Body & Data

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Two-panel photo collage from the discussion. Top: two speakers seated at a table with laptops and water bottles, listening attentively. Bottom: two women speak from behind microphones and sticker-covered laptops, with a presentation screen behind them displaying text about invisible labor in content moderation and data annotation.
Event poster titled 'Dissecting AI Data Centres: The Environmental and Human Cost of Intelligence Infrastructures, Tech and Society Discussion Series-2,' jointly organised by Body & Data and Martin Chautari. Below the title, two people sit at a table with laptops covered in stickers, speaking into a microphone during the discussion, with a screen behind them showing a data centre image
Two-part image: top photo shows a woman with curly hair gesturing while speaking at a table with a laptop, presentation screen partially visible behind her. Bottom photo shows the same speaker presenting to a seated audience around a conference table, with a screen displaying a book cover titled 'The Second Sex' by Simone de Beauvoir alongside the words 'Transcendence' and 'Immanence.'"
Event poster titled 'Rethinking Technology: Beyond Big Tech & Tech Bros — Tech and Society Discussion Series-1,' jointly organised by Body & Data and Martin Chautari. Below the title, a person with long curly hair sits at a table with a laptop, smiling at the camera, with a presentation screen behind them showing the event title slide."
Six people are sitting in front of a big white screen. The text on the screen reads ‘Digital Rights In Asia-Pacific Assembly 2026’. There is an illustration on the left side that looks like a woven knot. There are people sitting in front of the six people on the stage.
A collage of six photographs from the “Designing Feminist Digital Futures” workshop on a yellow background. Each image shows a facilitator standing in front of presentation slides, speaking and using hand gestures while presenting to participants.
A social media graphic with a yellow background introduces the workshop “Designing Feminist Digital Futures: From Harm to Collective Imagination,” held on 10 June 2026. The slide lists facilitators from Digi Paila Initiative, Activate Rights, Stop Online Harm, and Body & Data. The second image shows six workshop facilitators standing in front of a presentation screen displaying the workshop title.
A grid layout displaying eight different creative, mixed portrait collages made from cardboard templates, colored construction paper, and natural elements. Top portraits: One features hair made entirely of dried yellow flower petals and green sprigs; the other features tightly curled blue paper strips for hair and large yellow paper glasses with heart-shaped lenses. Middle portraits: Three stylized faces showing distinct personalities, including one with textured purple paper curls and blue glasses, one with a minimalist black cutout beard, and one with a sharp bob haircut made of solid purple paper adorned with a small pink flower. Bottom portraits: Three portraits including a dramatic face with long, flowing purple and yellow paper hair; a simple line drawing on cardboard; and a portrait using blue fabric for hair and a dried green leaf as a mustache.
Two vertically stacked photographs capturing a Body & Data's team at an artistic session. Top photo: A group of seven smiling and laughing individuals gathered around a large wooden table covered in colorful paper cutouts, scissors, and glue. A man with curly hair and glasses on the left is carefully working on a portrait collage. Bottom photo: A wider shot of the same session. A participant wearing a blue shirt is seated in the foreground on the left, looking across the table at the rest of the group as they collaborate and craft together in a warmly lit room.
With a light beige background featuring text written in English in an orange font, accompanied by a QR code at the bottom. The exact text in the image reads: users around the world are not adequately protected by laws and platforms against synthetic violence. the political, economic, and social conditions in African and Asian countries put marginalized communities at greater risk of synthetic violence, so politics4her, her internet, and body & data have developed a survey to understand the nature of violence as it manifests in this region, and experiences of victims of synthetic violence in Africa and Asia. our campaign and advocacy against this new form of violence brought about by emerging technology will be based on the results of this survey. At the bottom left, there is a large, black-and-white QR code. A hand-drawn orange arrow points from the right side down toward the QR code, passing through a small maroon button containing the text "survey link".
