Ellie Marney

@elliemarney.bsky.social

1916 Followers 1037 Following

Aussie rural, NYT bestseller - people die in my books 💀 Feb 2026: NO ONE IS SAFE 💀 Here's the fun stuff: https://t.co/ujW6HqmgSi

Painting - Fallen Angel by Alexandre Cabanel, depicting a naked male form with dark wings lying against a rock, framed against a pale sky full of pale angels. Lucifer is covering his face with his arm and we can only see his bitter eye and gorgeous auburn hair
candid photo - on the left of frame, a china plate with 2 slices of white bread, heavily slathered with butter, and on the right of frame, a white mug of hot milky tea (and the corner of the book "The Vampire Lestat" by Anne Rice
sue sylvester Glee meme, with a picture of her and text changed to say "I am going to WRITE A SUBMISSION that is so CYNICAL"
margot at the end of Ready or Not - covered in blood, smoking a cigarette, while behind her, the house explodes into flame
pic clipped from Maxwell Smart episode in which Max (on left, dark gray suit, white short, black hair) makes a one-inch space with his fingers while talking to the Chief (on right, brown suit, white shirt, greying hair, carrying 2 paper bags) - the text MISSED IT BY THAT MUCH is overlaid at top and bottom of the pic
still pic from The Boys s5 - the front facade of Vernon Correctional Freedom Camp No.47 with a giant red slogan "FREEDOM SETS YOU FREE"
photo of Ellie Marney, she is a very pale white lady in her fifties, with white hair pulled messily back. She is wearing red-framed glasses, and a red plaid flannel shirt, and in the blurred background is the bookcase in her office.
a quote from Louis Tully (as the Keymaster) in Ghostbusters (1984), reading: "During the rectification of the Vuldronaii, the Traveller came as a large and moving Torb. Then, during the third reconciliation of the last of the Meketrex supplicants, they chose a new form for him - that of a giant Sloar. Many Shubs and Zuuls knew what it was to be roasted in the depths of a Sloar that day, I can tell you"
cinema poster for A24 film TALK TO ME featuring a reliquary hand covered in graffiti in foreground, and blurred background of teenagers filming on their phones
my (white lady) hand holding a tiny can of Tommy's Margarita - it's a pink can with lime-coloured items (limes, ferns, palm trees, etc) on it, and the massive 18.5% alcohol content gives you an indication of how sloshed you will be after drinking just one of these little suckers
Magic the Gathering card for "Summon: Fat Chocobo" with a picture of a fat bird and instructions for using the card, including the phrase "A pleasingly plump summon."
two covers of books in the DUNE series by Frank Herbert, but the title text is replaced (in the same font) by different words, reading: "PAUL IS BAD" and "OK, I GUESS I WASN'T CLEAR..."
DUNE (eye logo) font generator used to create text that reads: "FINISHED MY EMAILS - please clap"
DUNE (eye logo) font generator used to create text that reads "FINISHED MY EMAILS - please clap"
the covers of two Frank Herbert DUNE books, with the titles replaced (using the same font) that read: "PAUL IS BAD" and "OK, I GUESS I WASN'T CLEAR..."
a soaring golden goddess with crossed swords - not an AI image, incredibly
social media tile - Ellie Marney's new book NO ONE IS SAFE is displayed in three formats (digital, audio, paperback) in a cover mockup on a teal background, with the words OUT TODAY IN ALL FORMATS in large yellow and blue font surrounding the covers
against a teal-washed background, a picture of the kindle version of NO ONE IS SAFE, by Ellie Marney, with the text 'First Reads - Last Day!' in exaggerated 80s-style yellow font
Dusk in Varanasi, the holy city by the Ganges
social media tile by bmichie - against a noir background (dark cobbled street) the cover of Ellie Marney's new book NO ONE IS SAFE is centred (the cover repeats the noir motif, as a dark figure walks toward the viewer) - additional pink text reads "AUS/NZ GIVEAWAY - SIGNED COPY"
screenshot of Mitch (Samuel L Jackson) and Samantha (Gina Davis) arguing about song lyrics in Mitch's car, in a scene from the film THE LONG KISS GOODNIGHT
pic of Ellie Marney and a henge of copies of her new book NO ONE IS SAFE and there's a dragon kite from Indonesia behind her
a photo of Ellie Marney - a white lady with white hair and red glasses - looking into the camera, smiling, she is wearing a black shirt and is squeezed between a henge made of copies of her new book NO ONE IS SAFE
still from Logan's Run (1976) in which a man - Michael York - dressed in a gray and black jumpsuit is lying on a surgical bed for 'laser renewal' surrounded by ominous looking futuristic surgical implements, big yikes
social media tile - against a pale-faded background of the cover of NO ONE IS SAFE by Ellie Marney (thriller book featuring a man walking down a dark street, title and author name treatment in shades of pink and purple) is a screenshot clip of a review which reads: "Dreadful!!! This is one of the worst books I have read in a long, long time. Very weak, ridiculous plot/storyline. Unbelievable, ridiculous characters and scenes. The 'story' is padded with irrelevant and unnecessary detail, total drivel. This is book 1 in a series. I certainly will not be reading book 2. Don't waste your money."
