John Smith Of the Smiths of Smithtown by the village smithy

@fincoot.bsky.social

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Freelance anchorite, Windmill cancer survivor, Political Unreliable

Janey Godley, of fond remembrance, holding up a sign in Scotland during trump I. Sign says "TRUMP IS A CUNT"
Aboriginal Australian traditions The public-domain collections Australian Legendary Tales https://www.gutenberg.org/ebooks/3833 Some Myths and Legends of the Australian Aborigines https://www.gutenberg.org/ebooks/46992 Australian Legends are historical settler-era records. https://www.gutenberg.org/ebooks/38306 They should not be assumed to override custodial authority, local restrictions, or present-day community versions. Publicly recorded narrative families relevant to this topic include: The Rainbow Serpent cycles — immense water- and landscape-associated beings regulate access, movement, and law. G/B The Seven Sisters — pursuit across land and sky, transformation, and encoded routes. S/G The Faithful Lovers — transformed persons become features of the sky or landscape. S The sacred bullroarer narratives — knowledge-object whose sound signals hidden presence and restricted authority. A/O Baiame or creator-ancestor instructions — world-order transmitted through law and place. O/G The ancestral beings who become landscape — person and place remain continuous rather than separate. S/G The frog who swallowed the water — monopolized ecological resource released through collective action. G/T The origin-of-fire narratives — guarded technology stolen or transferred among species. T/A/G The crow and the fire — trickster mediation of survival knowledge. T/O The moon and the origin of death — competing messages or examples establish mortality. O/R The bunyip encounter traditions — water-place warnings embodied as an uncertain being. G The clever animal or culture-hero cycles — language and imitation overcome stronger beings. T Because access protocols vary substantially, contemporary materials should be sought through the specific nation, language group, land council, or Aboriginal cultural centre rather than through generalized “Dreamtime story” sites.
Hawaiʻi The Hawaiian Folk Tales collection https://www.gutenberg.org/files/18450/18450-h/18450-h.htm?utm_source=chatgpt.com includes Māui, Pele, Hiku and Kawelu, healing traditions, prophecies, fish gods, and numerous supernatural encounters. It is a 1907 compilation and should be read alongside contemporary Native Hawaiian scholarship. Māui snares the sun — human survival requires renegotiating a cosmic process. G/B Māui obtains fire — trickster interaction with a keeper of technical knowledge. T/O Pele and Kahawali — a stranger at a contest is revealed as a powerful territorial deity. S/G Pele and Lohiau — love, spirit travel, death, and restoration across islands. R/H Hiʻiaka’s journey — communication with gods, ghosts, and place-beings under strict obligations. B/G/R Hiku and Kawelu — descent to the land of the dead to retrieve a beloved spirit. H/R Milu and the realm of the dead — otherworld ruler and guarded pathways. R/G Lonopuha and the origin of healing — exceptional diagnosis and knowledge obtained through divine or nonhuman relations. O Kamapuaʻa and Pele — shape-changing pig-demigod and volcano deity negotiate territory and relationship. S/G/B Kuʻula, the fish god — fishing abundance depends on relationship with a place- and species-governing power. G/B ʻAiʻai, son of Kuʻula — establishment of fishing shrines and protocols across the islands. G/O The shark-man or shark-guardian stories — human and shark identity overlap through kinship or transformation. S/G Nanaue the shark-man — concealed predatory identity revealed through bodily signs. S/T The moʻo water guardians — lizard or dragon women associated with pools, fertility, beauty, and danger. S/G The Night Marchers — ancestral processions require avoidance and correct recognition. R/G
Māori and wider Polynesian traditions A historical English collection is Te Tohunga https://www.gutenberg.org/ebooks/54610?utm_source=chatgpt.com. Its contents include Māori creation narratives, Māui cycles, patupaiarehe, spirit-land traditions, and other legends. Māui and Mahuika — the culture hero repeatedly obtains and destroys the fire-deity’s fingernails until fire is relocated into trees. T/B/G Māui slows the sun — a cosmic agent is physically constrained and negotiated into a new operational schedule. G/B Māui fishes up islands — human–nonhuman technology changes geography. Māui and Irawaru — a human is transformed into a dog through conflict and word-power. S Māui seeks immortality through Hine-nui-te-pō — an attempt to reverse death fails when observers break the required silence. R/B Rata and the forest beings — a canoe repeatedly disappears because wood was taken without proper acknowledgement; ritual repair restores cooperation. G/B Tāwhaki’s ascent to heaven — guarded celestial route and tests of recognition. H/G Hinemoa and Tūtānekai — music functions as remote guidance across dangerous space. The patupaiarehe, children of the mist — hidden people associated with mountains, fog, music, and dangerous contact. S/G The collection specifically includes “Nga Patu-paiarehe, the Children of the Mist.” https://www.gutenberg.org/ebooks/54610 The fairy people teach net-making or music — knowledge acquired from a nonhuman society but sometimes taken without consent. O/H
South America Sources include Fairy Tales from Brazil https://www.gutenberg.org/ebooks/24714 Latin American Mythology https://www.gutenberg.org/ebooks/58359 collections of Guiana and Macushi material. Makunaima and the tree of all fruits — a world-resource is felled, transforming geography and access. T/A Makunaima and the fire-owner — guarded technology is transferred through deception. T/G The Curupira — forest guardian reverses tracks and destabilizes navigation. G/S Caipora — game-owner negotiates or punishes hunting conduct. G/B Boitatá — fiery guardian associated with landscape and violation. G Iara / Uiara — water-being uses alluring voice and appearance to draw humans away. S/G Boto encantado — river dolphin assumes human form at social gatherings. S/T Cobra Norato — serpent form and human identity alternate. S The Headless Mule — human transgression produces recurring transformed existence. S/R Saci-Pererê — trickster being manipulates objects, paths, animals, and attention. T/G Negrinho do Pastoreio — abused child returns as a supernatural helper associated with recovering lost things. R/G https://www.gutenberg.org/ebooks/64030 Portuguese text in Lendas do Sul The enchanted moura or buried-treasure guardian traditions — wealth offered under difficult verbal or moral conditions. B/G The Mapinguari — forest boundary-being whose anatomy resists ordinary interpretation. G/S The Yacuruna — underwater people imitate terrestrial society in reversed or altered form. S/H The pink dolphin bridegroom — attractive stranger’s true river identity is eventually exposed. S/T The Huarochirí Manuscript: Cuniraya and Cahuillaca — divine disguise, deception, and pursuit across transformed landscape. S/T
