🌜nertsu🌛

@fishyonland.bsky.social

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Art person :] from Finland He/him 🐟 28 🐻 may or may not a be lil animal in a human suit

Two simple but stylized frogs. Sketches. Done with green colored pencils. Shaded simply with emphasis on outer lines. The penmanship is very round and curvy. Some similarity to traditional japanese depictions of frogs, at least in inspiration.
An anthro brown dog wearing violet long sleeved croptop and blue-violet cargo shorts. They are walking on a slate path in lush green forest. On foreground on the right is a bigger rock and ants climbing it. Two violet puffy flowers with long stems and narrow leafs at the roots grow in the front of the rock. Some tree roots slither on the path between slates. A small pond is behind the path and a frog chills on the rand. More puffy violet flowers grow at the pond. Round trees grow in the background and a squirrel climbs on the nearest one. Two birds fly in the sky. The drawing is done with colored pencils with short and long strokes. It has a lot of texture and colors have been used creatively. Like the grey stones have also shades of violet and blue, the tree trunks are brown with tones of red and orange and green aswell.
A waist up of a wolf like anthro character grinning over it's shoulder to face viewer. It's lifting its lip with one finger in the front of the snout. Simple cartoon style. Made with colorful markers in pink, light and dark green. Lineart only, expect for very simple grey shadows in key spots lile underarm and below snout.
Needle felted, blue, four legged equidae creature stangind in dramatic light on a table. It's a work in progress as it's quite undefined i.e. doesn't have ears or much body definition yet. The body is in a startled postition with the back dropped down and one leg in air. Creature's head is turned back and gazing up.
Screenshot of a digital drawing program with a WIP of a warm toned dog-like creature. Featuring an anthro form, headshot and a peek of the creature on all fours. Creature is reminescent of a white (swiss) sheperd. Its structure is dreamlike, a little boney, yet fluffy. Its eyes are just uneven shapes, crying like with tears overflowing. Three halos surround the creature's head, overlapping each other.
Brown bear holding a blue vase against it's chest while lazily flying in the blue sky. Some clouds cover the upper left half of the image. The bear yawns. Its eyes are closed. Its tail is back half of a fish, an European perch perhaps, with its green tones and red-ish markings. Small fishbone wings emerge from the bear's back, proportionally a little small to the rest of its body. The background sky is done with markers with horisontal strokes that are clearly visible. Clouds are left unfilled and bold lining separates them from the blue color. Bear has minimal linework and is colored with pencilst. The strokes are quite visible, giving the bear extra texture and some form. Lighter golden tones highlights and the inside of its yawning mouth is pink-ish red.
Grey fluffy dog or a wolf barking or making some kind of noise at two flies flying by its head. Drawn from behind, tail in the foreground swinging by. The animal is looking at the flies at the pages (A4) upper right corner. Dog's fur is grey with some light brown and tufts with warm tones of yellow, orange and pink. It's hard to tell if the bright colors are part of the fur color or maybe just colored by ambient light, like a sunset. Done with markers, mainly medium length pointed strokes with some flat and broader strokes here and there.
View from ocean floor at an upwards angle. Done in black and white: the floor is bright, shaded with sparse dots and pretty continuous linework. The surface of the water is blacked out, not counting the completely white blobs presenting movement and light hitting the water and the linework of beginnings of waves rising up. On the foreground is a big rock on the right and another on the left a little further back. Tufts of thin seaweed grow and the rocks, they are reaching, flowing in the water to the right. Thicker, more vine like and singular seaweeds grow from the small pathway the rocks leave between them. Their movement isn't as drastic as the tufts' and their ends point more so towards the surface than to the right.
A scanned page of a sketchbook. From left upper corner to the right: two simple and cartoony anthro puppies with pointed ears and round faces and paws, reaching towards each other. Smiling. They are as if floating. Childishly drawn stars and hearts frame them and between the anthros reads "we them puppy bois". Under the puppies is a fluffy feline like anthro bust winking and making biscuits towards the viewer. Bottom left corner has a squigly cat wearing a pumpkin, laying on it's back. It's also very simple and cartoony. All of the right side, from top of the page to the bottom, has an anthro tiger standing and looking towards the viewer. It has a cigarette in its mouth. It's wearing a leather like jacket and cargo pants. It looks chill. It's paws are just hanging down on its thighs, its anatomy a bit bulky. It's also drawn in a cartoony style, but a little more defined than the other simple doodles.
A pencil sketch of an anthro bear with a fish tail, walking in a forest from left to right. Side profile. The bear is gazing upwards. It seems pleased, judging by the tiniest smile. A branchy bush covers the forefront right and 1/3 of the image on the right is just empty while the left side is drawn onto. The image quality isn't the best, some of the pencil in the background dissapears because the brightness is blown out. But it adds a nice blurry tone to the scene.
Sketchbook page's upper left corner filled with an unfinished doodle of an anthro bear, looking up, walking in a forest (from left to right). Done with graphite pencils. Bear is round and even shaped,simple cartoony style. Shading/coloring is very rough, just lines of different length and darkness. Four woods in the back, a bush and a rock on the foreground.
