Crystal

@entityflux.bsky.social

308 Followers 1365 Following

Time is an illusion, lunchtime doubly so. Geekfully married to @elmntsofmadness.bsky.social | Editor for Elements of Madness | she, her | equity for all

Freshly harvested yellow potatoes of various sizes on a black plate.
An Instagram post by user therussobrothers stating “What you've been watching for the last four weeks... are not teasers. Or trailers. They are stories. They are clues... Pay attention. #DoomsdayHasBegun” under a still shot from the latest teaser showing the back of Suri’s head, neck, and shoulders with a vast desert in front of her.
Person sits wearing a purple hoodie with dark hair pulled back by a headband and wearing a white 3M aura mask with blue headstraps. Above and behind them is a panting of a forest with yellow ground and trees with brown bark and tops both light green and dark green. Under one tree is a woman in a red gown with her right arm on a tree trunk.
White woman with dark hair pulled back with a hair tie and headband wearing a white 3M Aura mask and a maroon short sleeve shirt with a cartoon Funko Ron Swanson in the center with “Like a Bee” on part of it, the rest of the print is cut off by the frame, stands next to a white man wearing a pink baseball style hat a maroon Well Before KN95 3D boat style mask and wearing a dark navy t-shirt with a Superman Returns shield on the chest, black sunglasses with green arms hanging from his collar and a white and gold beaded necklace barely seen around the collar. Both are standing in a wooded area with a paved pathway behind them.
The back of a dvd case for the 2024 film “The Damned” with a quote at the top center saying “One of the most haunting and disturbed movies I’ve seen” - Elements of Madness
Two men stand in a grocery store. The man on the left third of the frame is facing toward the man on the right as he is talking to him. The man on the left has curly dark hair and is wearing a brown open sweater over a light grey button-up collared shirt. The man on the right faces forward and look past the camera, making a face with his lips pulled together in a contemplative expression. He wears a brown cowboy hat, several necklaces of string or leather around his neck, and a short-sleeve V-neck black shirt.
A man wearing a thin black hood over his head sticks his face into an open section of a display shelf that has a label of “Freshly Dead” written in black ink on paper. The section next to this one has more shadows and has a weathered face with a label showing “6 Month” with part of it blocked by shadow.
The left and right thirds of the frame are filled with white marble columns that are very close to the camera. Peering into the space between and beyond them, a crystal chandelier hangs above a figure with his head and shoulders down in a pose mimicking that of former President JFK in a painted portrait on the wall to the figure’s left. The figure’s back is to us and is wearing a light beige trench coat with the high collar popped up. His hands are in the pockets of the coat. A blue cap can be seen on top of the figure’s head.
A man walking with a cane is walking toward the camera down a long red path set inside the cobblestone courtyard of a factory grounds. The man holds his tall hat in his left hand with his right hand supporting a lot of his weight on the waist-high cane. He wears shiny brown shoes with long white pressed pants, a long-sleeve purple coat that reaches to his knees, and a white collared shirt under a dark vest. In the bottom right corner of the frame is the back of a head with short blonde hair, looking toward the walking man.
The scene is in a dimly lit kitchen. In the left third of the frame stands a man dressed fully in black including long sleeves and gloves. Covering his head is a black, chin-length, straight hair wig with eyebrow-length bangs which frame a white Guy Fawkes mask with black accents of eyebrows, mustache, and goatee. The face is in expression of a squinty smile. Over the black top, the man wears a colorful apron with red and white designs, a white and red kitchen towel slung over his left shoulder. The man faces the frame with his full body to provide the POV that he is speaking directly to us as he’s actually speaking to another character off screen.
The frame shows a perspective looking into a makeshift health exam space where silver metal frames holding curtains are placed together to create some privacy. We’re looking straight into the space with curtains hanging in most of the outer thirds of the frame. A balding man with short black hair and wearing a white lab coat is standing within the edge of the curtain on the right side of the frame. His back and left shoulder are toward us as he is facing another man who is sitting on an exam table, talking to him. The bald man sits on the exam table with his hands placed on either side of him and his legs hanging off in a similar wide spread. He is placed in the very center of the frame. His posture is relaxed but curious as his shoulders are raised and neck is craned in curiosity about what the doctor is telling him. He wears a yellow disheveled collared shirt that is unbuttoned and appears dirty along with black pants. There is no visible injury or distress on the man other than the disheveled appearance. The lighting suggests limited light as much of the frame is dark, the main lighting creating a focus on the two men, but with a dimmer white light and not a spot light.
