canmom

@canmom.art

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creatrices-aspirant incubator of shapes and noises trans::she/her; anarcho https://canmom.art

Still from 'The Ghost in the Shell'. A surgeon explains to Motoko Kusanagi how cyborg bodies transmit sensations. She's wearing an incredibly cool leather outfit with big shoulders.

Screenshot from 'The Ghost in the Shell' episode 3. Major Kusanagi is saying 'So the hair implantation is already complete at this stage nowadays.' while looking at a cyborg.

Screenshot from the intro screen of Shaderland, showing the ferret creature Swizzle over a huge nest of complex wires. Text: 'You created Swizzle to go where you cannot... into the depths of computational space, a strange realm that we call SHADERLAND'

just particles drawing dots, producing a nice homogeneous pattern

a screenshot of Shaderland's level select screen. the player is having a conversation with Swizzle the ferret. the text boxes have a blurred transparency effect. Swizzle is surprised to learn the player is not someone called Lilith. there is also a UI element for a level select widget, which looks like an old transparent plastic gameboy or similar device.

director yu shui with me and yvette after watching 'nobody'

a view of the annecy lake at sunset, with a metal sculpture in the foreground and the alps rising behind

excerpt: ...nature of the violent oscillations that overwhelm an individual so long as he seeks only his own center and is incapable of seeing the circle of which he himself is a part; for if these oscillations overwhelm him, it is because each one of them corresponds to an individual other than the one he believes himself to be, from the point of view of the unlocatable center. As a result, an identity is essentially fortuitous, and a series of individualities must be undergone by each of these oscillations, so that as a consequence the fortuitousness of this or that particular individuality will render all of them necessary."20 The forces of attraction and repulsion, of soaring ascents and plunging falls, produce a series of intensive states based on the intensity = 0 that designates the body without organs ("but what is most unusual is that here again a new afflux is necessary, merely to signify this absence"21). There is no Nietzsche-the-self, professor of philology, who suddenly loses his mind and supposedly identifies with all sorts of strange people; rather, there is the Nietzschean subject who passes through a series of states, and who identifies these states with the names of history: "every name in history is I. . . ."22 The subject spreads itself out along the entire circumference of the circle, the center of which has been a

rings of particles pulsate with the music from 'Empires' by conspiracy, with a conspicuous depth-of-field effect

a fragment shader that renders field of pink lotus flowers pulsing and rotating to music, arranged at various sizes in a random quadtree pattern.

Copyright protects specific expressions, not general ideas, themes or style.178 As Dr Guadamuz noted, this approach is “foundational to copyright systems worldwide”. He explained: “Protecting style under copyright would come dangerously close to granting monopolies over artistic techniques and conventions, which would chill the very creativity that copyright is designed to promote.”179 AI systems can therefore generate convincing stylistic imitations without necessarily engaging copyright in any individual underlying work, leaving a structural gap for creators whose economic position depends on the distinctiveness of their style.

quote from the report: he UK creative industries are an economic powerhouse with huge growth potential, and a vital part of the UK’s soft power. Their success has been underpinned by what witnesses described as an internationally-respected “gold-standard” copyright framework.

poster announcing a screening of Wasteland at 978 Govan Rd, G51 3AJ, at 6pm on Tuesday 3rd Feb 2026. it is illustrated with cutouts of characters from the film

A bright glowing white light orbits around three coloured spheres which bounce up and down in time with the music. The scene is rendered with path tracing, so there are natural soft shadows and indirect reflections.

A noisy pathtracer in which a bright glowing sphere orbits another diffuse sphere.

A screenshot of the effect, showing complex spiralling strands of white material.

Screenshot of Umineko, with Erika Furudo reciting her catchphrase: All it takes is the presence of that magic circle, and a deduction like this becomes trivial for Furudo Erika. ...Your thoughts, ladies and gentlemen?

A video of a shader effect that resembles a swirling flame in a blueish colour.

A Blender render with bokeh of some colourful strands flowing around the camera.

Due to a bug in animation logic, Swizzle turns around at a wall and flips upside down, going into the floor

A colourful ferret-like creature made of a handful of triangles runs down a ramp and along the ground.

an infinite purple field showing the game of life as tiny cubes, periodically filled up with noise shapes that melt away into ash in time with the music

A particle simulator with fading red trails. The particles are pushed around by noise from a line at the centre of the screen.

