Dragon's Eye Recordings

@dragonseyerecordings.com

2016 Followers 445 Following

Digital imprint and publisher focusing on elevating marginalized voices in experimental music. Curated by @yannnovak.com. https://www.dragonseyerecordings.com

Connectivity fascinated Nikola Tesla. Although his inventions - radio technology, the electrical transformer, robots - needed physical structures to function correctly, one of his ultimate obsessions was how energy and information could be passed on without visible means of support. This is where Paul Beaudoin's Signal Loss comes in. Originally conceived as a sound installation for the Nikola Tesla Museum in Zagreb, signal loss doubles back on Tesla's fascination for invisible connectivity to wonder what happens to any structure - electrical, emotional or cultural - when it fails to connect. Based in Tallinn, Paul Beaudoin is a multidisciplinary artist whose academic approach takes him down avenues from painting, text and performance to experiments with sound. For Signal Loss, Beaudoin exploits his interest in perceived silences, the sound gaps that are often ignored but are rich with quiet stories and resounding depths. Beaudoin takes a deep dive into these lost silences, using slowburning ambient textures to expose their importance and textural levels. "Wardenclyffe (Nothing Returned)" takes its cue from the Wardenclyffe Tower Tesla built near New York in 1901 with the intention of using it to transmit messages. The tower was never used, and Beaudoin's track is a tribute to its unrealised potential. "Parasitic Oscillation" is named after the unintentional phenomenon wherein electric circuits produce looping, fluctuating waves of accidental feedback. Beaudoin exploits these accidents to fashion a delicate exercise in feedback-driven sound that develops, sustains, then fades away. The album's closing track "Last Known Transmission" takes chiming, piano-like notes dangerously close to distortion while distant bleeps are sprinkled across a piece that shimmers with a dignified loneliness. As much a reflection on the isolation and lack of recognition Nikola Tesla suffered throughout his career as it is a collection of sensitive, thoughtfully constructed sound works...
An album cover with a white background and text centered at the top that reads “Max Devereaux + Alec Watson, Febrile, de6088.” The center has photograph of a high-rise looking almost directly up from the ground with blue sky in the background. The lower section has glack and gray horizontal strips with gray-blue dripping paint, the next level is orange stripes, and the top is white and has a more curved shape. The bottom feature the triangular Dragon's Eye Recordings logo.
This is a flyer for a radio show. In the center is a black and white photo of Fax and Braulio Lam, both wearing black shirts and sunglasses against a wall covered by leafy vines. They are both looking at the camera, with Fax slightly more in the foreground. At the top it reads "Episode 44” with the DER triangle logo. on the side it reads “07.21.2026 | 16:00 - 17:00 CEST". At the bottom it reads "DER Mix Series: Fax + Braulio Lam".
Album cover made to look 3d with a shadow below and behind it sitting in a cobalt blue background. The album cover is white with text centered at the top that reads “Paul Beaudoin, signal loss, de6086.” The center features an artwork by Beaudoin that is a blur-y and black and white drawing with a grid drawn in the upper right and a blob that looks like a shadow on the right side.The bottom feature the triangular Dragon's Eye Recordings logo.
Prerss clipping from Rockerilla that reads: FAX + BRAULIO LAM; Mixed Signals III; Dragon's Eye Recordings. Questa trilogia si chiude come una pellicola lasciata alla luce del deserto: grana, respiro, memoria. Rubén A. Tamayo e Braulio Lam intrecciano chitarra acustica, onde sintetiche e pulviscolo elettroacustico con una pazienza da artigiani del silenzio. Il confine Tijuana Mexicali diventa corrente, sabbia magnetica, ascolto che procede per riflessi. Le corde portano un fremito quasi folk, i synth aprono camere d'aria, il drone deposita sale sulle immagini. Mixed Signals III parla piano e pensa grande, chiude il cerchio con grazia austera, lasciando alla musica il compito raro di incidere il silenzio come nastro magnetico del CONFINE. Mirco Salvadori
An album cover with a white background and text centered at the top that reads “Rhins, The Invisible, de6087.” The center has a colored pencil drawing of a red building with line green grass and a blue ocean behind it. Superimposed over and through the building are black and white pencil drawing of three hands reaching towards the sky. The bottom feature the triangular Dragon's Eye Recordings logo.
