D a l o

@dalosatelier.bsky.social

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he/they | Level 23 | ESP/ENG ⭐ Hobby artist ⭐ TTRPG enjoyer | OC hoarder Managing with a -10 charisma

The illustration shows Hekam, one of the members of the party from our Ghost of Saltmarsh campaing and our dhampir cleric. He’s wearing simple clothes, letting people see his undead nature, after all, he’s a proud walking miracle from Mystra, his goddess, so why not show it.
The illustration shows the battleaxe that Orion, my character from my Ghost of Saltmarsh campaign, carries. It’s a two handed battleaxe made from greenish metal with pale wood handle. When Orion enter in rage and chooses to infuse his weapon to deal fire damage, the blade of the battleaxe ignites in flames.
The illustration shows the battleaxe that Orion, my character from my Ghost of Saltmarsh campaign, carries. It’s a two handed battleaxe made from greenish metal with pale wood handle.
The illustration shows a picture of Orion, my character for the Ghosts of Slatmarh campaing. He’s a goliath barbarian (and he does not look like a typical Goliath cause he’s a Goliath just mechanically, he’s technically the son of a tiefling and a stone giant, and the tiefling genes won). He’s standing in a relaxed pose looking forward with his battle-axe in hand.
The illustration shows a spell-card I’ve drawn to have all of Desdemona’s spells at hand at the table. The illustration is a manga style portrait of Desdemona, covering her head with a a dark cloak and creating a magic golden mist around her to occult her presencie. At the bottom of the illustration there’s the name of the spell “Invisibilidad” (Spanish for the dnd spell invisibility) and under it, in a smaller font, is written “Nivel 2 - encantamiento” (Spanish for level 2 - enchantment).
The illustration shows a spell-card I’ve drawn to have all of Desdemona’s spells at hand at the table. The illustration is a manga style portrait of Desdemona, covering her head with a a dark cloak and creating a magic golden mist around her to occult her presencie. At the bottom of the illustration there’s the name of the spell “Invisibilidad” (Spanish for the dnd spell invisibility) and under it, in a smaller font, is written “Nivel 2 - encantamiento” (Spanish for level 2 - enchantment).
The illustration is a spell-card so we can have Desdemona’s spell at hand at the table. The illustration is a drawing of Desdemona, one of the players character from our curse of Stradh campaign, in a manga style. She’s attacking with her chain whip while being while conjuring golden flames around her with it. At the bottom of the illustration appears the name of the spell “Filo de llamas verdes” (Spanish for the dnd spell green-flame blade) and under it, in a smaller font “truco - evocación” (Spanish for cantrip - evocation).
The illustration is a spell-card I’ve drawn so I cab have all of Aquile’s spells at hand more easily. The illustration is a portrait illustration of Aquiles, my character for out Curse of Strahd campaign, in a manga style. He’s looking up to a light on top of him while tears float around his eyes. His face is surrounded by golden eyes, the only part of the illustration that is not in back and white. At the bottom of the illustration appears the name of the spell “Guía” (Spanish for the dnd spell guide) and under it, in a smaller font is “Cantrip - adivinación” (Spanish for cantrip - divination).
The illustration is a spell-card so I can have all of Enoch’s spells at hand. It’s a greyscale illustration of my character Enoch, my character for my Warhammer Fantasy campaign, from it’s side, he’s rising a hand and, over it, some rocks with glowing runes flote over it. At the bottom of the illustration appears the name of the spell “mover objeto” (Spanish for the spell move object) and under it in a smaller print “Dificultad 4” (Spanish for difficulty 4).
