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@cranity.bsky.social

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Illustrator and printmaker on occasion | header by @yoursforest

Illustration of Simon, or "The Convict", from Iron Lung. We see him inside an industrial looking submarine. Our point of view is low on the floor and looking up. Simon is emerging up from a hole on the floor. Behind him is the "cockpit" of the submarine, the console right behind him and the main porthole slightly obscured by it. There is a giant red eye looking through the porthole. Simon hefts himself up from the hole in the floor facing away from us, only having himself up to the hip out of the hole. He hunches over slightly and his arms are bent at the elbow slightly from exertion. He looks over his shoulder to glare at us, his shoulder obscuring his mouth. He is soaked in blood and it drips off of his face and hair. His hair hanging down in clumps around his face. The hole he comes from is filled with blood, and it spills onto the floor. The rest of the submarine is grungy with blood and grime.
Illustration of Ryland Grace from Project Hail Mary. We see him space walking, suited in his red space suit. From this angle we see him from torso up, as he leans back and glances up at Tau Ceti (a green and orange planet) behind/above him, one of his arms raised up to help counterbalance himself. Tau Ceti sits large and glorious, taking up most of the background. From behind Tau Ceti and coming towards us and under Grace is a ribbon of red, getting larger as it passes under Grace. This is the astrophage. On top left of Tau Ceti on it's horizon the gleam of another star shines over it. There are a bunch of papers surrounding Grace and fluttering along the astrophage line. They contain drawings from his students, motifs found on his quilt, papers he graded from his students and parts of his dissertation.
Illustration of Josef from the movie Creep. He is wearing a halloween costume wolf mask called "Peachfuzz." He looms over us, taking up most of the composition, stepping into frame as if to corner us. He is brandishing an axe, having it pulled back close to his body threateningly. His wolf mask expression is snarling at us. Behind him the moon is full and large, being obscured partially by Josef. The dark trees of a forest peek out behind him. At the bottom of the page from our point of view we are holding up a camcorder. On the flipped open screen we see Josef sans wolf mask but in the exact same pose described before. He is smiling at us, and also wears a heart necklace.
Illustration of the rolling giant from the oldest view. We are looking at him from behind the corner of a mall directory kiosk, the giant looming over it. The mall is dark, and only the light coming from our point of view (likely from a flashlight) us shining onto the kiosk and the giant from below.
An illustration of Qifrey from Witch Hat Atelier. We see him from the waist up in his full robes sans his hat. In his right hand he holds a piece of circular paper up near his collar bone. His left arm is bent up so that his left hand is held up above his head. This hand also holds his wand lightly on his open palm. A water spell connects the piece of paper up towards his open palm. The spell is in the shape of a tree, twisting up beside Qifrey's face and above his head as it spreads towards his other hand, watery leaves beginning to bloom on the branches. Qifrey is looking up, head tilted slightly back. His expression is ever so slightly conflicted.
illustration of Olruggio from Witch Hat Atelier. He is without his hat and cloak, holding a circle of paper with a fire spell activated. He holds it in front of him at chest height, his arm extending slightly out towards us. His torso twists back a little as his other arm extends back, elbow bent to bring his other hand forward and have his palm face the paper he holds in his other hand. His wand is being held between 2 fingers on this raised hand. A fire spell trails from the paper to his open palm. Within the shapes of the flame is a single star. He is facing the paper and has his head slightly tilted down, eye's closed and brows furrowed in concentration.
Picture of a riso print layed on top of others. The illustration on the print is one of the "backrooms," a liminal space made up of endless hallways and rooms. The room we see here is covered in faded yellow wallpaper with a dirty carpet to match. There are fluorescent lights lining the tiled ceiling. On the left, a wall that takes up most of the image has a metal door with an exit sign above. A short wall separates about half of the room in the center from our point of view, hiding a school chair behind it. This right half of the room has the lights on the ceiling burned out/turned off, bathing it in shadow. This half also shows a hallway presumably leading to more halls/rooms. We can barely make out a doorway leading to a dark room at the end of the hallway. There is a red square circling around this room. look closer. There is a wall perpendicular and quite close to us that takes up a tiny bit of the right side of our view, as if we're looking around the corner into this area.
