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@em-dash.bsky.social

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Shelf of board games for people to play
Prosciutto/mozz/arugula/pesto sandwich
Grilled langoustine with a sour cherry sauce
View of a garden and a fountain near Oslo city hall
View from the park next to the Oslo WC fanzone
Indoor jeep with seating in the back
Simpsons screenshot- Bart says "the important thing is, veterans deserve a day to honor them." Lisa says "they have two!" Bart says "well, maybe they should have three. I'm Josh Shapiro."
Scallops and radishes in a light sauce
Tweet from Chris Pratt: "Celebrate America’s 250th birthday at the box office!!! There’s a lot of great choices this weekend. But considering it’s July 4 weekend I humbly suggest “Young, Washington.” I was actually blown away. The movie is incredible. Like Braveheart for Americans. Jon Erwin crushed it. William Franklin Miller did a great job as young Washington. Remember the name! A star is born! The movie is awesome! Way to go!!"
Samosas with tamarind and mint sauces
Shot of the stage from my seat
Lomo saltado with a mango margarita
Sign displaying book titles 'How Not to Die' & 'How Not to Diet'
Ethan Peck: “We speak a lot on Star Trek about family and family, I think, describes a relationship with very strong and an un-undoable connection. When you have that kind of connection with someone, you have to mingle with parts of them you may not like. And I think between Spock and Kirk, there’s a great illustration of that. Because they have to coexist. They have to work together. And I think there are a lot of things that they don’t like about each other, which is what makes the relationship so kind of wonderful, interesting, and exciting.” Paul Wesley: “Yeah. I was actually thinking about this earlier. So Kirk is obviously very much like a gut-instinct kind of guy. He jumps first and he thinks later. And Spock is very much a logic-oriented guy. But I think what unites them is that they both have a good heart. And at the end of the day, they both want the best for the Federation, for humanity. And I think that’s what unites them. And I think that’s how they have their shared bond. [To Ethan] What do you think of that?” Ethan Peck: “Yeah, the heart is a really great observation. And they just have this moral core that I think overlaps entirely.”
bobblehead of Tupac in an Orioles jersey
Album sleeves for Rolling Stones "Sympathy for the Devil," George Harrison "All Things Must Pass," Flaming Lips "The Soft Bulletin," T-Rex "Electric Warrior," John Coltrane "Blue Train"
Variety headline in a tweet: "Jill Biden Bids $35,000 For Chance to Win 'Heated Rivalry' Walk-On Role During LGBTQ Benefit Auction"
Metro 50th anniversary pennant against a gray background
Washington, DC Area Applies to: Monday, January 26, 2026 Status: Office Closure Federal Offices in the Washington, DC area are Closed. Maximum Telework is in effect.
Photo of the inside of a Chinese restaurant with a koi pond that has a rope in front of it
A logline for the play via the University of British Columbia reads: In the near future, after the collapse of society as we know it, survivors gather around a campfire, trying to recall the “The Simpsons” episode “Cape Feare” in search of solace and entertainment. As time passes, that half-remembered episode, plus other fragments of pop culture, becomes the unlikely foundation for new forms of performance and a means of preserving the memory of a world long gone. Blending dark comedy, music, and theatrical experimentation, Mr. Burns, a post-electric play, is a uniquely imaginative exploration of pop culture, storytelling, and what endures.
A Bigger Splash Boogie Nights The Talented Mr Ripley Plein Soleil Cool off this week with our Heatwave summer series, beginning with Luca Guadagnino’s scintillating A Bigger Splash (2015) and Paul Thomas Anderson’s Boogie Nights (1997). Then witness a Tom Ripley double featuring Matt Damon, Jude Law and Gwyneth Paltrow in The Talented Mr Ripley (1999) as Alain Delon smoulders in Plein Soleil (1960). Up next: Do the Right Thing (1989), Le Mépris (Contempt) (1963), Pierrot Le Fou (1965), To Catch a Thief (1965), The Green Ray (1986)
A black and white border collie staring very intently
24 red solo cups arranged in a grid pattern with gift bags set up behind them
View of the market stalls with an evergreen tree in the foreground