Newt 👁️

@eyeofthenewt.bsky.social

9937 Followers 1013 Following

🌿Freelance artist in TTRPGs & entertainment. 🎭OC haver: #NewtsOCs #FruitOfSin 📚Folklore & Slavic Ethnography nerd. 🌱He/They, 28, queer, disabled, ENG/CZ,📍Prague 📧Work: borovskycharlie@gmail.com

a rough 3D sculpt of a creepy dark haired woman with a long pointy nose
sketch of a tattooed, long haired person in an open shirt wiping some dark fuid off their nose
two drawings in black and yellow on white background: left - a crouched figure inside a dark box with light shining in, casting a shadow behind them. right - another sad figure resting in an implied bathtub.
crop of grainy drawing of azune from CR with teary eyes and a hand over his mouth
a 3D rendering of a rough sculpt of a red haired woman in red stays with a frowning expression. The background is dark and she is dramaticaly lit
photo of a large wooden medieval altar panel with a depiction of Saint Sebastian on it. the background and frame has gold leaf and stands displayed in a gallery inside an old monastery. To the side, there's Newt dressed in black with their hair in a braid, smiling while leaning on a cane.
a rough 3D model of Newt's character Andrei Croft in a seductive pose
crop of a digital drawing in dark muted shades of green showing some theatre masks strewn about on a floor
Digital drawing of two pairs of figures in red on a dark background. The left pair depicts a middle aged woman with dark eyes and curly wild hair, dressed in Victorian attire and cradling a devil on her lap. The devil has a long pointy nose, a mustache, his horns are curling into spirals and he is smirking, as he holds on to her. The Drawing on the right shows a skinny young man being held by the same devil. The devil clutches him by the jaw and pulls him closer to him, his front the other man’s back. Both of the drawings have the devil’s barbed tail encircling them in a round, decorative motion. There is a gothic text in the middle that reads: Deaemones Ludos (Devil’s Games in Latin) and the EyeOfTheNewt signature at the bottom.
Digital sketch of Julien and Occtis from CR4. They both have frowning, tired expressions and sunken features. The lineart is scratchy, as if done with a split dip pen nib and the colours are muted, cool tones.
digitally drawn map of a fantasy land.
two quick sketches of abdirak from BG3 done in a greenish sepia ink with a brush.
greenish sepia ink sketch of a statue with tourists at the vottom of it taking pictures
A quick digital drawing of two figures leaning back on a bar and watching something off-screen. The colors are in muted warm greens with a dark background. One of the characters is wearing a veil over their entire face.
small painting of a horse head with a wild mane that twists into a somewhat decorative shape. It's done with a brush, in ink that shifts from mossy green to sepia.
lineart drawing of a young man with a hooked nose, small painted lips and large, lidded eyes, dressed in a waistocat and cravat, with flowers in his lapel. he is smirking and his hair is wavy and chin-lenght, parted in the middle.
a crop of the previous drawing with two more portraits added: A black haired girl with large eyes and a creepy smile with an eye necklace around her neck. And a beefy figure with a wide brimmed hat and stringy hair carrying an axe on their shoulder and scowling.
a photo of 5 books laid out on a bed. the top two titled "Rok Na Vsi" are about annual folk traditions in czech countryside. Bottom left is titled "Knižní Kultura Českého Středověku" about bohemian illuminations and book culture int he medieval times. Middle is the catalogue of one of my favourite 19th century exhibits. Last book on the right is titled "Úmění z temnot" and is a collection of dark and macabre art through out history.
a cropped section from the previous illustration showing the woman's face which is scrunched up in disdain
A digital painting in for a TTRPG book showing a sunlit market scene. The different shops are all built atop inhabitable wooden boats and are filled with people who are fishing or conversing and all manner of goods and knicknacks. In-between the houseboats, there are colorful fabric canopies drawn to connect them all and provide shade. In the foreground, there are two figures arguing- An elf woman with dark skin, big pointy ears, dreadlocks and a monocle, with a figure wearing a large red hat with a feather, dressed in a long coat and flowy silver hair in a braid. The bar at the bottom shows the logo of the book and publishing company and reads: Charlie “Newt” Borovský @EyeOfTheNewt ©Crow&Crown 2026
An old black and white photograph of two figures with a grid drawn in pencil over it and a Mucha poster next to it, with the same arrangement of figures.
square sketchbook page with a line drawign of a long haired androgynous person holding up a flame shaped dagger horisontally in front of them and smirking at the viewer. On the rigth side of the page there are strange symbols drawn.
a page filled with sketches of characters heads in faint red lines with three of the portraits in the lower left corner finished - scratchy lineart with solid black shadows showing a frowning man in a cravat snapoing his fingers casting magic. a curly haired woman with makeup running from her eyes extending her hands downward. and an androgynous figure with thing straight hair dressed in a fancy jacket, holding a dagger and smirking.