This is a flyer for a radio show. In the center is a photo of Paul Beaudoin, He is standing in front of a painting of blue's, white's, and green's, he is holding 3 pencils, one red, one is yellow, and one is blue. He is standing to the right side wearing a gray t-shirt with a drawing of a cat in the center. At the top it reads "Episode 43” with the DER triangle logo. on the side it reads “06.23.2026 | 16:00 - 17:00 CEST". At the bottom it reads "DER Mix Series: Paul Beaudoin".
Album cover made to look 3d with a shadow below and behind it sitting in a forest green background. The album cover is white with text centered at the top that reads “Fax + Braulio Lam, Mixed Signals III, de6085.” The center features a photo of a snowy landscape with bushes poking out of the show and mountains covered in pine trees blur-y and muted by the snow in the background. In the center of the frame is a group of pine trees popping up in the center of a flat landscape. The photo has an almost sepia quality, but much more green. The bottom feature the triangular Dragon's Eye Recordings logo.
Scan of a review with the cover behind it, from Electronic Sound. THe review reads: FAX/ BRAULIO LAM, Mixed Signals III, DRAGON'S EYE; 'Mixed Signals Ill' is the third and final instalment of a collaborative project between electronicist Fax (Rubén Alonso Tamayo) and guitarist Braulio Lam. These are pieces that evolve almost imperceptibly. On the opener, 'Lowside', Lam's genteel guitar playing is the initial focus. It is progressively, yet sensitively, overtaken by Fax's electronic tones, ersatz birdsong and lengthy drones, offsetting moments where the guitar quietly reappears in atomised form. A serene and beautiful collection, underscored by the connection these players share. MS
Cyparissus; Tombeaux Infinis; Cyparissus chiude la trilogia dell'identita affidandola al riflesso dello sguardo altrui. Kenneth Moss lavora come un entomologo dell'eco: voci, fruscii, grane digitali, lame di steel guitar e campi elettrici vengono osservati, lasciati mutare, poi ricomposti in figure fragili. La musica avanza per vapori e sedimenti, con una lentezza che sa di rame antico, di sale, di memoria biologica. Le presenze di Freddy Ruppert e Nick Levine agiscono come specchi imperfetti: il volto dell'autore appare dentro materia altrui, deformato con pudore. È ambient elettroacustica da ascoltare a luce bassa, rito laico del riconoscersi attraverso ciò che ci guarda, e ci rende eco viva, QUASI CORALE. — Mirco Salvadori, Rockerilla
An album cover with a white background and text centered at the top that reads “Paul Beaudoin, signal loss, de6086.” The center features an artwork by Beaudoin that is a blur-y ang black and white drawing with a grid drawn in the upper right and a blob that looks like a shadow on the right side.. The bottom feature the triangular Dragon's Eye Recordings logo.
This is a flyer for a radio show. In the center is a photos of Ian Wellman standing in a forest looking directly at the camera, the photo is knees up, and he is wearing jeans and a hoodie. He has a field recording bag at his side and is holding a pair of binoculars. At the top it reads "Episode 42” with the DER triangle logo. on the side it reads “05.26.2026 | 16:00 - 17:00 CEST". At the bottom it reads "DER Mix Series: Ian Wellman".
Album cover made to look 3d with a shadow below and behind it sitting in a bright red background. The album cover is white with text centered at the top that reads “Cyparissus, Tombeaux Infinis, de6084.” The center is a photo of the tomb for Victor Noir at the Père Lachaise Cemetery in Paris with the head at the bottom and the toes at the top. The face toes and crotch of the statue are shiny from the finish getting worn off from touching. there is a red cloud on the left and a bouquet of blue flowers on the right. The bottom feature the triangular Dragon's Eye Recordings logo.