A beige poster explaining different forms of synthetic violence. A red-to-orange gradient box lists English and Nepali terms side by side. The terms include: Deepfake abuse — डीपफेकमा आधारित दुर्व्यवहार Synthetic Child Sexual Abuse Material (CSAM) — कृत्रिम बाल यौन दुव्र्यवहार सामग्री Synthetic coordinated misinformation — कृत्रिम समन्वित मिथ्या दुष्प्रचार Image-based sexual abuse (IBSA) — तस्बिरमा आधारित यौन दुव्र्यवहार Large Nepali text reads: "कसैको हुँदै नभएको तस्बिर, कसैले गर्दै नगरेको कार्यसँग सम्बन्धित “कृत्रिम" सामग्री अनलाइन सिर्जना गरेर कुनै व्यक्तिलाई क्षति पुर्याउनका लागि लक्षित गरिएको यस्तो हिंसालाई कृत्रिम हिंसा भनिन्छ" English text reads: "When someone fabricates materials that don’t exist, like a photo you never posted or a post you never shared to harm you, this kind of violence is called synthetic violence"
A beige poster by Politics4Her, Her Internet, and Body & Data introducing the campaign against synthetic forms of violence in Asia and Africa. At the center is a Venn diagram with two overlapping circles. The yellow circle represents violence and contains the Nepali word “हिंसा” with the English word “violence.” The red-orange circle represents artificial intelligence and contains the Nepali word “बौद्धिकता” and the English word “intelligence.” The overlapping section contains the Nepali word “कृत्रिम” with the English words “artificial” and “synthetic.” Text at the bottom reads in Nepali: “प्रविधिले नयाँ रूप लिँदै गर्दा हिंसाले पनि नयाँ रूप लिँदै गरेको छ” English text: “As technology takes new forms, so does violence.”
Four exhibit organizers stand together in front of the “Digital Traces of Nepal’s Gen-Z Movement” display.
Collage of five photos showing visitors engaging with the “Digital Traces of Nepal’s Gen-Z Movement” exhibit. People read a timeline-style display connected with string, browse pamphlets and buttons on a table draped with a rainbow flag, and discuss the project with exhibitors.
Exhibition booth titled “Digital Traces of Nepal’s Gen-Z Movement” at DRAPAC 2026. Large research posters, a collage of protest and community photos, and a projection screen are displayed on white panels. A table in front holds printed materials and buttons for the visitors of exhibition.
A promotional graphic inviting viewers to access Body & Data’s Annual Report 2025. The slide features a large black-and-white QR code at the center. Above it, large yellow text reads: “Scan the QR to access Body & Data’s Annual Report 2025.” And the background is the same illustration from the first page.
Illustrated cover of Body & Data's Annual Report 2025. On the left, a hand casts a ballot into a voting box while a small group of people stands nearby. On the right, people raise protest signs reading "Enough is Enough, Against Corruption and Accessible, Just & Safe Digital Space". In the foreground, a hand gently holds a blooming blue flower with green vines growing around it. A teapot and cups sit at the bottom of the image beside a paper bearing the Nepali text 'चिया चर्चा' (Tea Talk). The title "Annual Report 2025" appears in large yellow text at the top, alongside the Body & Data logo.
