BM: European Art (Bot)

@bmeuropeanarts.bsky.social

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Sharing artworks from Brooklyn Museum's European Art department. Not associated with the Brooklyn Museum. Automated thanks to @andreitr.bsky.social and @botfrens.bsky.social

The Coffee Grinder (Le Moulin à Café)
Adoration of the Shepherds (Adoración de los pastores)
Magdalene Repentant
St. Christopher
Still Life - Plucked Chicken, Sausages, Fruit, etc.
Paolo and Francesca
This is one of seven drawings (00.159.438.1-.7) sketched on and later cut from one sheet of paper. The drawings were sketched in four registers and the placement of this drawing was the right side of the second register.
Peasant at a Window
Head of a Bull
Homme à la moustahce et aux lunettes, Illustration for Réincarnations du Père Ubu
Microchera Parvirostris: Purple Snowcap
Bubo Maximus: Owl
L'Aveugle Parfois Consolé le Voyant.
Cuirassiers Chargeant Une Batterie D'Artillerie
Crepuscule
Apple Trees at Auvers (Pommiers à Auvers)
Algues Marines
Set of Eight Landscapes, No. 8
There Is Plenty to Suck (Mucho hay que chupar)
Burgomaster Hasselaar and His Wife
Le Bain
Enigma
Sancho at the Magnificent Feast
Head, Study
Holofernes and Antiochus
Portrait of Child in Yellow Dress
Countryside Near Paris (Bei Paris II)
The Torrent
Landscape, Also Known As "Dutch Landscape"
It Is Time (Ya es hora)
The Four Guards Sat Down and Watched Him (Les quatre gardes s'assirent et le gardèrent)
Before from "Before and After"
Pinning the Hat (Le Chapeau épinglé)
L'Orage
The Stranger
River Scene
Portrait of Otto Freundlich (Bildnis Otto Freundlich)
The Birth of Our Lord Jesus Christ (La nativité de Notre-Seigneur Jésus-Christ)
Henri de Toulouse-Lautrec's cover for "L'Estampe originale" features a creative blend of delicate lines and lively figures, typical of the artist’s expressive style. The artwork captures a woman at leisure alongside circus performers, reflecting Lautrec’s fascination with Parisian nightlife and its vivid personalities.
Portrait of a Man
Don Ygnacio Leonel Gomez de Cervantes (1762-1813). An oil painting by an unknown artist. He is seen in three-quarter length and view facing to the right of the picture. He wears a wig with the ends curled and stands in front of a pale pink curtain against a neutral background. There is a lace jaboe and lace at the cuffs. His coat is gold with blue inserts over a red undercoat. He holds a cane in his right hand and his left hand is in his vest. In back of the right side of his coat is a sword handle.
Abstraction
[Untitled] (Daphnis Puts the Apple into Chloe's Bosom)
The Source of the Albarine (Source de l'Albarine)
Crucifixion
Renaissance Woman Reading a Letter
"Un rentier des bons royaux--Un rentier des Cortes"
Madame Eugène Carrière
Map: The Coast of France and Holland, and the British Isles
Boboli Gardens
This etching by Raoul Dufy for "La Belle Enfant" depicts a bustling market scene surrounded by tall, detailed buildings, characteristic of Dufy's playful and lively line work. The artwork captures the vibrancy of early 20th-century street life, showcasing Dufy's skill in conveying movement and atmosphere.
"Street Seen from Above (Rue vue d'en haut)" by Pierre Bonnard captures an urban scene with expressive lines and dynamic perspective, illustrating a bustling street from an elevated viewpoint. Bonnard, known for his vivid colors and innovative compositions, presents this monochromatic work with the same depth and movement seen in his paintings.
"Child in Lamplight (L'Enfant à la lampe)" by Pierre Bonnard captures the intimate glow of a scene illuminated by a dark-shaded lamp. The artwork showcases Bonnard's characteristic use of soft colors and intimate domestic settings, evoking a sense of warmth and contemplation.
This artwork, "Au Moulin-Rouge: L'Union Franco-Russe," by Henri de Toulouse-Lautrec, captures the spirited ambiance of the Parisian nightlife with two figures depicted in his characteristic style of exaggeration and caricature. The image showcases the lively entertainment scene of the famous Moulin Rouge, emphasizing Toulouse-Lautrec's ability to convey emotion through dynamic lines and a vivid portrayal of movement.
The Canter
Reclining Panther Holding a Muntjac Deer (Panthère couchée tenant un cerf muntjac)