🥛Filthy Moo Cow🥛

@filthy.bluecow.live

1408 Followers 834 Following

🥛 30s | She/It | BBW Cow 🥛 Web Dev & Artist 🥛 Chicago 'burbs 🥛 Twitch partner on indefinite hiatus 🥛 Owner: Rotfox 🧡💜 🥛 🔞 Minors DNI

A gouache painting depicting a little astronaut fox who seems to be stranded on whatever planet they've crash landed on. The foreground in the bottom third of the frame consists of a small, bean-shaped fox in their astronaut suit, standing beside their crashed gray and red rocket ship on a small, desolate planet. Only the rear half of the rocket sticking straight up out of the ground, the metal bent and broken. The fox is to the right of the crashed rocket, staring up at it slightly with a stunned, worried expression - expressed only by their round, wide and tired looking eyes. Their spacesuit is a light cream color, and it specially shaped just for them. There is room for their tail, nubs on the helmet for their ears, and the helmet's visor is extended to fit their long snout. The planet's surface is a bright magenta, and is relatively smooth. It is small enough that you can see the curve of the horizon. It is completely devoid of anything the viewer can see besides the fox and their ship. There is a single, spindly plume of smoke pouring out of the rocket's engine, twisting and extending up into the void of space, drawing the viewer's eye into the deep, dark, green expansiveness. Stars sparsely populate the distant sky, and in the upper-right corner of the frame, there appears to be another distant celestial body. Maybe a moon? Maybe the fox's previous or next destination?
A gouache painting, depicting three nondescript ethereal beings, standing on a baron shore in a dark setting, on the left side of the canvas. The shore juts out from the left side of the frame, and is surrounded on the right and below by relatively calm water, which reaches down to the viewer at the bottom of the frame. They are intently watching a heron standing in the shallow water to the right, not wanting to disturb her. The sky is a streaky, dark, desaturated forest green with stark black and gray spindly clouds. The shore is a deep, dark gray and the water is a desaturated and reflective gray-purple, with lighter and darker ripples to show subtle flowing movement. The beings are all of varying heights, and appear almost as if they are cloaked. Their bodies are created from magenta, blue, white, and an outlining stark black that has been dragged down the canvas towards the shore line. The only notable features they have are floating, beady white eyes that hover slightly in front of their heads, pointed directly and intently at the heron in the water, who is completely flat, bright white, in sharp contrast to the darkness of the rest of the piece.
A gouache painting of a large, dark, empty room with warm rich brown stone walls and floor, presumably somewhere deep in a cave. The floor is smooth and relatively flat while the walls are very rocky and heavily textured. The floor is split by a very large, sharp, cracked crevasse, the walls of which jut down vertically and suddenly. The crevasse appears to span beyond even the length of the room, and it is filled with a bright foggy blue glow, bright light emanating from within and casting blue light up the walls of the crevasse. There are bright, glowing particles floating up from beneath the fog as well, maybe hinting at some kind of magic flowing like a river below. The only other thing in the vast emptiness of the cave is a human skeleton, leaned back against the wall casually, hands splayed open on the cave floor, with a half-finished book lying next to their left hand, folded open on the floor. The skeleton's size is dwarfed by the stones in the wall and the crevasse, leading to the room feeling eerily large and otherwise very empty.
A gouache painting of an anthropomorphic deer sitting on a park bench, with an enormous, tall, looming figure beside him. The sky is a deep golden yellow with starkly contrasting fuchsia and orange clouds. The grass is a somewhat bluish dark green. The deer looks to be of average size, but the figure behind them is clearly many stories tall, all flat black, with long, slender arms and legs. It also has large deer antlers, and no expression other than tired looking white dot eyes with bags under them. The deer on the bench seems to be intentionally averting their gaze from the figure, clearly anxious at their presence. Long shadows are cast downwards over the ground towards the viewer. The black border of the painting seems to creep and grind upwards from the bottom edge, towards the deer on the bench. Maybe a representation of the sense of inescapable anxiety.
A gouache painting of an expressionist outline of a stripey snake, overlaying an abstract background. The background is comprised of chunky blocks of colors, including warm yellows, oranges, reds, blues, and lilac, with splashes of dark purple. The colors are blocked out into rectangles, lines going in many different directions, and hemispheres with other colors surrounding them. There are also some wiggly lines eluding to the snake theme. Some of the brush strokes have purposefully dragged color out of one area, leaving the new colors speckled with the original ones. The snake is a bright, sparkly metallic gold, and is comprised of a simple, single-stroke outline, and it winds and twists in a pattern over the canvas so that it does not overlap itself but fills the painting entirely. It has wiggly stripes down its back, and it's tongue and tail are striped as well. It's outline fills the canvas but it does not obscure all of the textures of the background.
