Fred Bux

@fredbux.bsky.social

3807 Followers 2335 Following

Hello. I'm Leonard Nimoy. The following tale of alien encounters is true. And by true, I mean false. It's all lies. But they're entertaining lies. And in the end, isn't that the real truth? The answer is: No. more at @fredbuxfood.bsky.social‬ #filmsky🎬

Cover of the first edition of Moonraker by Ian Fleming, published by Jonathan Cape in 1955. Features a bold, stylized title in white capital letters against a dark, abstract flame design, evoking a dramatic and suspenseful tone
Images of Michael Caine in character in 6 of his films: The Ipcress File (1965) Alfie (1966) The Italian Job (1969) Get Carter (1971) The Man Who Would Be King (1975) Dirty Rotten Scoundrels (1988)
Book cover of Solar by Ian McEwan. The top section is a bright orange background with the text "THE SUNDAY TIMES BESTSELLER" in small black font, and the title "Solar" in large black font followed by "Ian McEwan" in white. Below, a vivid, abstract illustration shows a stylized sun with concentric circles of yellow, pink, and red radiating outward. Jagged icy landscapes and rock formations in white, blue, and purple fill the lower half, evoking a polar scene. At the bottom left corner, a quote in white reads: "A satirical masterpiece" — Daily Telegraph.
Futuristic spacecraft concept titled "The Alba Clockwork," featuring a sleek, elongated central hull encased within a large, circular ring structure. The design suggests a warp bubble mechanism, with glowing energy fields around the ring and a dark, space-like backdrop, evoking the idea of faster-than-light travel via an Alcubierre drive
Cover of the book Roderick the Red by S. K. McCullagh, part of the "Griffin Pirate Stories" series. The illustration features a large sailing ship with striking red sails (bleached somewhat by the sun to a pale pink) sailing toward the viewer on calm greenish water. Seagulls fly around the ship under a dramatic sky filled with golden clouds and patches of blue. The book title and author's name are printed in bold, black text on the sky above the ship.
Book cover of "The Years of Rice and Salt" by Kim Stanley Robinson. The title appears in large gold text against a black background. Silhouettes of camels, riders, and a mosque with minarets are set against a red and orange sunset sky at the top. A quote from The New York Times Book Review appears at the bottom.
Black-and-white image of a boy chorister in a white surplice, mouth open mid-song, standing in front of organ pipes. The title "The Alteration" appears in light blue text on the right side. "VINTAGE AMIS" is written in the top right corner in white and yellow. The Penguin Books logo is placed in the bottom right corner.
The background is a dark, starry space scene with abstract, colorful cosmic shapes floating. A small image of Earth appears in the bottom left corner. The title 'Orbital' is in large white letters, with the author's name below in smaller gold text. The cover includes quotes praising the book, such as 'stunning' and 'an extraordinary achievement.
The Mermaid of Black Conch by Monique Roffey. The cover features an illustration of a mermaid with a large, blue-scaled fishtail and the upper body of an Indigenous woman with long, dark hair and tribal markings. She is set against a bold red background with a stylized yellow sun. The title appears in white text on the left side, and a quote from Bernardine Evaristo is placed in the top right. A Costa Book Awards Winner 2020 badge is in the bottom left corner
Cover of the Stephen King novel 'Christine' featuring a frontal view of a 1958 Plymouth Fury convertible in red emerging from a lock up with a light bulb above it. The back ground is red. Next to it is a real photo of a similar car parked in a cul de sac in a classic Californian suburb
Artwork and book covers relating to Iain M. Banks' 'The Culture' novels, including the 9th level of shellworld Sursamen, the Vavatch Orbital, a spaceship, possibly the 'Sleeper Service', and the cover of look to windward with a giant metallic GSU and wall with large habitats on top
Images relating to The Man in the High Castle. Clockwise from left. Book cover in black with USA map, the western half covered with Imperial Japan flag, the east by Nazi Germany flag. Then Rufus Sewell in character as SS Obergruppenführer John Smith. Then a map of USA showing Japanase territory, the neutral zone and German territory. Then the unbuilt Volkshalle in Berlin. Lastly the main protagonist Juliana Crain played by Alexa Davalos
a bold red cover with a minimalist design featuring a square cut-out in the center that reveals a blue and yellow abstract illustration. The title is written in black uppercase and lowercase letters at the top, while the author's name appears in large black letters at the bottom.
a screen grab of the first sentence of the Charles Dickens book 'A Tale of Two Cities'.
"The Ferryman" by Justin Cronin a blue cover featuring a sail boat on the ocean, heading towards a precipitous edge like the end of the world. The title and author's name are in gold, with review quotes from The Guardian, Andy Weir, and Blake Crouch.
Cover of Tinker Tailor Soldier Spy by John le Carré. The background is dark, with the author's name "LE CARRÉ" in white at the top. The book title is written in large white serif font, stacked over multiple lines. The cover features a set of Russian nesting dolls (Matryoshka) arranged in a group, with the largest doll at the back and progressively smaller ones in front. The dolls have floral patterns and painted faces.