A full-body illustration of Desdémona, a character from the Curse of Strahd campaign, captured mid-motion in a fluid, defensive stance. Her bright red eyes are locked onto something outside the frame. A single curved horn rises from the left side of her head, while the right is broken. A long, flowing veil trails behind her, sweeping with the arc of her movement. She has smooth greyish skin, her features sharp and composed. She wears the traditional garb of a brown-clad nun, the fabric simple but flowing, gathered at the waist with a functional strap designed to hold her whip at rest. The hem of her robe is adorned with a subtle embroidered procession of demons, woven in dark thread that reveals its form only upon closer look. A sleeveless crimson mantle drapes over her shoulders, its fabric caught in motion like a banner. Her free hand is raised in a firm, defensive gesture, steady and controlled. In her other hand she grips a long golden chain whip, its links shifting between smooth gold, deep carmine segments and others tipped with small spikes. At the end hangs a censer, glowing like a live ember. Behind her, a soft cloud of smoke unfurls in wide, sweeping trails, echoing the motion of her stance.
The illustration is a spell-card to have all of Desdémona’s spells at hand. It shows a closeup grayscale illustration of Desdemona, one of the player’s character from our Curse of Strahd campaign, surrounded by three baby angels wearing masks imitating old people faces and holding a golden ribbon around Desdemona. At the bottom of the illustration appears the name of the spell “Sugestión” (Spanish for the dnd spell suggestion) and under it, in a smaller font “Nivel 2 - encantamiento” (Spanish for level 2 - enchantment).
The illustration is a spell-card to have all of Desdémona’s spells at hand. It shows a grayscale illustration of Desdemona, one of the player’s character from our Curse of Strahd campaign, guarded by a big demon in armor wilding big chains as weapons that end in big lamps. A golden smoke emanates from the armor and the chains lamps. In the bottom part of the illustrations appears the name of the spell “Represalia infernal” (Spanish for the dnd spell hellish rebuke) and under ir, in a smaller font is written “Nivel 1 - evocación” (Spanish for level 1 - evocation).
A little pink flower
The illustration shows the map of the Valley of Qytet from where Aquiles, my character from the Curse of Strahd, comes from.
The illustration shows the coat of arms from Santaulines, a settlement in the northwest part of the Valley of Qytet. The coat of arms is a purple field with a red spider lily on the top and a smaller silver one on the bottom. The coat of arms is surrounded by a purple vegetal motif and crowned with a red spider lily. At the bottom there’s a banner with the name of the settlement written on it.
The illustration shows the coat of arms of Yerra’s Mines, a settlements in the northwest part of the Valley of Qytet. The coat of arms is orange field with a red spider lily on the top and a pickaxe on the bottom. The coat of arms is surrounded by a purple vegetal motive and crowned with a red spider lily. At the bottom there’s a banner with “Minas de Yerra” (Spanish for Yerra’s Mines) written on it.
The illustration shows the coat of arms of Valtesa, a settlement near the center of the Valley. The coat of arms is a big yellow field with a red spider lily on the top and the head of a goat on the bottom. The coat of armas is surrounded by a by a blue vegetal motif and crowned with a red spider lily. At the bottom, there’s a banner with the name of the settlement written on it.
A quick sketch of Luffy on a whiteboard
The illustration shows the coat of arms from Campolirio, a settlement in the shouthwest part of the Valley of Qytet. The coat of arms is a big green field with a red spider lily (symbol of the valley) of the top and a bee on the bottom. The coat of arms is surrounded by a purple vegetal motive and crowned with a red spider lily. At the bottom, there’s a banner with the name of the settlement written on it.
The illustration shows the coat of arms from Llanoverde, a settlement in the east middle part of the Valley of Qytet. The coat of arms is a big blue field with a red spider lily in the top (symbol of the valley) and the head of a horse in the bottom part. The coat of arms is surrounded by a green vegetal motif crowned with a red spider lily. At the bottom there’s a banner with “Llanoverde”, the name of the settlement, written on it.
The illustration shows a coat of arms of the Fortify Village of Qytet, the main settlement of the Valley of Qytet. The coat of arms has a white field with a red spider lily (symbol of the valley) in the top part and a river in blue (symbolising the Yerra River, the main river that crosses the Valley) at the bottom. It is surrounded by a vegetal motif in blue and crowned by a red lily. At the bottom there’s a banner with the words “Aldea fortificada de Qytet” (Spanish for Fortified Village of Qytet).
