emilio g

@emiliog.bsky.social

626 Followers 135 Following

sixteen guest star appearances on The Love Boat between 1977 and 1984 (former Sr. UX Designer at Bethesda.net slash ZeniMax)

a furry "dead cat" microphone windscreen soaking in a plastic bag with water and soap
normal Los Angeles residents Zed and Maynard from Pulp Fiction
a late 80s Land Cruiser Trakka conversion in olive green with a white pop-up camper too and snorkel
bracing positions from an airliner safety card: people in rows of seats either hugging their knees or leaning their head against the seat in front of them.
grainy black & white photo of man with glasses & a beard playing records on 7" turntables in a bar. in the background are country-style chairs and a table.
words from 1980 starting with: 401(k) accelerator mass spectrometry add-in air guitar alcohol use disorder alpha interferon Anatolian shepherd athletic trainer autocrine baby bump back arrow beta interferon bioethanol biopesticide biorefinery BIOS bitmap black smoker burn one's ears camo cell suicide chronic wasting disease comb-over compact fluorescent light conversion disorder coprocessor cotransporter counterparty debeard degorge demand-side differently abled director's cut dis DNA fingerprinting DRAM DRG dunk on ecofeminism ecoterrorism ecotourism eicosanoid electronica emergency medical technician Euro evolutionary developmental biology exfoliator expansion slot fibromyalgia First Nation five-hole flatline foodie freewriting fugly gamma interferon gazillionaire ginkgo biloba graphics tablet green fingers gridlock gridlocked groupware Guinea worm disease HBCU heart-healthy heavy lifting help desk Higgs field
a Suzuki Samurai on a test track about to tip over, but stopped by rolling extension bars sticking out from the side
close-up of a circuit board with fat stereo cables sloppily soldered to it
a Techinics SL-1200M3D with an open stylus case on it and a new stereo RCR cable lying in an adjacent tray
seven rolls of 120 film
Mother from Raised by Wolves unleashes her screaming attack
a short-haired grey dog with a black bandana around its neck stands in the long shadows of a parking lot
close-up of a hot rod's hood ornament, a person with wings running forward. the car's paint is very worn.
looking at a dark red hot rod through the square windows panes of the bar's front door.
looking across the steering wheel and dashboard of a hot rod at the shifter knob, a weathered light brown skull with red eyes.
indoors, a man with glasses and a beard gestures off-camera. the background is a mint green wall covered in old bar tchotchke, including a mounted buck head with a visor cap pulled down over its eyes.
a black late 70's muscle car (Firebird?) parked in a lot. in front of it, a smiling man with shoulder-length blonde hair kneels in front of a young child with long blonde hair. a flexible blue plastic toy race track is draped down the hood and runs onto the parking lot surface with toy cars scattered around. sunlight and shadows cut across the parking lot.
close up of the glossy rear pillar and upper door & fender of the red Cadillac.
looking sideways at a short hot rod parked in front of a long red Cadillac in a parking lot. a woman carrying a camera walks past them. in the background is a skyline and warm glow of the setting sun.
a wall of pinball predecessor games, including bagatelle, and a pinball successor in pachinko
inside a museum gallery with one of Monet's "The Palazzo Ducale" (1908) on a wall in the left foreground. on the right, the gallery continues into the distance with people viewing more Monets.
vertical painting of Superman standing in a featureless taupe background. he's made heavy layers of paint that give his muscles and clothes definition. it's a front quarter perspective of him as he looks to one side with a closed mouth and flat expression. his arms are straight down with clenched fists; he looks tense.
a painting: Untitled by Mark Rothko, 1949. it is a vertical canvas painted with rough rectangular shapes in olive green, yellow, and mustard yellow over larger rectangular shapes in shades of pale pink and warm brown. it is similar to his famous style, but softer color and more varied shapes.
side shot of a late 60's Alfa Romeo Giulia Sprint GT in dark green with a racing number sticker on the side. it is pristine.
bright yellow bumper sticker with black text: How am I driving? How does an engine even work? How can a loving god cause such agony
Jin Roh movie poster with the main character silhouetted by the moon. he's holding an MG42 and wearing heavy armor with a helmet very reminiscent of WWII-era German Army helmets.
a statue of a winged horse rising above the silhouette of trees in the background; the sky is deep dusk blue. the horse is rearing up with its wings extending up and out. the head and front wing are in silhouette, while the rest is lit from below by long light blue neon tubes that run around its legs.