Wesley Snipes as Noxeema Jackson stands on the left third of the frame, looking past the left of the camera. She is wearing a bright orange fitted t-shirt under a spaghetti-strap jumper with colorful patterned bands across it with different designs in each level. Her long brown hair is in hanging braids on either side of her head, hangs just above her eyebrows, with a stylish cap to match the ensemble on her head. Just to the right of center frame is Patrick Swayze as Vida Boheme is dressed in a fitted black dress with large gold buttons and thick white trim, a black handbag hangs from a short gold chain from her left forearm. She has a string of pearls around her neck and a large-brimmed, black hat with a thick white sash on it, her medium-length hair worn down. Between and slightly behind the two is John Leguizamo as Chi-Chi Rodriguez with her black curly hair loose and hanging down past her shoulders and dressed in a casual, button-down blue summer dress with pink flowers on it. They all stand in front of a worn screened porch with weathered wood framing.
A varied group of students look up to the sky above them while standing in front of parked school buses.
In a closed room, a square table set with food is on the floor in the middle of the frame. One man sits on each side of the table, one on the left of the frame and one on the right, with two women positioned center across the table from the camera in the background. The two men are each looking out an unseen window behind the camera as the two women, who work at this place, explain that they are all caught in a time loop that resets every 2 minutes.
Among light brown wheat stalks in a field, an adult man with bushy brown hair, beard, and mustache stands on alert with his right arm raised to shine a flashlight off screen to the right of the frame with his left arm across his body as his young son, who is looking up at his father’s face while holding his own flashlight with his right hand but not shinning it at a target, grabs him by the wrist with his left hand. Behind the son is the daughter looking in a similar direction as her dad but with an expressionless face as she cannot hear what her dad hears and has not yet looked to see his expression. They all are dressed in long sleeve shirts made of materials that suggest it is chilly.
A neon bright yellow figure of a young person with whisps and jagged lightning bolt edges to their design floats amid trees in a forest, the trees lighted by the radiant figure. It has two heads, each looking away from each other and down at an angle as if they’re sad or angry. A faint design of a dress can be seen on the charged figure.
A scene from the computer animated movie “Over the Moon” shows two very large guardian lions with red skin, markings, and eyebrows as well as large yellow curly manes. Each lion stands near one of two human children. In the background, a lion looks down at Chin, and 8-9 yr old boy with short black hair wearing a hoodie, who is sitting on the floor and looking over his shoulder at his step-sister-to-be, Fei Fei. Fei Fei and the lion with her are standing and looking forward but to and past the left side of the frame. Fei Fei is a 14-15 yr old girl with self-cut medium length black hair held loosely back by a purple cotton headband or scarf and is holding an adult white pet rabbit in her arms. Fei Fei is wearing a silver puff coat with matching boots, black leggings, and green shorts. They are all in a palace that is dominantly yellow with green, orange, and maroon markings on the floor as part of a design.
In a scene from animated film “Nimona,” the character of Ballister takes up the entire left side of the frame. Ballister is wearing silver armor and is designed with a muted, dark, grey-based color palette. His black hair is pushed back and he wears a mustache and goatee on a recently shaven face. A healed scar is visible over his right eye that extends from above his eyebrow and goes down to a mid-point on his cheek. His body is mostly facing forward and his head is turned slightly to look at Nimona. Nimona takes up the left half of the frame. Their body is entirely turned toward Ballister as they show him their shark teeth with a big, open mouth grin as they playfully talk. Their color palette is bright in comparison and is red-based. They wear a thick studded grey collar and sport a cartilage piecing in their ear that wraps from front to back in a repeated M shape. They also have a grey round stud in the same ear about midway from lobe to top. Their red hair is shaved short in the back, is medium length and swept forward on top, with two sections of chin-length hair that drop down in front of their ears.
