George Wright

@georgewright.site

2371 Followers 2503 Following

Plenty of bio at https://georgewright.site. For my own mental health, I block accounts with posts that call others moron, idiot, retard, or sexual/racial epithets.

Prompt: a Valkyrie with angelic wings, brightly coloured hair, lost in a dystopian future world, Franco-Belgian comic style, dotted halftone, vibrant circuits in background, negative space. Ligne claire style. Saved: /home/geo/share/20260722-093228.png Elapsed: 370.04s Peak GPU MB: 34628.1 torch=2.10.0+cu128 cuda=12.8 available=True gpu=NVIDIA GB10 model=black-forest-labs/FLUX.1-dev transformer=cuda:0 vae=cuda:0
A mock movie poster for a GOP Missing Minute picture: The Brute, starring Tom Homan, with Donny Trump, First Felon of the United States, as Dr. Insanity.
A woman with blonde hair and a man are fleeing in terror through a graveyard. Skeletons and figures dressed as grim reapers surround them, reaching out with bony hands and wielding a tombstone. The woman wears a red shirt and jeans, while the man is in a green shirt and gray pants. Scattered skulls and broken tombstones litter the ground. A gnarled tree and a distant house are visible in the background. The image is rendered in a vintage comic book style with bold lines and dramatic shading.
Team Spain with the World Cup trophy behind the First Felon of the United States. Overlaid text, "DO NOT PHOTOSHOP ME OUT!"
A hand presses a button on a complex launch controller over a ruined cityscape. Above, futuristic missles ascend in boost phase, leaving trails of smoke and fire. The city is depicted in shades of orange and brown, with destroyed buildings and a hazy atmosphere. The sky is a fiery red. The image conveys a sense of technological warfare and post-apocalyptic destruction, with the launch controller initiating the conflict.
People are ascending rapidly into the sky, depicted with streaks and starbursts indicating speed. A woman with blonde hair in a blue shirt and jeans leads the upward movement, followed by numerous children. Their expressions show surprise and joy. The background is a light pink, with figures fading into the distance as they rise. The artwork is in a classic comic book style with bold lines and bright colors, portraying a scene of people being lifted upwards, seemingly toward the heavens.
A woman in a white dress runs in terror through a graveyard. Skeletons and monstrous figures surround her, reaching out with clawed hands. A large stone tombstone with "RIP" carved on it is in the foreground. A dark mansion looms on a hill in the background, illuminated by a full moon and flashes of lightning. Trees with gnarled branches frame the scene, and skulls are scattered among the graves. The image is rendered in a vintage comic book style with bold lines and dramatic shading.
Steampunk man riding a Kafkaesque dung beetle.
A dramatic graveyard scene features a massive hand emerging from a grave. A full moon shines brightly in the background, partially obscured by clouds. Three figures, two women and a man, stand near the grave, appearing frightened. Tombstones and crosses fill the background. A human skull is prominently displayed in the foreground. The image is painted in a dark and atmospheric style, evoking a sense of horror and the supernatural.
Several alien figures with large heads and pointed ears observe Earth through a large viewport. Earth is depicted mid-explosion, with a massive burst of light and debris emanating from the planet. The moon is visible nearby. The aliens are shown with expressions of shock and concern, their hands raised in reaction to the catastrophic event. The interior of the spacecraft is rendered in a retro-futuristic style with various buttons and controls.
Prompt: ’Twas brillig, and the slithy toves did gyre and gimble in the wabe: All mimsy were the borogoves, and the mome raths outgrabe. Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Saved: /home/geo/share/20260715-101438.png Elapsed: 370.48s Peak GPU MB: 34628.1 torch=2.10.0+cu128 cuda=12.8 available=True gpu=NVIDIA GB10 model=black-forest-labs/FLUX.1-dev transformer=cuda:0 vae=cuda:0
A woman in a white dress is entangled with a triffid, an enormous, mobile plant with a menacing, tooth-filled head. She struggles against the vegetation, reaching upwards. Below her, figures lie prone and are being attacked by the plants' tendrils. The plants are dark green and black, with a textured, thorny appearance. The background is a bright, solid yellow, highlighting the dramatic scene and the figures' peril.
A man, in overalls, is drinking from a jug while a fiery, demonic figure rises from the flames of a homemade whiskey still behind him. The woman, barefoot and distressed, reaches out toward him. The background includes skeletal trees and a crumbling stone structure. The demonic figure is composed of flames, with outstretched arms. The scene is rendered in a vivid comic book style with bold lines and bright colors, emphasizing the horror.
