Mango 🥭 back at it again?

@beyondplusultra.bsky.social

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💛 ↑25, they/them 🤍 drawer of things 💜 reposts and rambles: @beyondmango.bsky.social 🖤 prints: inprnt.com/gallery/beyondplusultra/

A sickly yellow light wraps around Akira, who has an unfocused stare fixed on the dead body of Goro Akechi on an autopsy table. Looming next to him and staring directly at him is also the dead body of Goro akechi, his chest cut open, bloody ribs and innards and heart exposed, staring accusatorily at Akira in turn while blood seeps from his eyes.
Goro and Akira sit back to back in a field of gemstones, holding hands. Light shines down on Goro, and there's a smile on what little can be seen of his face. Akira is in full view, crying silently while holding onto Goro's glove.
Goro and Akira eating ube and cheese ice cream on a hot summer's day. Both are wearing light summer clothing. The sun shines down hard on them and the mass of foliage behind them as they attempt to cool off. A colorfully hand-painted ice cream cart waits nearby, a popular and familiar sight in the streets of Manila, Philippines.
Profile view of Akira and Goro, their faces close together. Goro's gloved hand covers Akira's mouth. He's kissing Akira over his own hand. There are tears in Akira's eyes. The gems of desire from Royal's opening fall around them, but they only have eyes for each other.
Page 4 of 7 Everything is suddenly toned red. The page shows A young Akechi walking into a room to find that his mother has hanged herself. In the background, he is in full view, lit by the doorway, with his mother's dangling feet next to a knocked over chair in the foreground. The text jitters with chromatic aberration now, too. Dialogue: I CARE IF I AM GUILTY!
Page 1 of 7 A panel of Maruki, standing and holding his hand out to the viewer. Azathoth's tentacles fill up the negative space behind him. Everything is mostly in black and white, with the tentacles tinted blue. Dialogue: God said: GOD MADE YOU.
Akechi falls through a void, looking like he's glitching out. His eyes are barely open, his hand almost reaching upwards but not quite, towards Akira's hand that is straining to reach him.
A series of progressive panels showing Goro speaking and Akira progressively getting more and more frustrated. Their eyes are still obscured. Goro: "Don't start with this stupid, sentimental bullshit. I'm just a walking corpse. Spare me the theatrics. Stop wasting time and let me go— Akira, interrupting: "SHUT UP."
A comic. The title, in quotes, is Akechi's line from February 2 "Let's go back to our true reality." The first page is two panels of Akira and Akechi's faces, with their eyes obscured by the frame. Akira: "Akechi, wait." Goro: "What now? Haven't you already said your piece—?"
An illustration of Alec Vasil from the webseries Parahuman. He's wearing his Regent outfit, sitting idly while holding his mask in his right hand, seemingly shielding his face from the light.
Prince Crow laughs and clinks a glass of red wine against Black Mask's. The latter's expression is unreadable. Their eyes glow yellow behind their masks. In the background hangs a picture of Goro Akechi giving a static smile, with his eyes obscured. The photo is surrounded by a black funeral frame.
Goro and Akira hold each other tightly as they share a long overdue kiss. The room is lit by a sunset glowing through the window. Letters written by Goro to Akira are scattered in the air around them.
The image perspective is tilted slightly to the right. Goro and Akira are sitting at a table and playing chess in the attic. The window behind them floods the room with a soft, golden light. Goro is holding one hand to his chin in thought while the other moves a white rook. He smiles at Akira in challenge, and Akira rests his face in one hand while confidently returning the look. He seems to be making some kind of teasing remark. Below the table, Goro's legs are crossed. One of his legs rests flirtatiously between Akira's own, touching against one.
A rough, uncolored sketch of Ryoji catching an unconscious Minato as the latter falls down through water. Ryoji has a soft smile on his face.
A close-up profile shot of Goro and Akira. Akira is leaning his forehead heavily against Goro's right shoulder with his hand on the opposite shoulder. A tear streaks his cheek. Goro looks ahead, almost as though he's unaffected.
A picture of Persona 5's Joker tenderly kissing Crow's hand. Dozens of candles glow in the background. Crow is out of frame.
Two dimly lit close-ups of Akira laying on his back with his hands laced around the back of Goro's neck, pulling him close. In the upper image, they're having a quiet moment looking at each other. Goro has a glassy look in his eyes. In the lower image, Akira has pulled him into a kiss. Goro has closed his eyes, and his tears threaten to fall.
Goro and Akira playing the pocky game. Goro's hand holds Akira's face, and both of them are smirking at each other in challenge.
The deck of a pirate ship at night. Two bodies, Kamoshida's and Shido's, lay dead on the floor. The vengeful ghost of Goro Akechi glows eerily as he stands in the center of the carnage. The left side of his face is bleeding, and he has one hand over it seemingly to staunch the flow. His other hand, nails grown into inhuman talons, is held out and dripping with blood.
Goro Akechi is on his phone, wearing his school uniform, looking slightly off to the side with a placid smile. Five hands surround his face, all with different makeup and styling tools at the ready.
Crow and Joker stand in a cityscape, facing each other in their phantom thief outfits. They have the red string of fate tied between them. Joker reaches out to Crow, who is turned away from the viewer with both hands behind his back. He's loosely holding a pair of scissors out of Joker's sight.
A dreamy shot of Shibuya Crossing. Everything is a little blurry and out of focus. Diamonds are suspended in the air. Akira can be seen, partially out of frame, smiling with his hand extended towards Goro's. Goro's gloved hand is the only part of him that is visible, and it's unclear whether or not they're letting go or just about to hold on.
A closeup drawing of Goro Akechi with a younger version of himself. They are aiming a gun in tandem, with the older Goro assisting the younger one from behind. The older one is wearing his uniform along with a small, wistful smile on his face; the younger one wears a bright red t-shirt and an expression of open delight. Both of them look ahead towards a target that is out of sight. The gun they're holding is the toy raygun from the Proof of Justice OVA.