screenshot of headline from The Guardian reading, "Australia in danger of becoming an 'artless country' as enrolments in creative courses collapse" - the subhead reads, "Research suggests surging costs under Morrison government's job-ready graduate scheme and axing of dozens of subjects largely to blame"
b&w photo of German Dadaist Hugo Ball from 1916, at the Cabaret Volatire - Ball is a white man dressed in an absurdist costume: cardboard tubes around his legs. a cardboard apron and high-collared cape, and a tube of shiny cardboard around his head. His hands are covered to look like a lobster's. He is standing between two music stands.
social media tile - (background) cover of NO ONE IS SAFE by Ellie Marney featuring a shadowed man walking toward the viewer down a cobbled street late at night, title treatment and author name is purple/pink - (foreground) screenshot of Kindle Store ranking for the book, which is ranked #69 in Store, plus #1 in Serial Killers category
screenshot of headline in the guardian "US congressional report explores not delivering Aukus nuclear submarines to Australia" beside a picture of a submarine churning through water
social media tile for Ellie Marney's newsletter The Black Hand: vintage candid photo of a New York City subway entrance (green railing and lamppost around stairs leading down, with a billboard sign saying "New York or Nowhere") - superimposed over the top of the pic is a large graphic of a black handprint
against a blue background, Ellie Marney (a white lady with white hair and a black shirt, looking toward top left corner of the pic and smiling) is lying on a pile of copies of her new book NO ONE IS SAFE, which has a dark teal cover and pink title treatment
sam altman, a crook
candid photo of Ellie Marney, a white lady with white hair and red reading glasses - in the background, palm fronds
candid photo from above, showing a blue tartan-fabric pencil case, a cup of tea, a 2026 paper diary, and a fruit mince pie with a gingerbread man decoration
screenshot of post on Threads by timothyleepeterson which says "Gotta find a way for ICE agents to get shot at a school so no one will give a fuck" and below that the reply from simpbizkit_ which says "This thread needs a scoville rating holy shit."
screenshot of an old (2017) tweet by author Lauren Morrill which reads "My biggest problem in these ACA debates? I don't know how to explain to you why you should care about other people" with the second sentence highlighted in yellow
social media tile - on a half red/half black background, yellow words say JOIN RALLIES ON INVASION DAY JANUARY 26
social media tile - against a gold/blue bokeh background, a mockup of all 3 versions (digital, audio, paperback) of the upcoming thriller NO ONE IS SAFE (about an amnesiac serial killer in 1987 NYC) by Ellie Marney. White text exhorts you to PREORDER NOW! because it is ON SALE 1 MARCH 2026 - consider that your call to action.
blurry screenshot of Denise Richards in Starship Troopers - she's in uniform, smiling fondly, looking at the computer screen, and the usual subtitle "Internet, ur so crazy!" has been replaced with "America, ur so crazy!"
social media tile - against a blue-to-pink gradient background, mockups of all 3 paperbacks in the NONE SHALL SLEEP series float weightless. NONE SHALL SLEEP has a blue cover, SOME SHALL BREAK has a pink cover, and ALL SHALL MOURN has a purple cover - all of them together look a bit like the bisexual flag, goodness what a coincidence...
candid photo of my kitchen tongs, upside down and looking stressed
screenshot of Merriam Webster dictionary Word of the Year for me, Ellie Marney, personally in 2026? That word is POTATO
candid video of the midnight excitement at the start of 2026 in Varanasi, Uttar Pradesh, India, which is one of the oldest continually occupied cities in the world
candid photo of Ellie Marney (a white lady with white hair and red glasses) as she looks - vaguely - toward the camera. The background is potted palms and plants on the rooftop of a hotel in Kolkata, India.
