what the everloving fuck.

@eldjee.bsky.social

235 Followers 182 Following

er... yeah. aotearoa-based human. mostly. sometimes found on the eastern seaboard. may be skittish if approached. and sometimes cats.

the corner of a room, viewed from the height of someone sitting on the floor in the opposite corner. the left wall is mostly windows; the right wall has a doorway in it. the ceiling is not visible as it has been removed for the addition of new walls. there is a drop cloth covering most of the floor with painting supplies scattered about.
a tabby cat sits in a banker's box, with cd jewel cases scattered on the floor around it.
calvin with arms upraised, saying "ta-daaa!"
a mackerel tabby kitten lies, front paws outstretched, on the back of a sofa. the top of a backpack resting on the sofa is visible to the left. a beam of sunshine falls across the scene, making trapezoids of light. the kitten's expression suggests that it is up to no good.
a smol black kitten with a tiny white blaze on her chest sits, loaf-like, on a blue minkie blanket. she looks at the camera, big bat-ears and yellow eyes catching the light.
a black and white photo. a row of dark study carrels marches along the right side of the image toward a floor-to-ceiling window in the upper left of the image, each carrel casting a shadow across the carpeted aisle. someone sitting in one of the near carrels has perched their legs across their desk, their adidas-shod feet and jeans-clad legs framed off-centre in the photo. a messenger bag rests on the floor under the feet. october 2004, nikon d70
a closeup of a sleeping mackerel tabby kitten's head, chin on forelegs and tail wrapping up under her jaw
a human foot and a cat nose and front paws are seen peeking out from under a blue minky blanket
chiles en nogada - charred poblano peppers stuffed with a pork/fruit mixture (in this case, apples, pears, apricot, banana, raisins), covered in a walnut cream sauce and garnished with pomegranate seeds.
exploding chrysanthemum fireworks above district rooftops - 2019
wikipedia entry for Beaker (Muppet)
black line sketch of the city-to-sea bridge, as seen from the civic square. a sliced pyramid rises at the top of a set of wide, shallow stairs, framed on either side by metal palm trees. smudges of low clouds hang in the sky, and high construction fencing hides much of the lower-right of the scene from view. the metal curves of the michael fowler center's roofline are seen in the distance.
a small black kitten, curled up, its tail wrapped around its body, sleeps in a small cardboard box resting on its side.
watercolour in progress of the pedestrian arcade at the front of te matapihi ki te ao nui, the wellington central library.
closer photo of the brush at the corner of the page. isabey #4 6234 petit gris pur
first stage of a watercolour scene of the pedestrian arcade at the front of te matapihi ki te ao nui, the wellington central library. big washes of not-enough-colour spread across the paper.
a rough sketch of two long peppers growing in a flower pot. the left-hand pepper is small and shaded toward its bottom, while the larger, right-hand pepper is mostly outline with a suggestion of contours.
a watercolour page painted with small squares of colour showing the wide variety of hues that can be made from 11 beginning colours. the open box of pan paints sits on the page at an angle, showing the source colours.
a ring of leafing branches rendered in watercolour, following instructions on p 64 of "15 minute watercolor masterpieces" (koliadych 2019)
the front page of the 5 November 2025 new york post late edition, in a black frame with a red mat. the paper reads, "On your Marx, get set, Zo! Socialist Mamdani wins race for mayor" with the words "THE ЯED APPLE" next to a photo/cartoon mashup of a smiling mamdani in a red jumpsuit holding a hammer and sickle over his head.
the beginning of a marketing email from FüelMe, a kiwi sports equipment retailer. it reads, "For our swim crew.... Hey [name redacted]..." with a photo of a swimmer mid-butterfly stroke, head-on towards the viewer. so far so good...
an apple, "painted" in procreate. it is very faithful to the original image, but honestly kinda meh.
a cartoon (artist: Banx) of a man at the patent office, standing in front of a man sitting behind a desk. the standing man is wearing a large table/office cubicle suspended from his shoulders, with still cameras, video cameras, satellite dishes, a phone, a computer, and a magazine rack attached to it. a board on the front of his contraption reads, "Daily Thing: Read All About It." the cartoon is captioned, "it's a portable one-man desktop publishing unit top publishing unit"
two 3M dobie pads & their boxes, side by side. on the left: the earlier version. a bicolor box, apple green on top and blue on the bottom (dare i call it... american flag blue? 😂). the textured pad is a pale yellow. on the right: new packaging. a uniformly-coloured box, sort of a lincoln reflecting pool algae green. the dobie pad itself is an obnoxiously bright fake butter yellow.
dockery with a big grin smiling at trump over his shoulder, as trump holds both his shoulders and leans forward towards dockery.
mechanical pencil sketch of a timbered corner where the right-side wall is chainsaw-cut with "teeth" that run up the edge of the board, while the perpendicular wall is made up of boards running from lower left to upper right at roughly a 60° angle. the boards are all heavily weathered, casting sharp shadows along the grain in harsh winter sunlight.
a round badge advertising the chair leg tackle company - a 1940s company that made lures from surplus furniture parts. "a deadly, effective lure for musky, like, bass, lake trout"
livestream of work on removing 45's name from the kennedy center. a man holding a sign reading "you're no JFK" is walking in front of the camera.
a glass with bourbon is held in front of the tv showing tarps being draped to the newly-built scaffolding at the kennedy center. the time is 1.14am. the crowd is booing.