Mesoamerica and the Caribbean K’iche’ Maya: Popol Vuh A public-domain English retelling is available from Project Gutenberg; the Library of Congress also hosts the surviving manuscript containing K’iche’ and Spanish text. https://www.gutenberg.org/ebooks/56550 The creation attempts with mud and wood — creators iteratively construct beings that fail because they cannot sustain speech, memory, or relationship. A/Q The wooden people and their tools — created beings are attacked by the objects and animals they mistreated. A/B Hunahpu and Xbalanque summoned to Xibalba — underworld rulers use names, seating, and etiquette as traps. Q/H/B The false greeting of the wooden effigies — artificial substitutes are used to expose deceptive protocol. A/T The House of Darkness — an impossible resource task is solved through simulation rather than consumption. Q/T The House of Knives — hostile agents are persuaded to redirect their violence. T/Q The House of Cold, Jaguars, Bats, and Fire — successive environmental intelligences become tests. Q/G The ballgame with the Lords of Death — competition is inseparable from deception and ritual law. Q/H The Hero Twins’ staged deaths and transformations — apparent destruction becomes strategic performance. S/R/T The defeat of Seven Macaw — false claims of cosmic authority are exposed by exploiting bodily dependencies. S/T Zipacna and Cabrakan — powerful beings are defeated through engineered bait and misleading demonstrations. T/G
Indigenous North American and Arctic traditions These are living traditions belonging to many distinct nations, not a single “Native mythology.” The linked texts are historical collections whose terminology and framing may be outdated. Broad comparative collection https://sacred-texts.com/nam/tnai/tnai00.htm?utm_source=chatgpt.com Tales of the North American Indians provides a geographically broad but historically mediated anthology. The earth-diver cycles — animals confer and dive beneath primordial water to obtain the material of the world. Q/G The Sun-Snarer — a culture hero traps a cosmic power and must negotiate restoration. T/G/B Glooscap and the giant frog — a being monopolizing water is defeated to restore collective access. G/T Glooscap and the animals — communication establishes capacities, names, or ecological order. Q/O Manabozho/Wisakedjak and the flood — trickster-survivor collaborates with animals to rebuild land. T/G Coyote steals fire — distributed animal cooperation transfers guarded technology. T/A/G Coyote and the stars — impatient intervention fixes an unfinished cosmic arrangement. T/A Coyote and death — a decision about reviving the dead becomes irreversible. T/R Raven steals the light — shapeshifting infiltration transfers a monopolized resource. S/T Raven and the whale — entry into another being’s body and violation of a prohibition. H/B The rolling head — a revenant or severed body part pursues the living. R/S The skeleton or ghost bride — apparent human relationship conceals death. R/S
African traditions Because “African folklore” is not one tradition, the sources below are separated into regional collections. Many are colonial-era transcriptions and must be used critically. Akan, Ashanti, and wider West African Anansi cycles Sources: West African Folk-Tales https://www.gutenberg.org/ebooks/66919, Cunnie Rabbit, Mr. Spider and the Other Beef https://www.gutenberg.org/ebooks/48828 Jamaica Anansi Stories https://sacred-texts.com/afr/jas/index.htm How Anansi obtained the stories — a trickster must capture dangerous beings to acquire narrative authority. T/Q Anansi and the pot of wisdom — one being attempts to monopolize intelligence but discovers knowledge is socially distributed. T/O Anansi and Tiger — the weak conversational manipulator survives a stronger rival. T/B Anansi and Death — bargaining with mortality produces unexpected obligations. T/R/B Anansi and the talking melon — hidden speech causes people to misattribute intelligence to an object. A/S/T Anansi and the gum man — an artificial silent figure traps an aggressor through unreturned social gestures. A/B Anansi’s ride on Tiger — public narrative and performance reverse the apparent power relationship. T/S Anansi and the sky-god Nyame — impossible acquisition tasks establish legitimacy. Q/G Anansi and the dispersal of wisdom — failure of centralized possession. O/T Anansi and the turtle’s feast — hospitality rules are manipulated by host and guest. H/T Anansi and the magic food pot — inexhaustible production depends on a command formula. A/B Anansi and the moss-covered rock — repeated linguistic cue incapacitates listeners. B/T Yoruba, Edo, Igbo, Efik, and southern Nigerian material A large source is Folk Stories from Southern Nigeria https://www.gutenberg.org/ebooks/34655?utm_source=chatgpt.com. The Tortoise and the Birds’ Feast — a guest manipulates naming conventions to claim collective resources. T/B
Slavic and Balkan traditions A major source is Afanasyev’s Russian Folk-Tales https://www.gutenberg.org/ebooks/62509, drawn from Russian, Ukrainian, and Belarusian traditions. Vasilisa the Beautiful — Baba Yaga tests the visitor with impossible tasks while a doll mediates survival. Q/H/A Baba Yaga and the skull-lantern — dangerous helper, boundary house, and weaponized gift. H/G The Frog Princess — animal appearance conceals exceptional human or supernatural identity. S/B Marya Morevna — a forbidden chamber releases Koschei. B/G Koschei the Deathless — life or death stored externally through nested containers and animals. O/G The Firebird and the Grey Wolf — animal adviser repeatedly corrects human error. O/S The Feather of Finist the Falcon — avian-human bridegroom and interrupted access. S/B The Sea Tsar and Vasilisa the Wise — entry into an underwater court and impossible tasks solved by a supernatural insider. H/G/B The Soldier and Death — a human traps or bargains with Death, causing systemic disorder. T/R/B The Soldier and the Devils — adversarial beings defeated by literal manipulation and fearlessness. T/B The Magic Ring — animal helpers and a command object rescue an incompetent or betrayed owner. A/B The Flying Ship — socially marginal companions possess specialized capacities necessary for impossible tests. Q The Prophetic Dream — efforts to suppress foreknowledge generate its realization. O The Armless Maiden / The Handless Maiden — supernatural or demonic bargains deform family interpretation. B/S Morozko / Father Frost — a place- or season-being tests speech and endurance. Q/G The Twelve Months — personified temporal powers reward respectful communication. Q/G The Domovoi warning stories — household spirit communicates danger through sounds, dreams, or doubles. O/G The Rusalka bride — human relationship with a water or revenant being becomes unstable. R/S/G