A crowded subway car interior shows passengers reacting in horror. A severed arm is gripping a hanging strap. Passengers display expressions of shock and fear, with some covering their mouths. Advertisements are visible in the background, including one for a stomach remedy. The scene is rendered in a vivid comic book style with strong colors and dramatic shading, emphasizing the gruesome discovery. The signature reads "Johnny Craig".
Four men in suits are depicted preparing to enter a room. One man is shown opening a door while holding a pistol. Two other men are aiming Thompson submachine guns through the doorway. A fourth man below them holds a Colt automatic pistol. The scene is rendered in a dramatic style with a green background and strong shadows, creating a sense of tension and anticipation. A cigar is visible in the mouth of the man opening the door.
A satirical mockery of the First Felon of the United States: a graphic novel cover showing FFOTUS among his collection of porn. He contemplates his porn stash as he moves toward a barefoot young girl.
A fierce battle scene depicts a soldier in a green helmet and uniform aggressively butt-stroking another soldier with a rifle. The soldier receiving the blow wears a cap with a red star. A third soldier, also wearing a cap with a red star, lies wounded nearby. Flames and smoke fill the background, creating a chaotic and violent atmosphere. The image is rendered in a dynamic style with strong colors and dramatic lighting, emphasizing the intensity of the conflict.
A gigantic insect with a human female face dominates the image. The creature has large, translucent wings and a striped abdomen. It looms over a man in trousers who is struggling and appears to be held captive by its legs. The ground is covered in skulls and skeletal remains. A distant cityscape is visible in the background, appearing small and insignificant compared to the immense insect. The color palette is dominated by yellows, blues, and blacks, creating a dramatic and unsettling scene.
A terrifying scene unfolds as a monstrous, green-skinned creature with wild hair and glowing eyes emerges from the floor of a bamboo forest. A man holding a torch and a woman scramble to escape. Bubbles and swirling water surround the creature, suggesting it is rising from a subterranean lake or ocean. The forest is dark and rocky, with a light source illuminating the fleeing figures. The image conveys a strong sense of dread and immediate danger.
You don't want to know.
A terrified woman in a white dress and red shoes is gripped by a monstrous, green-skinned creature with sharp teeth and clawed hands. Blood is visible around its mouth. The scene is set in a graveyard filled with tombstones, skulls, and cloaked skeletal figures. Additional demonic creatures with glowing red eyes lurk in the background. The image is highly dramatic and evokes a strong sense of horror.
A dramatic scene depicts a man in a small boat battling giant snakes. He is wielding a paddle, striking at a large snake with a red head and black body that is coiled around another man in the boat. Additional snakes hang from branches overhead, poised to strike. The man with the paddle has a wound on his forehead. The boat is surrounded by turbulent water, and rocky cliffs form the background. The illustration conveys a sense of intense peril and struggle.
A man in a red shirt and black shorts leaps toward a large, segmented insect-like creature with red and yellow sections. Several figures surrounding the creature are throwing stones at it. Above, a flying robot labeled "TALPA" emits a light trail. Figures include a blonde woman and men in green and blue shirts, all reacting with concern. The scene is outdoors, rocky, with a dark and ominous atmosphere.
A muscular man with a red headband is mid-kick, shattering wooden planks with his foot. He wears red pants and slippers, with a determined expression on his face. Splintered wood flies in all directions, creating a dynamic and energetic scene. Oriental characters are visible in the background, vertically arranged to the left of the figure. The style is bold and graphic, with strong lines and vibrant color.
A woman in a red bikini is desperately crawling away from a monstrous creature emerging from the ocean. The creature is large, dark, and reptilian with sharp teeth and clawed hands. Waves break around both figures, and the sky is a dark, ominous green. The woman is screaming in fear, her face contorted in terror. The image evokes a strong sense of danger and a classic monster movie scenario.
A man in a red jumpsuit is fighting a large, metallic robot with multiple articulated arms. Behind him, two angry gorillas are also present. The scene takes place in a brightly lit, yellow-toned room with tiled floors and large metallic structures along the walls. The robot is reaching for the man with its clawed arms, creating a sense of immediate danger.
A striking image features a towering woman in a short black dress and high-heeled shoes in the foreground. She dominates the frame, her legs spread wide. A gun is visible held behind her right thigh. In the background, a man in a leather jacket and jeans wields a baseball bat, looking up at her. The background is a blurred cityscape, rendered in shades of blue and gray. The composition emphasizes the power dynamic between the two figures.