people wearing red shirts and carrying signs march through a rainy parking lot
group photo of game workers in front of the building's entrance. most are wearing red t-shirts and holding hand-written signs.
the game's five main menu items; each one is a different font or typeface
"Adult content"
close up of a soldier's weary but intense eyes in Tom Lea's "The Two-Thousand Yard Stare"
finding the adapters in a small open box on the corner of a desk
Star Trek: Across the 8th Dimension: Lt. Jersey points at a complex machine with a watermelon in it and asks "Why is there a watermelon there?"
the box for Spectre: a tall trapezoidal teal slab with a shallow pyramid of satin black plastic sticking out the front. along the bottom and side are "SPECTRE" in a stylized futuristic font.
smug piece of shit boss Lumbergh from Office Space
Kendrick Lamar strutting onto the Superbowl halftime stage with a big ol' grin
a sign for Sims Elementary School
looking down the short side hall of a restaurant's kitchen, lined with shelves loaded with boxes, bottles, and bags. down the hall is an open door to the kitchen, and halfway down is a person sitting in a chair; their body is obscured, only showing legs and arms holding a phone. the fluorescent light has a greenish tint.
Wargames: Michael Madsen's nuclear launch officer points his sidearm
in the auto mechanic's, the Terminator sits in a chair in the background. Sarah is swinging a small slegehammer towards something John just covered with his hands.
a medium-dark horse standing on light dirt & grass in front of a line of trees. it's looking to the left, with braids & beads on its mane falling to the right.
a line of cows stands around grass and a gravel road in front of a line of dark trees. in the middle is a white cow looking straight at the camera; to the left are a large dark cow with a calf nearby also facing the camera. to the right are three cows looking to the side; one is a white cow licking the shoulder of a black cow.
under a cloudy sky, a gravel country road sweeps from the bottom of the frame to the right, then to the left and straight to the center of the frame. the road winds around a field of light grass and heads to a gap in a dark line of trees where the sun is setting.
black & white shot looking down a rutted dirt road running straight through brush and short trees. a bit down the middle of the road stands a young white cow perpendicular to the camera. it's nearing dusk with a cloudy sky overhead.
Chris Hays, a white man with round red-framed glasses and a salt-and-pepper mustache, smiles at the camera. he's standing outside a hotel's windows with plants nearby; he's wearing a white fedora with brown band and small feathers, a beige linen (or rough silk?) blazer, a terracotta knit button-up shirt, light linen slacks, brown square-pointed loafers, and a white cloth shoulder bag.
Josh Sawyer, a middle aged white man with silvering hair and rounded tortoiseshell glasses, smiles at the camera. it's daytime on a cafe's patio.
black & white photo of a lawn with trees in the background. a temporary crowd fence splits the photo, and behind it are three guards in riot gear. several ribbons of plastic "POLICE LINE DO NOT CROSS" tape runs from left to right; one of them obscures the faces of all three guards.
low side shot of a pristine 70's Bronco in metallic lime green with white wheels
a wide shot of Austin's skyline from a distance, with a wide dusk-blue sky over it and golden light on the horizon. there's a scattering of grey clouds right over the tallest building.
a camera and tripod set up by a low cement wall on top of a parking garage. in the distance is Austin's skyline at disk, with blue sky and a few grey clouds over the last of pink sunlight
The Fifth Element: Father Cornelius explains urgently
double-exposure of a faint freeway sign and embankment over flat ground and the entrance to an underpass. a person is walking in the distance, under the ghostly freeway sign.
double-exposure at dusk of a ghostly freeway overpass superimposed over road and dirt.
an Egyptian Duck standing on grass at the edge of water. it's looking off to the right, into golden sunlight.
Event Horizon
B&W daytime shot of a man on skates crossing a large intersection with his running dog; they're just passing the bold dashed lines of a crosswalk. the man is wearing a tank top, backwards baseball cap, and headphones; the dog is large and dark, possibly a Rottweiler mix, with a big chain collar.
a Weyoun from Star Trek: Deep Space Nine
Lee Van Cleef looking rough and ready in "The Good, The Bad, and The Ugly"
high rear quarter shot of a dark blue Audi station wagon casting a long shadow on top of a sunny parking garage