From the view point of a robot’s HUD, it tries to image match a dog in front of it in center frame. Search results appear to the right of the centered search image and go between a dog and a pig with ellipses and a question mark under each entry as the robot cannot identify whether it is a dog or pig.
A young adult man on the left of the frame leans down to be within frame and face to face with a small plant in a can on the right side of the frame. The man has brown hair and black glasses and is wearing a brown sweater vest over a white patterned collared long sleeve shirt. The small plant is green and its bulb looks like a head with leafs framed around it. Other leaves sit on its side posed as arms. The man is making a kissy face to the plant with his lips pushed out and together.
Darryl Hannah as Elle Driver in Kill Bill vol. 2 reads from a small spiral-bound notepad held in her left hand. She is centered in the frame with a close shot so that she takes up the full frame space. She holds a mostly done cigarette with some ash on the end in her right hand as she gestures with it. Her long straight blonde hair is worn down. She wears a black blazer and accessorizes with a black eye patch to cover an empty eye socket.
In an internal part of a helicopter, two men sit against the left frame wall, one lea into. Ack while the other leans forward while talking with three people sitting opposite them against the right frame wall. An older balding white man with white hair on parts of his head and a white beard and mustache rests his hands on a cane and leans forward to look at the younger woman and man to his left. Large windows in the background show the sky and ocean.
Three rain-soaked men with short dark hair wearing shirts with some style of open jacket over top stand in the foreground looking to the right past the camera, their bodies turned to face that direction. In the background, seen between the man in the middle and the man on the right, a rain-soaked woman wearing a closed red jacket with a black bag strap across her chest appears to have just walked through the doorway into the room and looks at the men with an expression of confusion.
A tall blue aquatic creature wearing black and gold goggles and a breathing apparent around its gills stands in the left third of the frame with an equally tall but wider red humanoid creature with two large round circles on his head where horns would be and is wearing a long worn brown coat while standing in center frame. In the right of the frame is a human woman with chin-length straight black hair, a wide black and gold cross necklace and wearing a black long sleeve top. Behind them stand several men in similar black suits with a light collared shirt and a black tie.
A scene from the film Galaxy Quest with several characters facing toward and looking past the camera with expressions of surprise and fear on their faces. From left frame to right: Missi Pyle, Tim Allen, Alan Rickman, Jed Rees, Sigourney Weaver, Sam Rockwell, and Daryl Mitchell.
Buster Keaton as Erronius in a worn purple hat with round top and wide flat brim and two pieces of purple clothing holds up four fingers on his left hand, looking blankly forward and down trying to figure out which lap he is on.
In a scene from the film “A Funny Thing Happened on the Way to the Forum,” Jack Gilford in simple yellow garb stands with his back against a wall on the left side of the frame facing to the right watching Zero Mostel in similar orange garb but with his top pulled slightly on top of his head like a hood point forward and off to the left as he expressively directs an old Buster Keaton in more detailed purple garb and hat to continue on. Keaton, standing between Gilford and Mostel, looks at Mostel’s character, listening to the direction.
A white male with short blonde hair is shown from his back right shoulder and is facing away from us. He is positioned in the bottom left corner of the frame and is holding a thick rope in his hands. The rope goes up into the dark starless night sky, seemingly toward a moon-like light in the top right corner of the frame.
Three characters stand in front of a church looking just past the camera. Salma Hayek on the left and slightly behind Alan Rickman in the foreground and center with Chris Rock on the right a bit further back than Salma. Each wears a jacket over a shirt or hoodie. From the movie Dogma.
A black and white image of a Quick Stop convenience store having its metal shutter lifted by an adult male to reveal orange flames inside the store.
Canary and Harley Quinn face each other as they exchange amused expressions during a battle scene in the film Birds of Prey
Two high schoolers crouch down to look at an adult in a snowman costume who is down on all four limbs and looking toward them. The side profile of the costume’s face shows a piece has been ripped off at the nose and mouth and there is a smudge of blood on the shoulder facing the camera.