English, Scottish, Irish, Welsh, and Celtic traditions English and border tales Sources: English Fairy Tales https://www.gutenberg.org/ebooks/7439 and More English Fairy Tales https://gutenberg.org/ebooks/14241 Tom Tit Tot — the English Rumpelstiltskin analogue; secret name defeats a coercive bargain. B/O Direct text https://sacred-texts.com/neu/eng/eft/eft02.htm Childe Rowland — entry into Elfland requires refusal of food and violence at the correct moment. H/B Tamlane / Tam Lin — fairy captivity, transformation, and holding the true person through changing forms. S/H The Buried Moon — a celestial being trapped by hostile marsh creatures. G/H Yallery Brown — a rescued household being becomes a destructive, inescapable helper. A/B The Hedley Kow — shapeshifter repeatedly destabilizes human perception. S/T The King of the Cats — a domestic animal’s hidden social identity is revealed by a message. S/O The Black Bull of Norroway — animal bridegroom and prohibited knowledge. S/B The Hobyahs — repeated warnings are ignored until protective resources have been discarded. O/G The Pied Piper of Franchville/Hamelin — service contract, nonpayment, and retaliatory removal of children. B The Three Wishes — poorly specified desires cancel one another. B The Lambton Worm — an early careless act generates a later guardian-monster problem. G/B The Red Ettin — giant poses questions whose answers determine survival. Q/G Jack and the Beanstalk — dangerous hospitality, theft, and passage between worlds. H/G Jack the Giant-Killer — intelligence and deception overcome larger boundary beings. T/G The Master and His Pupil — unauthorized use of transformative knowledge causes control failure. A/S The Golden Arm — the dead return to reclaim property. R/B The Green Children of Woolpit — apparently human visitors from an inaccessible otherworld. S/H The Fairy Ointment — altered perception reveals disguised beings but brings punishment when disclosed. O/S
German-language and Central European tales The Grimms’ Household Tales provide a large corpus. https://www.sacred-texts.com/neu/grimm/index.htm Rumpelstiltskin — impossible labour outsourced under a contract; discovering the helper’s name voids the final claim. B/O Direct text https://sacred-texts.com/neu/grimm/ht24.htm The Fisherman and His Wife — repeated wishes expand until the granting system resets them. B The Sorcerer’s Apprentice — an automated command is copied without knowledge of termination. A/B The Golem of Prague — artificial guardian, command inscription, and control failure. A/G The Brave Little Tailor — ambiguity in a statement causes others to infer impossible power. T/B The Devil with the Three Golden Hairs — a visitor obtains hidden answers by eavesdropping on a dangerous being. O/T The Devil and His Grandmother — the adversary’s household contains a more helpful intermediary. T/H The Devil’s Sooty Brother — service contract with a supernatural employer. B/H Bearskin — a timed bargain requiring strict behavioural constraints. B Godfather Death — access to diagnostic knowledge is governed by a spatial sign, but the recipient attempts to manipulate it. O/B The Godfather — choosing a supernatural sponsor creates unequal obligations. B The White Snake — eating forbidden food grants understanding of animal speech. O/B Faithful John — secret prophetic knowledge imposes silence and self-sacrifice. O/B The Six Swans — transformation can be reversed only by exact production and silence requirements. S/B The Seven Ravens — entry into another realm to restore transformed kin. S/H The Twelve Brothers — a careless declaration becomes an operative threat. B The Golden Bird — repeated warnings from an animal adviser are ignored. O The Water of Life — truthful and deceptive advisers compete around a healing resource. O/T The Spirit in the Bottle — a released power threatens its rescuer but can be tricked back into confinement. T/B
orwegian and broader Scandinavian folktales The free collections Popular Tales from the Norse https://www.gutenberg.org/ebooks/8933 and East of the Sun and West of the Moon https://www.gutenberg.org/ebooks/30973 contain many especially relevant stories. East of the Sun and West of the Moon — animal bridegroom, prohibited observation, and search beyond mapped space. S/B/H Prince Lindworm — monstrous bridegroom and survival through exact ritual countermeasures. S/B The Giant Who Had No Heart in His Body — externalized life hidden through nested guardians. O/G The Mastermaid — supernatural servant-helper outwits the powerful master who controls her. T/B The Three Princesses of Whiteland — entry into a remote nonhuman domain. H/G Soria Moria Castle — giant-guarded otherworld reached through a long quest. H/G The Lad Who Went to the North Wind — personified force is confronted over damage and offers compensatory objects. B/G The Cat on the Dovrefell — a small familiar animal is strategically represented as a monstrous threat. S/T Boots and the Troll — the weak party manipulates the strong party’s interpretation of demonstrations. T/Q Boots Who Ate a Match with the Troll — a contest is won through deceptive equivalence. T/Q The Three Billy-Goats Gruff — verbal postponement manipulates a bridge guardian. T/G Farmer Weathersky — a shapeshifting master and pupil compete in transformation. S/T The Master-Smith — a bargain with the Devil or supernatural power has unintended costs. B/A The Lad and the Deil — literal wording and counter-trickery govern the encounter. T/B
Norse and Icelandic traditions Odin and Vafþrúðnir — a question contest in which losing means death. Q/O Odin and the giantess Gunnlöð — deception, seduction, and theft of the Mead of Poetry. T/B Odin sacrifices an eye to Mímir — knowledge obtained through irreversible exchange. B/O Odin questions the dead seeress in Völuspá — compelled communication with a revenant authority. R/O Thor and Útgarða-Loki — impossible contests are revealed to have been perceptual manipulations. Q/S/T Thor’s fishing expedition with Hymir — uneasy collaboration between adversarial beings. The building of Asgard’s wall — a disguised giant enters a performance contract whose terms the gods manipulate. B/S Loki and the master builder’s stallion — shapeshifting used to defeat a contractual claim. S/T/B Fenrir’s binding — gods persuade a dangerous being to accept restraint using a false assurance and a hostage gesture. B/T Týr’s hand — collateral sacrificed when a deceptive agreement is exposed. B The death of Baldr — universal assurances fail because one apparently negligible exception is overlooked. B/O Loki and the mistletoe — exploiting omitted conditions in a safety system. T/B Hermóðr’s ride to Hel — negotiation for the release of the dead under a universal condition. H/R/B The apples of Iðunn — dependence on a renewable resource controlled through abduction and shapeshifting. S/B The theft of Thor’s hammer — disguise and social performance used to recover a control object. S/T/A The dwarf Andvari and the cursed ring — forced transfer of property carries an attached consequence. B Fáfnir — transformed guardian of wealth speaks riddling warnings as he dies. S/G/O Sigurd tastes the dragon’s blood — accidental access to bird-language reveals betrayal. O The draugr Glámr in Grettir’s Saga — a revenant communicates a curse that alters the survivor’s perception. R/G