A gouache painting of a very close-up shot of some tall grass and long, tall, spindly mushrooms. The grass is teal fading to black as it moves away from the viewer, and the sky in the backdrop is a deep pink fading up to a white near the top of the frame. The mushrooms are very dark black and blue, with the caps fading from bright blue to deep black from top to bottom. The stems are mostly black with just a hint of blue on the edge catching the light. There is a solid black hand-painted border around the whole piece.
A painting of an endless desert of sand dunes, completely empty beyond a single trail of foot prints peeking out behind the dunes, leading away from the viewer. At the top of the furthest hill there is a very small dot silhouette of a person against the bright yellow and pink sunset. The sand dunes are in a gradient from a very deep red-orange in the distance, to a much more pale peachy color in the foreground. The dunes are made up of huge, wavy brush strokes with the largest brush I have.
A symmetrical painting of two moons/stars/non-descript celestial bodies, vertically mirrored from one another. Only the closest edge of each moon is visible. One is mainly a deep purple with sharp light purple/pink streaky rocky accents, getting brighter as it gets closer to the center of the painting. The other has a more standard rocky texture, and is primarily a very vibrant orange with yellow and reddish accents, getting more yellow and bright towards the center. Between the two moons is a stark, black ladder that is connecting the two, perfectly symmetrical, at an angle. The ladder casts a shadow on both moons in opposite directions, adding to the strange symmetry. The scale of the ladder is also unexpectedly large compared to the moons, making the viewer question whether the ladder is enormous or the moons are very small. All of this is cast over an empty, lightly textured background consisting of a gradient wash going from a very deep/dark turquoise color behind the orange moon, to a much lighter aqua behind the purple moon.
A gouache painting of a blue stone staircase/path, curving up and to the right away from the viewers perspective, disappearing behind the right wall. The walls are bright and vibrant orange roughly textured stones, and the stair path is blue. The front of each stair is made of neater stone blocks and the top of them is lush blue grass.
A colorful expressionist painting depicting a giant, craggly rocky cliff, seemingly lit from below by a fire orange light. There are pieces of the cliff floating alongside it, and the sky is a dark teal. On top of the cliff is a lonely and small red house, with lights on inside and smoke pouring in a long strand from the chimney. There is a small patch of muted periwinkle blue grass around the house.
A gouache painting of lily pads floating on calm water, with shadows from nearby trees and bushes on the shore of the pond being cast over them.
A dark expressionist painting of some kind of spooky canid(s), mostly consisting of heavily textured overlapping black, white, gray, and brown strokes
A gouache painting of my croconana plush! They are a light teal banana shaped crocodile with a big grin and a witch hat!
A screenshot of a discord message I posted in our server today. This is length-limited so I can't put the whole thing but here's how it starts: "Heya friends! There's something I'd like to talk to you all about. Some of this is gonna be vague and I'm sorry for that but ultimately I just don't wanna overshare. I think I need a break from stuff. I took a mini streaming hiatus last year without much of an explanation. Very long story very short, 2025 wasn't a great year for me. Like in every sense it was pretty unhealthy. I won't get into it here but I had some shake-ups in my personal life that I wasn't expecting and kind of lost control of my life a bit. As the year went on I felt more and more disconnected from the projects and things I wanted to work on, and became overwhelmed and frustrated with certain other things. I kept all of this out of stream because, well, I wanted it to remain a positive and comfortable space for y'all. I think honestly the quality of my content has suffered as a result and I haven't been honest with myself about that until lately. That break I took did recharge me a bit, but I think it was a temporary solution to a larger issue that still hasn't been fully worked out. I still want to put my creative energy into some new things, but right now I'm feeling like that creative spark is a little directionless, if that makes sense. Streaming isn't filling the same void that it used to and I think there are several factors to that but the long and short of it is I've become a little jaded with the streaming space lately and I just don't fully feel like it "fits me" right now. To be clear, I am ok and on a path back to being a much happier person than I was last year. Rot and I are ok. I love him more than ever and my life with him is beautiful. We both cherish this community, GENUINELY yall mean more to us than you know. We have worked hard to bring all of you together and you all made it what it is. I'm extremely grateful f…
Headshot of me, a trans woman in a green floral dress and dirty blonde hair
Cosmic. Fuckin. Brownies.
Pictures of the steps of processing my homemade sriracha sauce! Straining the peppers, the pulp going thru the sieve, the resulting super creamy sauce, and then a few canned shelf-stable bottles full of the finished sauce!!