ChatGPT said: A movie poster for Close Encounters of the Third Kind directed by Steven Spielberg. The image features a massive, glowing UFO hovering above Devil’s Tower, a real rock formation in Wyoming. The spacecraft is brightly illuminated with colorful lights, casting a golden glow on the rock below. The title, Close Encounters of the Third Kind, appears in bold, futuristic lettering in the lower half of the poster. In the foreground, a road leads towards the mountain, with a mysterious blue light at the end, adding to the film’s sense of wonder and mystery.
over of 'Making History' by Stephen Fry. The background is a pale yellow, with the author's name in large, bold, orange-red serif font at the top, and the book title in smaller black serif font below. The main visual element is a fishbowl positioned in the lower half of the cover. Inside the fishbowl, an optical illusion creates the image of a cat's face appearing behind the glass, with a goldfish swimming in front of it. The cat's eyes are wide and green, giving the impression of it watching the fish closely. A quote from the Sunday Times at the bottom reads, 'Stephen Fry at his twinkling best'.
POSTER FOR film JFK. Star sapngled banner creates overspill of several images including Kevin Costner as Jim Garrison.
movie poster for All the President’s Men (1976). It features actors Robert Redford and Dustin Hoffman in black and white, dressed in suits, with the tagline in red text: "The most devastating detective story of this century." Below that, their names appear in bold: "REDFORD/HOFFMAN", followed by the movie title "ALL THE PRESIDENT'S MEN" in black text. The design has a stark, journalistic feel, fitting the film's investigative theme.
Cover of Excession by Iain M. Banks. The title and author's name are displayed in bold white text against a deep blue space-themed background. The artwork features a bright, glowing celestial object with dark, spherical spacecraft surrounding it, connected by thin structures. A quote from William Gibson at the bottom praises Banks as "wildly successful, fearlessly creative.
A book cover of Days at the Morisaki Bookshop by Satoshi Yagisawa, translated by Eric Ozawa. The illustration depicts a charming bookstore facade filled with colorful bookshelves, potted plants, and small decorative elements. A bicycle leans against the store, and a cat sits in front of the glass door, where two silhouetted figures are visible inside. The title is displayed in a light blue sign above the entrance, and an orange banner labels it as 'The International Bestseller.'
"Book cover of The Dice Man by Luke Rhinehart. The title is in large, bold, orange letters against a dark city skyline. A white die is in front of the letter 'C', appearing to have bounced with a dashed trajectory off a psychatrist's counch. Above the title, the tagline in red reads: 'This book can still change your life.'"
The cover of The Sympathizer by Viet Thanh Nguyen features a sepia-toned background with red and black text. The title, The Sympathizer, is in bold red capital letters, and the author's name, Viet Thanh Nguyen, appears below in black. At the top, a quote from The Guardian reads: "Tremendously funny... The Sympathizer reminded me of how big books can be." A gold circular badge on the right side states, "Winner of the Pulitzer Prize for Fiction 2016." The central image depicts the back of a man wearing a military uniform and a cap, looking at a large government-style building with rows of flags. Above him, two military helicopters fly in the sky, evoking a wartime atmosphere. The design uses a stark color palette, emphasizing historical and political themes.
The cover of Captain Corelli’s Mandolin by Louis de Bernières features an illustrated design with a deep blue and cream color scheme. The author's name is in bold, white uppercase and cursive letters at the top, while the title is in a handwritten-style font at the bottom. The central image is a mandolin surrounded by various abstract and folk-style illustrations, including musicians, animals, and wartime symbols like soldiers and ships. The top and bottom edges of the cover have decorative patterns in red and blue. A quote from The Times at the bottom describes the novel as "A true diamond of a novel, glittering with comedy and tragedy." The publisher, Vintage, is noted in small text in the lower right corner.
Cover of Consider Phlebas by Iain M. Banks. The background features a vast planetary surface like a ribbon, curving up and away with a blue and white atmosphere, depicting an Orbital world. A small, dark spacecraft appears to be flying just above the surface, leaving an exhaust trail. The upper part of the cover fades into the darkness of space. The title, Consider Phlebas, is displayed in large, bold white letters, with 'Iain M. Banks' written in an even larger font above it. A quote from NME praising the author appears in smaller text below his name."
a tiny figure with black hair with her back to us and a cat be her side stands on a green slope looking into the distance with arm raised to face. The sky is a night-time dark purple.
screenshots from four anime series. Top left - Invincible tears The Immortal in two. Top right - a Titan chews a hapless victim. Bottom left - a ghoul extends its tentacle tongue and bottom right an unfortunate soul loses his head during a snowy winter.