A digital painting in the style of an old oil portrait depicting a bearded old man in armour. He sits in a darkened space with a sad expression. The armour is tarnished in tones of green and he has his long gray hair in a bun. The frame around the painting is oval and the space around is decorated with drawing of roots creeping to the centre.
A digital drawing which shows two portraits of a blonde haired androgynous character, in one they look sad and damp from the rain and on the other half of their face is covered in blood and their pupils glow. In the background there is a faintly visible church silhouette and a text in red which reads: Chapter: 1. The Red-Eyed Devil of Farnsta.
Photo of Newt in a gallery sitting on a folding chair looking at a large painting - The Black Lake by Jan Preisler. It shows a nnude young man and a white horse at the edge of a sandstone cliff with a dark lake underneath them. Newt has long blonde hair and is dressed in all black.
Newt standing next to a cubist painting of Saint Sebastian by Bohumil Kubišta. The painting is done in mostly tones of brown, the wall behind is bright white and Newt is dressed in all black flowy clothing with a sketchbook in one hand and a cane int he other. He's standing awkwardly with a wide grin like a kid with a new toy.
photo of Newt face down at a pub table with a multitude of half eaten food, sketchbook, pen, glasses and phone strewn around them. Their hair is blonde, slightly wavy and blonde and they are dressed in black. the wall behind them is cream coloured with texture on it.
A digital drawing of a figure kneeling and washing their hands under a stream of liquid which spills down the steps and under their knees. They have long, straight hair, are dressed in fancy but practical clothing with tools at their belt including a dagger and a pendant of grinning and snarling faces. They have spiked earrings and their forearms are tattooed with occult symbols. Their expression is slightly anxious as they look up towards the source of the liquid. On the left side of the page, there is a text block with a crude poem reading: Down by the water, In the deep dark marsh, Waits a hungry altar, Carved in wood of ash. Comy, my hungry daughter And still your endless march, Worry not, don’t falter, Your steps I always watch. Listen for my order, And wield my thorned lash, Though, patient be for slaughter, Your bloody hands first wash. Below this in tiny text, it reads: Post-Hypnotic trigger sequence type B-1-0 - lullaby Subject: generation: 050249 - M - 1789-1825 Code: Viridian Angel Name: * text redacted by scribbling over *
two simple digital illustrations on dark background with gothic hand drawn text in red next to them. (alt text transcrbed in the original posts for this artwork) the first drawing shows a red devil with his hand around a young mans throat, whispering in his ear a d the second shows a blonde character crying on a nuns shoulder.
two fantasy illustrations side by side: The Night Washer - a painting depicting a dangerous-looking old woman with long dark hair, long pointy nose, yellow glowing eyes and a wicked smirk. She is up to her thighs in river water, washing a bloodied sheet of linen. The scene is in darkness, with a strip of lighting illuminating her only partially. The surface of the water is covered in duckweed and there are ravens flying around the figure. The figure has metal coin jewelry woven into her wild, dark hair that falls down her back and into the water like a thick blanket. There is a full moon visible in the reflection of the water. The text at the bottom reads: “Charlie Newt Borovský @EyeOfTheNewt” and “© Crow&Crown 2026”. The Gryndylow Coven: Peg Powler: Painterly digital illustration of a cackling hag emerging from a pond. She is chubby, with dark green skin, pointy teeth and wild curly hair. There are water lilies in the duckweed covered water around her and she holds a jar filled with human fingers and eyes. Her expression is cute but scary as she seems to be cackling, clutching the jar to her chest. On her head, there is a large spiky leaf fashioned into a hat. Nelly Longarms: She is lanky, with long clawed arms, sitting on a river rock and folding her arms under her chin in a cutesy expression. Her arms and legs are covered in fish scales and on her head there is a pointed headdress resembling horns. Her face is framed with shiny coins and she wears an extravagant leather armor and long flowy skirt with tassels and ribbons hanging down. Peg Powler: She is tall, clothed in algae and seaweed, with blood covering her chin and dripping down her chest.The hair from her head flows down and turns into algae as it cascades over her shoulders. There are clam shells hanging down her attire like jewelry and her algae skirt is full, sinking down into the water she stands in. The surface is stained with the same blood we can see on her face and hand.