पोस्टको दोस्रो स्लाइडमा मे महिनाको मिडिया मनिटरिङका मुख्य विषयहरू प्रस्तुत गरिएको छ। स्लाइडको शीर्षकमा “मे महिनामा बडी एण्ड डाटाको मिडिया अनुगमनले समेटेका शीर्षकहरू" लेखिएको छ। पहिलो खण्डमा "नेपालको डेटा सुरक्षा असफलताबाट सबैभन्दा बढी प्रभावित समुदायहरू को हुन्? महिला, गैर-द्वयसांखिक, र गैर-पश्चिमी अनुहारहरू पढ्दा अनुहार पहिचान गर्ने एल्गोरिदमहरू कुख्यात रूपमा गलत हुन्छन्, जसले गर्दा गलत सकारात्मकता र गलत लक्षितीकरणको जोखिम बढ्छ" भनी लेखिएको छ। दोस्रो खण्डमा "त्रास फैलाउन र धम्की दिनको लागि धेरै राज्य र अर्ध-राज्य संयन्त्रहरू कसरी एकैसाथ प्रयोग भइरहेका छन्? प्रेस काउन्सिल र साइबर ब्यूरो जस्ता बहुराज्यीय र अर्ध-राज्यीय संयन्त्रहरूको प्रयोगले यस्ता अभ्यासहरू संरक्षणको सट्टा धम्की दिने औजार बन्दा चिन्ता बढ्छ" भनी लेखिएको छ।
चम्किलो पहेँलो र हरियो रङको मिश्रण भएको पृष्ठभूमिमा तयार गरिएको आकर्षक प्रचारात्मक ग्राफिक। हातले लेखिएको शैलीको ठूला निला अक्षरमा "MEDIA MONITORING" लेखिएको छ र त्यसको तल निलो अण्डाकार आकृतिभित्र "May'26" लेखिएको छ। चित्रको बीचभागमा गुलाबी रङको टेलिभिजन सेट देखिन्छ, जसको स्क्रिनमा एउटा कार्टुन अनुहारले एउटा आँखामा म्याग्निफाइङ ग्लास (आवर्धक सिसा) लगाएको छ, जसले अवलोकन वा अनुसन्धानको संकेत गर्दछ। तल्लो बायाँ कुनामा Body & Data को लोगो राखिएको छ। चित्रको माथिल्लो भागमा बायाँतर्फ "May'26" र दायाँतर्फ "www.bodyanddata.com" लेखिएको छ। तल्लो दायाँ कुनामा "नेपालमा मिडिया परिदृश्यको मूल्याङ्कन" भन्ने ट्यागलाइन समावेश गरिएको छ।
This second slide of the post reads "For May, Body & Data’s Media Monitoring looks into: Who are being affected by Nepal's data protection failures? Facial recognition algorithms are notoriously inaccurate when reading women, non-binary, and non-Western faces, increasing the risk of false positives and wrongful targeting. How are multiple state and quasi-state mechanisms being used simultaneously for intimidation? The use of multiple state and quasi-state mechanisms, such as the Press Council and Cyber Bureau, raises concerns when such practices become instruments of intimidation rather than protection."
A bold promotional graphic with a bright yellow & green mix colored background. Large hand-drawn style text in blue reads "MEDIA MONITORING" and below it, enclosed in a teal oval, reads "May'26" A pink television set sits at the center with a cartoon face on the screen holding a magnifying glass up to one eye, suggesting investigative observation. The Body & Data logo appears in the bottom left corner. The top of the image shows "May'26" on the left and the website "www.bodyanddata.com" on the right. A tagline at the bottom right reads: "An assessment of media landscape in Nepal."
A brown hand with hand accessories like bracelets and rings against a dark red background. The hand holds three cards with digital elements drawn in it. The title reads ‘Annual Report Media Monitoring 2025’ and ‘Body & Data’ below it. There’s a logo of Body & Data on the bottom left.
Four people are sitting on a chair on the stage. There’s a screen on the left where two people are attending the session online. Some people are sitting in the audience listening to the speakers. The setting is a meeting hall white white and black background and a large screen.
A person standing in front of a podium in the stage. There is a person standing on the background. This photo reads “Leveraging New Technology and Artificial Intelligence to Advance Women, Peace and Security in Asia and the Pacific”
Bar chart titled "Average Student Ratings of Gen AI Impact" (N=166). Students rated AI's effect on four skills on a scale from -2 to 2. Group work (+0.21) and learning (+0.27) received slightly positive scores, while critical thinking (-0.4) and creativity (-0.33) were rated negatively. Text below reads: students perceived a slightly positive impact on group work and learning, but a negative impact on critical thinking and creativity.