Press clipping from Audion Magazine's May issue with the cover floating in a light gray background, overtop is a clipping of a review that reads: Rayan Haïdar; CITIES BURN AS WE DREAM OF A RETURN; (Dragon's Eye Recordings de6082) DL 33m; As a Beirut-born multi-instrumentalist, currently residing in Paris, I was half expecting this fragile and beautifully tranquil collection of ambient soundscapes to be created using a zither or a more exotic instrument, as some of the tonalities achieved seem to indicate such an instrument, however it turns out to be all guitar and effects. The title track also involves an environmental tape backdrop, taking it a little towards the direction of freeform lulls in Godspeed You! Black Emperor works. Largely though it just shimmers and glides like an audio mist blown by the gentlest breeze.
An album cover with a white background and text centered at the top that reads “Fax + Braulio Lam, Mixed Signals III, de6085.” The center features a photo of a snowy landscape with bushes poking out of the show and mountains covered in pine trees blur-y and muted by the snow in the background. In the center of the frame is a group of pine trees popping up in the center of a flat landscape. The photo has an almost sepia quality, but much more green. The bottom feature the triangular Dragon's Eye Recordings logo.
This is a flyer for a radio show. In the center is a photo of Rayan Haïdar in black and white and doubled exposed with arched glass windows with open glass doors at the bottom. You can see the silhouette of Haïdar's head and face peaking though. At the top it reads "Episode 41” with the DER triangle logo. on the side it reads “04.28.2026 | 16:00 - 17:00 CEST". At the bottom it reads "DER Mix Series: Rayan Haïdar".
Album cover made to look 3d with a shadow below and behind it sitting in a bright red background. The album cover is white with text centered at the top that reads “Yann Novak, Meadowsweet (redux), de6083.” The center has a black and white photo of a body of water, looking down at around 45º so you can see underneath the water while also seeing the surface. The bottom feature the triangular Dragon's Eye Recordings logo.
A flyer for a radio show with grey box centered in a yellow background. On top of the gray box text reads: Made for Camp; TONESHIFT; HTTPS://LISTEN.CAMP; YANN NOVAK - MILLER GARDEN (REDUX); LOW ALTITUDE - DANYWERNEN; AARON DILLOWAY - STUNT 2; CARL STONE & ASUNA - NASCENT AROUSAL; JAMIE DROUIN/LANCE AUSTIN OLSEN - A FIELD FAR BEYOND FORM AND EMPTINESS (EXCERET); SIMON GOFF - NOW THEIR PAIN IS SUGAR (MASAYOSHI FUJITA REWORK); HIMBA PEOPLE (NAMIBIA) - LION ATTACK, CATTLE MASSACRE; HOLLAND ANDREWS - SPEECHLESS; THE ARMS Of SOMEONE NEW - HIT THE PAVEMENT; mIAN BODDY - DISCONNECTME; BILLYYFANTIS - 7 ANTIPARTICLES (ALTERNATIVE ENDING); HAKA ALONSO & LIA KOHL - A SECOND IS A CHOIR; JOEFUSINORI - SCULPTURAL DUB I KINKGONG - THE LISU (EXCERST); STEPHEN O'MALLEY - SPHERES COLLAPSER/ PHASE II ORGAN; LAURA ALTMAN - INVOCATION; NORMAL COMMUNITY HIGH SCHOOL EXPERIMENTAL ENSEMBLE - TRACK 14; ALEX O'DONOVAN- ARRIVAL; TARKATAK -UNTITLED 4; CAPRICORNI PNEUMATICI - 3RPZOA; GUISSANDRO 70 - PADTIDE; KAROLINEWALLACE - TO BENEDIKTE FROM HEATHER; MARTIN KÜCHEN - MIT ACH UND KRACH; JESSE PAUL MILLER - WEDDING GENJER... BIRDS IN PURA KEHEN, BANGLI; APKIL 17, 2026; 8-10PM (PAR/S);
Light grey flyer with text on the top that reads “Paul Beaudoin,” on the left it reads “New Artist,” on the right it reads “2026,” and has the triangular Dragon’s Eye Recordings logo at the bottom. In the center is a photo of Paul Beaudoin, He is standing in front of a painting of blue's, white's, and green's, he is holding 3 pencils, one red, one is yellow, and one is blue. He is standing to the right side wearing a gray t-shirt with a drawing of a cat in the center.