social media tile - a candid pic of Ellie Marney's laptop on a glass-topped table on a balcony (you can only see the railing) looking down into a street in Varanasi, India. You can see the Ganges River in the distance.
social media tile - against a blue/purple neon background, three formats of Ellie Marney's new book NO ONE IS SAFE (the paperback version is sporting a Santa hat) are centred and above them, the words HOHOHO in neon yellow
social media tile for Ellie Marney's newsletter The Black Hand - against a streaky neon-pink/orange background, a transparent white banner shows a black handprint at the centre
film poster for HAMNET (BLT Communications, LLC) – Jesse Buckley in a dusty red dress, Paul Mescal in a dusty blue doublet, they are together but look strangely lonely and sad, and are set against a profusion of wildflowers, birds, ferns, flora. This looks like a Renaissance painting. Has a dignity and a unity of composition and tone. Simple, central white title treatment. Really lovely.
film poster for PILLION (The Posterhouse) - against a flat salmon background, a striking image of the two leads :Alex Skarsgard in white/blue/black motorbike leathers, and Harry Melling in brown leather jacket - Melling is squeezed comfortably between Skarsgard's knees, and Skarsgard has his hand fisted in melling's curly hair. Pasted across the image, the title treatment in aqua, no caps, shocking and perfect, no notes.
film poster for SHELBY OAKS (GrandSon) - against a black background, an overexposed slate/gray/smeared red image from what looks like a video picture or a Polaroid? What appears to be a young woman is propped on her hands on a bare mattress, there are red stains (bloodstains?) on her wrists and ankles and on the mattress which also has a chain on it. The girl's face is too white-exposed to see clearly but she is facing the viewer. White title treatment is grainy, in a serif font.
film poster for BRING HER BACK (Empire Design) - a buzzcut young person in closeup against a gray-wash background. Someone has a hand on their head, holding it back, with one thumb squarely between their eyebrows. The young person seems to be shirtless and their eyes are ghastly - bloodshot, but in multi-colours. A bloodstained red circle frames them like a halo and the white title text is similarly curved.
film poster for COMPANION (Concept Arts) - Shades of brown and pink. A young woman with brown hair, dressed in pink including a pink Alice-band scarf, smiles vaguely towards left of frame as she listens to something a man (face obscured) whispers into her ear. The woman looks very trad-wife-y, but her eyes are pure white. White title text overlay in a vintage cursive font.
film poster for BUGONIA (designer unlisted) - reds and honey and pale skin tones. Shaven-headed Emma Stone in closeup, leaning back and looking up as if in shock. Over her face, oozing layers of honey and blood red, like she's being smothered. Unique, retro-style font in black for title treatment. Just a clever clever design.
film poster for TOGETHER (Bangers & Mash) - truly striking film image of a man and a woman on either side of the frame, they look like they're kissing but they could also be pulling away from each other...and their bottom lips are fused together, almost at breaking point. Browns and peach skin tones against a black-brown background. The white title text is also peculiarly fused in places - very cleverly done.
film poster for THE MOMENT (GrandSon) - top half of the poster is a candid-looking closeup shot of a young woman in smeared party makeup holding a white paper towel against the side of her face. The bottom half of the poster is the bright green title treatment (a striking all-caps font) against a bright blue background. Eye-catching design with a retro-made-contemporary feel.
film poster for MAN FINDS TAPE (designer unlisted) - what looks like a still from the film, a central image of a young woman with blond curly hair, but the image is disturbingly distorted on one side. In the background, a hazy window. Slate and gray and peach-brown tones. White text overlay.
film poster for WEAPONS (Concept Arts) - a striking image of children seen running down the road late at night, their arms extended like airplanes. Viewer sees them from behind, at road level. Suburban houses frame on each side. Red title text and white text overlay.
film poster for THE UGLY STEPSISTER (designer unlisted) - an almost Renaissance-painting feeling to this still image of a stockinged foot in an ornate beribboned shoe, toe-first on a period blue carpet. Beside the shoe, a brutal looking cleaver. The shoe has a dripping, bloody toe. Bright pink title text overlay - a bold sans serif font below an ornate cursive.
film poster of THE RULE OF JENNY PEN (Boland Design Company) - an extreme closeup of a disturbing looking doll face. Texture looks almost like human skin. The background tones/shadows are red and black, giving the whole thing an ominous feel. White title text overlay.
film poster for HOT MILK (designer unlisted) - a still from the film, in which two actresses seem to comfort one another against a brown rocky background. Has a retro feel. Yellow title text overlaid in a stark, sans serif font.