Margaret Schedel

@gemschedel.bsky.social

240 Followers 393 Following

Composer, performer, author, professor specializing in electronic music and deep listening. Co-founder of Lyrai - AI powered room acoustics

A dark gray cat sitting in an open (screened) window with spring foliage
No kings protest in Laguna Beach complete with blue skies and palm trees.
A small white ceramic bowl holds a golden, seared bite topped with pale green sauce and two red berries; an iridescent spoon rests across the rim, its handle adorned with a cluster of black caviar, on a wooden table.
A bright, industrial-style rehearsal room labeled “Creative Music Studio.” A maroon banner with gold lettering hangs high on the back wall above a dense arrangement of framed jazz posters, concert bills, and illustrated musician portraits. The space has white brick walls, exposed beams, and large factory-style windows on the right letting in daylight. In the center, two green mid-century chairs sit on layered rugs facing a single microphone stand, suggesting an intimate performance or talk. To the right are stacked folding chairs, a Yamaha speaker on a blue stand, and a cluster of percussion instruments including congas and drums. To the left are music stands and additional framed artwork. String lights run along the wall, adding a warm, informal atmosphere to the otherwise clean, gallery-like studio.
A tabletop display at Northeastern University shows a flyer for my talk titled “Sonification You Can Use.” The flyer includes my photo—short blond hair with a silver streak, glasses, and a black top—and lists the event details: Thursday, October 16, 3:00–4:30 PM, Ryder 354. It notes my role as Professor of Music and IACS at Stony Brook University. Behind it are Northeastern College of Arts, Media and Design brochures, and a cup of red-and-white pencils sits on the wooden table. Sunlight streams through large windows in the background.
This black-and-white photo shows three musicians performing onstage. From left to right: Margaret Schedel is seated, playing an electric cello, surrounded by audio gear and cables. Andy Pitcher sits in the center, leaning over a lap steel or horizontally held electric guitar, adjusting pedals at his feet. August Sheehy is on the right, playing a hollow-body electric guitar, also with several effect pedals. They are positioned in front of a curtain backdrop and beneath a projection screen
The image shows the back pocket of a car seat containing several pieces of audio and camera equipment neatly stored together. From left to right: A RØDE MicroLED light (black, compact square device) used for on-camera lighting, attached to a small mounting bracket. Two hexagonal adapters or cold shoe mounts, each with a brass threaded insert on top—likely used for attaching lights, microphones, or other gear. A gray handheld gimbal or stabilizer (possibly for a smartphone or small camera) on the far right. Multiple charging and connection cables running through the setup, indicating these devices are ready for charging or in use.
Alt text: Poster for a concert titled Future Sonic Imagery. The background is an abstract, blurred swirl of dark grays and silvers with bright white highlights, evoking motion and light reflections. Text in gradient shades of blue, purple, and pink lists the event details: Title: Future Sonic Imagery (top left, in blue text) Ensembles: Jess Rowland, Margaret Schedel, June Cummings, Dan Gitlin Additional performers: Margaret Schedel, Andy Pitcher, as.dB Solo: Dan Gitlin Date and time: 11 October 2025, 7 pm Venue: Mise-En_Place, 45 St Nicholas Avenue, New York, NY 10026 Website: www.mise-en.org The overall design has a futuristic, ethereal atmosphere with soft-focus lighting and a sense of sonic motion.
View through a window of the new Cooper Union building. Modern shiny structure with rectangles of different reflectivity.
nside, the view looks up toward the domed roof, where steel beams radiate to a small circular opening that lets in natural light. The tall concrete walls are stained with darker patches, and a rectangular hatch punctuates the otherwise vast, resonant interior.
NIME. Building a sequence in real time!! Orch 5 library. The image shows a woman kneeling on a patterned rug in a recording studio. She is wearing glasses, a black top, and gray jeans. In front of her is a vintage computer music workstation setup, including: A large CRT monitor displaying a green monochrome screen with what appears to be text and interface elements, possibly running the fairlight software. An open rack-mounted unit below the table containing 8 units for polyphony. A QWERTY keyboard and some paper documents on top of the workstation. The setting has acoustic treatment on the walls and includes other studio gear like a mixer, speakers, and a piano in the background
The image is a stylized digital drawing featuring a person seated at a desk with a computer. The figure, outlined in sketchy strokes, appears to be wearing glasses and has white or light-colored hair styled in a bun. The person seems focused on their work, with their face softly lit by the screen. Key elements in the drawing: The desk and chair are highlighted with bright teal lines. There is a dark background with a textured gray area behind the subject, showing screen which had a manipulated spectrogram. On the left side, there's a loosely drawn figure of an analog siren The person is interacting with a drum.
The image is a promotional poster and Instagram post for a concert titled "Paradoxical Potentials", which is part of Derek Holzer's PhD Defense Concert. Event Details: Title: Paradoxical Potentials Date: 06 June 2025 Time: 19:00 Location: Fylkingen Gröna Stugans Väg 2 127 35 Bredäng, Sweden Featured Artists: Derek Holzer Margaret Schedel Helena Linder Yann Seznec Kelsey Cotton Vincenzo Madaghiele Leonard Lund Henrik Frisk Admission: Price: 150 SEK Discounted Price: 100 SEK for Fylkingen members Contact: Email/Info: fylkingen@fylkingen.se