3 scaffolding workers. in front of the kennedy center lettering. the center dude is on the phone.
a hand holds a can of imperial nibs porter (kererū brewing company, upper hutt) in salute to an image on a tv showing scaffolding being built outside the kennedy center in preparation for the removal of 45's name from the façade.
MS NOW livestream of workers removing 45's name from the kennedy center
same sketch as above, with more detail and shading
an in-progress one-point perspective sketch of a large TV on a low credenza/shelves. there is an air purifier to the left of the credenza, and the shelf under the TV is cluttered with video game counselors and equipment.
an ink outline sketch of two tentacly-flowered succulents. the top flower is somewhat to the right of the bottom flower.
back of The Beatles and Frank Ifield album cover, with description and track listing: THE BEATLES AND FRANK IFIELD The tremendous surging influence that has of recent months been felt by the European Recording artists has never before been equaled as in this album. Without any question THE BEATLES and FRANK IFIELD are the most popular recording stars in Europe. THE BEATLES are considered a phenomena on the American scene in that this is the first time that a European base recording act has so captivated the American public from both Tv and recording standpoint. It is with a good deal of pride and pleasure that this copulation has been presented. SIDE ONE SIDE TWO PLEASE, PLEASE ME I REMEMBER YOU THE BEATLES FRANK FIELD ANY TIME ASK ME WHY FRANK IFIELD THE BEATLES LOVESICK BLUES THANK YOU GIRL FRANK IFIELD THE BEATLES I'M SMILING NOW THE WAYWARD WIND FRANK IFIELD FRANK IFIELD NOBODY'S DARLING FRANK IFIELD UNCHAINED MELODY FRANK IFIELD FROM ME TO YOU LISTEN TO MY HEART THE BEATLES FRANK IFIELD
a spike of large pink and white orchids stands in a narrow vase with a spray of yellow tulips. the vase is an old johnny walker bottle with the top cut off and edge polished.
a craypas sketch of a red apple, lit from the right side. the sketch was cut out and taped onto two pieces of craft card stock, orange above and green below. the card stock is mottled with darker values of each colour, and the whole collage is lit from the right, so that the apple cutout casts a shadow on the left.
gilson midget, back view. concentric circles mark degrees, sines, and tangents. it has a single plastic arm.
a mackerel tabby kitten is curled up, fast asleep on a green tufted blanket. between his stripes and his positioning, he is doing an excellent impersonation of a torus.
a hand holds a can of heyday's underwater forest prayed kelp stout. the can art is of a kelp forest with little fishies against a black background
a badly drawn stuffed green olive, coloured in with watercolour pens. the olive is at a roughly 45 degree angle to the viewer, with a a red bit of pimento visible in its "mouth". the shadow it casts to the right is a greenish yellow, but i've botched it and just done a bunch of random grey lines.
a colored pencil sketch of a radish! a scraggly sprouting of semi-squashed leaves crown a bright red-purple radish. a long root trails from the tip of the round radish.
a smol black kitten lies on the floor, toward the viewer. a cardboard ball track, a disc about 4cm high, takes up most of the frame. the kitten has one paw on the track, pulling on the enclosed plastic ball. yellow lantern eyes stare out at the viewer.
a student protest makes its way down willis street. several photographers precede the marchers, walking backwards and snapping photos. the lead sign reads. "our future is in your hands".
two smol black kittens sit at the bottom of a rolling lab stool. one is nestled between the legs and casters, the other is sitting on the stool footrail, slightly above the first. the top cat looks off-camera to the right; the bottom cat looks off-camera to the left.
a smol black cat looks out from behind a covered litter box. her ears are forward, and her eyes catch the light.
page 53 of the koliadych watercolour exercise book, "universe in my teacup" the book is open to the example illustration, with my version below on the open page. in both versions, a dark universe or nebula floats at the top of a white-grey teacup.
a black kitten sits in the middle distance on a rimu floor. she is framed between two out of focus chair legs in the foreground. her back is to the viewer, and her tail is curled gently along the floor on her right. her head is turned to the right, her neck elongated, as she stares at something above her eyeline and out of frame. light catches on the glossy black of her fur, highlighting her eyes, her profile, and her tail.
a striped tabby kitten is slowly sneaking up to the viewer, while a black kitten stares from the doorway of a carrier behind him.
smol black kitten sitting facing the viewer, a white patch on its chest and another on its belly. it is looking up at the top of the crate it is in, studiously ignoring the human in the room.
a white and yellow hinged desk lamp stands upon a metal rubbish bin, its face upturned toward the sun.
adam ant stands leaning against a wall behind siouxsie sioux, who is seating and drinking from a coke can. ant is wearing a "beat me bite me whip me fuck me" white graphic tee and leather pants, and has one eye outlined in heavy black liner. sioux is in her now-iconic heavy black eye makeup and teased black hair. Photo by Ray Stevenson/REX/Shutterstock (565169h) Adam Ant and Siouxsie Sioux ADAM AND THE ANTS AT THE MUSIC MACHINE, LONDON, BRITAIN - c 1977
a bright afternoon sky, the half moon floating semi-transparently above two stands of brown-green trees on a yellowing hill.
view of a harbour as seen from a high lookout point, which is actually someone's parking deck. a car is parked on the right side of the image. the blue harbour, green hills, and nearly cloudless sky recede into the distance.