AAAAAvy

@fivetimesavy.bsky.social

78 Followers 136 Following

We are all one. Average Artist And Animator | sandwich enthusiast 🥪 | commonly referred to as "airplane fox" despite having no connection to airtravel | 🚫 genAI 🚫 Filter out incoherent thoughts: #myart My webcomic "The Show Before A Show": #TSBAS

A Hatsune Miku variant that looks strikingly similar to a certain anthropomorphic fox with glowing eartips.
A masked individual of awesome size. Between their raised hands, they keep two small figures suspended mid-air, as if they’re controlling them. The face mask pictures a fully neutral, undecipherable expression. The background is deep red, with blurred, abstract structures everywhere.
A masked individual plummeting headfirst into the void. They raise their hands as if they’re lamenting. The face mask pictures an exaggerated frown. The background is an abstract grid that extends downwards infinitely. Purple strokes of colour fly by.
A masked individual floating mid-air, extending their arms to either side of their body. The face mask pictures an exaggerated grin. The background is an abstract, warped grid.
An anthropomorphic fox holding up a 3.5mm TRRS headphone cable and a mobile electronic device that has a single USB-C socket. Their facial expreson is displeased.
The „Wizard pondering orb“ meme format, redrawn to feature Avy in a long blueish cloak on a throne, observing a bright blue ball.
Two iterations of Avy, a reddish brown fox with grey accents. Iteration 1 is wearing casual clothes: A purple polo shirt tucked in a grey pair of pants. Iteration 2 is wearing work clothes: A dark shirt tucked behind a belt and dark work pants and safety shoes. Clipped onto the bell is a pen-shaped flashlight and a multitool. They’re holding a radio.
A collage of 2025 drawings sorted by months. April and August are missing. January: Avy in a HEV-suit, hiding from Combine soldiers in Nova Prospekt. February & March: Pages for TSBAS: Cue 06. May: Dark Souls UI introducing Avy as "The lightkeeper". They're standing behind a light console. Dialogue window: "Do YOU know what all the buttons do?" June: Ref-sheet for the OC Ena. July: Red-sheet for the OC Nomi. September: Experimental piece for Sneptember featuring an unnamed snow-leopard OC. October: One of the first drawings made with new hard- and software: Ena encouraging Sede to make a step forward and Sede hesitating. November: Avy being ultra-focused on the slideshow-automation game "Factory 95" December: Pages for TSBAS: Cue 07.
"Community Manager" is misspelled as "Communty Manager"
A panel from the webcomic "The Show Before A Show" Two of the protagonists, Federi and Sede, are sprinting towards the camera.
All attached files are panels from the webcomic "The Show Before A Show". This one features a long shot of an open air concert stage that's brightly lit. A crowd has gathered in front. Two of the protagonists, Ena and Sede, are sharing their thoughts: Ena:"I didn't think so many people would fit here!" Sede:"I didn't think so many people LIVED around here!"
A digital drawing of the main characters of Zootopia: Judy Hopps and Nick Wilde, as well as Gary De'Snake, barely visible in the background.
A side profile of the post author's fursona sitting in front of a boxy off-white PC-Monitor, focused on the screen. Its content is projected behind them with a slight radial blur. The video game shown is "Factory 95", an upcoming automation game in the style of a retro operating system by Liam Flannery about making presentation slides.
An anthropomorphic animal with dark fur, wearing a bright jacket and a pink helmet. They are on roller blades, in motion.
An anthropomorphic animal with dark fur and a bright sports jacket. They are holding a microphone.
A foxlike anthropomorphic animal with glowing eartips. One is green, and the other is red. The primary fur colour is a reddish brown, paws and ears have grey accents. They wear a purple-ish top and dark trousers.
A digital drawing of the post author's fursona: a fox with glowing eartips. One is green and one is red. The main fur colour palette consists of a reddish brown and grey. They wear a purple-ish top and dark trousers.
A digital cleaned-up drawing of two anthropomorphic characters in a simple cartoony art style. Sede, a red panda (left) in all-black clothing, is hesitantly moving forward, as Ena, a Vuperegk (right) in a bright orange hoodie, is enthusiastically encouraging them to go further.
A traditional pen-on-paper sketch of two anthropomorphic Red Pandas in casual clothing. They are two protagonists of the webcomic "The Show Before A Show".
Digital drawing: An anthropomorphic snow leopard. They wear a baggy, blue and pastel pink jacket and dark grey pants with a white stripe on the side. They are currently coiling an XLR-cable. They have light blue eyes, darkened tips of fur around the face, and flowy markings around the right eye.