A dramatic illustration shows a woman with wavy red hair lying prone over a large metal grate. A stern man wearing a cap is pouring molten gold from a ladle onto her. A younger man with a pistol looks on in shocked horror. The scene is set in a dimly lit industrial interior with large machinery visible. Strong shadows and bright colors create a sense of danger and urgency.
A muscular, blonde man wearing only a loincloth is fiercely battling a massive, orange, saber-toothed tiger. He lunges away, wielding a curved knife in a defensive posture. Behind him, a woman with dark hair and a crown is raising her arms in apparent distress or incantation. The scene is set in a lush jungle environment with dense foliage and towering trees. The artwork is rendered in a classic comic book style with bold lines, vibrant colors, and dynamic action, emphasizing the struggle between man and beast.
The First Felon of the United States' Iran war crushes U.S. military resources. A pointless conflict, a devastating cost. A colossal, metallic robot with a red torso and silver limbs is striding through a burning city. An F-100 Super Saber jet, marked with "USAF," is diving directly toward the robot's leg, with its afterburner engaged but clearly unable to avoid a collision. Sparks fly from cannon shell impacts as the jet closes. Buildings are crumbling and engulfed in flames below. The artwork is a dramatic, pulp science fiction illustration with vivid colors and a strong sense of scale, emphasizing the robot's immense size and the jet's desperate, doomed attack.
A humanoid amphibian with green and blue scaled skin, emerges from murky water. Red seaweed-like strands cling to its body. It has large, webbed hands with sharp claws and a distinctive, reptilian face with prominent eyes. Two small craft are visible in the background, partially obscured by the surrounding swamp vegetation. The artwork is a classic illustration with a focus on texture and shadow, creating a sense of dread and mystery. The water reflects the creature's form, and the overall color palette is dominated by greens, blues, and yellows.
Prompt: A cloaked figure with a shadowed, featureless face walks through ancient stone temple columns. They wear layered robes in yellow, red, blue, and pink over black tactical armor, and carry a tall mechanical staff topped with a spiked finial. Scattered rocks and sandy ground surround them. Loaded model black-forest-labs/FLUX.1-dev in 178.44s Saved: /home/geo/share/20260627-104857.png Elapsed: 578.49s Peak GPU MB: 34628.1 torch=2.10.0+cu128 cuda=12.8 available=True gpu=NVIDIA GB10 model=black-forest-labs/FLUX.1-dev transformer=cuda:0 vae=cuda:0
Fish image altered to suggest the First Felon of the United States, with ferret wig and maralardo lips.
The Creature from the Black Lagoon, a large, green, scaled monster with webbed hands and a fish-like face, is holding a blonde woman in a red dress. She is limp and appears to be unconscious, held aloft in his grasp. The creature's hands are chained, but he has broken the restraints. Below them, a terrified crowd of people flees a city in ruins, with buildings collapsing in the background. A stormy, swirling sky fills the upper portion of the image. The artwork is a dramatic, pulp-style illustration with vivid colors and a focus on the monster's size and the woman's vulnerability.
Three figures, presumably men in metallic, futuristic spacesuits, are confronting a boxy, metallic robot. One of the figures is reaching out toward the robot, while another stands slightly back, observing. The robot stands on a riveted deck with a glowing, rectangular panel and complex wiring. The scene is set within a metallic, cylindrical structure with riveted walls. The artwork is rendered in a vintage science fiction style with smooth shading and a limited color palette of blues, silver, and greens, characteristic of pulp magazine illustrations from the 1930s. An illegible signature is visible in the lower left corner.
A blonde woman with curled hair, wearing a white shirt and red shorts, is restrained and terrified. She is surrounded by three monstrous, scaly creatures with clawed hands and menacing expressions.The creatures are positioned closely around her. The background depicts a cave with stalactites and stalagmites, creating a claustrophobic and ominous atmosphere. The artwork is in a classic comic book style with bold lines and vibrant colors, emphasizing the woman's vulnerability and the creatures' threat.
Scene from a movie version of Dickens' A Chrismas Carol. Scrooge is at the window shouting down to a boy in the street, "You, Boy! Are the Straits of Hormuz open or closed today?"
A woman with dark curly hair and large, frightened eyes is the focal point of the image. Massive, bright red hands loom over her head, seemingly about to grasp. Above her head, a small, rectangular sign is held aloft, but the text on it is illegible. It is the emergency stop trigger for the speeding train seen at the bottom. The background is a deep purple, creating a dramatic and ominous atmosphere. The artwork is in a pulp magazine illustration style, using bold colors and strong shadows to convey a sense of danger and suspense.