An illustration of Aquiles, my character from the Curse of Strahd campaign, standing on a hill covered in white spider lilies. He leans lightly on his long red spear, his expression is calm but tinged with hesitation as he looks back over his shoulder, as if drawn toward something he cannot fully leave behind. Behind him, towering clouds glow with vivid oranges and deep purples against the early night sky, hinting at the quiet moment between day and dusk.
Spell card illustration for my character Enoch. A monochrome scene shows him mid-spell, hands raised and framing his focused gaze as if outlining the path ahead. Glowing runes float between his palms, scattering light that reflects softly across him. At the bottom, the word “Teletransporte” (Spanish for “Teleport”) is boldly displayed, along with the label “Dificultad 5” (Spanish for Difficulty 5).
The illustration shows the coat of arms of the Valley of Qytet, a fictional place where my character Aquiles comes from. Each of the fields the coat of arms is divided in holds the individual coat of armas of the settlements that are in the valley. The coat of arms is surrounded by a red vegetal motif crowned with a red spider lily, symbol of the valley. At the bottom there’s a banner with the words “Valle de Qytet” (Spanish for Valley of Qytet).
A grey-scale illustration of Desdemona, one of the players characters from our Cursed of Stradh campaign, walking holding an censer from where gray and golden smoke comes, covering Desdemona’s figure. At the bottom of the illustration you can read “Invisibilidad” (Spanish for the dnd spell Invisibility) and, in a smaller font, “Nivel 2 - conjuración” (Spanish for level 2 - conjuration).
A grey-scale illustration Desdemona, one of the players character from our Cursed of Stradh campaign, surrounded by the black wings of a creature in a protective manner. Around the scene, there are different golden eyes looking at Desdemona. At the bottom of the illustration you can read “Santuario” (Spanish for the dnd spell Santuary) and, in a smaller font, “Nivel 1 - abjuración” (Spanish for level 1 - abjuration).
A grey-scale illustration Desdemona’s hand, one of the players character from our Cursed of Stradh campaign, reaching upwards surrounded by a golden vine with spikes. At the bottom of the illustration you can read “Maleficio” (Spanish for the dnd spell Hex) and, in a smaller font, “Nivel 1 - encantamiento” (Spanish for level 1 - enchantment).
A full-body illustration of Sikeia, one of the player’s character from my Curse of Strahd campaign, captured mid-strike in a dynamic sword stance. Her body twists with controlled power, and the long dark green battle skirt attached to her armor sweeps dramatically with the motion. She has deep violet skin, sharp features, and long white hair tied into a loose braid that swings behind her. A burn scar marks the right side of her face. Her eyes are mismatched: the left a dark violet, the right a green glass eye catching the light with an opaque shine. Sikeia wears heavy armor in warm tan tones. Her chestpiece is reinforced and adorned with a repeating wheat-spike pattern, and her arms and legs are protected by articulated metal bracers and greaves. The flowing green skirt at her waist moves in a wide arc, its hem decorated with motifs and design resembling elements from her faith. She wields a long sword in her hands, raised high and angled downward as if the next heartbeat will complete the arc of her attack. The composition captures the precision and discipline of a seasoned warrior frozen in the instant before impact.
A grey-scale illustration of Aquiles, my character for the campaign The Curse of Stradh, facing the viewer with his eyes close. His hands are curled together in front of him holding a golden spark as white circles of magic form around the light. At the bottom of the illustration you can read “Protección contra el bien y el mal” (Spanish for the dnd spell protection against good and evil) and under it, in smaller letters, “Nivel 1 - abjuración” (Spanish for level 1 - abjuration).
An illustration of Aquiles, my character from the Curse of Strahd campaign, standing on a hill covered in white spider lilies. He leans lightly on his long red spear, his expression is calm but tinged with hesitation as he looks back over his shoulder, as if drawn toward something he cannot fully leave behind. Behind him, towering clouds glow with vivid oranges and deep purples against the early night sky, hinting at the quiet moment between day and dusk.
