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@chelbizzaro.art

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Minneapolis ✦ BFA Pictorial Illustration ✦ Writer ✦ 🏳️‍⚧️ ✦ Fae/They/She Quaritch’s #1 bbygrl 🩵 Tags : #AvatarSky | #Simulacra | #SimuAVTR Links — www.chelbizzaro.com/carrd 🩵 Hypodriive 🩵

A flat lined drawing that's cropped in closer of the character Branka. Along her back are the gestural sketches of white, inlaid haptics meant to control the failsafe embedded within her spine as well as to aid a sheath that would protect the neural fronts that hide away in the ridge behind her head.
A sketch that took roughly 45 minutes. It's of a na'vi person. They sit in profile with light from a doorway bleeding behind them as their tail curls up. They wear a pensive expression.
A rough, muted sketch of two na’vi heads. One facing forward, one in profile. Their expressions are content and relaxed. They have locked hair with a shock braided along the crest of their head, as well as a headband with small thin jewelry that arcs around their head and back into their kuru.
A collage of 8 pieces art that Chelbizzaro has made throughout 2024, with a selfie of themselves in the center. The art is all Avatar inspired.
A digital painting inspired from and by Frank Frazetta and pulp fiction illustrations. The tone is overall a warm orange gold akin to the setting sun on the cliff of an arid desert. There are three individuals in the scene, Recombinant Miles Quaritch, a Pa'li that Quaritch leads, and Branka, a human-ish psycher from Chelbizzaro's au, Simulacra. This setting, however, is one of a fantasy/scifi crossover. The Pa'li, deep and rich in color, is dutifully lead by Miles Quaritch, who instead of his severe high and tight and military fatigues, wears loose leathers around his calves and waist and armor fitting for a pulp setting. In one hand is a sword inspired from his blade in the films. In the other is the Pa'li's lead. Branka sits, bound, while on the back of the Pali, expression one of muted discomfort as her glowing eyes peer out in the direction that Quaritch leads them. She wears little to no clothing but her long, light ash brown hair obscures some. On the pa'li's back haunches are further spoils Quaritch has "found" on his journey.
A cropped in view of a work in progress; a black and white sketch of Branka's face. Her expression is thoughtful.
An illustration of Recombinant Lyle Wainfleet sitting in front of original character Lark. Lark sits upon a table, looking over her back, as her queue sheathe floats behind her weightlessly. Lyle, with Lark's knees around his chest and his arms around her waist, looks off into the same direction; the both of them observing. Their expressions are serious but unbothered. Lark wears a haptic plugsuit, typical of psychers, and Lyle is shirtless. The piece is painted in a dreamy, but sterile, light blue-grey hue.
A two-panel comic featuring Recombinant Miles Quaritch from Avatar: the Way of Water and original character Branka from an alternate universe fan creation titled Simulacra. In the top panel, the viewer is set upon Quaritch's face as he embraces Branka. He is sitting with Branka kneeling betwixt his legs, her front fully flush with his as she faces away from the viewer in fully embracing the recombinant. Quaritch's expression is largely unreadable, but his body language tells of something both needing and possessive. The bright, pink glow of the tendrils of Vitraya Ramunon surround them in an intimate, dreamy, and startingly present way. Quaritch braces the back of Branka's head, the attachment of her queue sheathe fitting between his index finger and thumb, whereas his opposite hand holds against the small of Branka's back. In that palm is the tip of his own queue and the strange, alien-like tendrils of Branka's own queue climb and feed between his fingers and crawl along his forearm in hopes of a true, melding connection. In the bottom panel, the viewer faces Branka. Her cheek is pressed against Quaritch's as he leans in, face obscured by her aside from the way he presses his lips and nose against the nape of her neck. Branka's expression, typically forlorn, is instead something warm. There is something else there, as equally unreadable as Quaritch's expression in the first panel, but it's overshadowed by their connection. Branka's pupils have bloomed impossibly wide and her corneas illuminate her face and the side of Quaritch's cheek and neck. A result of the way her queue connects and binds with his. Her hands brace against the barrel of his neck as his queue drapes along his back and into his hand. Along it, you can see the small, glowing tendrils of Branka's queue climbing up his braid in an act of Tsaheylu.
Fat Craft Vol. 3 Cover - Death & Divine The illustration is in an eerie blue-green-grey motif with whispers of bright red flickering throughout the painting. A fat, beautiful woman is standing in the center, supported and caressed by a veiled, crowned figure in the background. In his right hand, he holds a glowing red dagger. In his left, he holds her hand as he leans in to murmur the esoteric. She looks on, content. Her hair flows behind her in long waves that mimic the earth around them. At her feet are withered ghouls. One challenges the viewer, while the other clings to her meaty thigh in reverence.
A fat, beautiful woman glides upwards; her body is made of burning yellow, oranges, reds, and purples that blend from her feet up towards her chest and face where a pale, but glowing, human complexion remains. Behind her head is a bright red halo. Behind her, entirely, is a dark, crushing void. Her hair flows beyond the boundaries of the painting as if cosmic dust.
Recombinant Miles Quaritch holding a mug with the word 'DAD' on it. His other hand is on his hip and he's looking down at someone, saying 'I need a hot chocolate and a couple of fat chicks.' - a moment inspired by Anthony Bourdain.