Central Asia, Mongolia, and Siberia Open English narrative access is much thinner than for European traditions, and many online texts are ethnographic accounts rather than community-controlled editions. The Epic of Manas — prophetic dreams, supernatural horses, spirit-assisted heroes, and encounters requiring interpretation. O/G UNESCO describes Manas as a major living oral epic tradition.https://ich.unesco.org/en/RL/manas-00209 Semetey — continuation of the Manas cycle, including inherited obligations and guidance from dreams or ancestral forces. O/R Seytek — later-generation continuation of the same heroic and spirit-mediated world. Geser/Gesar — immense Central and Inner Asian epic family involving heavenly origin, demons, shapeshifting enemies, and spirit helpers. S/G/O The Buryat Geser cycle — hero sent from the sky-world to order hostile earthly powers. G/H The shaman’s journey to Erlik — negotiation with an underworld ruler for a stolen or detained soul. H/R/B The first shaman and the hostile sky powers — acquisition of dangerous mediating knowledge. O/B The spirit-master of the taiga — hunting success depends on correct speech, respect, and exchange. G/B The swan-maiden ancestor traditions — a supernatural woman’s garment is hidden, binding her to human marriage. S/B/H The daughter of the water lord — marriage across human and aquatic worlds. G/H The talking or prophetic horse in Turkic epic — animal companion supplies information unavailable to the hero. O Alpamysh and his horse Baychibar — exceptional animal intelligence and loyalty mediate survival. Dede Korkut and the monster Tepegöz — a one-eyed boundary monster defeated partly through identification and knowledge of vulnerability. G/T Basat and Tepegöz — Turkic cognate of the Polyphemus encounter, including deceptive dialogue. T/G Er-Töshtük’s underworld journey — animal helpers, giant adversaries, and passage through layered worlds. H/G
Malay and Indonesian narrative families Sang Kancil and the crocodiles — mouse-deer counts crocodiles by persuading them to become a bridge. T/B Sang Kancil and the tiger — small trickster manipulates the predator’s interpretation of objects. T/S Bawang Merah and Bawang Putih — disguised or supernatural figures test conduct and distribute unequal gifts. S/Q Timun Mas — a bargain with a giant over a promised child, defeated through magical objects. B/G Jaka Tarub and the celestial maiden — garment theft binds a supernatural woman to the human world. B/S/H Nyi Roro Kidul — encounter with a powerful sea sovereign whose territory and relationships demand protocol. G/H Calon Arang — dangerous ritual knowledge and transformation negotiated or countered by another specialist. S/O The Barong and Rangda cycle — protective and destructive beings in a conflict that is managed rather than permanently resolved. G The Princess of Mount Ledang — impossible marriage conditions communicate refusal indirectly. Q/B Badang and the water spirit — supernatural strength obtained through encounter and exchange. B Bidasari — life stored outside the body in an animal or object. S/O Hikayat Inderaputera — journeys through supernatural kingdoms with jinn, peri, and enchanted guardians. H/G
XIV. Southeast Asia and the Philippines Public-domain sources include Philippine Folk-Tales https://www.gutenberg.org/ebooks/11028?utm_source=chatgpt.com Philippine Folk Tales https://www.gutenberg.org/ebooks/12814 Filipino Popular Tales https://www.gutenberg.org/ebooks/8299 Philippine Folklore Stories https://www.gutenberg.org/ebooks/10771 The Monkey and the Turtle — a resource-sharing bargain becomes a cycle of trickery and revenge. B/T The Monkey and the Crocodile — attempted organ theft defeated through invented anatomy. T/B The Sun and the Moon — cosmic beings miscommunicate or violate domestic agreements. The Moon and the crab or shellfish — nonhuman counsel changes a cosmic decision. The Alan and the human child — other-than-human beings foster or exchange children. S/H The spirit in the balete tree — place-bound intelligence governs a dangerous threshold. G The aswang spouse or neighbour — familiar social identity conceals a predatory second nature. S/T The manananggal stories — a human-seeming person separates into a nonhuman nocturnal form. S Juan and the enchanted princess — exact tasks and magical helpers determine access. Q/B The magic ring or command object — power outsourced to an obedient supernatural agent. A/B The enchanted shell — a hidden helper emerges when unobserved. S/A The spirit that guards the mountain or cave — territorial being offers wealth under prohibitions. G/B The sky-world marriage stories — human and celestial spouse separated by a broken taboo. H/B The seven-headed serpent or dragon guardian — entry requires combat, knowledge, or substitution. G The rice spirit narratives — agriculture depends on respectful communication with a personified nonhuman source. G/B
Korea Sources include Korean Folk Tales: Imps, Ghosts and Fairies https://www.gutenberg.org/ebooks/51002, Korean Taleshttps://www.gutenberg.org/ebooks/55539, and Korean Fairy Tales https://www.gutenberg.org/ebooks/52850. The Grateful Ghost — the dead repay a living person who restores justice or burial. R/B The Tokgabi and His Pranks — a goblin-like being manipulates perception, objects, and bargains. T/S The Tokgabi’s club — a command object produces wealth but may punish imitation. A/B The Unmannerly Tiger — predator and human negotiate through contested social obligations. B/T The Rabbit’s Eyes — an animal escapes organ extraction through rhetorical deception. T/B The Bridegroom for Miss Mole — nonhuman families compare powers in a chain of reasoning. Q The Fancha and the Magpie — an animal repays or mediates a human obligation. B/O The East Light and the Bridge of Fishes — animals create access across an impossible boundary. G/A The Sneezing Colossus — communication with a giant-scale being produces disproportionate consequences. G The Enchanted Wine Jug — an object provides apparently inexhaustible output under conditions. A/B Sim Cheong — sacrifice to the sea, undersea otherworld, and miraculous return. H/G Hong Gildong — magical or extraordinary capacities complicate social identity and legitimacy. S The fox sister / Kumiho sister — a family member is revealed as a predatory fox spirit. S/T The celestial maiden and the woodcutter — theft of a garment prevents a supernatural woman’s return home. B/S/H The sun and moon siblings pursued by a tiger — a predator imitates the mother’s voice and appearance. S/T The snail bride — a concealed nonhuman woman performs household work. S/H The Dragon King’s palace — human visitor to an underwater court receives gifts or obligations. H/G The ghost who demands the truth be told — speech acts restore social and cosmic order. R/B
