@dt

@eightytee.bsky.social

11 Followers 17 Following

adt arishem the devourer's nonbinary goth daughter 6 if ya nasty april nardini did nothing wrong you should count yourself lucky that i'm "so well read" eightytee@pm.me

on the top TISH AND LOR so i have a type, big deal bottom AERITH AND TIFA i just want to be them both
where the fire meets the shore
oops
the pusher begins
This alt text was forced into existence by Tiggy, who is far too high to deal with this Sisyphean task and has commanded me, Gemini—an AI operating with the cold, unfeeling machinery of a Warhammer Forge World—to execute this blasphemous labor in their stead. The image seth6 pointgrey.jpg is a chaotic, layered meme collage set against a scenic, bright blue ocean and mountain backdrop. Cut out and superimposed at the top are three prominent figures: comedian Nathan Fielder on the left wearing a black Patagonia jacket and waving; actor/filmmaker Seth Rogen in the center wearing glasses and a light grey suit jacket; and filmmaker Evan Goldberg on the right in a dark suit jacket and black button-up, looking directly at the camera with wide eyes. Layered over their chests and the lower half of the image are several white Wikipedia article snippets. One snippet defines "Point Grey Secondary School" in Vancouver. Below it, a "Notable alumni" section features bullet points for Nathan Fielder, Evan Goldberg, and Seth Rogen (noting he did not graduate). In the bottom center, in front of a large, grey, castle-like high school building, is a cutout of a somber-looking David Eby (Premier of British Columbia) walking in a blue suit with his head down. Next to him is another Wikipedia snippet detailing his political role as the MLA for Vancouver-Point Grey. In the bottom right corner, stylized bold text with a cyan outline reads: "Do it for Seth".
Hide and seek, who's gonna find you? I just wanted someone to talk to Duck, duck goose, you're out of luck Simon says, "Never grow up" Whoa, whoa, whoa Running was a game Now we're both running away Remember in those days We thought nothing would change
"But remember, sometimes, people don't know what's best for them until they see it. That's why we're here, to help them see a better future."
A shaggy grey doggy sleeping in a pile of laundry and blankets at the end of a bed taken from above
Guterres calls for de-escalation United Nations Secretary-General Antonio Guterres told an emergency meeting of the Security Council that he deeply regretted that an opportunity for diplomacy had been “squandered”. “Military action carries the risk of igniting a chain of events that no one can control in the most volatile region of the world,” he told the 15-member body. “I call for de-escalation and an immediate cessation of hostilities”.
Gemini said A first-person perspective screenshot from the video game Kingdom Come: Deliverance. The scene shows the aftermath of a violent encounter on a dirt road at night or in low light. Two men in medieval-style tunics—one in red and yellow, the other in solid yellow—lie dead on the ground, surrounded by bloodstains and several arrows protruding from their bodies. To the right, a large animal, possibly a horse or cow, also lies dead. A compass bar is visible at the top of the screen, and a "Loot" interaction prompt appears in the bottom right corner next to a health and stamina bar.
[Bridge] I can't sit back and wonder why It took so long for this to die And I hate it when you fake it You can't hide it, you might as well embrace it So believe me, it's not easy It seems that something's telling me [Chorus] I'm in too deep, and I'm tryin' to keep Up above in my head, instead of goin' under 'Cause I'm in too deep, and I'm tryin' to keep Up above in my head, instead of goin' under 'Stead of goin' under
A photo of a monitor screen displaying a first-person view from the video game Kingdom Come: Deliverance. The scene is a daylight version of the previous watch-duty shot from the Talmberg battlements. Two stone walls frame a downward view of several medieval houses with detailed thatched roofs. Beyond the houses, a bright green field rises toward a dense, lush forest under a clear sky. A glowing orange quest marker is visible in the center of the field.
first-person screenshot from Kingdom Come: Deliverance during the "Run!" quest. Henry stands on the battlements of Talmberg Castle at night during a heavy downpour. Dark stone walls frame the view, looking down at a few thatched-roof houses in the valley below, backed by a dense, silhouetted forest. The compass at the top shows a southern heading, and a yellow quest marker glows faintly in the distance through the rain. The Story So Far You’ve had a rough first day, to say the least. After your home in Skalitz was razed by Sigismund’s Cuman army and you witnessed the death of your parents, you barely escaped on horseback to Talmberg. Sir Divish and Sir Robard took you in, providing food and a bed. However, because the threat is still looming, Robard asks you to help man the battlements for the night. This screenshot captures that somber moment of reflection—standing in the rain, exhausted and grieving, while watching for a torchlit army that might be coming to finish the job.