A traditional sketch - pencil on paper - of the post author's fursona. They are a fox. They wear a short-sleeved polo-shirt, which is tucked in a pair of short working trousers. Accessories include a tool belt and a single pen fastened in one of the many pockets.
A traditional pen-on-paper sketch of the post author's fursona. They are a fox and they're leisurely leaning on a table, supporting their head with their left arm. They're side-eyeing the viewer.
A pencil-drawn sketch of the post author's fursona. They point a pen towards a slate of text, reading "TSBAS," which is short for "The Show Before A Show." "Hej, can I interest you in my little webcomic project? I update it like once a year with maybe six pages-... It's good I promise!"
The post author's fursona, viewed from the back in front of an abstract background. Their head is turned towards the viewer, they're grinning.
The "Pepe the frog punching"-meme except it's Avy Above it says "?si spotted"
A digitally-drawn ref-sheet for Nomi Lastiff, an anthropomorphic, fictional character created by the post author. It includes a full-body view as well as a palette of all colours that appear in the design. The character is a red panda, tall and wears a dark-red checkered shirt and short grey working pants. Their fur is red with darker accents on arms and legs.
A dialogue box in the style of the videogame Undertale. A pixel-art version of Avy is sharing their memories of the game: "Many fond memoreis of farming dog residue."
A tumblr post reading:"I love it when robotic or cybernetic characters' facial features are greebled in ways that make no earthly sense for that particular organ. Bro, why do you have blinking lights on your ears? Are you legally an airplane?" Below, an anthropomorphic fox looking at the viewer smugly. Their eartips glow. One glows green and the other glows red. The parallel to navigation lights of airplanes or ships is apparent.
A digital drawing of the character "Ena" from the webcomic "The Show Before A Show". Ena is a Vupergk (original species) with gray fur and purple accents in the form of a comb of secondary fur that runs along tail, back, arms and head. Their eyes are a golden yellow and their eartips each glow pink and yellow respectively. Their snout has a hexagonal shape and is dark. They are wearing a bluish-grey hoodie and brown pants. Ena is a theatre kid and pretty cool!
An analog sketch of Soiaina. They are one of the protagonists in my webcomic "The Show Before A Show". They are also a fox.
Avy drawn in the style of the video game Night In The Woods. They got cups on their ears.
A greyscale digital sketch depicting an icelandic volcano. A giant hopper has been put into it's vent. Helicopters are dropping ice and snow into it. Somewhere, someone is saying:"Just pour all of Antarctica in there, it'll be fine."
A short comic referencing a meme format. First panel: A cartoon fennec fox excitedly exclaims the second anthropomorphic character's name: "Soiaina!". Soiaina says: "Can't you take anything seriously?" Second panel: The cartoon fennec fox has turned into a photograph of a real-life fennec fox. Above, the name "Soiaina" is written in a serious font. Soiaina exclaims: "Too serious!!!"
A digital drawing of the post author's fursona in the Half Life 2 suit, holding the Gravity Gun. The drawing is put in a composition with a screenshot of a scene from the videogame "Half Life 2" so that it seems like the character exists in that scene. They are sitting on the floor, looking over their right shoulder down a hall where there's an enemy coming their way. Above their head, there is partly transparent text which reads:"Why're we here?". To the left, there are imitated in-game subtitles reading "[Combine Radio: Alert!]". The Combine is an enemy faction in Half Life 2.
A digital drawing of the post author's sona. They are wearing a black polo-shirt and dark grey working pants. Their pose is relaxed, their left arm rests on their left hip. They look into the distance outside the right image border. They stand in a room with dark red walls and an earthy brown floor.
A collage of digital art pieces by the post author from the year 2024. 01 / January: The artist's sona sitting on the floor, facing away from the viewer. The background is a chaotic combination of colourful, bright shapes and lines. 05 / May: The artist's sona standing next to a sign, looking calm yet annoyed. The sign reads: "Days since the last airplane joke: zero" 06 / June: A collection of different drawings of the artist's sona which became a part of their ref sheet. These drawings include headshots from different angles with different expressions, alternative outfits and a collage of their workwear components (like shoes, pants, measuring stick and their multitool) 07 / July: A low-res meme-redraw featuring a simplified version of the artist's fursona sitting on a soft surface. The caption reads "oh so ur airplanee" with a thumbsup in the end. 09 / September: A bust-shot of the artist's sona, wearing a jacket that pictures various common icons and tools from drawing programs such as a colour wheel, brush types and selection tools. 10 / October: A conceptual piece featuring an unidentified foxlike character. It's white lineart on top of an orange-to-light-pink gradient. the character is surrounded by boxes with white outlines of various sizes. 11 / November: A panel from an unfinished chapter of the artist's webcomic project. An anthropomorphic red panda is standing in the frame of a halfway-opened door, looking very confused. 12 / December: A fullbody drawing of the artist's sona in a relaxed standing position. They wear their workwear: a black polo shirt and baggy dark grey work pants. Around their belt, there are various pockets that hold equipment. Their left arm is resting on their hip, their right arm rests on one of the pockets attached to the belt. They look upwards and to the side, smiling slightly. The background is simple, but resembles a room with dark red walls and an earthy brown floor.