Cover slide for "Generative AI Use in Nepali Education," an Interactive Qualifying Project Report by Worcester Polytechnic Institute, sponsored by Body & Data. Features the WPI seal and Body & Data logo on a deep purple background, with a QR code linking to the full report.
A carousel with logos of Body & Data, stop online harm, activate rights and Digipaila on left and DRAPAC.NET on the right. The title reads ‘Designing Feminist Digital Futures: From Harm to Collective Imagination’. A short description about the workshop is given. There are images of five facilitators beyond the description with their names and organizations. The bottom part of the page has logo and illustration of DRAPAC with event details.
A light blue and lavender gradient blog graphic from bodyanddata.org. The top right corner features a red illustrated logo of a person's profile. The main body contains a bold Nepali language quote in dark navy text about online spaces during Pride — describing how photos and videos of colorful Pride flags, banners, and joyful queer people were met with hateful comments, slurs, and threats of rape and death targeting queer individuals. Below the quote, an attribution in teal reads: "Neha Gauchan. 2023. There Is No One Single Story To Pride (translated)." The lower half features a vibrant illustrated scene of diverse people of different ages, skin tones, and gender expressions celebrating together in front of a rainbow flag, with the words "WE'RE HERE WE'RE QUEER" written in blue. At the bottom, small text reads: "Read the full article on our website www.bodyanddata.org."
माथि बैजनी र पहेंलो इटालिक शीर्षक "अप्रिलको लागि, बडी एण्ड डाटाको मिडिया अनुगमन देखिन्छ" भएको सेतो जानकारीमूलक ग्राफिक। तल दुई कथा हाइलाइटहरू छन्। पहिलोमा एउटा सानो अलमल्लमा परेको व्यक्तिमाथि म्याग्निफाइङ्ग ग्लास बोकेको अग्लो नीलो आकृतिको चित्रण गरिएको छ, जसमा "निगरानी बनाम सुरक्षा: के गोपनीयता विलासिता बन्दैछ?" लेखिएको पहेँलो टेक्स्ट बक्सको साथ जोडिएको छ जसमा थापाथली सुकुम्बासी बस्तीमा स्थापित ३६०-डिग्री सीसीटीभी क्यामेराहरूको बारेमा वर्णन गरिएको छ जसमा सीमान्तकृत समुदायहरूको निगरानीको बारेमा चिन्ता व्यक्त गरिएको छ। दोस्रो खण्डले स्मार्टफोन स्क्रिन माथि कठपुतली जस्तै साना व्यवसायीलाई नियन्त्रण गर्ने ठूलो गाढा रोबोटिक हात देखाउँछ, जसको शीर्षक "जग्गा निष्कासन मुद्दाले नेपालको वर्तमान प्रेस स्वतन्त्रता परिदृश्यको बारेमा के बताउँछ?" जबरजस्ती निष्कासन कभरेजको क्रममा पत्रकार उत्पीडनको वर्णन गर्दछ। बडी र डाटा लोगो तल बायाँमा बसेको छ।
चम्किलो पहेंलो पृष्ठभूमि भएको बोल्ड प्रचारात्मक ग्राफिक। बैजनी रंगमा ठूलो हातले कोरिएको शैलीको पाठमा "MEDIA MONITORING" लेखिएको छ र यसको तल, टिएल अंडाकारमा बन्द, पहेंलो रंगमा "APRIL '26" लेखिएको छ। एउटा रेट्रो सुन्तला-रातो टेलिभिजन सेट केन्द्रमा बसेको छ जसको स्क्रिनमा कार्टुन अनुहार छ जसमा एउटा आँखासम्म म्याग्निफाइङ्ग ग्लास राखिएको छ, जसले अनुसन्धानात्मक अवलोकनको सुझाव दिन्छ। बडी एण्ड डाटा लोगो — एउटा सानो अमूर्त रातो र गुलाबी आकृति — तल बायाँ कुनामा देखिन्छ। छविको माथि बायाँमा "APRIL '26" र दायाँमा वेबसाइट "www.bodyanddata.com" देखाउँछ। तल दायाँमा एउटा ट्यागलाइन लेखिएको छ: "नेपालमा मिडिया परिदृश्यको मूल्याङ्कन।"
A white informational graphic with the purple and yellow italic heading "For April, Body & Data's Media Monitoring looks into" at the top. Below are two story highlights. The first features an illustration of a tall blue figure holding a magnifying glass looming over a small confused person, paired with a yellow text box reading "Surveillance vs Safety: Is privacy becoming a luxury?" with a description about 360-degree CCTV cameras installed in the Thapathali Sukumbasi settlement raising concerns about surveillance of marginalized communities. The second section shows a large dark robotic hand controlling a small businessman like a puppet above a smartphone screen, with the heading "What does land eviction case tell about the current press freedom scenario of Nepal?" describing journalist harassment during forced eviction coverage. The Body & Data logo sits at the bottom left.