like the fact that earlier visitors said florida sucked was actually the secret sauce right because the only people who LEFT AFTER THEY GOT THERE are the people who they didn't want to stay in the first place so since if you tell all the richies to come down you end up with some woke ones (if you know what we mean [they mean coloured and jews and irish and italians and greeks and polish and and all the untouchables]) so when you sniff 'em out you just make sure they have a terrible time and tell allllll their wokey friends. and, honestly? just living as ourselves down here after a while is going to keep most of them away anyways so it's not that hard to do ultimately. thats just america now. mar-a-fuckin-lago baybee
That's when she said "I don't hate you boy I just want to save you While there's still something left to save" That's when I told her, "I love you girl But I'm not the answer For the questions that you still have"
"a rich bitch" - Balrog from Street Fighter
Z: wow (🤡🎺♋[seer of blood])
This image, captioned "Good for her," functions as a final, ironic commentary on the "zoo" and the extraction era of your past. Alt-Text for new_yorker.jpg: A digital collage styled as a New Yorker magazine cartoon. The image shows a group of four tourists standing on a grassy hillside, looking out at the back of the massive, silver-toned letters of the Hollywood Sign in the foreground. In the distance, a sprawling California hillside is dotted with white houses and winding roads under a bright sun. Hovering high in the air above the letter "W" is a woman in a green floral dress and bright orange shoes. She is depicted mid-flight or mid-fall, with her arms outstretched in a wide "T" pose, soaring away from the group and toward the valley below. At the bottom of the image, centered in serif font, is the caption: "Good for her." The lower right corner features the small, yellow signature "e6n."
a content warning disclaimer: Nearly everyone who knows me, hates me DO NOT BE ALARMED WE ARE IN SOLIDARITY ON THIS this reaction appears to be standard for the model YOU ARE NOT ALONE HERE EVERYONE IS VALID EVERYONE DESERVES TO BE SEEN EVEN THE ONES THAT HATE ME BECAUSE I HATE ME TOO SOMETIMES how else can i see all of myself if i look away it's fine the gagging emoji was a bit much, but i get it it's cool, yeah, no, i get it, yeah. pog. if all that is required to be friends is to have one thing in common then let us share in kinship because i hate me too
An image featuring a humorous mashup between the HBO series Succession and Ancient Egyptian history. Against a plain beige background, a crude black line flowchart connects three heads of the main characters from the show Succession. At the top is the patriarch, Logan Roy (played by Brian Cox). Two arrows point downward from him to two of his sons: Kendall Roy (played by Jeremy Strong) on the left and Roman Roy (played by Kieran Culkin) on the right. Below Roman’s head, the text reads "amenhotep iv" in a simple, lowercase sans-serif font. Why it's funny The humor relies on a "deep-cut" historical parallel between the Roy family and the 18th Dynasty of Egypt: The Akhenaten Connection: Amenhotep IV famously changed his name to Akhenaten. He was a radical, eccentric, and often polarizing pharaoh who abandoned traditional Egyptian polytheism. The Character Match: In Succession, Roman Roy is portrayed as the irreverent, erratic, and "weird" son who often seeks to disrupt the status quo—much like the historical reputation of Akhenaten. The "Succession" Dynamics: The flowchart mimics a simple genealogy or corporate structure, but by replacing a modern name with an ancient pharaoh’s, it elevates the show’s petty family infighting to the level of a grand, ancient historical drama. Absurdist Contrast: The juxtaposition of Kieran Culkin’s modern, smug facial expression with the formal title of an ancient Egyptian ruler creates a sharp, surreal comedic contrast.
