Filtered Focus

@filteredfocus.bsky.social

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A photographer focused on using color to explore light outside our color vision. Prints @ filteredFocus.darkroom.com

A picture near totality of the 2026 March 3rd total lunar eclipse.
3 apartment sized bins made of silver galvanized aluminum stand in a row before the side of a barn. In front sits piles of railroad beams buried half by infrared pink dyed grass. To the far right a derelict house hides a oil rig in the distance. The clouds look high and mostly overcast. The entire picture has the feeling of an old movie or photograph.
A yellow paper notice hangs from a wooden gate between two soft hills below distant storms of sunlit white and blue shadow.
Two mountains are framed between clouds and a forest of firs. The mountain behind is lices with snow and ice covering it's black rock. The mountain in front has a little face of snow at the top, like a little hairdoo
A prominence rises above a black forested mountainside where viens of black and white ice run in its wrinkles, highlighting where ice degrades the mountain down into grey gravel and stone. Above a sky white and bright blanketed by the puffyiest of clouds.
A small decaying white cabin sinks only the soft green plains. In the distance a field of gold reaches for the shadow of a but in the distance. The hazy of a cloudy summer day hangs high in the sky.
A brick two story building that is part of a strip of buildings stand with it's front door propped open by a block and rag. A worn pink sign reads dancing in white and a silver SUV is parked on the street outside and to the side. The inside is dark but outside it's a overcast day. The vibe of the picture is pinkish from infrared light.
A dark black and white photo of a vacant house in a flat field. Tails of a thunderstorm encroach in the distance.
The hint of a snow capped mountain dips into a cloud shaded valley of green firs. Behind the first another prominent peaks out with a ridge of sharp grey rock. Mirroring the ridgeline in front it slopes left to another small peak before dropping off frame. Below and to the right of the center peak is a gap of sunlit grass and occasional firs that dot the mountainsides. The sky is bright and hazy blue with a few tuffs of clouds.
A concrete path lightly covered on both ends by red-brown fallen moss and fir leaves rises and curves over a bend, guided by a rough, thick, grey wooden fence that seperates it from a small clearing of grass. The path runs under the shadow of several firs that tower above on the right and the forest runs from the middle of the left side of the frame in the distance, leading down into an unseen valley before rising again to the foot of a tiny rocky outcrop before a gain snow capped rounded mountain. The divit of Mt Rainers ancient caldera is visible in the light hazy of the blue sky of a golden afternoon. A large cloud floats off to the left, light and dreamy.
The snow capped rocky summit of Mt Rainier stands behind a line of foreground firs that dope to show the valley and rolling mountainside below a scarf of clouds around the snowline. Three sets of 7 sided flares cross the frame from the sun int the top left to the roof of a Ford mach-e on the bottom right. The sky is darkened dispite being in the dead of day because this photo was shot in light hight than 850nm, primarly the near infrared, leaving dramatic black, grays and whites.
A sign reads fuck fascists surround by pink trees and traffic lights and lines, one of the lights is green.
A bright yellow sunflower stands out from unreal green leaves. A hairy center of baby seeds sits in the center and burns the golden yellow brown. Another flower stands above and in the corner.
Green, gold and red spiny caterpillar with 4 white bumps and two hairy tails. A vine crawls across a wooden handrail to touch them and the background is blurred in green and brown.
A green, well-used wheelbarrow rusts from the scratches in its bright white and green paint. Sears is written in green on white and the opposite for craftsman. The numbers 8782 are below, which happens to be the last 4 digits of your mom's cellular phone.
A set of 5 facade of window in monochrome. All bare except the last two. The last window still has most of a white frame and the one next to it has just the upper half of it's wide trim. Rough lines of plaster connect clean lines in the concrete wall.
A beautiful fielding of wind stroked grass leads through bands of light to a wired fence that leads to a tree. On the left side of a tree is a single white horse highlighted by a beam of sunlight and on the other two darker horses graze near a greenish barn. Storm clouds envelopes the small mountain behind them.
Red and green auras door above the canopy of a tree. Streaks of red from the right and the left glows oddly green. The stars dotting the sky are just out of focus and the tree seems to pop unnaturally.
A burnt-in led buld reflects on both sides of a old brick in a narrow hall of a fort's stores.
A monochrome image of a cloudy day. An abandoned building Stands roofless with it's rafters exposed to the sonlight between a wired telephone pole and a brick chimney stack behind it. Unmanicured grass guards the front and creep dangles from the white side of the building like tinsel which drapes to cover some rubbish by a large horizontal tank.
A lone sailboat sailing through the bay under a large cell of clouds. It is bright and sunny and the seagrass has been burned red by infrared light similar to aerochrome. The strong reds and blues feel unreal
Two old pickup trucks parked side by side but one of them faces the camera displaying an old Ford logo. Behind them is a tiny awning to small for the doorway below it. The entire picture has a yellow and blue calf which makes it look trippy and weird.
A black and white infrared image of a tree growing out of a stone wall. The leaves are white and the shadows soft. Not a very good picture, but what do I know. I'm just the alt text
A supercolor image of a tree growing from a stone wall. The infrared color cast the leaves in blue and everything else in an alien amber hue. Shot in 590nm on a digital camera, but it could be mistaken for the film stock lomo turquoise for those in the know.
A Tennessee forest shot in 590 nm infrared It appears blue with infrared light. Two younge trees are featured prominently on a small dark forest shelf.
A surreal landscape featuring two white cows in an infrared stained field with tall orange red grass in the background red and orange trees line a sloped horizon under a clear blue sky with some scattered clouds.
A surreal infrared image of the Statue of Liberty seen from a low angle. The statue is cast in deep blue tones, while the surrounding trees glow in vivid red—resembling false-color foliage. A cloud in the background aligns with the torch, giving the illusion that the flame is fading or extinguished. The sky is rich and textured, adding to the dreamlike, eerie atmosphere.
A concerned Bald eagle contorts itself to look at the photographer on the other side of a black fencing, surround by amber leaved trees dyed by a mix of infrared and color light.
A photo of a couple on an evening walk out on Pensacola Beach shot in the otherworldly blues and ocean hues of Lomochrome turquoise
A blue Porsche in digital Aerochrome
A view looking out from the mile high bridge at Grandfather mountain.