Riso Print of The Creature from Guillermo Del Toro's Frankenstein. The illustration is contained within and archway shape, the Creature stepping out slightly onto the whitespace from within in. He is hunched over and glancing warily to the side, his hood obscuring most of his long hair. With his left hand he grasps the wall of the archway and steps his right foot out. His other hand is extended to rest against the opposing wall. He wears a heavy coat and tatters beneath it. Furs cover his shoulders and make him seem bigger. In the background a desolate forest leads a winding path to Frankenstein's tower, which is being struck by a great bolt of golden lightning. Dusk settling in, giving us a dark gradient in the sky that allows us to see part of the full moon above. The print is made with black, teal, and flat gold ink.
sketch page of the Creature from Guillermo Del Toro's Frankenstein. The top right sketch shows him standing tall with his head slightly tilted. On the top right is a bust sketch of the creature closing his eye's and brushing locks of his hair out of the way. The bottom left show's another bust of the creature peeking out from under his hood, his reflective eye glowing in the shadow. The bottom right sketch show's him hunched over and glancing warily off to the side.
Risograph print of Tenna from Deltarune. He stands on stage as we view him from slightly above so we see his full body. He's smiling into a microphone that he holds near his face, his other arm sweeping back behind him, palm facing up. There is a spotlight on him. Behind him through the fluttering stage curtains is a ominous passageway of TV's playing static that leads to an open exit of a snowy night.
Riso print of Tenna from Deltarune. We see him from below, he is sitting leaned back, his legs loosely crossed in front of him. He is leaning onto one of his fists, which is holding a mic. His TV screen is slightly tilted up. The screen is dark and we only see a wide smile. Text surrounding him says "TV TIME" "Hosted by Ant Tenna" "TONIGHT"
Risograph print of the Batter from the video game OFF. The illustration is based of of the template of a baseball card. The Batter is front and center, having a solid grip on his bat as he holds it up in front of himself. His stance is wide and his face is tilted down, obscuring his eyes and letting us just see his stoic frown and eye black stripe on his cheek. His three add-ons linger behind him. Seeen through the add-ons and in the background is Zacharie walking away with a pack of wares on his back, he glances back at the Batter with an indiscernible expression. Surrounding the Batter and his add-ons are 3 spectres, semi transparent in their apparition. The scene takes place between the buildings of Zone 1. At the top of the 'card' and slightly obscured by the Batter are the words "Zone 1". At the bottom of the card the words "The Batter" can be seen on a green stripe, leading to a baseball that has the number "#0" printed on it.
Risograph print of Spamton from Deltarune. It show's him during his addison days when he was working with Tenna. He holds a large phone with both hands to his ear, looking incredibly nervous and disturbed. His eyes are wide and his mouth is pulled into a nervous grimace, sweat beads on his face. Wires begin to encircle both of his arms. Behind him Gaster reaches out from the shadows towards Spamton menacingly. The word "RING!" repeats urgently behind Spamton.
Fullbody doodle of Tenna from Deltarune. We see him from below, he is sitting leaned back, his legs loosely crossed in front of him. He is leaning onto one of his fists, which is holding a mic. His TV screen is slightly tilted up. The screen is dark and we only see a wide smile. Text surrounding him says "TV TIME" "Hosted by Ant Tenna" "TONIGHT"
various drawings of Tenna from Deltarune. In the middle of the page are 4 halfbody drawings of him. the first is him without clothes, showing his robo parts which consist of solid metal planes and flexible corrugated joints. His screen is dark and he looks slightly uncomfortable. To the right he is clothed (lol) and stand ups tall and proud, beaming smile and holding up a mic. To the right His screen is dark and staticky, tilted to the side with his antennae twitching and crumpling cue cards in his hand. To the right he is slumped over on his knees, screen cracked and showing a solid red color. His screen shining onto his chest. Around him are several busts of him with mixed expression ranging from upset, annoyed and angry. One specific one has his screen cracked, fracturing his frown, clawed hands coming up to his face. There is a single drawing of Mettaton EX from Undertale leaning back onto one hand, his legs crossed in front of him and holding up a peace sign.