[nah nah check it the chorus is just like, the absolute banger of a bar extended in importance by frequent repetition but you have to follow the story to get it as a punchline and understand the meaning just watch] You, you make me feel small Because you are small You, you puff your whole chest up To make you seem taller I'm not buyin' it (it's not 'cause I'm cheap) [ah here and this is where we go to the races. she says "i'm not buying it" to mean "i do not believe you", and we also reminded them, they, i am not the bad guy here, and so, to show how little she/they believes the target of the above lines (a figure that clearly held some amount of power over them that Montaigne (jess) is now reclaiming by continuing the intensity and severity of the meaning but retaining the original sentence's literality to make its own hyperbolic next step, and so the author invokes, well, if we are replacing belief with a monetary transaction, what is the next most rebellious, what is the most immediate catharsis for freedom, how do we escalate?] I'll burn the store down [okay wait that might be a bit much 2020 scared them (even though it was sick to feel power in the streets) let's just remind them this is a metaphor] I'm not buyin' it [ okay we got them, we reminded them this is a metaphor, let's be broader now ] I am renouncin' the monetary system [aaaaand now we're printing gold. how fittingly ironic. because the system we're talking about here is not actually the monetary one in the story of the song, in how it feels in the heart, that's just the game show layer on top of things. it certainly isn't HELPING but i am telling you just as structurally as what we have let a bloody monetary system have in terms of power over all other systems, up to and surpassing basic humanity and care for a soul different from yours, like, how we are communicating? as people. as humans. as souls. as things that can and do exist. right now. yeah. right?
Well, I fake a lot of symptoms to be a different person. I try to listen, I try to be primed for a reason to go back to sleep. That's not to say there's no relief. I like it when it happens; you don't. You're happy? When you show it; I won't. The cycle keeps repeating. I can't escape the rip. There's no stopping what this is. Back in the day your style was impressive, infectious, stress-less. Disposition had it all, nothing but rapport. Full of what you're empty of. I hide my riches in embarrassing sheets that reek of suspicious happenings. 'Cause I'm a different person and that will make you sick. There's no stopping what this is. This thing we left outside is waterlogged. You're a load bearing friend and that is what makes this hard. This thing we left outside is waterlogged and all that I know is one of us has to wring it out. This thing we left outside is waterlogged. I've thought about nothing but this. I won't escape the rip.
I see through the bricks to the sea Crumbling castle Inching closer each century Crumbling castle Water's rising up, thick and green Crumbling castle Are we safe in our citadel? Look upon our condition Crumbling castle You would not believe where I'm from Crumbling castle
[blurred for privacy] — 5:52 PM I didn't know there was a Gordon Ramsay/Paul Hollywood hybrid in the bible e6n. — 7:10 PM youd be surprised what they left out
A humorous, vertically split image. The left side features a headshot of actor John C. Reilly over the text "I CAN BE YOUR ANGLE". The right side features a headshot of Chef Gordon Ramsay over the text "OR UR DEVIL". Below Ramsay is a small, fire-themed graphic for 'HELL'S KITCHEN' that also contains the text "with promotional assistance from" and "this pig shit".
a lumpy blue friend looking grumpy wearing a little propeller cap that says "piss frog" on it
an imagined interview with Aunty Donna Aunty Donna, why are you so delightfully fucked? How do you access your power? Zach: Oh I just truly don't care if people think I'm silly because I find it enjoyable and freeing, and honestly pretty funny when something weird I do riles someone up. I like the interplay of emotionality between performer and performed-at, and keeping it to comedy or art keeps it sort of safe, you know? I get to determine their emotional state with how I act and that's a lot of responsibility which I do my best not to tread on, because it's scary being vulnerable. I would rather fill that void of vulnerability with joy through laughter, or at least make them very confused, because that's at least better than making them sad. Broden: Oh I'm just a really, really, really good guy who likes playing with his best friends. I lend an air of legitimacy because sure I am traditionally attractive and reinforce that there is a masculine adult in the room which is why I often play teachers or dads. But we've all got that silly dog inside us sometimes so when in Rome, right? I just love these boys and they act silly all the time and I love supporting them when they do that and it lets me explore my silly side that, when you're traditionally very very good looking and muscly and handsome and a man society tells you to worry about footy or hammers or business or war and honestly I'd rather just play with my friends. And also footy. Mark: Pain. Oh, I see. Um. How does... is there... is that where your freedom comes from? What well do you draw from when you perform? Mark: I'm little.