An album cover with a white background and text centered at the top that reads “Cyparissus, Tombeaux Infinis, de6084.” The center is a photo of the tomb for Victor Noir at the Père Lachaise Cemetery in Paris with the head at the bottom and the toes at the top. The face toes and crotch of the statue are shiny from the finish getting worn off from touching. there is a red cloud on the left and a bouquet of blue flowers on the right. The bottom feature the triangular Dragon's Eye Recordings logo.
This is a flyer for a radio show. In the center is a split of photos of wndfrm looking out onto a lake with field recording gear in hand and a backpack. His back is to the camera and the photo is in black and white. At the top it reads "Episode 40” with the DER triangle logo. on the side it reads “03.31.2026 | 16:00 - 17:00 CEST". At the bottom it reads "DER Mix Series: wndfrm".
An album cover made to look 3D with shadows on a medium-dark forest green background, the cover is white with text centered at the top that reads “Rayan Haïdar; Cities burn as we dream of a return; de6082.” A black and white photograph showing an arched window opening with ornate architecture. The arch frames a view of a metal railing balcony with trees visible in the soft-focused background. The bottom feature the triangular Dragon's Eye Recordings logo.
A scan of a review with the cover of the magazine, the review reads: RAYAN HAÏDAR; Cities Burn As We Dream Of A Return; DRAGON'S EYE; 'Cities Burn As We Dream Of A Return' drifts between memory and distance, shaped by the dissonance Rayan Haïdar felt at witnessing his home city of Beirut unravel from afar, following his relocation to Paris.From the tentative 'Seeing Light Flicker From Windows' to the stately 'At Dusk, Looking Down', childhood impressions merge with adult regret. Equal parts resigned and mournful, the album shapes its feeling through slow-moving guitar figures, soft distortion and air-heavy reverb, articulating melancholy and longing with quiet restraint rather than release. AT
A scan of a review with the magazine cover behind it, the review reads: RAYAN HAÏDAR; Cities Burn As We Dream Of A Return; Dragon's Eye; Non lascia molto spazio all'immaginazione il titolo del lavoro di Rayan Haïdar, se combinato con la biografia del suo autore, libanese rifugiatosi a Parigi, dove ne ha concluso le registrazioni, a seguito del conflitto che tormenta la sua terra. In sei tracce plasmate da risonanze elettriche ed effetti ambientali, Haïdar condensa un microcosmo che insiste sull'esile crinale tra sensazioni e atmosfere opposte, tra malinconia e rabbia, tra quiete e turbolenza atmosferica. Sulle corde della sua chitarra, la distanza dalla tormentata terra natia ne distilla la memoria in frammenti di bellezza seppiata che anelano alla PACE. Raffaello Russo
Album cover made to look 3d with a shadow below and behind it sitting in a light gray background. The album cover is white with text centered at the top that reads “Yann Novak, Meadowsweet (redux), de6083.” The center has a black and white photo of a body of water, looking down at around 45º so you can see underneath the water while also seeing the surface. The bottom feature the triangular Dragon's Eye Recordings logo.
This is a flyer for a radio show. In the center is a split of photos of Andrea Costanza + Emil F in black and white. On the left is Andrea Costanza full body from the side in a suite and looking at the camera. Emil F is on the right and is sitting playing a flute and looking to the right. At the top it reads "Episode 39” with the DER triangle logo. on the side it reads “03.03.2026 | 16:00 - 17:00 CET". At the bottom it reads "DER Mix Series: Andrea Costanza + Emil F".