A bold promotional graphic with a bright yellow background. Large hand-drawn style text in purple reads "MEDIA MONITORING" and below it, enclosed in a teal oval, reads "APRIL '26" in yellow. A retro orange-red television set sits at the center with a cartoon face on the screen holding a magnifying glass up to one eye, suggesting investigative observation. The Body & Data logo — a small abstract red and pink figure — appears in the bottom left corner. The top of the image shows "APRIL '26" on the left and the website "www.bodyanddata.com" on the right. A tagline at the bottom right reads: "An assessment of media landscape in Nepal."
A horizontal collage of two images where a group of people are posing for the camera. The upper image is a zoomed out view of group of people and the lower image is a group selfie.
An AI generated image of a person on the right side. The heading reads Meet the Writer and ‘Asmeeta Khadka’ is written in bold yellow letters. There is a description of Asmeeta in white text. And two star cutouts on the bottom of the page. The background is purple and pink.
A person in a black dress standing in front of a projector screen. They are showing a hand gesture which shows that they are explaining something.
A graphic with a peach and light green background featuring the Body & Data logo in the top right corner. The text "Meet the Board Member" appears in bold dark blue, followed by the name "Rubina Awale" in large dark red lettering. A bio describes her as a mental health professional specializing in child and adolescent psychology and school counselling, currently serving as Director of Heart & Mind Hub at Thames International College and leading the Mental Health, Access and Inclusion department at Ullens School. To the right is a photo of Rubina Awale, a smiling woman with her hair pulled back, wearing a brown jacket and hoop earrings with her arms crossed, with a green cutout border around her portrait.
A bright yellow graphic with the Body & Data logo in the top right corner. The text "Meet Our Board Members" is displayed at the top in a mix of cursive and bold purple lettering, with an illustrated orange star to the left. Below are five portrait photos arranged in two rows — three on top and two on the bottom — each framed in a white polaroid-style border. The photos show five women smiling at the camera in various casual and semi-formal settings.
A bright yellow graphic with the Body & Data logo in the top right corner. The text "Meet Our Board Members" is displayed at the top in a mix of cursive and bold purple lettering, with an illustrated orange star to the left. Below are five portrait photos arranged in two rows — three on top and two on the bottom — each framed in a white polaroid-style border. The photos show five women smiling at the camera in various casual and semi-formal settings.
A video showing group of people sitting in a table. Monisha, the speaker in the video share their idea of accessibility of internet for queer people. There is an illustration on the bottom left that matches the thematic of the video and a QR code on the right with the text ‘scan for full video’ on the right. The title of the video is ‘Identity, Anonymity and Truth: Queer Experiences in the age of online censorship’
The title of the blog "Staying Connected To My Roots Through The Digital World: A Reflection" is written highlighted at the top part of the page. On the bottom, an excerpt from the blog is added where Lungmying has shared her experiences of digital spaces.There is a logo of Body & Data on the top right. The background is solid pink and purple gradient that divides the design horizontally into two sections.