The image shows a grey-scale drawing of Aquiles’s hands, my character for the curse of Strahd campaign, summoning a golden spark of magic. The drawing is framed and, at the bottom, there’s the words “Curar heridas” (Spanish for the spell heal wounds) followed bu “nivel 1 - evocación” (Spanish for level 1 - evocation).
A grayscale close-up illustration focused on Aquiles’s eye. Reflected in the pupil is a glowing golden sigil shaped like an interwoven knot. At the bottom of the card, the text reads “Marca de cazador” (Spanish for the spell Hunter’s Mark) and identifies it as “Nivel 1 – Adivinación” (Level 1 – Divination).
A hand-drawn fantasy map on a parchment-like background, showing several islands surrounded by the sea. The map includes sketched coastlines, mountains, forests, and a decorative compass rose, created as an original experiment to practice map-making.
A festive illustration of Desdémona and Aquiles standing together against a green background with the words “Merry Christmas” at the top. Desdémona is perched on Aquiles’s shoulder, wearing a red Christmas cloak with white trim and a matching hood, smiling softly like a Santa figure. Aquiles stands below her in warm winter clothing adorned with small golden bells, wearing a reindeer antler headband and a glowing halo, looking up at her with a calm expression. The composition resembles a holiday postcard, framed by a decorative border.
An illustrated self-portrait attempt with several of my own drawings displayed softly in the background. The number “23” appears at the top of the image.
A grayscale illustration of Desdémona casting the Guidance cantrip. She is shown from the waist up, wearing her nun’s habit, her hands drawn close to her chest as she looks upward with a cautious, searching expression. Above her head floats a single open eye formed from a small golden flame, its glow standing out as the only element in color and suggesting divine insight or guidance. Fine particles drift through the dark background, reinforcing the stillness of the moment. At the bottom of the card, the text reads “Guía” (Spanish for the cantrip Guidance) and identifies it as “Cantrip – Adivinación” (Divination).
A grayscale illustration of Desdémona, depicted invoking a cantrip with her eyes closed and her hands pressed together in front of her face, as if in prayer or focused concentration. Her posture is still and deliberate, emphasizing control and intention. Small golden motes and fragments of light drift around her hands and face, softly illuminating her fingers and creating the only points of color in the otherwise monochrome scene. At the bottom of the card, the text reads “Taumaturgia” (Spanish for Thaumaturgy), identifying the spell as a “Cantrip, transmutación” (Cantrip, Transmutation).
A grayscale illustration of Desdémona, shown channeling magic power through her raised hand as she casts a destructive cantrip. Her posture is tense and controlled, one arm lifted as if drawing power from above while the other steadies her stance, her gaze turned sharply to the side as she tracks an unseen target beyond the frame. Jagged streams of golden energy crackle across her body and limbs, forming sharp, lightning-like patterns that wrap around her torso and trail down her arm. The magic appears volatile and forceful, as if barely contained, illuminating her fingers and casting stark highlights against the monochrome scene. Small sparks and fragments of energy drift through the air around her, reinforcing the sense of impact and supernatural discharge rather than subtle manipulation. At the bottom of the card, the text reads “Descarga sobrenatural” (Spanish for Eldritch Blast), identifying the spell as a “Cantrip, evocación” (Cantrip, Evocation).
A grayscale illustration of Aquiles, shown peering from behind the trunk of a large tree with a playful, alert expression. One hand rests against the bark while the other is held open, as if guiding something unseen through the undergrowth. A ribbon of golden magic coils through the scene, weaving between leaves and bushes like a clever current. Small berries peek out from the foliage, their presence subtly emphasized along the glowing trail, as if the spell is coaxing nature itself rather than forcing it. At the bottom of the card, the text reads “Astucia salvaje” (Spanish for Wild Cunning), identifying the spell as “Nivel 1, transmutación” (Level 1, Transmutation).