A massive, serene face lies horizontally across a cracked and barren landscape, seemingly merging with the earth and sea. The face, rendered in shades of teal and blue, is peaceful and closed-eyed. Behind the face, a large, bright moon hangs in a dark, cloudy sky above a calm, turquoise ocean. The cracked earth around the face is fragmented and desolate. The artwork is surreal and dreamlike, with smooth gradients and a sense of tranquility and melancholy.
A typical XRNOH productions GOP Missing Minute movie poster. Jeffrey Epstein is The Thing That Couldn't Die.
A blonde man with his torso bare is seated on a bed playing cards with a woman with dark hair. He wears yellow socks and brown shoes. The woman, wearing a light lavender negligee, looks at her cards with a slightly worried expression. Playing cards are scattered on the bedspread. The bed has ornate, dark wooden posts and a pink throw draped over the side. The artwork is in a pin-up style illustration, with a focus on suggestive poses and vibrant colors.
Prompt: an illustration of a couple in silhouette, romantic evening in Paris, whimsical gold organic patterns, wood grain textures, abstract designs, Eiffel Tower in background, organic textures, strong visual flow Saved: /home/geo/share/20260621-195516.png Elapsed: 373.02s Peak GPU MB: 34628.1 torch=2.10.0+cu128 cuda=12.8 available=True gpu=NVIDIA GB10 model=black-forest-labs/FLUX.1-dev transformer=cuda:0 vae=cuda:0
Prompt: minimalist watercolour painting, watery overlapping washes, three small owls in silhouette on a terracotta roof, dark indigo skies, bright rising half-moon, aquarelle paper, negative space. Saved: /home/geo/share/20260621-194450.png Elapsed: 372.71s Peak GPU MB: 34628.1 torch=2.10.0+cu128 cuda=12.8 available=True gpu=NVIDIA GB10 model=black-forest-labs/FLUX.1-dev transformer=cuda:0 vae=cuda:0
Prompt: typographic cat portrait, close-up feline face, fur rendered entirely from layered text and letters, mixed scripts and fonts, black and white ink illustration, amber glowing eyes, detailed whiskers, newspaper collage aesthetic, dark background, hyper-detailed, editorial art style, wordart animal portrait, monochromatic with warm amber accents, vertical portrait format Saved: /home/geo/share/20260621-193048.png Elapsed: 372.75s Peak GPU MB: 34628.1 torch=2.10.0+cu128 cuda=12.8 available=True gpu=NVIDIA GB10 model=black-forest-labs/FLUX.1-dev transformer=cuda:0 vae=cuda:0
Prompt: The boldest, most colorful, low-cut, and spectacular summer dress in your closet, Minimalist sandals. Cliff overlooking the sea. Saved: /home/geo/share/20260621-191855.png Elapsed: 372.76s Peak GPU MB: 34628.1 torch=2.10.0+cu128 cuda=12.8 available=True gpu=NVIDIA GB10 model=black-forest-labs/FLUX.1-dev transformer=cuda:0 vae=cuda:0
Prompt: Multiple overlapping silhouettes of dancers captured mid-movement, layered transparently to create an abstract composite form that suggests both individuality and unity. Each silhouette is rendered in a different monochromatic tone—ranging from deepest black through charcoal, slate, ash, to pale silver-gray—creating depth through tonal variation rather than detail. The dancers appear to be performing movements Loaded model black-forest-labs/FLUX.1-dev in 185.54s Saved: /home/geo/share/20260621-190213.png Elapsed: 558.83s Peak GPU MB: 34628.1 torch=2.10.0+cu128 cuda=12.8 available=True gpu=NVIDIA GB10 model=black-forest-labs/FLUX.1-dev transformer=cuda:0 vae=cuda:0
A chaotic street battle is unfolding in a South American city. A red flatbed truck, filled with armed men and women, speeds through a barricade of striped barriers. Soldiers in tan uniforms are firing at the car from windows and the street. Several soldiers are shown falling or reacting to gunfire in the foreground. Buildings with ornate facades line the street, and smoke rises in the background. The artwork is a dynamic and detailed illustration in a pulp magazine style, capturing the intensity and violence of the conflict. The scene appears to depict a guerilla uprising or revolution.
From Dickens' Christmas Carol. A man looking out a window is saying, "You, Boy, are the Straits of Hormuz open or closed today?"