Drawing of Goromi and Kiryu from the Yakuza game series. It is a shot from slightly above of both of them sitting in the corner of a booth at a cabaret club. Goromi is perched across Kiryu's lap, one leg stretched out and another curled under her. She has an arm slinged around Kiryu's neck, holding a drink. The other hand is balanced behind her onto the the booth as she leans slightly back. She looks at Kiryu coyly. Kiryu sits under her flustered, unable to make eye contact. One of his hands hover over her side, the other holds his drink off to the side.
Drawing of the crew from Mouthwashing. The shot shows Curly laid out on the mess table, his head closest to us and looking at the viewer frantically. His front half is lit by an overhead light but the rest of his torso fades slightly in the dark. Behind him Anya, Swansea and Daisuke sit around the table and look at the viewer with intense scrutiny in the surrounding darkness, the white of their eyes glowing naturally. Anya's mouth drips with blood. Swansea has 2 holes in his face and is covered with splatters of blood. Daisuke has a slash across his face and is also covered on blood. The viewer holds a knife that shows the sweating and scared reflection of Jimmy, his eye wide in shock. On the table there are pieces of Curly on plates that look like cake. Confetti, mouth washing bottles, party hats and cups are also present. Triangle banners and balloons fill the background above the crew. There is an ominous red glow behind everyone.
3 drawings on a digital canvas of Yakuza (game) series characters. On the top left Akiyama is shown with one knee high (the one visibly closest to the viewer), leg reared up as if to lash out in a kick. The arm on the same side is behind him to counter balance, with the other hand being tucked in a fist near his chest. He looks at the viewer smugly. On the right is a drawing of Nishitani hunched over as if stepping towards the viewer, arm crossed over his chest and holding up his dagger. He smiles maniacally. On the bottom left is a drawing of Saejima. He looks at the viewer sternly, arms crossed over his chest. The fur of his winter coat halos behind him.
Crops of 3 drawings. On the top left is a drawing of Daigo from Yakuza 2 pulling his bottom eyelid down on one eye and sticking his tongue out grumpily. Next to him is a drawing of Domo wearing his puffy jacket and cross. The drawing on the right is Y2 Daigo again, this time wearing headphones and grabbing it by one side to take it slightly off his ear as if someone is trying to talk to him. He looks to the side annoyed. The drawing on the bottom is Goromi blowing the viewer a kiss whilst holding her dagger up behind her threateningly. The words "HOT!" are stacked behind her.
Illustration of Goromi from the Yakuza game series. She is kneeling up, one of her legs kicked up slightly. In one hand she holds a baseball bat slung across her shoulders and in the other she holds a flip phone dangling with charms. Under that same arm is a chunky purse with chain straps. Her head is tilted down and she looks up at us through her lashes, a small smile on her face. Behind her several stars collage in the background, and on the top right we see a pink cheetah print texture. On the top left vertical text reads "Goromi". On the top right and obscured by a message notification speech bubble pointing at her phone, text reads "Hello? Are you". In front of her text reads "C'mon baby, let's go party!" and "Call me!"