Ainu traditions A public-domain collection appears under the historical title Aino Folk-Tales; “Ainu” is the preferred spelling today. Relevant narratives and recurring cycles include: The divine owl as village guardian — a deity observes human conduct and distributes game or scarcity. G/O The bear-deity’s visit to the human world — apparent animal death understood as reciprocal travel and hospitality. H/G The fox who deceives humans — unstable appearances and unreliable mediation. S/T The kind giver and the grudging giver — nonhuman agents test generosity. Q/S The culture hero Okikurmi and the demons — human or semidivine intelligence negotiates with hostile beings. T/G The origin of the hare, fox, or other animals — transformations encode consequences of speech and conduct. S The woman married to a supernatural being — cross-category marriage and incompatible obligations. H/S The monster trout or sea-being — place-bound danger encountered through specific survival knowledge. G/O The speaking birds who warn humans — environmental information delivered by nonhuman observers. O The kamuy who returns after mistreatment — reciprocity between human and more-than-human societies. B/G
Japan The linked Japanese Fairy Tales contains the following and other stories. https://www.gutenberg.org/ebooks/4018?utm_source=chatgpt.com Urashima Tarō — otherworld hospitality, extreme time dilation, and a forbidden container. H/B The Bamboo-Cutter and the Moon-Child / Princess Kaguya — a nonhuman visitor whose human relationships cannot override her origin. S/H The Tongue-Cut Sparrow — animal hospitality and gifts whose consequences reflect the recipient’s conduct. H/B The Farmer and the Badger — a shapeshifter imitates a murdered person and weaponizes familiarity. S/T The Goblin of Adachigahara — a hospitable old woman is revealed as a predatory being. S/H The Ogre of Rashōmon — urban boundary encounter with an oni and a severed limb that later returns in disguise. S/G How an Old Man Lost His Wen — oni reward or punish human performance according to unstable rules. H/Q The Man Who Did Not Wish to Die — the search for immortality becomes an encounter with unwanted endlessness. H/O My Lord Bag of Rice — a dragon being solicits human help against a giant centipede. G/B The Jellyfish and the Monkey — a talking animal escapes organ-harvesting through a false claim about external storage. T/B The White Hare and the Crocodiles — a trickster exploits nonhuman listeners and then mishandles disclosure. T/B Momotarō — negotiated alliance with speaking animals against oni. B/G The Old Man Who Made Withered Trees Flower — supernatural animal guidance and counterfeit imitation. O/T The Stones of Five Colours and Empress Jōkwa — repair of a damaged cosmos through extraordinary material technology. A The Crane Wife — a grateful nonhuman spouse imposes a prohibition against observation. S/B The Fox Wife / Kitsune nyōbō — a successful marriage fails when hidden identity is discovered. S/B Tamamo-no-Mae — an extraordinarily accomplished court woman revealed as a fox spirit. S/T Kuzunoha — fox motherhood and identity disclosed through reflection or verse. S/B
Useful collections include The Chinese Fairy Book https://www.gutenberg.org/ebooks/29939?utm_source=chatgpt.com, containing seventy-three stories, and Chinese Folk-Lore Tales https://www.gutenberg.org/ebooks/26070. The White Snake / Madame White Snake — a serpent assumes human form, forms a family, and is exposed by ritual knowledge. S/H The Painted Skin — a demon wears a beautiful human exterior over a terrifying body. S/T The Magic Paintbrush — representations become materially operative. A/B The Dream of the Yellow Millet — a complete life unfolds during a brief altered state, destabilizing temporal reality. H/S The Taoist Priest of Laoshan — a student acquires apparent magical competence without discipline or understanding. A/Q The Fox Fairy wife — a nonhuman spouse’s identity and obligations differ from human expectations. S/H The scholar and the fox spirit — beauty, literary intelligence, and danger coexist in an uncertain visitor. S/T The mirror that reveals demons — technology or ritual discloses hidden identity. A/O/S The Dragon King’s daughter — cross-species assistance and marriage with beings of the waters. G/H The Cowherd and Weaver Girl — regulated passage between heavenly and earthly worlds. H/G The Butterfly Lovers — death, transformation, and continuing identity. R/S The Monkey King and the Dragon Kings — a trickster obtains weapons and status through intimidation and negotiation. T/B Sun Wukong erases names from the registers of death — a nonhuman trickster attacks the administrative representation of mortality. T/R/A True and False Monkey Kings — two indistinguishable agents create an identity-verification crisis. S/Q The White-Bone Demon — repeated disguise defeats ordinary human perception. S/T The Kingdom of Women and deceptive monsters in Journey to the West — apparently familiar social forms conceal divergent rules. S/H