The image is a screenshot of an Instagram story post by @soundscenefest, thanking @washingtonianmag for mentioning their event. Highlighted section: 4. Sound Scene at Hirshhorn. Attend the Smithsonian’s Sound Scene — an interactive sound and multi-sensory arts festival — on the National Mall this weekend. View musical art installations from artists such as Jocelyn Ho, Margaret Schedel, and Sofy Yuditskaya; join workshops; and listen to live music performances from audio and sound choreographers (Sat–Sun, free, but registration required for select workshops, Smithsonian Hirshhorn Museum and Sculpture Garden). It tags: @jocelynhoplays @margaretschedel @the_s0urce Let me know if you want this transcribed for sharing, reformatted for a press blurb, or anything else!
The image is a promotional poster for Sound Scene 2025, with the theme "Connected". It will take place on: May 31st & June 1st, 2025 At the Smithsonian’s Hirshhorn Museum & Sculpture Garden The vibrant illustration features a dense, colorful cluster of mushrooms, plants, and audio cables, symbolizing organic and technological interconnection—apt for the "Connected" theme. The typography of "Sound Scene" is creatively integrated into the illustration, with the letters emerging from or transforming into natural forms and cables.
Alt text: A tall round table is set up for an electronic music rehearsal. On the table are a laptop displaying a digital audio workstation (DAW) interface, a tablet showing musical notation, a small MIDI controller with knobs, and an audio interface. Several chairs are arranged in a semi-circle nearby, suggesting a rehearsal space. Cables run from the table to the floor, connecting the devices. The caption reads: “First rehearsal with electronics! You’ve tuned me into one of these weirdo gadget composers….”
Alt text: A framed certificate of recognition for the Spring 2025 Stony Brook Venture Challenge is shown. It is awarded to "Lyrai" on April 29th, 2025, for exceptional innovation and entrepreneurial achievement. The certificate includes logos for Long Island Innovation Hot Spot, Vineyard Wind, and Stony Brook Research and Innovation. A gold ribbon on the right reads “Winner SBV Challenge Spring 2025.” A person's hand is holding the frame, with part of a Stony Brook University business card visible in the lower left corner.
Alt text: A group of four people is seated around a conference table in a modern meeting room. One person is presenting, gesturing while speaking, while another person takes a photo of a presentation slide displayed on a large screen. The slide is titled "Dynamics of creative exploration" and features graphics related to signal space constraints in music and language. Laptops, water bottles, and a notepad are visible on the table. The atmosphere is focused and academic.
Alt text: A promotional poster for a guest artist recital featuring saxophonist Kyle Hutchins. He is shown on the right side of the image, wearing glasses and a gold patterned shirt, holding a saxophone. The text reads: "Guest Artist Recital — Kyle Hutchins. Assistant Professor of Practice in the School of Performing Arts at Virginia Tech. Director of the New Music + Technology Festival and ArtX Program at the Institute for Creativity, Arts, and Technology. Featuring new works for saxophone and electronics including a new work written for him by composition professor Margaret Schedel. Friday, April 18th, 7:30PM. Recital Hall – Staller Center."
"Two individuals working together on an electronics project in a well-equipped workshop - the makerspace at Temple University. One person is learning how to solder. The other person, wearing a sleeveless white top, is assisting by holding the wire steady. The background features shelves filled with tools, electronic components, and equipment, including a vinyl cutter and storage containers with small parts."
The image shows a close-up of a small yellow flower with delicate, slightly curled petals that have brownish edges. The center of the flower is a deeper yellow. Surrounding the flower are several unopened buds in shades of purple, pink, and white. The plant has thin, green stems weaving through a background of dried brown leaves and green grass-like foliage. The focus is on the flower and nearby buds, with the background slightly blurred.
The image is a screenshot of an Instagram post by the cunygcmusic account. The post features a close-up photograph of a woven textile artwork with various colors and textures, including shades of blue, green, black, and pink. The textile appears to be a combination of different weaving techniques, creating a textured and layered effect. The caption describes an upcoming concert featuring new music compositions from students of the Graduate Center and Stony Brook Ph.D. in Composition programs. The post includes a comment bubble with a profile picture of a person stating, "Getting on a plane in Miami - tonight perf...", indicating travel for a performance
"A group of three people is seated at a table on a stage in an auditorium, working with audio equipment, including laptops, a mixing board, and a modular synthesizer with colorful cables. One person, wearing a black beanie and black shirt, is focused on a laptop, while another, wearing a black cap and glasses, adjusts a control surface. The third person, an older man with gray hair, is operating the modular synth. In the background, a person wearing a black top and red pants stands among the empty blue auditorium seats. Several speakers are positioned throughout the seating area, and overhead stage lighting illuminates the scene."