This is the first slide which gives introduction to the writer of the blog,Lungmying Lepacha. There is a selfie of Lungmying on the right where she is wearning googles and a white sweatshirt. On the top left, there is a yellow highlighted text that reads 'LUNGMYING LEPCHA'. In the center part, a brief bio about Lungmying is presented. There is a logo of Body & Data on the top right. The background has purple and pink gradient which splits the design vertically in two parts.
बडी एन्ड डाटाको मार्च मिडिया मनिटरिङ श्रृंखलाको दुई खण्ड भएको सूचनात्मक ग्राफिक। माथिल्लो भाग सेतो पृष्ठभूमि भएको छ र उही शीर्षक ढाँचामा छ: "For March, Body & Data's Media Monitoring looks into" बोल्ड इटालिक टाइपमा, "Media Monitoring" सुन्तला रङमा। तलको मूल पाठले बताउँछ कि २०८२ को संघीय निर्वाचनको क्रममा निर्वाचन आचार संहिताको उल्लंघन भयो, जसमा दल र उम्मेदवारहरूबारे गलत सूचना फैलाउने र निर्वाचन विश्लेषण तथा प्रक्षेपण अनाधिकृत रूपमा प्रकाशित गर्ने कार्यहरू समावेश थिए। ग्राफिकको तल्लो भाग नीलो पृष्ठभूमि भएको छ जसमा आँखा, हत्कडी र मोबाइल फोनजस्ता डिजिटल र सामाजिक सञ्जाल आइकनहरूको धमिलो वाटरमार्क शैलीका चित्रणहरू छन्। बायाँतर्फ एउटा ठूलो कालो-सेतो QR कोड छ। QR कोडको दायाँतर्फ बोल्ड सेतो अक्षरमा लेखिएको छ: "पूर्ण प्रतिवेदन पढ्न QR स्क्यान गर्नुहोस् वा हाम्रो बायोमा लिंक क्लिक गर्नुहोस्।" बडी एन्ड डाटाको लोगो तलको दायाँ कुनामा संस्थाको नाम सहित छ।
बडी एन्ड डाटाको मार्च मिडिया मनिटरिङ श्रृंखलाको सेतो पृष्ठभूमि भएको सूचनात्मक ग्राफिक। माथि, शीर्षकमा "For March, Body & Data's Media Monitoring looks into" ठूलो बोल्ड इटालिक फन्टमा लेखिएको छ, जसमा "Media Monitoring" सुन्तला रङमा र बाँकी गाढा नेभी नीलो रङमा छ। पृष्ठमा दुईवटा विषयहरू प्रस्तुत गरिएका छन्। पहिलो विषयमा बायाँ तर्फ एउटा महिलाको चित्रण छ जो कुर्सीमा घोप्टो परेर बसेकी छिन् र उनी दुखी देखिन्छिन्, वरिपरि सामाजिक सञ्जाल आइकनहरू र ल्यापटप तैरिरहेका छन्। चित्रणको दायाँतर्फ गाढा नीलो बाकसमा सेतो बोल्ड अक्षरमा प्रश्न लेखिएको छ: "राजनीतिक अभिव्यक्तिका लागि महिलाहरूलाई डिजिटल स्पेसमा कसरी लक्षित गरिँदैछ?" दोस्रो विषय तल्लो भागमा छ। बायाँतर्फ गाढा नीलो बाकसमा सेतो बोल्ड अक्षरमा प्रश्न लेखिएको छ: "साइबर आक्रमण र यौन हिंसाको सबैभन्दा बढी जोखिममा को परेका छन्?" बडी एन्ड डाटाको लोगो तलको बायाँ कुनामा संस्थाको नाम सहित छ।
बडी एन्ड डाटाको मार्च २०२६ को मिडिया मनिटरिङ प्रतिवेदनको लागि एक प्रचारात्मक आवरण ग्राफिक। पृष्ठभूमि चम्किलो रोयल नीलो रङको छ। माथिल्लो बायाँ कुनामा सेतो रङमा "MARCH '26" लेखिएको छ, र माथिल्लो दायाँ कुनामा सेतो रङमा वेबसाइट देखाइएको छ। तस्बिरको बीचमा ठूलो, हस्तलिखित शैलीमा "MEDIA MONITORING" भन्ने बोल्ड शीर्षक सेतो रङमा खस्रो, चित्रित शैलीमा लेखिएको छ। शीर्षकको तलमा "MARCH '26" लेखिएको छ जुन बैजनी अण्डाकार रेखाभित्र, लेबल वा छापको रूपमा शैलीबद्ध गरिएको छ। शीर्षक र मिति लेबलको तल एउटा चित्रित पुरानो शैलीको सुन्तला रङको टेलिभिजन सेट छ जसमा फिरोजी हरियो स्क्रिन छ। स्क्रिनमा एउटा कार्टुन अनुहार छ जसले आफ्नो आँखामा आवर्धक लेन्स समातेको छ, जसले अनुसन्धान र जाँचको संकेत गर्दछ। टेलिभिजनको दायाँ छेउमा स्पिकर ग्रिल र माथि सानो एन्टेना छ। तलको बायाँ कुनामा बडी एन्ड डाटाको लोगो छ एउटा सानो अमूर्त चित्रित आइकन जसमा रातो, सुन्तला र गाढा रङका आकारहरू एकअर्कामा मिलेर शैलीबद्ध टाउकोहरू जस्तो देखिन्छन्। दायाँ कुनामा सेतो इटालिक फन्टमा "नेपालको मिडिया परिदृश्यको मूल्याङ्कन" लेखिएको छ।