Quote: One can imagine the reaction. Players did not feel immersed in Pharloom; they felt trapped in a high-school drama club’s Elizabethan improv night. Instead of fighting for survival, they were decoding riddles with the cadence of a failed King James Bible. It is impossible to perform platforming precision when the screen itself sounds like a plague sermon.

the image in the above post with perspective lines drawn over it. some of them are drawn in krita and match features in the image, others are cuboids created in blender. the z-axis doesn't line up

a rotating cube flickering with rounded corners and chromatic aberration to the beat of a D&B set

A Sharp MZ-800, a Japanese computer which was surprisingly imported into Czechoslovakia.

a render of the widely-used crytek sponza scene by wikipedia user kickair8p

the histogram of the first image, showing a nice clean spread over colours

itch.io notice saying that I can't view the page due to the UK online safety act

A (sfw) screenshot from the visual novel "Sex 2" taken from VNDB, featuring the game's protagonist Ayaka in a flower shop. She is saying 「モモちゃん！？どうしたの、息切らせちゃって。。。。。。」

your author speaking into a microphone while playing Shaderland on the compo machine!

Screenshot of the solution of the first level of 'Shaderland'. A node graph is creating a ramp level and the automaton is sliding down it.

A screenshot from Freya Holmer's video on the continuity of splines showing how to calculate a cubic Bézier in three different ways.

Mobile screenshot showing a number of security extensions running in Firefox, including ClearURLs, Decentraleyes, Ghostery, NoScript, Privacy Badger and uBlock Origin

Screenshot of the Wikipedia article for the 'All You Need Is Attention' paper. The quote says 'An early design document was titled "Transformers (...)", and included an illustration of six characters from the Transformers franchise. The team was named Team Transformer.'

a poster created for the small trans library screening of 'the animatrix' featuring the falling matrix text (shader by And390) and characters from the films

screenshot of a 'content unavailable in your region' notification from itch.io

A GDPR notice from the Guardian. Presents the options to accept personalised advertising and all cookies or reject all at the cost of £5 per month, which still shows ads to you.

A page from the 'The Dreaming City' comic adaptation from the 80s, illustrated by P Craig Russell with gorgeous wastercolours.

Screenshot of Shaderland, showing a shader editor next to a render of that shader with a small figure in midair above it, ready to fall into the world shown.

a ring of purple flames spiralling around a circle in time to music, as generated by the TIC-80

A screenshot of the NLA editor in Blender. All the action slots are synced to start at frame 70. One block is selected and open for editing, and its keyframes start at frame 70. The others all start at frame 0.

a screenshot from the wgpu documentation showing a struct called TextureUsages and a struct called TextureUsages, described as 'similar to TextureUsages'

A Github diff showing the quoted line being removed.

$Source code for a TIC80 program as follows: --hello all! --starting from scratch this week --thanks for DJing Lynn! :D WIDTH=240 HEIGHT=136 TAU=3.14159265358979323846264*2 TEMP_ADDR = 0x04000 TEMP_NIBL = 2 * TEMP_ADDR PALETTE_ADDR = 0x03FC0 old_vqt = {} bank = 0 function BOOT() cls() for bin = 1, 120 do old_vqt[bin] = 0 end poke(PALETTE_ADDR, 0x11) poke(PALETTE_ADDR+1, 0x18) poke(PALETTE_ADDR+2, 0x24) for c=1,15 do poke(PALETTE_ADDR+3*c,math.min(0x44+0x22*c,0xFF)) poke(PALETTE_ADDR+3*c+1,math.min(0x11+0x18*c,0xFF)) poke(PALETTE_ADDR+3*c+2,math.min(0x11+0x11*c,0xFF)) end end function TIC() --copy the vram bank to temporary memory memcpy(TEMP_ADDR, 0x00000, WIDTH*HEIGHT/2) for x = 0, WIDTH-1 do for y = 0, HEIGHT-1 do local offset_x = math.min(math.max(0,x + math.random(-2, 1)),WIDTH-1) local offset_y = math.min(math.max(0,y + math.random(-1, 2)),HEIGHT-1) local addr = y * WIDTH + x local offset_addr = offset_y*WIDTH+offset_x local oldpix = peek4(offset_addr) if math.random() > 0.8 then oldpix = oldpix - 1 end poke4(addr, math.max(oldpix,0)) end end for bin = 1,120 do local angle = TAU*bin/120 local x = WIDTH/2 + HEIGHT/2.5 *(math.cos(angle)) local y = HEIGHT/2 + 10 + HEIGHT/2.5 *(math.sin(angle)) local v = old_vqt[bin] rect(x, y-v, 1, v, 12) local v = vqt(bin)*HEIGHT/4 old_vqt[bin] = v rect(x, y-v, 1, v, 15) end end$