A colored drawing of a brown bowl with purple petunia flowers falling in the sky with a thought bubble with text reading “Oh no, not again …”
People on a walkway over a busy road in Paramus, NJ, with large signs with black backgrounds and large white letters saying “MUSK STOLE YOUR TAX DATA”
Viola Davis with shoulder-length, wavy dark hair and wearing small, dangly earrings accessorizing a sleeveless, white dress with a deep V-neck outlined by bold black stripes that form a geometric design down the front. The background is a plain, dark color, creating a clear contrast with the dress. Her face has a confident expression and she is looking directly at the camera.
Felicia Day with long, red hair, standing outdoors in a setting that resembles a medieval fair or reenactment. She is wearing a burgundy, laced leather vest with a heart emblem on the left side over a gray long-sleeve shirt. Her attire also includes brown pants and black gloves. She is waving with her right hand, while her left hand rests by her side. Around her waist is a decorative belt with brass rings and a chain. In the background, there are blurred figures, suggesting a busy environment with other participants in medieval-styled costumes.
Rosario Dawson with long, dark hair and a bright smile, wearing a sleeveless low v-cut black dress. She has her left hand gracefully touching her hair. Her makeup is natural, highlighting her features with light, glossy lipstick and subtle eye makeup. She is accessorized with a pair of drop earrings featuring dark purple teardrop-shaped stones. The background is blurred, suggesting an outdoor event with several people visible in the distance.
Charlize Theron with short, wavy blonde hair, looking directly at the camera. She is wearing a simple black top and a delicate, V-shaped necklace. The background is a muted, dark color, allowing her to stand out. The lighting is soft, casting gentle shadows on her face, highlighting the contours of her cheeks and eyes.
Lynda Carter with long, dark brown hair styled with gentle waves. She is wearing a black outfit with decorative pearl-like accents along the sleeves. Her facial expression appears confident and friendly as she poses with her fists playfully raised in front of her like her character Wonder Woman. She is wearing silver and pearl drop earrings and a silver ring.
Julia Louise-Dreyfus seated in an ornate wooden chair with her right arm resting on the chair's arm. She is wearing a black leather jacket over a black and white horizontal thick-striped shirt and have a long, dark red scarf with some brighter red designs on it around her neck. Her hair is dark, shoulder-length, and styled in loose waves. She has a pleasant expression, looking directly at the camera with a smile. The background consists of muted blue curtains with a gold pattern.
Close-up portrait of a Helen Mirren with wavy blonde hair, wearing coral bead necklaces and a grey top, against a black background. Photo credit Annie Leibovitz.
Catherine O’Hara with shoulder-length, wavy blonde hair, standing against a textured green background and wearing a long-sleeved black top. Her arms are crossed over her chest, and she is adorned with multiple silver rings and a wide, metallic bracelet over the end of her left sleeve at the wrist. O’Hara is gazing upwards with a gentle smile.
Aubrey Plaza smiling in a yellow, white, green, and black line patterned, off-the-shoulder short sleeved top seated with her arms resting on a wooden table top.
Sigourney Weaver sitting at a wooden table with her arms placed on top with her hands clasped together in front center. She is wearing a dark green long sleeve shirt and small dangling earrings of a similar green. She is smiling while looking straight at the camera while being lit against a dark background.
Regina Hall leans on a gray, rectangular block, posing against a smooth, green backdrop. She has long, brown hair with subtle highlights, and is wearing a textured, dark gray jacket. Her right elbow rests on the block while her chin rests casually on her right hand, giving a relaxed pose. A large, orange bracelet with a distinct design is worn on her right wrist, adding a pop of color to the image. Soft red lighting highlights part of her hair.
Maggie Smith sporting ear-length grey hair and a maroon outfit at a formal event.
Actress Ming-Na Wen rocks a black plunging top and black leather skinny pants while sitting on a soft chair or couch on stage with a microphone in her left hand and positioned to the side not in use as she watches or listens to something.
Kathryn Hahn with long brown hair wearing a textured brown jacket and high-waisted pants against a gray background.