Drawing of Kiryu and Majima from the Yakuza game series. On the top right we see Majima jumping onto Kiryu. He's hunched over, one leg extended towards Kiryu and the other bent under himself. He grips onto his dagger close to himself and pointed towards Kiryu. Since we're looking at his left side we see his eye patch covered eye accompanied by a large feral grin. His coat flutters up with his movements and we can see some of his lower back tattoo. Under him and to the middle of the page Kiryu blocks Majima's kick by crossing his arms in an 'x' formation in front if his chest. His body is being tipped bac by the force of the blow and he glares up at Majima, teeth grit together. Coming up behind Kiryu a large dragon that looks like his tattoo blends into the background. It's maw is open wide and it stares directly at Majima, one if its visible claws is open defensively. Its body twists out of frame.
A page full of sketches from characters of the Yakuza video game series. on the top right is Akiyama kicking a knee up, looking smug but concentrated. On the right is a best drawing of Mine, looking slightly to the side with a flat but slightly crazed expression. To the right of him is a half body drawing of Tachibana peering out from under his umbrella with a serious expression. On the upper right corner next to him is Majima holding up his dagger so that it covers half his face. He looks on with a wild espression, eye wide and smile wicked. In the dagger is the hannya from his tattoo completing the rest of his expression. Under him Is a drawing of Kiryu holding up Akiyama and Tanimura on each arm. Akiyama is slung over his shoulder like a sack of potatoes and Tanimura is straddling his arm and is holding his hand back with great effort. Kiryu looks bewildered. Under that in the bottom right corner is Seonhee smiling slyly. In the middle of the page Y0 Kiryu swings his real estate briefcase. Under him is a bust sketch of Akiyama slightly smirking and scrunching his brows. On the bottom left corner is a drawing of Goromi slightly hunched over and looking up from under her bangs and off to the side. One hand holding the strap of her purse near her armpit. There's a bust of Kashiwagi next to her.
Vash the Stampede CD charm
A page full of sketches from characters of the Yakuza video game series. on the top right we see a young Majima in his ponytail looking off to the side startled by something. Next to him Oda holds a smoke up with his right hand, looking off to the side in slight annoyance. Next to him is a drawing of Saeijima (bald) looking a little peeved. Next to him is a bust of Daigo during Y2, he is scowling off to the side and has non-canon piercings on his eyebrow and ear. Next to him is a bust drawing of Majima from m his time in the hole, his right eye missing and bloody. He looks down with a snarl. In the row of sketches under from left to right again: a bust of Daigo wearing women's clothing and makeup like in Dead Souls. A sketch of Kiryu looking down and to the side with a small smile. 2 drawings of Diago in his emo days wearing Ed Hardy. Saejima in his parka (bald again) smiling softly. Majima in his Hawaii get up slightly covering his mouth with one hand and the other in a shaka sign.
an illustration of Ocelot and Kaz from Metal Gear, sometime after Peacewalker and before the events of MGS5. We see them inside of a car in the backseat. Ocelot is turned around and shooting at cops chasing them through the back window. Kaz sits next to him, holding on to the roof handle for dear life with one hand and gripping pistol uselessly with the other. The back is full of suitcases stuffed with money, some of the bills escaping and flying all around them. 4 variations of the word "bang" surround them.
Poster of Gojo, Geto and Shoko from JJK in their teen days. On the bottom right we get a torso up view of Geto looking up with one eye open and holding a finger to his smirking lips in a hush motion. He looks tired but mischievous. Shoko is next to him, leaned over onto her arms, bringing a cigarette to her lips. She looks off to the side disinterestedly. over both of them and taking up most of the page is Gojo. We get a full body pose of him shredding a guitar. His legs are braced wide as he arches back, holding the guitar vertically. His face is concentrated and his bangs swoop back. The text on the top left reads " December 24th, One night only!" The text on the top right next to Gojo reads "Sa Shi Su" vertically. The text on the bottom right and under Gojo reads "The strongest generation"
An illustration of Vash the Stampede from Trigun posing with several articles of clothing for a fake clothing ad for a magazine. Within cropped shots of him include one of a belt with a fake gun buckle surrounded by bullets around the length of it. Another under it close up on his round sunglasses, with one lens having crosshairs on it. To the right is a shot of him from the knee up leather chaps and a cropped red leather jacket similar to his own iconic one. He's eating from a box of donuts. To the right is a shot of him from behind, showing us his shoulders and that there are embroidered wings as well as spikes on the back. Under it is one last image of a close up of his boots as he straps them on. To the left lists all the items and their prices, as well some extra information such as their sizing and how to order them.