A work-in-progress panel from an unreleased chapter of "The Show Before A Show", a webcomic series by the post author. This particular panel shows a doorframe in the centre, the door is open. In the doorframe, a red panda is standing. They are wearing a green shirt and grey trousers. Their facial expression reads as major confusion. Whatever just happened left them completely baffled.
A digitally drawn two-panel comic coloured in grey-scale. It features two anthropomorphic characters. One is a fox, the other is a weasel. They are calling each other on the phone. The weasel is seated in a chair, reading a book. Their phone is set on a nearby table. The fox is standing upright, holding the phone to their ear. FIRST PANEL: Fox, with a triumphant smirk: "Do you remember when I said I'd go to sleep in 20 minutes?" Weasel: "Yeah, that was like two hours ago..." SECOND PANEL: The fox is still standing with a triumphant smirk, not saying anything. They are surrounded by little sparkles, expressing their conflicted satisfaction with the situation. The weasel is still sitting in the chair, looking at the phone, expressionless.
A traditional sketch of the post author's fursona. The character is shown from the chest up, hunched over, facing away from the viewer. They are holding a phone in both hands in front of their face. Their head is turned towards the viewer with a maliciously grinning look on their face. They say "Make me" in response to the drawing prompt in the quoted skeet.
Fanart of @doginacafe's webcomic series "Duncan & Eddie" featuring the characters Kip and Mason. The composition is concentric, the background is abstract, painted in a subtle yellow that gets darker around the edges. Kip and Mason revolve around the centre of the canvas. Kip plays the Ukulele, Mason is absent-mindedly reading a book. Around them, there are the words "Truth Be Told" written in bold letters. This is a reference to lyrics sung by Kip in a past chapter in which Kip was composing a song, presumably about their crush Mason.
A stylised digital drawing of an unnamed anthropomorphic character. The character is a vulpine with big ears, caught in a dynamic pose facing towards our left. There is a pink-to-orange gradient running from top to bottom. It's the only colouring. The background is dampened, making it appear pastel, which contrasts the string colouring on the character. Surrounding the character, there is a boxy outline breaking up the rigid rectangle frame. The outlines are doubled and laid on top of each other with a slight offset. The top lines are white, the bottom lines are a darker version of the background colour, creating a 3D-effect.
A traditional bust sketch of the artist's fursona. They are a fox-like creature wearing a hooded sweater. Their eartips glow in two different colours. This is not apparent in the sketch - it is monochrome graphite-pencil-on-paper. They are standing with their back to the viewer, with their head turned over their right shoulder and their eyes looking outside the left side of the frame. Their facial expression seems absent-minded or neutral. It is suggested that they noticed something behind them, and that's the reason they turn their head.
A digital redraw of the "I like your funny words, magic man"-meme in the art style of "Clone High", the show this scene originates from. In this rendition, Avy replaces JFK.
BlueSky is celebrating 10 million users and gave users the chance to find out which number they were. Avy was the 961,071st, which places them in the first 10% of users to sign up.
An artfight attack by the poster. It features a black-and-white anthropomorphic character with long black ears and short ruffled hair. The design features patterns resembling circuit boards, the character seems to glitch on their edges. The background is an abstract hexagon-pattern with the same circuit-board look .
A digital drawing of the post author's fursona Avy, standing next to a poster on the wall. It reads "Days since the last airplane joke: 0" This refers to Avy's red and green glowing eartips, and the fact that they are often jokingly compared to navigation lights of ships or planes.
A three panel comic strip: Character A says "Light can't be both particle and waves!". Character B replies "What if it's particles moving in waves?" to which Character A reacts with a dumbfounded expression on their face.
A sketchbook drawing of the post author's fursona with wide open arms. Above their head, the words "Absolute Cinema" are written. This is a reference to a meme of Martin Scorcese.
A digital drawing of the post author's fursona, sitting on the ground in an undefined space, turning their back towards the viewer. In stark contrast to this, the background is filled with bright colours and shapes which are intersecting and overlaying each other in a chaotic manner.
A digital art lighting study depicting the post-author's fursona sitting on the ground. Their back is turned towards the viewer. There is a light source in the top right corner that is highlighting parts of the space and putting them in a gloomy, blue light. The body is casting a long shadow towards the left, where the scene is getting darker.