A grayscale illustration of Aquiles, depicted manipulating a flame with playful, deliberate movements. A golden fire flows between his raised hand and the flame resting in his other palm, twisting into the shape of a spider lily as if responding to his touch. Its warm glow illuminates his fingers and casts soft highlights across his face. Aquiles wears a big smile in his face, his expression relaxed and almost amused, as though shaping the flame were a familiar game rather than a spell. At the bottom of the card, the text reads “Controlar llamas” (Spanish for the Control Flames cantrip) and identifies the spell as “Cantrip – Transmutación” (Cantrip – Transmutation).
A grayscale illustration of Aquiles, depicted conjuring a small flame in his hands. The image shows him from the chest up, his expression calm and intent as he focuses on the spell forming in his hand. Soft shading outlines his features, and small feathered wings extend from each side of his head, framed by a faint glowing halo behind him. At the center of the composition, Aquiles holds a golden swirling flame cupped in his palm, illuminating his fingers and the front of his cloak. The scene captures the moment the magic takes shape, rising in a smooth spiral of light. At the bottom of the card, the text reads “Crear llamas” (Spanish for the spell Create Bonfire) and identifies it as a “Cantrip, transmutación” (transmutation cantrip).
A full-body illustration of Idra, a reborn tiefling monk from our Curse of Strahd campaign, captured mid-pose in a poised defensive stance. Her body twists with sharp precision, one arm extended forward and the other held close to guard, while she balances on one raised leg with effortless control. Her long tail curls behind her, echoing the motion. Idra has pale pink skin that deepens to purple at the fingertips, short dark hair held back with a headband, and golden eyes focused and alert. Her horns grow from the sides of her head, curving around her temples before lifting toward her forehead. She wears layered martial clothing in crimson and violet tones, along with wrapped bracers on her arms and legs that emphasize her agility. Her expression is tense and prepared, as if reacting to an unseen threat. Behind her stands Sorin, a ghostly figure rendered in cool blue-green hues, his form semi-transparent and edged with drifting wisps of spectral smoke. He mirrors Idra’s defensive posture with a raised fist and squared shoulders, appearing like a protective echo of her movements. Despite his incorporeal glow, his stance radiates unwavering readiness. The composition emphasizes the bond between the two: Idra grounded and alive, Sorin looming behind her as a silent guardian shaped from memory and magic.
A full-body illustration of Sikeia, a character from the Curse of Strahd campaign, captured mid-strike in a dynamic sword stance. Her body twists with controlled power, and the long dark green battle skirt attached to her armor sweeps dramatically with the motion. She has deep violet skin, sharp features, and long white hair tied into a loose braid that swings behind her. A burn scar marks the right side of her face. Her eyes are mismatched: the left a dark violet, the right a green glass eye catching the light with an opaque shine. Sikeia wears heavy armor in warm tan tones. Her chestpiece is reinforced and adorned with a repeating wheat-spike pattern, and her arms and legs are protected by articulated metal bracers and greaves. The flowing green skirt at her waist moves in a wide arc, its hem decorated with motifs and design resembling elements from her faith. She wields a long sword in her hands, raised high and angled downward as if the next heartbeat will complete the arc of her attack. The composition captures the precision and discipline of a seasoned warrior frozen in the instant before impact.
An illustration of Aquiles, my character from the Curse of Strahd campaign, standing on a hill covered in white spider lilies. He leans lightly on his long red spear, its polished surface catching the last warm light of the setting sun. His dark gambeson and leather armor pieces contrast with the white scarf draped around his shoulders, the fabric lifting in the wind as petals swirl around him. Aquiles has red hair and a matching beard, both softly lit by the fading sunlight. At each side of his head, three small pairs of wings extend outward, framing his face in a gentle, angelic silhouette. His expression is calm but tinged with hesitation as he looks back over his shoulder, as if drawn toward something he cannot fully leave behind. Behind him, towering clouds glow with vivid oranges and deep purples against the early night sky, hinting at the quiet moment between day and dusk.
