cindy mosqueda

@cindylu.bsky.social

153 Followers 217 Following

higher ed STEM pathway programs by day. helping my kids with homework and missing LA by night. semi-retired bloguera at loteriachicana.com 💙

Cindy in a blue LA Dodgers jacket and hat trying to channel Dave Roberts, manager of the Dodgers, with a serious, worried face.

Cover of All Over Creation by Ruth Ozeki. Cover depicts a plastic bag of potatoes and a lone sprout.

Cover of Borderlands / La Frontera: The New Mestiza by Gloria Anzaldúa

Cover of The Girl from H.O.P.P.E.R.S.: A Love and Rockets Book by Jaime Hernandez. cover depicts scenes of Maggie and Hopey, a punk band and women wrestling in lime green and black.

Cover of A Place for Us by Fatima Farheen Mirza. Cover depicts a firework bursting in a sky.

Cover of the Darkest Child by Delores Phillips. The cover depicts a Black girl standing in a yellow skirt only visible from waist down.

Cover of The Tattooed Soldier by Héctor Tovar. Cover art show a large knife and dagger puncturing the page with blood dripping, a jaguar, and two roses.

Cover of All Joy and No Fun: The Paradox of Modern Parenthood by Jennifer Senior. Title letters are in colorful magnetic letters on a white background.

Covert of Ghettoside: A True Story of Murder in America by Jill Leovy. Cover is black with white and red copy. The top of the cover has a New York Times bestseller label. Cover depicts a black and white photo of 3 police squad cars, about 4 police officers and people lying on the street with arms and legs out. The photo is taken from above like from a helicopter.

Cover of Station Eleven by Emily St. John Mandel. Cover features yellow tents lit up from in the inside behind a short wall in a field. The night sky is lit with stars. There are two short hunting knives crossed to form an X in the center below title and author name.

Cover of the The Sentence, a novel by Louise Erdrich. Over shows red, yellow, white, black, blue and teal triangles connected una diamond like a quilt. Some of the triangles are beaded.

Cover of Men We Reaped: A Memoir by Jesmyn Ward. Cover shows white letters over a sepia-toned photo of a boy about 4-5 years old and girl about 7-8 years old with her arms wrapped around him in clothing that looks like the early 80s.

Cover of Never Let Me Go by Kazuo Ishiguro. Cover features a white face with blue eyes cover by horizontal strips covering parts of the mid face including top/bridge of the nose, upper lip and chin.

Cover of Goddes of the Americas: Writings on the Virgin of Guadalupe edited by Ana Castillo. Features the famous Virgin of Guadalupe painting and a green starred background.

Cover of City of Quartz: Excavating the Future in Los Angeles by Mike Davis. Cover features a night photograph of a building of several stories lit in an eerie green.

Cover of “The Monster at the End of this Book” starring lovable, furry old Grover. The cover depicts a bright drawing of Grover, a furry blue monster, saying “Hello, everybodeee!” in a speech bubble. Background shows a cloudless blue sky, brick wall, light post with Sesame Street sign.

Cover for The Wretched of the Earth by Frantz Fanon.

Cover of In the Time of the Butterflies a novel by Julia Alvarez. Cover has a brown background. In center are a green palm leaf and monarch butterfly.

Cover of Sandra Cisneros' book "Woman Hollering Creek and Other Stories". Cover features and indigenous brown-skinned woman with black hair with face cast downward and eyes closed. She is dressed in a white and has a colorful rebozo wrapped on her.