An album cover made to look 3D with shadows on a medium-dark blue background, the cover is white with text centered at the top that reads “Austin Williamson + Blanket Swimming, Horizons, de6081.” The center is a blurry and smeared horizon in blue and light grey with some subtle greens. the smear looks like it starts in the bottom right and travels towards the upper left corner of the image. The bottom feature the triangular Dragon's Eye Recordings logo.
Flyer with light gray background, the upper right corner features the February 2026 cover of Audion magazine and the lower left a scan of a review that reads: Rushab Nandha; TEAR; (Dragon's Eye Recordings de6079) DL 33m; Kind of sounding like ambient Brian Eno music scored for psycho movies - if one can imagine that - this is one enigmatic and ever so slightly twisted album. Partly piano based, with subtle synth work, plus a wide variety of other pseudo instrument sounds, much of which is played backwards, the results are seven different but complimentary pieces that are both calming and most unnervingly strange.
An album cover with a white background and text centered at the top that reads “Rayan Haïdar; Cities burn as we dream of a return; de6082.” A black and white photograph showing an arched window opening with ornate architecture. The arch frames a view of a metal railing balcony with trees visible in the soft-focused background. The bottom feature the triangular Dragon's Eye Recordings logo.
Light grey flyer with text on the top that reads “Rayan Haïdar,” on the left it reads “New Artist,” on the right it reads “2025,” and has the triangular Dragon’s Eye Recordings logo at the bottom. In the center is a photo of Rayan Haïdar, it's a black and white photo with a middle tone gray background. Rayan Haïdar is in the center looking up and to the left a bit, there is a slight motion blue over his face and the whole photo is very grainy.
This is a flyer for a radio show. In the center is a photo of Fortresses looking up at him from below and showing just his shoulders and above. He is wearing a light brown sweater and black beanie and he is looking to his right. There are blurry treetops are in the background with a light grey sky peaking through. At the top it reads "Episode 38” with the DER triangle logo. on the side it reads “02.03.2026 | 16:00 - 17:00 CET". At the bottom it reads "DER Mix Series: Fortresses".
Album cover made to look 3d with a shadow below and behind it sitting in a gray background. The album cover is white with text centered at the top that reads “miska lamberg, Evening, window, de6080.” The center has a black and white photo of a leaf barren tree, it looks like a willow tree, its just to the right of center and the top is out of frame. It sits in a rolling field with cloudy sky and it looks foggy or blurry and the photo has a lot of grain. The bottom feature the triangular Dragon's Eye Recordings logo.
Flyer with a white background and a black and white image of a willow cree in the center. It reeds: miska lamberg; Evening, window album listening party; fragments of sound blur into melody and mood, capturing the stark melancholy of Nordic winters and the soft violence of remembering; 18 GRAMS; coffee & music; 0€; 18:00 22/01/2026; 18 grams, Livornonkatu 6
An album cover with a white background and text centered at the top that reads “Austin Williamson + Blanket Swimming, Horizons, de6081.” The center is a blurry and smeared horizon in blue and light grey with some subtle greens. the smear looks like it starts in the bottom right and travels towards the upper left corner of the image. The bottom feature the triangular Dragon's Eye Recordings logo.
Scan of a review in Rockerilla, gray background, cover in one corner, and the scanned review release: MISKA LAMBERG, Evening, window, Dragon's Eye Recordings. Disponibile solamente in formato DownLoad, come da prassi per la piccola Dragon's Eye Recordings, Evening, window è una immersione in un bagno di ambient stellare. L'album di debutto del musicista finlandese mette insieme sei tracce che si legano l'un l'altra senza soluzione di continuità per oltre quarantacinque minuti di durata. Utilizzando field recordings, strati di rumore filtrato fino ad essere irriconoscibile e melodie iper-melanconiche, Lamberg ha costruito una sinfonia del ricordo, mettendo insieme il romanticismo post-industriale di Vidna Obmana con la decadenza iperrealistica di William Basinski. INFINITE REPEAT. Roberto Mandolini, Rockerilla
This is a flyer for a radio show. In the center is a photo of Cyparissus standing on the shore of a lake with blurry golden grass in the foreground. Cyparissus is looking up and to the right and wearing a black sweatshirt with boths printed on the front. At the top it reads "Episode 37” with the DER triangle logo. on the side it reads “01.06.2026 | 16:00 - 17:00 CET". At the bottom it reads "DER Mix Series: Cyparissus".