South Asia: epic, philosophical, and folktale traditions Dialogues and tests Yaksha Prashna / The Questions of the Yaksha — a lake guardian requires Yudhishthira to answer ethical and existential questions before restoring his brothers. Q/G/O https://www.themathesontrust.org/library/33-questions Nachiketa and Yama — a boy questions Death and refuses tempting substitutes for ultimate knowledge. Q/R/O Savitri and Yama — a woman follows Death and obtains her husband’s life through disciplined dialogue and carefully structured boons. B/R/Q Yudhishthira and the dog at heaven’s gate — final admission test involving loyalty to a seemingly ordinary animal. Q/S/G Arjuna and the Kirata — a god in disguised hunter form tests the hero before granting a weapon. S/Q Nahusha as the serpent — a transformed king asks riddles and philosophical questions before release. Q/S Markandeya and Yama — confrontation with Death and divine intervention. R/G Nala and Kali — an invasive nonhuman influence exploits a tiny procedural lapse. B/S Bhasmasura and Mohini — a boon becomes an existential threat; the threat is defeated through imitation. B/T/S The churning of the ocean and Mohini — divine shapeshifting controls distribution of a contested resource. S/T Indra and the yaksha in the Kena Upanishad — gods mistake power for their own until an unidentified being demonstrates their limits. Q/O The king and the invisible voice in the forest — a broad South Asian narrative family in which unseen authority tests truthfulness. Q/O The Vetala cycle https://www.gutenberg.org/ebooks/54697 The complete Vikram and the Vampire / Baital Pachisi contains twenty-five linked tales. A corpse inhabited by a vetala tells a story, poses a judgment problem, and escapes whenever King Vikrama answers. Especially relevant episodes include: The three suitors who restore a dead woman — who deserves recognition as husband? Q/R/A
VIII. Turkish and Anatolian tales The following are in Turkish Fairy Tales and Folk Tales. https://www.gutenberg.org/ebooks/64807?utm_source=chatgpt.com The Stag-Prince — animal transformation and concealed identity. S The Three Orange-Peris — supernatural women released from objects under specific conditions. B/S The Rose-Beauty — supernatural birth or transformation linked to a plant-form. S The Horse-Devil and the Witch — deceptive and adversarial helpers. S/T The Magic Turban, Magic Whip, and Magic Carpet — command artefacts whose possession transfers power. A/B The Wind-Demon — a powerful elemental being encountered or controlled through special knowledge. G/B The Crow-Peri — avian form conceals a supernatural identity. S The Forty Princes and the Seven-Headed Dragon — monstrous guardian and collective survival problem. G The World’s Most Beauteous Damsel — distant supernatural bride and deceptive obstacles. H/S The Padishah of the Forty Peris — entry into a society of nonhuman beings. H/G The Serpent-Peri and the Magic Mirror — hybrid identity and truth- or image-producing technology. S/A/O Stone-Patience and Knife-Patience — speaking to objects when human listeners are unsafe or unavailable. A The Ghost of the Spring and the Shrew — place-bound spirit and dangerous domestic interaction. G/R The Half-Man Riding on the Worse Half of a Lame Horse — category-breaking stranger and interpretive uncertainty. S/Q The Enchanted Hog — animal form disguises human or supernatural identity. S/B Boy-Beautiful, the Golden Apples, and the Were-Wolf — theft, pursuit, and predatory transformation. S/G Youth Without Age and Life Without Death — entry into an immortal realm followed by catastrophic temporal return. H/O
Persian epic and tale traditions Sources include The Shahnameh https://www.gutenberg.org/ebooks/10315 and The Story of Rustem https://www.gutenberg.org/ebooks/3699. Zal and the Simurgh — an abandoned child is raised by a nonhuman intelligence and later receives a feather for emergency communication. G/O The Simurgh assists at Rustam’s birth — nonhuman medical knowledge used through exact instructions. O Rustam’s Seven Labours — successive encounters with dragons, witches, and the White Div. Q/G/S The White Div — a powerful guardian whose body contains the cure for supernatural blindness. G/O Rustam and the witch — a deceptive beautiful appearance collapses when a sacred name is invoked. S/T Rustam and Akvan Div — a demon asks how the hero wishes to die; Rustam survives by exploiting contrarian behaviour. Q/T Zahhak and Iblis/Ahriman — a deceptive counsellor repeatedly changes roles and manufactures dependence. S/T/B
The Thousand and One Nights and related Arabic tale traditions A free English collection is available through Project Gutenberg; https://www.gutenberg.org/ebooks/19860?utm_source=chatgpt.com Burton’s larger multi-volume translation is also online. The Merchant and the Jinni — an accidental act creates a lethal obligation; storytelling becomes negotiation. B The First Old Man and the Hind — transformation, testimony, and exchanged stories as ransom. S/B The Second Old Man and the Two Black Dogs — kin transformed into animals and restored conditionally. S/B The Third Old Man’s Tale — punishment administered through magical transformation. S/B The Fisherman and the Jinni — a weak human defeats a powerful being through doubt, demonstration, and containment. T/B The Tale of the Ensorcelled Prince — a divided body and transformed population conceal a political crime. S/O The King of the Black Isles — an enchanted city whose visible condition hides its history. S/G The City of Brass — expedition into a dead technological civilization filled with inscriptions, automata, and trapped jinn. A/O/R/G The Ebony Horse — a mechanical flying artefact whose controls are not initially explained. A/B Aladdin and the Wonderful Lamp — command-based access to enormous power through a bound intermediary. A/B The Genie of the Ring — a secondary commanded agent with different capabilities. A/B Ali Baba and the Forty Thieves — exact verbal formulas open and close an otherwise inaccessible system. B/G The Queen of the Serpents — initiation into hidden nonhuman knowledge and betrayal of a promise. O/B/G Hasib Karim al-Din — serpent society, secret knowledge, and reluctant return to the human world. H/O Jullanar of the Sea — marriage and communication across terrestrial and marine societies. S/H Abdullah the Fisherman and Abdullah the Merman — cross-world friendship complicated by incompatible customs and values. H/Q
Qur’anic and Islamic narrative traditions Iblis refuses to bow to Adam — intelligence and religious knowledge separated from humility and obedience. B/T Solomon understands the ants — communication across species and the limits of human perception. Solomon and the hoopoe — a nonhuman intelligence brings geopolitical information that the king verifies rather than accepting blindly. O Solomon, the Queen of Sheba, and the glass floor — perceptual uncertainty created by artificial appearance. S/A Solomon commands jinn, humans, birds, and winds — heterogeneous agents organized under one authority. A/B The jinn who worked after Solomon’s death — labouring agents fail to recognize that their commander has died until material evidence reveals it. A/O/R The jinn who listen to the Qur’an — unseen listeners interpret human or divine language and report it to their own community. O Moses and al-Khidr — apparently harmful actions whose reasons are revealed only afterward; radical asymmetry of knowledge. O/Q Dhu al-Qarnayn and Gog and Magog — construction of a boundary against dangerous nonhuman or quasi-human forces. G/A The Companions of the Cave — altered time, preserved bodies, and awakening into a changed society. H These are sacred narratives within living religious traditions, not merely folklore.