A pale, gaunt woman with long dark hair is depicted wielding a large, bloody scythe above her head. She stands triumphantly with the severed head of a bearded man, which she holds by the hair in her left hand. She wears a flowing dark robe and a snake on her right arm. The background is a swirling, turbulent sea under a moonlit sky. The artwork is rendered in a dramatic and graphic style, with bold brushstrokes and vivid colors, conveying a sense of violence and dark fantasy.
Prompt: Hangar Loaded model black-forest-labs/FLUX.1-dev in 185.99s Saved: /home/geo/share/20260619-170155.png Elapsed: 556.13s Peak GPU MB: 34628.1 torch=2.10.0+cu128 cuda=12.8 available=True gpu=NVIDIA GB10 model=black-forest-labs/FLUX.1-dev transformer=cuda:0 vae=cuda:0
A man in a grey pressure suit is being pulled into a large, metallic tunnel by two women. One woman, with dark hair, wears a red dress, and the other, with blonde curly hair, wears a turquoise dress. Both are gripping the man tightly, attempting to drag him further into the tunnel. The man is struggling, with a strained expression on his face. Water is swirling around their feet. The tunnel is constructed of large, riveted metal plates. The artwork is in a pulp magazine illustration style, with vibrant colors and a dramatic, slightly sensationalized portrayal of the scene.
Needlepoint showing a Molotov cocktail with the the text, "BE THE LIGHT YOU WANT TO SEE IN THE WORLD."
A silver, metallic robot with a rounded head and glowing yellow eyes is "filling up" at a vintage gas station. It holds a fuel nozzle to its head, as if refueling itself. Scattered around its feet are various oil cans. A man in a uniform and cap stands near a red car, observing the robot. The gas station is yellow and white, with a classic design. The artwork is rendered in a detailed, illustrative style reminiscent of mid-20th century advertising, with a focus on the robot's metallic texture and the scene's retro aesthetic. The signature "Birmingham" is visible in the lower right corner.
Hypothetically if someone was accused of having sex with goats by over 30 different people and regularly denied it, but also dropped very public hints about how much he liked to have sex with goats for decades, and ran a goat pageant to find the best looking goats, and was best friends with someone who got convicted of fucking goats and trafficking goats to friends all over the world who also like to fuck goats, and his name was in the classified goat fucker chronicles 5,000 times, and he wished other goat fuckers well in prison, what do you think the odds are that person is also a goat fucker?
A gigantic toad with a textured, warty skin and enormous eye dominates the foreground. A small, red-shirted man is tumbling head-over-heels towards the toad's open mouth and extending tongue. Above, atop a high stone wall, stands a robed, toad-like figure holding a cross, surrounded by numerous skeletal warriors wielding swords. The wall is constructed of large, grey stone blocks. The artwork is highly detailed and rendered in a comic book style with vibrant colors and strong lines. The signature "BOLLAND" appears in the upper left corner.
A massive, dark dinosaur-like monster is rampaging through a city resembling London, destroying buildings including Big Ben. F-104 Starfighters are launching missiles, and a Nike missile streaks toward the creature. Below, a Hawk missile battery is visible amidst fleeing crowds and burning debris. Explosions and fiery destruction fill the scene, with a dramatic orange and red sky. The artwork is a chaotic and dynamic illustration in a pulp science fiction style, depicting a desperate defense against a colossal threat.
A blonde woman in a green swimsuit is desperately clinging to a rope, suspended above a sea teeming with giant, pink crab-like monsters. The crabs have large claws and menacing expressions, reaching towards her. Above, silhouetted figures of men can be seen on a rocky cliff edge, seemingly attempting to pull her to safety. The scene is set against a dark, stormy sky and a turbulent sea. The artwork is in a classic pulp science fiction style, with vivid colors and dramatic composition, emphasizing the woman's vulnerability and the creatures' threat.
A giant, bright green frog is shown with a human arm and hand extending from its open mouth, as if being consumed. The frog's skin is textured with dark spots and its eyes are large and bulging. It rests on a rock surrounded by green reeds and a blurry blue water background. The artwork is a vibrant, slightly unsettling illustration in a pulp magazine style, emphasizing the grotesque and fantastical nature of the scene. The image has a grainy texture, suggesting it is a reproduction of an older illustration.
A young woman with dark hair is fleeing a library, scattering books as she runs. She is wearing a green top and red trousers and appears frightened. Below her, a man in a green suit has been struck in the face by a thrown book while a man in a red suit lies supine on the floor, seemingly injured or unconscious. Books are strewn everywhere, knocked from the shelves by the commotion. The scene is rendered in a dynamic comic book style with bold lines, strong shadows, and a limited color palette. The signature "by Will Eisner" is visible in the lower left corner.