Feeling Seen

@feelingseen.bsky.social

180 Followers 101 Following

The podcast that talks about the movies that make us feel seen šŸŽ„šŸ‘ļø Hosted by @jorcru.bsky.social on @maximumfun.org šŸš€ Listen here: https://linktr.ee/FeelingSeen

Yellow square graphic with the words "FEELING SEEN" in black text. A red-tinted image of a man in glasses, pointing at the camera (James Nunn) is framed by two film stills. One shows an angry hippo running toward the camera; the other shows two men in chairs tied back-to-back with rope (Indiana Jones and his father, as played by Harrison Fold and Sean Connery).
A widescreen image has a yellow background with a red-tinted image of Hugh Jackman as old Robin Hood, shooting an arrow. In front of this, a frame from SPIDER-MAN (2002) of Tobey Maguire with his Spider-Man mask mostly singed off his face. A headshot of Michael Sarnoski in beard and glasses is prominent on the left of the image. On the right, inset, a headshot of Jordan Crucchiola in a gray t-shirt. Text reads ā€œEpisode 226: Michael Sarnoski on Sam Raimiā€™s SPIDER-MAN.ā€
A yellow graphic with film stills in the background -- one of a teenage girl wiping her hand across her lips, and another of a woman lying down, apparently lit from a screen she's looking at, with a small white bunny on her stomach. A red-tinted image of woman with short black hair is large in the left corner. Across the graphic, the words "FEELING SEEN."
Yellow square graphic with film strip stills in either corner. In one, woman with big hair clad in a red dress sings into a microphone with two male backup singers behind her. In another, the same woman stands in the rain talking to a man in a leather jacket. At the forefront of the graphic, a red-tinted image of Jen Yamato looking at the camera. Text across the graphic says "FEELING SEEN."
A yellow square graphic with the words "FEELING SEEN" in black. Around the words, comics-style graphics of eyes, along with two stills from the film MAY, both of Angela Bettis as May. In one, a slender, mousy woman stares off into the distance; behind her, we can see a pale doll seeming to stare out at us, and at her. In the other, May wears glasses and looks coyly up out of frame. In the corner of the graphic, a red-tinted image of a woman with dark hair, cat-eye glasses, and septum jewelry smiling with her eyes closed.
In a still from HOOPER (1978), Burt Reynolds as Hooper talks to James Best as Cully. In the trailer behind them, tape on one of the drawers reads "Buddy Joe Hooker."
A yellow square graphic with the words FEELING SEEN, surrounded by comic-style graphics of eyes, a still from BARTON FINK of two men in suspenders and white undershirts sitting on a bed, another still of a blonde woman with electroshock nodes on either side of her head, and a large red-tinted headshot of a blonde woman (Grace Glowicki).
A yellow square graphic with the words "Feeling Seen" in the center. Film cels around these words show comics-style close ups of eyes, as well as frames from the film BARTON FINK (John Turturro in a suit and glasses pointing angrily to his own head; Turturro at a desk, writing in a notepad under a desk lamp). On the left side of the image, there is a large, red-tinted head shot of filmmaker Walter Chaw.
A yellow-backed graphic shows a photo of a smiling man (Chris Stuckmann) on the left, next to some film images: a red-tinted cutout of a woman screaming and a still of two young women in hats and coats cozying up to each other outside. In the lower corner, a photo of a smiling woman (Jordan Crucchiola). Text on the graphic reads "Episode 207: Chris Stuckmann on 'Shelby Oaks' and 'You Can Live Forever.'"
A yellow square with a red-tinted image of Tim Blake Nelson. Behind him, an image of people dancing (from the film THE TESTAMENT OF ANN LEE) and a black and white image of a man cradling his head in his hands (from the film DOWN BY LAW). The words ā€œFeeling Seenā€ in block letters across it all.
A square yellow graphic reads ā€œFeeling Seen,ā€ and features a red-tinted headshot of James Badge Dale, as well as two movie stills. On the top, the still is of Dale in the film KING IVORY, carrying an automatic weapon and walking though a fluorescent-lit room covered in plastic tarps. The second is a young Robert De Niro in MEAN STREETS, holding a bag of ice to his eye and laughing in front of a sign that reads ā€œPOSITIVELY NO GAMBLING.ā€
A yellow graphic features a photo of Shea Whigham, and another of him in his film AMERICAN PRIMEVAL. In the background, an image of Robert Duvall in TENDER MERCIES. An inset photo of Jordan Crucchiola. Amid all this, text reads "Episode 162: Shea Whigham on 'American Primeval' and 'Tender Mercies.'"
A yellow square with the words ā€œFeeling Seenā€ in black caps. Drawings of film frames with pop-art eye balls decorate the frame, along with an image from the film WORKING GIRL and one from THE PLAYER. In the former, Melanie Griffith smiles at someone across the frame. In the latter, Tim Robbins sits on a black couch between two old movie posters. At the front of the graphic, a red-tinted headshot of Barbara Muschietti.
A square image with a yellow background features a red-tinted photo of writer/director John-Michael Powell; a film still from the movie VIOLENT ENDS in which actor Billy Magnussen wears a bloody shirt and aims a shotgun to someone just off camera, shouting; a film still from the movie ALL THE REAL GIRLS in which actors Zooey Deschael and Paul Schneider sit in a wheat field, Schneider kissing Deschanel's forehead. The words "Feeling Seen" appear in black capital letters across the overall image.
A yellow square says "FEELING SEEN" in black letters. A red-toned photo of Tina Romero frames film stills from 'Peter Pan' and 'Queens of the Dead.'
Over a yellow background, a photo of Katy Oā€™Brian, along with the title ā€œFeeling Seen,ā€ some pop art graphics of eyes, and a still from the movie ā€˜G.I. Jane,ā€™ in which Demi Mooreā€™s character is in a muddy combat zone, hunched and on a satellite phone.
A graphic reads "Feeling Seen" in black on a yellow background. Film strips frame images of eyes, as well as frames from the movies RED SONJA, MONICA, MAN ON HIGH HEELS, and DR. JEKYLL AND SISTER HYDE. in the left corner of the image, red-tinged photo of director MJ Bassett on a film set.
The yellow logo for the FEELING SEEN podcast features film strips with cartoon eyes. A red photo of Tricia Cooke is superimposed below the words "Feeling Seen." Tricia is framed by stills from HONEY DON'T and BUT I'M A CHEERLEADER. In the HONEY DON'T image, Margaret Qualley wears a red dress and looks into the distance in a barren landscape. In the BUT I'M A CHEERLEADER still, Clea Duvall and Natasha Lyonne are both dressed in pink and staring toward the camera, arms crossed in frustration.
On a yellow background, film strips with images from Pan's Labyrinth (the faun speaking to Ofelia) and In the Mood for Love (Mr. Chan looking longingly at Mrs. Chung) surround the words "Feeling Seen." In the foreground, a red-tinted image of this week's guest, actor Danielle Deadwyler.