Miguel Carvalhais

@carvalhais.org

2187 Followers 554 Following

Design, music, art + computation. Professor at fba.up.pt; also active at @cronicaelectronica.org, http://at-c.org and @xCoAx.org. Author of Art and Computation (V2_) and Artificial Aesthetics (U.Porto). carvalhais.org

Screenshot from https://umbigo.space//post-digital/soundscape__c-ebj9rt-6a60b32703b4190eba8bd8f1 with the header SOUNDSCAPE | @C, Essay by @c and a photo of Pedro Tudela and Miguel Carvalhais sitting on a stage with backlight
Miguel Carvalhais talking on a conference in front of an LCD screen displaying a video of a live performance with Pedro Tudela and Rodrigo Carvalho
Promo card for the arteciencIA symposium, the text reads: arteciencia.org, Do 16 ao 21 de abril Santiago de Compostela
Miguel Carvalhais, Pedro Tudela and Rodrigo Carvalho performing
Cover for issue 20 of the Journal of Digital Media & Interaction, with an abstract composition of modular geometric elements
Cover of Coil’s album “Love’a Secret Domain”
View of the installation VVV (Zero). The piece is comprised of four loudspeakers, amplifiers, software, media player, sound and electrical cables, steel cables, steel structure, LED lamps, glasses, mirrors. All is presented in a white gallery.
Close up of a large format screen with a circle of light projected in it.
View of the installation. Several tables in a very long room with wooden ceiling. Each table has a mirror on its top that reflects the ceiling. Each table also has a loudspeaker pointing up and a LED tube light.
Detail of the view of the installation, showing the larger hanging speaker and its shadow projected on the back wall.
View of the installation “Immanent Field (VVV)”. In the photo we can see a loudspeaker set on a plinth in the foreground, behind it a two-and-a-half-metre high piramidal metallic structure from where another loudspeaker hangs and, in the background, a three-metre tripod with a spotlight.
View of one of the installations in the show, with tables, loudspeakers, and LED lamps
Shu Lea Cheang starting her keynote
Rebecca Fiebrink presenting her keynote at xCoAx 2025
Rosemary Lee presenting, slide presents the title of her piece “A Structural Plan for Imitation”
Tyler Grimes presenting on Co-creation with the More-than-less-than-human
Matthew Blanco starting his presentation at V&A Dundee. Screen reads “Providing Form to Function: Exploring Code Through Visualisation”
Moritz Huson presenting at xCoAx 2025
Relational Field (8/8) + work draft
Save the date: 18 July 21h. Convento São Francisco Coimbra
Photo of the book standing on a wooden desk, showing its cover with title and list of participants
Ad for the Computation, Hybrid Practices & Culture symposium. Keynote by Alessandro Ludovico — Tactical Publishing: Using Senses, Software, and Archives in the Twenty-First Century. Thursday June 26, 13h45 to 18h at Auditório Carlos Ramos, FBAUP, Porto.
Poster of the Ears to the Ground seminar and performances
Photo from the programme, announcing the Sunday performance
Another announcement image for the extension of the call
Announcement image for the extension of the submission deadline
Poster announcing the event Creative Digitality: Practices and Approaches in Arts, Design, and Humanities at Paris 8
“They have escaped the weight of darkness.” with Rosemary Lee, at Calcular na Areia 3.
Photo of the installation
Grid of thumbnails of various photos of the installation “They have escaped the weight of darkness”, some of them featuring Rosemary Lee
Cover image for the EP 30×N — VRD1
Photo of the 30×N performance at gnration, photo by Hugo Sousa
Title slide from the presentation, reading "From Analogue to Metaphor"
Announcement of the conference at Brotéria, Lisbon, this Saturday, starting at 16h30.
Screenshot of the settings in MacOS showing the button for Apple Intelligence in the off state
Announcement for the performances tonight at Sonoscopia.
Announcement for the special call, using a screenshot from the game Stanley Parable
Photo of Pierre Huyghe’s piece “Liminal”, presented at Pinault Collection, Palazzo Grassi, Punta della Dogana, Venice.
Photo of Pierre Huyghe's work “Offspring” (2018) at Pinault Collection, Palazzo Grassi, Punta della Dogana, Venice.
View of Pierre Huyghe's ”Mind’s Eyes“ (2024) — materialised deep image reconstruction, synthetic and biological material aggregate — with reflections of the projection of “UUmwelt — Annlee” (2018-2024) filmed at the Pinault Collection, Palazzo Grassi, Punta della Dogana, Venice.
Poster announcing the performance at SMUP by @c, Carlos Santos, and Philippe Petit, on March 6th at 21h
Cover image for Acoustronique VII, featuring an abstract composition
Screenshot of gnration's website announcing our performance
Photo of the cover of the book “The Perception Machine” by Joanna Zylinska
Me, Pedro, and Rodrigo on stage, with lights and visuals, performing “30xn”
Photo of the book on a wooden table
Screenshot of the article in the interact website
Detail from page 36 of Neural 73, with the review of Art and Computation
Detail from the front page of the paper
Front page of the paper
Screenshot from the webpage at the Live Interfaces Journal website