@buzzerbetsi.bsky.social

@buzzerbetsi.bsky.social

196 Followers 352 Following

20s, I like and repost furry porn so watch out.

wiggly-hipped, big butt femboi wolf beta with a embarrassingly stubby tail that waggles uncontrollably when someone calls him a good girl
Betty, Gerard Richter, 1992, oil on canvas. Confused for a photograph, this painting is very well rendered, so much so that art critics noticed that it has the visual artifacts of a camera being used as reference, not from a live model. With the figure turning away from the viewer, it can be interpreted that painting has moved was from being the ultimate authority of images; that the artist is turning back from painting as the ultimate way to capture reality.
Marylin (Vanitas), Audrey Flack, 1977, oil on canvas, Ninety-Six Inches By Ninety-Fucking-Six Inches. There is a portrait of James Dean in the candlestick’s reflection. Possibly a meditation on the oncoming death of figurative painting.
During the warlord period of the RoC, the semi-feudal economy created landlords, this is different from people who own apartments and rent them, that heavily taxed the peasants, and of them, created people, like one landlord, who stopped counting how many people he killed, after 20 victims, and sexually assaulted people as often as you would eat bread. These societal positions are not constant. New environments birth them. New environments can destroy these positions and prevent their resurrection. The Chinese revolution wasn’t a completely successful communist revolution, though a successful national revolution, but through the revolution, through the destruction of the way land was held and exchanged, the semi feudal economy was destroyed, and with it, a historically contingent form of violence.