illustration of Jinx from Arcane. We look at her from below as she is wielding a mini gun, hefting it up towards the top left corner of the page as it blasts multiple bullets out of frame, some of the bullets raining down around Jinx with smiley faces carved into them. Jinx's stance is wide, one arm hefting it from the front handle and the other gripping the trigger. She looks on with maniacal glee. Her long braids whip around her and the gun.
Drawings of El Desperado, the Japanese wrestler. On the bottom right is a roughly rendered bust of el Desperado, looking forward at us. His lucha mask has a crest of white flame-like spikes around his brow that rises up above where his ears would be. The holes for his eyes are angled into an angry scowl, leaving the eye underneath completely black aside from his white irises. His nose is covered by a large triangular piece of black fabric, akin to a skulls nasal cavity. His mouth remains uncovered but has been painted with makeup to resemble the mandible of the skull. White fringe from the back of his mask comes around over his shoulder to the front. On the top right rendered bust he wears a similar mask, however his mouth is fully covered with a design of white fanged teeth warped into an eerie smile. Between these drawings show him with variations of these masks as he: idles during a match, pulls his fringe back, sits on the top rope, and just simply looks up from under his brow.
Illustration if Jayce from Arcane. He is ragged and disheveled after his time in the alternate universe, face contorted into a snarl. He wields his hexcorized hammer, it's pointed low as it gears up with white wisps of energy swirling around Jayce towards the crystal housed inside the hammer core. Behind Jayce and the shapes of white energy are what looks like another drawing of Jayce pulling his body back with great effort as if to counter-balance his hammer (unseen in this pose), teeth grit and his eyes scrunched close. Another closer expression of Jayce behind this one show's his eyes wide open in horror.
Drawings of Jayce from Arcane. In most of these he is disheveled with shaggy hair and a beard. The top left is a bust of him looking down at something with contempt, eyes glowing with ire. Next in the middle of the page is an almost full body sketch of him wielding his hammer, holding low near his torso and looking up at something with a scowl. behind that on the top right is a semi rendered bust of him being choked by Viktor, he's gritting his teeth and looking down. Under that is a fullbody sketch of Jayce sprawled on the floor, holding himself up with one hand behind him and using the handle of the hammer to haul himself upright. On the edges of the rest of the drawing are bust sketches of Jayce ranging from his golden clean shaven days to his frazzled unkempt future.
Drawing of Wolfwood and Vash from Trigun Maximum. Vash is falling backwards with Wolfwood falling into his arms. Vash's wings encompass both of them. Vash is trying to reach out behind Wolfwood as he loses grip on his gun. Wolfwood is also seen losing grasp on a leather strap under Vash. They are high in. the sky as all we see is the deep blue atmosphere and slightly pink clouds. Confetti surrounds them both.
Drawing of Daft Punk in Japan. they’re walking through Takeshita street with crepes and their own album in hand. Guy-Man is in the front with the record, helmet tilted slightly towards us. Thomas odd on the back holding up crepes in each hand. His helmet visor reads “Hello” They’re wearing their robot debut outfits and are surrounded by stars.
full body sketches of Majima and Kiryu from the Yakuza video games. Majima's on the left walking towards the viewers, slightly hunched over with a bloody bat swung over his shoulders. He looks up from below his brow, a maniacal smile splitting his face. Kiryu stands on the right, standing straight with his leg slightly spread. Both hands are balled into fists, with his righ arm bent so that his fist is near his naval. His head is tilted slightly up and he looks down at the viewer.