Felipe

@felipecortez.net

88 Followers 273 Following

guitars · drums · code

a screenshot of the Spotify app showing a playlist containing songs with BPM of 127 and 128
a screenshot of a browser showing a world map. overlaid on three different cities are their IATA airport codes: FLN, NYC and LON
a Nikon FE film camera on a table
A vector illustration of books read from January to April 2025, shown as spines on a shelf. Titles: Auto da Compadecida, Blue in Green, Design It!, Exhalation, The Prime of Miss Jean Brodie, A Formação da Literatura Brasileira, A Philosophy of Software Design, You Have Not Yet Heard Your Favourite Song, Guardiões do Louvre, The Hobbit, A Hora da Estrela, Funny Creek, Agamemnon, The Libation Bearers, Eumenides.
a page of the book The Elements of Typographic Style. its text reads “If notes are used for subordinate details, it is right that they be set in a smaller size than the main text. But the academic habit of relegating notes to the foot of the page or the end of the book is a mirror of Victoria social and domestic practice, in which the kitchen was kept out of sight and the servants were kept below stairs. If the notes are permitted to move around in the margins (as they were in Renaissance books) they can be present where needed and at the same time enrich the life of the page. Footnotes are the very emblem of fussiness, but they have their uses. If there are short and infrequent, they can be made economical of space, easy to find when wanted and, when not wanted, easy to ignore. Long footnotes are inevitably a distraction: tedious to read and wearying to look at. Footnotes that extend to a second page (as some long footnotes are bound to do) are an abject failure of design. Endnotes can be just as economical of space, less trouble to design and less expensive to set, and they can comfortably run to any length. They also leave the text page clean except for a peppering of superscripts. They do, however, require the serious reader to use two bookmarks and to read with both hands as well as both eyes, swapping back and forth between the popular and the persnickety parts of the text. Sidenotes give more life and variety to the page and are the easiest of all to find and read. If carefully designed, they need not enlarge either the page or the cost of printing it.”
A stack of books is arranged upright, each showing its spine. The books are labeled with months at the bottom, indicating they were read in January and February. The titles from left to right are, for January, Auto da Compadecida by Ariano Suassuna, Blue in Green by Ram V and Anand RK, Design It! by Michael Keeling, Exhalation by Ted Chiang, The Prime of Miss Jean Brodie by Muriel Spark, and for February, Iniciação à Literatura Brasileira by Antonio Candido, A Philosophy of Software Design by John Ousterhout, and You Have Not Yet Heard Your Favourite Song by Glenn McDonald
spines of the books Auto da Compadecida, Blue in Green, Design It!, Exhalation, The Prime of Miss Jean Brodie
a screenshot showing a graph with a linear growth curve representing the number of downloads for an extension. it was 0 in June, now 250 in December 2024.
a graph showing weight change over the months of 2024 with a downward slanting line going from 82 to 72 kg
a macOS screenshot displaying two running countdown timers
flowcharts with multiple colored boxes and arrows. all text is pixelated hopefully beyond readability
a web application showing multiple album art covers, laid out in four grids
a row of books. one of them, Designing Data-Intensive Applications, has a wrinkly plastic material on the spine