Journal of Creative Research Methods

@crmethodsjnl.bsky.social

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A space for the creative research methods community Edited by @sumingkhoo.bsky.social, Harriet Shortt & @sophierwoodward.bsky.social, with Consulting Editor @drhelenkara.bsky.social https://bristoluniversitypress.co.uk/jcrm

We accept submissions of: Creative, qualitative, quantitative, or multi-modal research; Creative arts-based research; Creative digital research; Creative research using transformative research frameworks; Creative adaptations of existing methods. Journal of Creative Research Methods cover art.
The Journal of Creative Research Methods brings together contributions that: Explore creative research design. Ask questions about how research can be done creatively. Use Creative forms of data analysis. Ask how research can be creatively disseminated and shared for impact, knowledge exchange, and social transformation.
Journal of Creative Research Methods: An indispensable tool for researchers and teachers across all sectors looking to develop their understanding and use of creative research methods.
Journal of Creative Research Methods. We accept submissions of: Creative, qualitative, quantitative, or multi-modal research; Creative arts-based research; Creative digital research; Creative research using transformative research frameworks; Creative adaptations of existing methods.
Geographies of creativity/creative geographies. "Whether it’s the capacity to create new places out of old, or new spatial relations where none existed before, or to create beautiful things – artworks, writing, architecture, music, dance – in places and across spaces, creativity seems almost too fundamental to focus on. But what are the spatialities of creativity? The geographies of creative practice – how artwork sustains globalised flows of money for example, or how music reshapes buildings and bodies, or how creative writing nurtures geopolitics – are sometimes hard to theorise and bear witness to. Yet creative practice is crucial both to physical processes and to human experiences: we need to understand it. More fundamentally, if there sometimes seems to be too little creativity in our habitually over-consuming world, how do geographers become more creative? Is 21st-century geography a truly creative discipline? At a time when our world really needs a creative vision, to deal with new challenges in new ways, this conference theme asks for nothing less than a creative re-visioning of our discipline." Patricia Noxolo, University of Birmingham, UK.