A magpie facing towards left, sitting near the trunk of a sparse, tiny tree. The tree is warm toned; yellows and oranges which become brown. Green tips on the branches and little bit of blue here and there. Everything is done in oil pastels, except for the background that's painted with very light watercolor in a red tone. A few branches have also been painted to the background.
Four black, rough canine figures on a watercolor washed pinkish red and yellow background. There's also six small, orange and blue sticks painted on the background. The sticks in a way frame the canines. The figures have higlights in yellow and blue. The creatures' eyes or other face details except for nose, are not drawn. One of the figures is larger and covers most of the left side of the page. It's sitting, facing the viewer in a slight angle and gazing upwards. Other three figures are are the same size between each other. They are drawn one below one other. From the top down: a canine stepping forward and sniffing in a hunting like posture with one front leg raised in an angle. A canine running to the right. A canine curled up in a ball and sleeping. Bottom of the paper is signed "Kotivalo 2024".
Sketchpage done in pink and purple ballpoint pen. Everything is done in a very cartooby style. Major area of the page is covered by a sketch of a skinny face (purple linework) with very controlled shading. His? eyes are different pair, one pupil barely visible. To the head's left is a scribble of a village road with two houses, long grass and a creature standing at the end closest to the viewer. Below the head, is a sketch of a vampire of sort, sharing likeness with Nosferatu. It's arms are crossed infront of it, but not attached to it's body. It's making a slight hissing face. Rest of the page is filled with doodles of cats in various sizes, one larger done in purple laying on it's back in the air. Rest of the cats are done with pink pen and are tiny, except from a rather square tiger lurking behind the Nosferatu and chilling cat. The tiny cats are running, laying or just stading. Obe has tiny wings.
Two cartoonish, digitally painted anthro cats wearing wizard hats, having a magical fight. The athmosphere is blue and orange, the cats are on a dry grass field of sorts. Turquoise tribal like squiggles decorate the sides of the illustration, which is not painted all the way to the corners. One cat has tones of gray and is standing, the other is orange and has dodged towards ground, laying on its side. Their wooden wands zap with turquoise lightning
A4 sketchbook spread open on a table. Pencil sketches of twho mallards, one on each page. On the left page the mallard is lying down and two cartoon clouds are behind it. It rains a chain and letters. There's also a latter on the ground and markings similar to those a a drive way. On thw right side page a Mallarf is stepping forward. There's a cartoon flower on the upper side of tha page, upside down.
Watercolor portrait (bust/torso) of a young-ish man with heavy eyeglasses and pink short hair on top and shaven from the sides. The man is located on the right side of the paper, he's working on something on an easel. He looks at the wiever, maybe at himself reflecting on something? Branches of trees cover the left side, pushing from the corners. Everything is painted with fluorescent green and ink colored blue, with hints of oranges defining the easel and skin, pink in his hair and blushing spots on the fingers and neck. Green is used mostly in the center of the paper, blue is more of a background color and vignette, altough the colors blend in with each other throughout the piece. Branches on the bottom of the paper are painted with blue and are more detailed than the green branches on the top. The branches' tips reach the man. He's wearing a hoodie. His face is rather round, nose small and a patchy and faint stubble grows on his chin and under his nose. He dissapears into background
Front facing human head floating on a fluorecent pink background. They are bold, eyes and mouth wide open. Left side eye socket is drooping, muscles etc. In pink shades are showing down the cheek, the eyeball might fall out? Iris' are green and the white's veiny. The person is missing a tooth. A hand is holding a tooth between its index finger and thumb, these fingers are towards the viewer. The human's skin is light, a little blush. Hatching is used to shade and shape the piece. Hatching and all linework is done with black.
Linework and hatching sketch done with a fine pointed black ink pen on a sketchbook page. On the center of the page there's a black beetle facing the viewer in a 3/4 profile with blue underside, peeking just a little from under it. The beetle is in front of some mushrooms, possibly chanterelles. Mushrooms are not filled, opposed to the beetle.
Three pidgeons in black and white. One on the left side of the paper is standing, second bird is sitting in front of it and only a head/neck is visible from the third bird on the paper's bottom. All birds are looking at you. Done only with linework and hatching. The standing bird's feet are black, sitting birds feet are also visible but white.
Linework hare "squished" to fit inside a square canvas. The background of thr body is made with colorful, differently shaped spots in the tones of reds, greens, blues and white. On top of color is circular linework emphasizing the hare's dimension (i.e. One could imagine these lines on top of muscles or larger bone structures). The colors continue outside of the hare, but the rest of the canvas is blocked with black, so the color forms an outline for the hare. Further front leg points upwards in an angle and the weight of the hare seems to be on its back legs. The head is sren from a sideprofile and its eye is wide open, looking to the upper right corner of the canvas.