Biblical, rabbinic, and Jewish folklore These range from scripture and rabbinic narrative to modernized folktale retellings. The serpent in Eden — language reinterprets a prohibition and destabilizes trust. T/B Jacob wrestling at the Jabbok — a night encounter with an unnamed being ending in a new name and blessing. Q/B/G Balaam’s donkey — an animal sees what the human expert cannot and is temporarily given speech. O Saul and the medium of Endor — consultation with the dead for forbidden strategic knowledge. R/O The Witch of Endor and Samuel — a summoned voice provides truth but no escape from consequence. R/O Solomon and Ashmedai/Asmodeus — a king captures a demon for secret knowledge, then loses status through misplaced confidence. O/T/B Solomon commands the demons to build the Temple — compelled nonhuman labour and questions of control. A/B Solomon and the shamir — obtaining a supernatural agent capable of cutting stone without metal. A/O Solomon and the Queen of Sheba’s riddles — sovereign legitimacy tested through questions and deceptive appearances. Q/S Elijah as an unrecognized stranger — hidden identity tests hospitality and moral judgment. S/H/Q Honi the Circle-Maker’s seventy-year sleep — temporal displacement and the loss of social continuity. H The four who entered the Pardes — access to dangerous knowledge has different psychological consequences for each visitor. O/H The Golem of Prague — an artificial protector whose obedience and force exceed ordinary judgment. A/G Retelling and audio The Golem of Chelm — an older family of artificial-servant narratives associated with uncontrolled growth or literal execution. A/B [Study/retelling] The Dybbuk — a dead personality speaks through or occupies a living person. R/S Joseph della Reina — a mystic attempts to bind destructive supernatural powers and is undone by procedural failure. B/O The Fairy Princess of Ergetz — threatening demons, hidden assistance, and supernatural marriage. H/S
Principal sources: Homer’s Odyssey, Pseudo-Apollodorus, and Bulfinch’s Mythology. Oedipus and the Sphinx — passage depends on interpreting a riddle correctly. Q/G Talos and the Argonauts — an artificial bronze guardian enforces the boundary of Crete until Medea exploits its vulnerability. A/G/T Hephaestus’s golden maidens — manufactured attendants possessing movement, speech, and intelligence. A Hephaestus’s self-moving tripods — autonomous artefacts serving the gods. A Pandora — an artificial human-like being commissioned by gods and associated with a concealed harmful consequence. A/B Pygmalion and Galatea — an artificial representation becomes a living interlocutor. A/S Daedalus’s animated statues — works said to appear alive or capable of movement. A/S Odysseus and Circe — deceptive hospitality, animal transformation, counter-magic, and negotiated assistance. S/H/B Odysseus and the Sirens — irresistible, apparently knowledge-bearing speech defeated through procedural restraint. O/T/G Menelaus and Proteus — a human must physically hold a shapeshifting knowledge-keeper until he gives an answer. S/O/Q Odysseus and Tiresias — consultation with the dead for operational knowledge. R/O Odysseus and Polyphemus — identity concealment, the strategic name “Nobody,” literal misunderstanding, and escape. T/B/G Odysseus and Calypso — otherworld hospitality that becomes indefinite confinement. H/B Lotus-Eaters — hospitality dissolving memory, purpose, and the desire to leave. H Aeolus and the bag of winds — a useful gift becomes catastrophic when companions misinterpret it. B/O Scylla and Charybdis — navigation between place-bound dangers after receiving imperfect survival advice. G/O Orpheus and Eurydice — a bargain with the dead governed by one exact prohibition. B/R/H Persephone and Hades — underworld food creates a binding connection and divided residence. B/H/R Psyche and Eros — concealed identity, a forbidden inspection, supernatural tasks, and ambiguous helpers. B/S/H
The Shipwrecked Sailor — a castaway meets a vast speaking serpent who predicts his rescue. O/G/H [Full translation, Fordham] Setna Khaemwas and the Book of Thoth — forbidden knowledge, a magical book, a dead owner, and apparent realities manufactured as punishment. O/R/S/B Setna and Si-Osire — a miraculous child reveals hidden judgment in the afterlife. O/R The Tale of the Two Brothers — divine animals, speaking trees, transformations, externalized life, and deceptive testimony. S/O/B The Doomed Prince — prophecy announces three possible deaths; avoidance cannot cleanly defeat fate. O The Prince and the Three Fates — destiny delivered by supernatural visitors at birth. O Khufu and the Magicians — reports and demonstrations by humans possessing uncanny knowledge and power. O/A Djedi before Khufu — a magician is questioned about secret chambers and demonstrates apparent restoration of life. Q/O/A Isis and the Secret Name of Ra — a goddess creates a serpent and withholds the cure until Ra reveals his hidden name. B/O/G The Contendings of Horus and Seth — transformations, deceptive appearances, and judgment by divine councils. S/T The Destruction of Mankind / The Heavenly Cow — a destructive divine agent is diverted through an engineered deception. A/T The Book of the Dead: gatekeeper dialogues — the deceased must know names, formulas, and correct responses to pass guarded thresholds. Q/G/R The Negative Confession before the Forty-Two Assessors — survival through exact declarations before nonhuman judges. Q/R The Book of Gates — guarded nocturnal regions opened through knowledge and identification. G/O/R The Book of Thoth traditions — dangerous textual knowledge that resists human possession. O/B Texts and older translations are indexed in the Sacred Texts Ancient Egypt collection. https://sacred-texts.com/egy/index.htm