elevator selfie of Newt wearing a moss green corderoy blazer, black shirt and wide black jeans. There is a green strioed scarf around thheir neck, a khaki cap, round sunglasses and hair in a bun. they're leaning on a cane and have a bunch of bags over their shoulder.
I digitally painted portrait of a young woman in a Victorian maid outfit emerging from the dark surroundings with half of her face in shadow. She has a concerned expression and there are large, leathery wings wrapped around her as well as a shine of a pupil in the darkness, parallel to her own eyes. The painting is done with loose brushstrokes and the image is set into an oval border which has swirling patterns of woof grain and eyes drawn crudely inside it. There is a small inscription on the bottom of this border that reads: Mathilda Thompson, 1835. The colours are almost all monochromatic apart from slight flesh tones in the face.
simple drawing of a brown haired half elf man with a scruffy beard and big eyes in a cravat and green cloak. he's looking up and distorted as if you see him through your door peephole
A landscape format page full of sketches of two characters, Occtis Tachonis and Sir Julien Davinos from CR4, done digitally with a messy scratchy brush.
digital illustration of three hag characters on black background. they are all in shades of green and look both fun, mischevious and dangerous. there is a logo for the Crow&Crown indie ttrpg company and the Aquarium book at the bottom as well as a text that reads: Charlie "Newt" Borovský @eyeofthenewt ©Crow&Crown 2026
Digital portrait painting of a white haired middle aged woman with pale, translucent skin, crows feet at her eyes and some fine lines, thin lips and white eyelashes with golden eyes. She is wearing a yellow robe and holding a gold puzzle box in her hands. The background is dark and the light is coming brightly from the top, illuminating her swept back hair and the front of her face, making it look almost shining. The portrait is encircled in an oval and the rest of the page is a muted brown/gold colour. At the bottom there are two dainty inscriptions reading: “Lena Waelda” and “Rexxentrum 839 PD”
Digital sketch of Julien Davinos from Critical Role 4. There are two portraits of him, in one he looks annoyed and in the other he is looking at the viewer, slightly contemptuous or bored. The background is dark and the picture is grainy and overall pretty dark with muted colours.
digital sketch of the same character in the same poses as above but the background is light and the drawings are more messy and with leas technical skill. the linework is thicker and the face doesnt stay consistent.
digital drawing of Caleb Widogast from Critical Role. There are three sketches of him done with lineart and flat colours on dark background. He is flinging magic fire, cloak an hair billowing in one sketch. Wiping down the sweat from his forehead in the second. And in the third he is laughing with a hand on his chest.
a low quality picture of the wolf and rabbit from the russian cartoon "Nu Pogodi!" the wolf is putting the rabbit in a burlap sack and smoking a cigarette.
All three character from above post in one image, on black background. the info at the bottom is the same.
Nelly Longarms: Painterly digital illustration of a watery hag. She is lanky, with long clawed arms, sitting on a river rock and folding her arms under her chin in a cutesy expression. There is a cheeky smile on her face as she looks directly at the viewer with glowing yellow eyes. Her arms and legs are covered in fish scales and on her head there is a pointed headdress resembling horns. Her face is framed with shiny coins and she wears an extravagant leather armor and long flowy skirt with tassels and ribbons hanging down. The info at the bottom shows the Aquarium book and Crow & Crown company logo and text that reads: Charlie “Newt” Borovský @EyeOfTheNewt ©Crow&Crown 2026
digital drawing on black background depicting two figures in a somber embrace. A nun in white robes and a larger figure with straw coloured hair. The text on the side is in red and hand drawn in a gothic font and reads: She will wrap it in soft feathery things and take away its teeth and turn it into something new and weak and small. So why cant it fight? Why cant it gnash its teeth and growl in the warm embrace of the threadbare sleeves.