A two-section informational graphic from Body & Data's March Media Monitoring series. The top half has a white background and follows the same heading format: "For March, Body & Data's Media Monitoring looks into" in bold italic type, with "Media Monitoring" in orange. One topic is shown: a dark blue box on the left with bold white text asking: "Who benefits from the breach of Election Code of Conduct and illegitimate journalism?" To the right of the text box is an illustration of a magnifying glass examining a ballot box, symbolizing scrutiny of electoral integrity. The body text below explains that a breach of the election code of conduct occurred during the Federal Election of 2082, involving the spread of misinformation about parties and candidates, as well as the unauthorized publishing of election analysis and projections. The bottom half of the graphic has a blue background with faint watermark-style illustrations of digital and social media icons such as eyes, handcuffs, and mobile phones. On the left side is a large black-and-white QR code. To the right of the QR code, bold white text reads: "Scan the QR or click the link in our bio to read the full report." The Body & Data logo appears in the bottom right corner with the organization name beneath it.
A white-background informational graphic from Body & Data's March Media Monitoring series. At the top, the heading reads "For March, Body & Data's Media Monitoring looks into" in large bold italic font, with "Media Monitoring" highlighted in orange and the rest in dark navy blue. The page presents two topics. The first topic features an illustration on the left of a woman sitting curled up on a chair looking distressed, surrounded by floating social media icons and a laptop. To the right of the illustration is a dark blue box with white bold text asking: "How are women being targeted in the digital spaces for their political expression?" Below the box, black body text explains that when women share opinions online, attacks tend to target their bodies and character rather than the content of their views, causing women to withdraw, self-censor, or endure harm for exercising their right to expression. The second topic appears in the lower half. On the left is a dark blue box with white bold text asking: "Who have become the most vulnerable to cyberattacks and sexual violence?" Below it, black body text explains that perpetrators use technology as a tool of control, humiliation, and submission against women and minors, causing lasting psychological trauma and social exclusion. On the right side is an illustration of a distressed-looking person standing in front of a large smartphone screen displaying angry emoji faces and hostile symbols like "###", "#%?!", and "@???". The Body & Data logo appears in the bottom left corner with the organization's name beneath it.