A full-body illustration of Desdémona, a character from the Curse of Strahd campaign, captured mid-motion in a fluid, defensive stance. Her bright red eyes are locked onto something outside the frame, alert and unyielding. A single curved horn rises from the left side of her head, while the right is broken. A long, flowing veil trails behind her, sweeping with the arc of her movement. She has smooth greyish skin, her features sharp and composed. She wears the traditional garb of a brown-clad nun, the fabric simple but flowing, gathered at the waist with a functional strap designed to hold her whip at rest. The hem of her robe is adorned with a subtle embroidered procession of demons, woven in dark thread that reveals its form only upon closer look. A sleeveless crimson mantle drapes over her shoulders, its fabric caught in motion like a banner. Her free hand is raised in a firm, defensive gesture, steady and controlled. In her other hand she grips a long golden chain whip, its links shifting between smooth gold, deep carmine segments and others tipped with small spikes. At the end hangs a censer, glowing like a live ember. Behind her, a soft cloud of smoke unfurls in wide, sweeping trails, echoing the motion of her stance.
A vibrant full-body illustration of Aquiles, my character from the Curse of Strahd campaign, captured mid-leap. He has red hair and a matching beard, and his gaze is focused, with five golden eyes watching forward as one. A soft halo glows above his head. At each side of his head, three small pairs of wings extend outward, and above them, golden eyes shine with the same ethereal light as the larger wings. He wears a dark gambeson reinforced with brown leather armor strapped across his shoulders, arms, and legs, held by golden buckles and rivets that catch the light. A white scarf wraps around his neck, fastened with a red brooch shaped like a spider lily. In his hands, he holds a long red spear and a white shield, both adorned with red spider lily motifs. Golden wings spread wide behind him, radiant and sweeping.
A Halloween illustration of our Warhammer Fantasy party dressed up in classic ghost costumes, bedsheets and all. From left to right: Neves is the tiniest ghost, arms raised with a pumpkin basket overflowing with sweets. Enoch floats in with a lilac sheet, magical wisps swirling around him and the silhouette of his usual feathered hair ornaments peeking through. Alaric’s ghostly look is topped with an extravagant feathered hat, naturally. And last comes Sigdrifa, looming tall in a plain sheet, casually leaning on her massive battle axe. Behind them, a cheerful orange background wishes you “Happy Halloween.”
A spell card illustration featuring Enoch, a male elf with long dark hair and pointed ears, mid-casting a powerful spell. His expression is stern and focused as he raises one hand forward, palm open, revealing glowing runes and the translucent outline of his bones. Bright magical lines swirl through the scene like threads of force, wrapping around him and cutting through the dark background. The title reads Caricia de Laniph (Laniph’s Caress).
Spell card illustration for my character Enoch. A monochrome scene shows him mid-spell, hands raised and framing his focused gaze as if outlining the path ahead. Glowing runes float between his palms, scattering light that reflects softly across him. At the bottom, the word “Teletransporte” (Spanish for “Teleport”) is boldly displayed, along with the label “Dificultad 5” (Spanish for Difficulty 5).
Spell card illustration for my character Enoch. Monochrome image of a hand with the index finger extended toward the viewer, surrounded by radiating motion lines that suggest a sudden jolt. A bright curved rune floats near the fingertip. At the bottom, a white label shows the title, the Spanish word for “shake,” with “Cantrip” below.
The drawing shows an elf seated in a relaxed posture beneath a large, ancient wisteria tree in full bloom. He is calmly performing magic, tracing a glowing purple rune in the air with quiet focus.
Side-by-side comparison of an older drawing from a couple of years ago and a recent version of my character Enoch, showing the progress I’ve made.
The image features Alaric, a human with light skin, curly brown hair and grey eyes. He’s dressed as a landsknecht, wearing vibrant clothing, a breastplate, a long scarlet cape and a large feathered hat. His pose is confident and slightly cocky, proudly showing off his rapier.
Side-by-side portraits of the same character. The first drawing is from 2023, and the second is a recent redraw showing updated style and improvement.