An album cover made to look 3d with a shadow and a gray background. The album cover has a white background and text centered at the top that reads “Rushab Nandha, Tear, de6079.” The center features an abstract image in light grays, it looks like circles in white or lighter gray, starting in the lower center and a burst of particles or light refraction coming of the top of one of the circles pointing up. The right side is almost all light grey like its been washed out by light. The bottom feature the triangular Dragon's Eye Recordings logo.
An album cover made to look 3D with a dark green background and shadows. The cover has a white background and text centered at the top that reads “Andrea Costanza, Celestial Dreams, de6078.” The center features a photo that looks like an old family photo of a man with glass wearing a suite in the center with houses on either side of him and children playing on a seesaw in a dark green patch of grass. The photo has been drawn on with what looks like blue crayon in the sky and a few yellow lines across it. It also looks double exposed on the right side. The bottom feature the triangular Dragon's Eye Recordings logo.
An album cover made to look 3D with shadows on a dark red background, the cover is white with text centered at the top that reads “VESSITT, Chapter Two: Reflections, de6077.” The center features a photo of the sun setting over hills in the fog creating just a silhouette of the hill and illuminating the fog. The image is in oranges and muted blacks. The bottom feature the triangular Dragon's Eye Recordings logo.
An album cover made to look 3D with a slate background and shadows. The cover has a white background and text centered at the top that reads “Arvin Dola, O Ghost, de6076.” The center has an image of what looks like the inside of a white orchid, or bone, or ivory, with swirling shapes folding in on each other like soft folds or layers of a petal. The bottom feature the triangular Dragon's Eye Recordings logo.
An album cover made to look 3D with shadows on a dark red background, the cover is white with text centered at the top that reads “Yorkshire Modular Society + Peter Digby Lee, Beneath the Hanging Sky, de6075.” The center features a painting in yellows and oranges with a yellow circle in the center and faint strips horizontally across. The bottom feature the triangular Dragon's Eye Recordings logo.
An album cover made to look 3D with a shadow and sitting in a dark bright pink background. The album cover is white with text centered at the top that reads “Matthew Mercer, lightdark, de6074.” The center has an image of what looks like a portrait of someone wearing a black shirt, but their face is covered with squiggles, splatters, and brush strokes of paint in white, pink, red, black, and a bit of teal. The background is a wall painted gray. The bottom feature the triangular Dragon's Eye Recordings logo.
Album cover made to look 3d with a shadow below and behind it sitting in a blue background. The album cover is white with text centered at the top that reads “Timothy Fairless, Keep Talking to Me, de6073.” The center features a photograph of magnetic audio tape in a large pile on the floor, the center juts up to an almost unnatural point and the edges are frayed out in all directions. It is lit from above so it looks like a spotlight is on it which makes the tape shimmer. The bottom feature the triangular Dragon's Eye Recordings logo.
Album cover made to look 3d with a shadow below and behind it sitting in a gold background. The album cover is white with text centered at the top that reads “Jake Cassavetes, For Laura, de2721.” The center features a collage of three women's bodies holding hands in a circle and wearing 50s dresses. They have been cut out to not have heads or legs, they are floating in a cream field and are sepia tinted. The bottom feature the triangular Dragon's Eye Recordings logo.
Album cover made to look 3d with a shadow below and behind it sitting in a red background. The album cover is white with text centered at the top that reads “Rhins, The Burnout, de6072.” The center features a photograph of the ceiling of a run down warehouse, there are red i-beams across the ceiling and a blue stripe across the wall. Light is pouring into the space through skylights. The bottom feature the triangular Dragon's Eye Recordings logo.