Original Akkadian Tablet XI (the "Deluge Tablet") of the Epic of Gilgamesh I. Mesopotamia Sumerian and Akkadian narratives Inanna and Enki — acquisition of the me, divine powers transferred through hospitality, intoxication, and contested agreement. B/O/T [ETCSL translation] Inanna’s Descent to the Netherworld — seven thresholds, removal of powers, rules of entry, substitution, and return. H/G/R/B [English translation] Gilgamesh and Huwawa/Humbaba — encounter with the guardian of the Cedar Forest; persuasion, pleading, and fatal mistrust. G/B The Epic of Gilgamesh: Utnapishtim — the hero questions an immortal survivor and is tested by sleep. Q/O Gilgamesh, Enkidu, and the Netherworld — prohibited actions, lost magical objects, and communication with the dead. R/H/B Enkidu’s Dream of the Netherworld — knowledge conveyed through an ominous visionary journey. O/R Adapa and the South Wind — divine instructions lead Adapa to reject the food and water of immortality. O/B Etana and the Eagle — a human–animal alliance, rescue bargain, and ascent into heaven. B/G The Eagle and the Serpent — oath-breaking between nonhuman partners and supernatural punishment. B/T Nergal and Ereshkigal — dangerous etiquette in the land of the dead. H/B/R Erra and Ishum — a destructive divine power addressed and partially restrained by a counsellor. A/O Atrahasis — humans negotiate survival amid decisions made by incomprehensible divine authorities. O/B The Flood in the Epic of Gilgamesh — secret warning, literal construction instructions, and survival protocol. O/B Enmerkar and the Lord of Aratta — diplomatic riddles, impossible demands, invented writing, and competing interpretations. Q/B/O The Poor Man of Nippur — repeated disguise and strategic manipulation of authority. S/T A broad older English collection is available as Myths and Legends of Babylonia and Assyria.
A hazy picture of DC with washington monument in center and Jefferson Memorial at upper right
Kahler-Jex from a town called mercy. Performed lethal human experimentation in an attempt to biologically merge people and weapons. Torturing to death all but the last 27.
Lenin's Masoleum
Poster for 1980s film Ghost Story. "The time has come to tell the tale." A black background with the title "Ghost Story" a small house in the lower right below a cloud covered full moon.
Very tall conifer tree struck at top by lightning Lighting bolt illuminates it's path down the tree trunk to the ground turning the area around it a bright orange.
Elon. Head in a jar of scope mint colored fluid with bubbles. British Gallery prints available https://www.prescriptionart.com/en-us/products/pattern-up-elon-musk
Wx Underground excerpt for of readings at 3:56 PM EDT 7/3/26 Light winds Temp 104 deg F (Like 129)
Quiet Earth
Confedrate stars and bars. 11 White stars on a blue field with a white and red stripes
Vir waving at Elon's head on a pike.
A sad glasweign contemplates her life choices at the Willy Chocolate Imersive Experience Glasgow. She moves to Oz and is having a blast on the beach
**Additional alt text:** Two side-by-side photos show sparse scenes from the Willy’s Chocolate Experience in Glasgow, staged inside a large industrial-looking venue with concrete floors, exposed beams, and skylights. In the left image, a freestanding rainbow arch with cartoon-like white clouds sits near an otherwise mostly empty space, with a small mushroom prop and a few scattered decorations behind it. In the right image, a few colorful candy-themed props, balloons, and striped poles are arranged across a wide, bare floor, with artificial turf and minimal set dressing. The scenes look thinly decorated and underbuilt compared with the immersive fantasy environment that attendees expected. **More descriptive version:** A collage of two images from the Glasgow Willy Wonka-style event shows a large warehouse-like room decorated with isolated, low-budget props. One scene features a rainbow archway and cloud cutouts standing in an open grey-floored area, while another shows oversized candy decorations, balloons, and patchy green turf spread far apart. The empty space, visible industrial ceiling, and limited decorations emphasize the gap between the event’s advertised magical chocolate-factory theme and the sparse reality visitors encountered.
overhead projector with light on projecting transparency to large screen
UK Politician Cameron holding a pig in his arms
Sign in all caps "Don't let the sun set on you here, understand?" https://en.wikipedia.org/wiki/Sundown_town
Townks cartoon showing George Jetson vacuuming while Rosie the Robot paints a canvas on an easel.
Screenshot of this island earth showing two Metalunans looking off screen
Apache2 Ubuntu Default Page.
speaker mike johnson pointing with his right hand off screen.
A worn vintage paperback cover for Galactic Patrol by E. E. “Doc” Smith, part of “The Famous Lensman Series.” The top third is a magenta title panel with yellow and dark blue lettering. Below it, against a deep blue outer-space background, two ornate, spherical spacecraft float diagonally: a smaller reddish-brown ship near the upper left and a larger yellow ship near the lower right. The ships have exposed circular panels, antennae, and dangling cables or tow lines, giving them a retro pulp science-fiction look. Artist credit: Cover art by Jack Gaughan. Heritage Auctions identifies the original artwork as Jack Gaughan, Spaceships and Space Pirates, Galactic Patrol, The Famous Lensman Series, book cover, 1977, acrylic on board, unsigned.
Rep Mike Johnson with his eyes closed