A lively scene on a stage set with energetic dancers in the background. In the foreground, Queen Latifa as “Motormouth” Maybell in a gold dress adorned with red feather-like trim is captured in motion, exuding joy and energy as she sings and performs. The stage backdrop includes a sign reading "Miss Teenage Hairspray" with festive decor featuring hanging lights and curtains in shades of blue and teal. Other dancers, dressed in period-style formal attire, embellish the scene with dynamic poses and expressions as they dance. The atmosphere is vibrant and celebratory.
Kristen Wiig as Ruth in “Paul” wearing a black eye patch on her left eye under a pair of rimmed glasses and a light blue t-shirt with the text "EVOLVE THIS!" stands inside an inner doorway in an RV with wooden paneling behind her.
The black and white image features a woman with an expressive pose, captured mid-motion in an ornately decorated room. Madeline Kahn as Elizabeth in “Young Frankenstein” is wearing a long silk gown and a similar open robe with a textured pattern and a voluminous hairstyle. She is leaning back on one leg as she lifts the other at the knee, turning slightly to her side, as she places a thumb on her hind hip and makes a sizzle noise with her mouth. The background displays intricately patterned wallpaper and furniture typical of a vintage style. The overall ambiance suggests a blend of elegance and drama.
Olivia Colman as Sonya Falsworth seated indoors, dressed in a vivid red outfit. The clothing features a high neckline and is made of a smooth fabric. Colman sits with her hands clasped on her lap, her right leg crossed over her right leg. She leans on her left arm which is supported by the armrest. The room is dark except for two vintage tabletop lamps which give a soft warm glow through beige lampshades. A mostly full martini glass sits nearby under a lamp in the foreground.
Zoë Bell in a white dress performing a high sidekick while holding a gold handbag on the grey carpet in front of a backdrop with award logos. Transcribed Text: SCREEN ACTORS GUILD AWARDS TBS TNT SAG-AFTRA
Kate McKinnon as Holtzmann in “Ghostbusters” with short, curly blonde hair and leaning her face into her right hand which is propped up on an unseen surface while gazing upward. She wears round, yellow-tinted glasses and is dressed in a dark leather jacket over a brown and blue striped shirt with a long button sleeve. In the background, part of an industrial-style setting is visible, including a metal pipe structure in the foreground.
A slide from a Spotify Wrapped account saying that the top artist was Coheed and Cambria with 1,704 minutes listened. Top 0.05% of listeners worldwide.
Menu listing for Golden Hawaiian pizza which includes homemade red sauce, mozzarella, provolone, smoked ham, sweet golden pineapple, green onions, topped with dates and shredded coconut
Alan Ruck as Rabbit is on the left, leaning forward, wearing a casual blue shirt and beige vest, while Phillip Seymour Hoffman as Dusty, wearing a faded and worn red OU baseball cap and red patterned pullover, is in the center of the frame and is talking with his right hand up with his thumb and index finger touching, and Sean Whalen as Allen Sanders in a backwards black baseball cap has his left hand to his mouth and is on the right side of the frame. The trio fill the frame as they look past the camera.
A dark scene with Jake Gyllenhaal as Donnie Darko in the foreground in the right third of the screen looking partially down and off screen wearing a grey t-shirt, his dark short hair disheveled and an axe resting on his right shoulder. Behind him and out of focus are two large windows. A tall grey rabbit figure, Frank, is out of focus but visible against the dim light coming from the left window. Frank is facing toward the camera.
A black movie poster with a white snow decline in the lower quarter with red crosses sticking out as a person in a long, all-covering blue and grey outfit is in the center of the poster and decline seemingly walking down the decline. Above the person and in the center of the poster is the white text in stylized white lettering “The Damned”. Above the title are four groupings of smaller red text that are pull quotes from reviews of the film by Film Obsessive, Geekvibe Nation, Shade Studios, and Elements of Madness.
Mary Elizabeth Winstead as Romona Flowers stands with her body facing toward the camera but her head facing to her right, her right arm outstretched as her hand catches and holds the black shoe and foot of Roxy Ritchter, played by Mae Whitman. Behind Romona’s arm is Scott Pilgrim, played by Michael Cera, flinching for impact with his arms up and hands clenched and covering his face. Scott is wearing his dark winter jacket with his lined hood down. There is a lens flare to accent the impact of Romona catching Roxy’s foot.