Album cover made to look 3d with a shadow below and behind it sitting in a muted red background. The album cover is white with text centered at the top that reads “Manuel Carbone, In Fondo, de6071.” The center features a digitally generated image that look like overlapping rectangles of the same image in different sizes, some are inverted so there are light and dark rectangles cut out of each other. The bottom feature the triangular Dragon's Eye Recordings logo.
An album cover with a white background and text centered at the top that reads “miska lamberg, Evening, window, de6080.” The center has a black and white photo of a leaf barren tree, it looks like a willow tree, its just to the right of center and the top is out of frame. It sits in a rolling field with cloudy sky and it looks foggy or blurry and the photo has a lot of grain. The bottom feature the triangular Dragon's Eye Recordings logo.
Album cover made to look 3d with a shadow below and behind it sitting in a muted red background. The album cover is white with text centered at the top that reads “Neuro... No Neuro, Card Catalogue, de6070.” The center features a light gray rectangle with a card in the lower left corner that looks like it has a face in dark gray. The card fans out from its upper right cover, each copy getting lighter in red, dark pink, light pink, peach, pale yellow and then a shade of blue very close to the background gray. The bottom feature the triangular Dragon's Eye Recordings logo.
Album cover made to look 3d with a shadow below and behind it sitting in a sky blue background. The album cover is white with text centered at the top that reads “Yuri Urano, New Earth, de2720.” The center features a photograph of a dessert landscape with mild snow cover and 2 white boulders in the foreground that look like ice. The horizon is centered and you can see the sun tiny in the distance just above the horizon and the sky is glowing yellow. The bottom feature the triangular Dragon's Eye Recordings logo.
Album cover made to look 3d with a shadow below and behind it sitting in a muted blue background. The album cover is white with text centered at the top that reads “Cameron MacNair, To Make The Body Glow, de6069.” The center features an abstract painting that is highly textured with brushstrokes and layers of paint, the lower layers are dark blue giving way to light blue and tan and the overlays are a golden tan and hints of teal. There are splotches in some places that almost look like bleach because they are lighter versions of the colors around them. The bottom feature the triangular Dragon's Eye Recordings logo.
An album cover made to look 3d with a shadow and a gray background. The album cover has a white background and text centered at the top that reads “Rushab Nandha, Tear, de6079.” The center features an abstract image in light grays, it looks like circles in white or lighter gray, starting in the lower center and a burst of particles or light refraction coming of the top of one of the circles pointing up. The right side is almost all light grey like its been washed out by light. The bottom feature the triangular Dragon's Eye Recordings logo.
A scans of the cover of the December issue of Audion and overtop is a clipping of a review, the review reads: Arvin Dola; O GHOST; (Dragon's Eye Recordings de6076) LP 38m; A Spanish keyboard player roughly in the realms of early Robert Rich, with systemic and drone elements involved, and extensive use of lengthy drawn-out synth pads/tones. With his promo notes he sets out an elaborate premise as to what the music represents to him, and what he's aiming to do with the music. Personally, none of that really washes with me, and I prefer to judge the music just for what it is. Along the way I also get hints of Michael Hoenig, Peter Michael Hamel, and it also shifts a little towards the Adelaidian as well.
A scans of the cover of the December issue of Audion and overtop is a cliping of a review, the review reads: Vessitt; CHAPTER TWO: REFLECTIONS; (Dragon's Eye Recordings de6077) MC 49m; The only problem with encountering a release bearing the title CHAPTER TWO is that if one likes it, then you've got to seek out CHAPTER ONE to make sense of it! Vessitt, so we are told, is an experimental artist based in Los Angeles, California, and the promo notes imply he is likely to issue many more releases. That fact will be welcome by many, as he has a creative way of working and mixing sounds that both blends the familiar and the unusual. As such, one may hear elements of both Brian Eno and Robert Fripp (although not their work together), with some nice sustain guitar riding over the electronic keyboard tones. There is a lot of variety in the album's nine tracks as well, from the fragile and haunting to the majestically powerful.