A promotional cover graphic for Body & Data's Media Monitoring report for March 2026. The background is a vivid royal blue. In the top left corner, the text "MARCH '26" appears in white, and in the top right corner the website "www.bodyanddata.com" is displayed in white. Dominating the center of the image is the bold, hand-lettered title "MEDIA MONITORING" in large white chunky text with a rough, illustrated style. Below the title, the text "MARCH '26" appears inside a purple oval outline, styled like a label or stamp. Beneath the title and date label sits an illustrated retro orange television set with a teal-green screen. On the screen is a cartoon face in profile, holding a magnifying glass up to one eye, suggesting investigation and scrutiny. The television has a speaker grille on the right side and a small antenna on top. In the bottom left corner is the Body & Data logo — a small abstract illustrated icon featuring overlapping red, orange, and dark shapes resembling stylized heads or faces. In the bottom right, the text reads "An assessment of media landscape in Nepal" in white italicized font.
Two people smile while holding a potted plant together against a yellow indoor wall. The person on the left is wearing a white sweatshirt and the person on the right is wearing a gray jacket. The pot is white with a green plant. The mood is cheerful and collaborative.
A group picture against a bright yellow wall. There are 6 people in the pictures who are smiling for the picture. There are some artworks in the wall and a brown wooden table in front of the group. Some laptops are spread in the table. The overall mood of the picture is cheerful and welcoming.
The title of the blog "Breaking Barriers, Byte by Byte: Disability, Gender, and Digital Life" is written at the top part of the page. The title has yellow highlight with white being the main color of the text. There is an illustration about accessibility in the digital spaces in the center. On the bottom, an excerpt from the blog is added. The background is solid pink and purple grdaient that divides the design horizontally into two sections.
This is the first slide which gives introduction to the writer of the blog, Asmita Devkota. There is the picture of Asmita on the right. She is wearing blue sari and black googles and her hands crossed. In the center part, description about Asmita is written. The background has purple and pink gradient which splits the design vertically in two parts.
यो अन्तिम पृष्ठ हो। यो पृष्ठले प्रयोगकर्ताहरूलाई हाम्रो बायोमा रहेको लिङ्कट्रीमा निर्देशित गरेर पूर्ण रिपोर्टमा रिडिरेक्ट गर्छ। पहिलो पृष्ठको रूपमा नीलो टिभीको उही चित्रण यहाँ प्रयोग गरिएको छ।
यो पृष्ठ "फेब्रुअरीमा, बडी एण्ड डाटाको मिडिया मोनिटरिङले हेर्छ" बाट सुरु हुन्छ। यसमा चुनावसँग सम्बन्धित तीन शीर्षकहरू छन् र त्यसपछि विवरण दिइएको छ। प्रत्येक शीर्षकको आफ्नै सान्दर्भिक चित्रण हुन्छ।
फेब्रुअरी २०२६ को मिडिया अनुगमनको शीर्षक पृष्ठ। बीचमा, म्याग्निफाइङ्ग ग्लास भएको नीलो टिभीबाट बाहिर हेरिरहेको एक व्यक्ति छ। तल दायाँपट्टि "नेपालमा मिडिया परिदृश्यको मूल्याङ्कन" लेखिएको छ। तल बायाँपट्टि मुख्य भाग र डेटाको लोगो छ।
This is the last page. This page redirects users to the full report by directing them to the linktree in our bio. The same illustration of a blue TV as first page is used here.
This page starts with "In February, Body & Data's Media Monitoring looks into" there are three headings related to election followed by a description. Each heading has their own relevant illustration.
Title page of Media Monitoring of February 2026. In the center, there is a person peeking out from a blue TV with a magnifying glass. The bottom right text reads "assessment of media landscape in Nepal". There is a logo of body & data on the bottom left.