beside a wall display of framed political posters and graphic prints.
Promotional graphic for Frameline50, the San Francisco International LGBTQ+ Film Festival, featuring bold pink and red arrow shapes on a black background with the text “Can’t Stop Won’t Stop” and festival dates June 17–27, 2026.
Black-and-white photograph of an artist painting at an easel with a kitten resting on their shoulder, overlaid with text "We recieved a Black Visual Arts Archive grant from Getty!"