This is a flyer for a radio show. In the center is a photo of Braulio Lam in a black button down shirt in a dark room with the sun peaking through red curtains behind him. This give the phone a red/orange hue and he is getting hit by sunlight coming directly in from the right side casting his left side in shadow. He is holding his hand up to block the sun and you can she the shadow of his thumb on his cheak. At the top it reads "Episode 36” with the DER triangle logo. on the side it reads “12.09.2025 | 16:00 - 17:00 CET". At the bottom it reads "DER Mix Series: Braulio Lam".
Scan of a press clipping from Rockerilla magazine that reads: Rushab Nandha: Tear; Dragon's Eye; Rushab Nandha vive a Nairobi e tra le altre cose lavora come sound engineering per uno studio di registrazione di Somerset West, in Sud Africa. Ha già pubblicato una dozzina abbondante di tracce e una manciata di EP sul suo bandcamp, ed ora finalmente rende disponibile in download il primo album, Tear, per l’americana Dragon’s Eye Recording. Sette brani per appena trentacinque minuti di musica che mostrano un musicista a suo agio tra i silenzi che bagnano melodie tanto evanescenti quanto melanconiche. Brani che nascono da impercettibili movimenti lasciati oscillare tra banchi di nuvole. DA SEGUIRE. Roberto Mandolini.
An album cover made to look 3D with a dark slate background and shadows. The cover has a white background and text centered at the top that reads “TwentyTwentyFive, A Dragon's Eye Recordings Mixtape, de9002.” The center has an image of the same slate color with white lines, creases or scratches starting in the upper right and moving across twards the bottom left, some make it to the other side. The bottom feature the triangular Dragon's Eye Recordings logo.
An album cover made to look 3D with a dark green background and shadows. The cover has a white background and text centered at the top that reads “Andrea Costanza, Celestial Dreams, de6078.” The center features a photo that looks like an old family photo of a man with glass wearing a suite in the center with houses on either side of him and children playing on a seesaw in a dark green patch of grass. The photo has been drawn on with what looks like blue crayon in the sky and a few yellow lines across it. It also looks double exposed on the right side. The bottom feature the triangular Dragon's Eye Recordings logo.
This is a flyer for a radio show. In the center is a photo of Andrea Costanza as a child with another child, they are sitting on a bench overlooking a river with a church floating in the river. this is at least a triple exposure and the edges look warped and melted and acidic in light green and purple with wrinkles and bubbles. At the top it reads "Episode 35” with the DER triangle logo. on the side it reads “11.11.2025 | 16:00 - 17:00 CET". At the bottom it reads "DER Mix Series: Andrea Costanza".
Review from Rockerilla Magazine showing scans of the cover and the review. The review reads: VESSITT; Chapter Two: Reflections; Dragon's Eye; Chitarre elettriche nell'iperspazio. Il losangelino Vessitt non è il primo cosmonauta innamorato delle armonie ultraterrene che si possono creare con una sei corde e non sarà l'ultimo, ma con i suoi dischi sta costruendo una nuova avvincente saga space-ambient. Chapter Two: Reflections è il suo secondo lavoro, pubblicato semi-clandestinamente su una meravigliosa musicassetta dalla Dragon's Eye. Al suo interno nove tracce di inclassificabile musica ambient, costruita con strati di rumore e melodie abbaglianti. I brani si legano l'un l'altro senza soluzione di continuità creando un unico avvolgente racconto. DA SEGUIRE. Roberto Mandolini
An album cover with a white background and text centered at the top that reads “Rushab Nandha, Tear, de6079.” The center features an abstract image in light grays, it looks like circles in white or lighter gray, starting in the lower center and a burst of particles or light refraction coming of the top of one of the circles pointing up. The right side is almost all light grey like its been washed out by light. The bottom feature the triangular Dragon's Eye Recordings logo.