GST Channel

@gst.melosylexia.com

598 Followers 25 Following

aka GST♥ (pronounced GST大好き(daisuki)) i make a the. videos? https://www.youtube.com/gstchannelvevo

GST Channel: 69,000 subscribers
four comments. one: "very interesting information. and thanks for the recs, will definitely check them out" two: "Nice video editing and also thanks for the recs" three: "Trust is really gone. I can't really trust anything past 2023 or such. It's tiresome. Great video and recommendations. Thanks!" four: "I love it! Someone at work told me to look up music theory."
five comments. one: "The background music in this video is so distracting and gives the video a tense and unpleasant feeling and is also much too loud. Couldn’t even make it through the short video that it was" two: ""but it is cheap" incorrect buzzer" three: "That background music it’s so annoying,huge dislike" four: "Completely bull shit." five:" I dont get it."
the options for youtube studio's AI based search feature. It asks to describe the "type of comment" I'm looking for in 100 characters or less.
the Community tab on youtube, with a search option that appears to be "powered by AI"
a bunch of crystalline pillars slowly rotating, reflecting glimmers of light
a scene from anosci's virtual stream setup, as it appears in the video "eulogy for stock music"
a youtube comment thread. the original post reads "why do you like the term 'music pervert' and not enthusiast or another analogous term?". a user in a trans icon replied with "we want to fuck the music" the uploader replied with "I want to fuck the music" another user replied with "I want to fuck the music"
the youtube comments for a video titled "1 hour of palette cycled noise visualizations". there are two comments, spaced 1 year apart. the first and newest comment reads "finally". the older comment reads "let's go!"
a youtube video titled "get away from the devil's chord", with a spooky thumbnail that reads "avoiding the devil in music"
three youtube comments and a reply from the author. they read as follows: from niniv: Would love to see you do a video on current bluesky sensation Moon Child, since the rave-like OST and psychedelic visuals are getting a lot of people obsessed over it, and the devs have made the source files available to the world as a result. Somebody was even able to reverse engineer the stems to the AMIGA version title demo which is the song that launched the game's current popularity. from furious poultry: listen to this guy do that from eunaoseibrother467: yes and the reply from GST Channel: I do adore Moon Child and it's resurgence but I don't think I have anything new to say about it
two cards from the video linked in the previous post. they read: Andy Armer realized that his advantage in the games industry had run dry during a fateful incident in 2002: he scored a lucrative 18-month contract to score Ubisoft's Crouching Tiger Hidden Dragon (for Playstation). But... When he got home, he got a call from the studio: "Turns out we can just stream music from the movie!".
Obama giving Obama a medal
michael grisham posts in 1993: Give a survey to any intelligent individual highlighting the specs and the prices, and of course the 3DO would not be chosen over the Jag. Slapping the word multimedia on a piece of hardware doesn't justify such a high pricetag. If they don't lower the price soon, 3DO will be the next CD-I, and no, that is not a good thing.
a youtube comment from David Javelosa on his m1crowave account, which starts as follows: John did do Baker's Funk
a frame from my youtube video where the on-screen card reads: "Or maybe it's someone's pastiche of John's style?" followed by a comment from TheBricksterr that reads: "I'm fairly sure the SEGA Channel music you showed in the video is actually by David Javelosa, with no involvement from John Baker. He has a video on his channel, m1crowave, that says the compositions were by him. He also commented on the recent SEGA Channel documentary thing."
a youtube comment replying to my channel which reads as follows: to be fair, I didn't actually watch the video..."
MANSTA8 comments "birthday cake is next everyone trust" on my latest Jet Set Radio Alikes mix, and then I reply with the following: i wasnt planning on it but this comment gave me a "wait a sec" moment. so i tried throwing together a similarly vibed tracklist at ~100bpm and came up with something cool, but some of the songs just dont blend very well, and i dont want to finesse them, so here's the list i came. just pretend it's mixed ig lol: CIBO MATTO - Birthday Cake Sound Terro-Rhythm - やる気なし〜やる気なしバージョン〜 100 gecs - money machine Koenjihyakkei - Rattims Friezz Captain Beefheart - My Human Gets Me Blues Thinking Plague - The Aesthete Death Grips - Fuck That CIBO MATTO - Birthday Cake
two youtube comments from ugocartoni, reading as follows: oh no, seizou's page seems down ! is there any way to find their other tunes ? i hum this one all day long ! thank you for the discovery <3 nevermind, i got there through wayback machine !
an excerpt of text from Sherry Turkle's 1984 book "The Second Self: Computers and the Human Spirit" which reads as follows: But success at video games involves much more. Working out your game strategy involves a process of deciphering the logic of the game, of understanding the intent of the game’s designer, of achieving a "meeting of the minds" with the program. The video games reflect the computer within—in their animated graphics, in the rhythm they impose, in the kind of strategic thinking that they require. This "computational specificity" becomes clear when you contrast the games with their "grand-parent," pinball.
several essays from David Porter's book 1997 "Internet Culture", including titles such as: Flesh Made Word: Sex, Text, and the Virtual Body The Postmodern Paradiso: Dante, Cyberpunk, and the Technosophy of Cyberspace Spam: Heteroglossia and Harassment in Cyberspace I Flamed Freud: A Case Study in Teletextual Incendiarism Essayistic Messages: Internet Newsgroups as an Electronic Public Sphere Progressive Politics, Electronic Individualism, and the Myth of Virtual Community
a snippet from Rene T. A. Lysloff's 2003 "Musical Community on the Internet: An On-line Ethnography" that reads as follows: After participating in the scene for several months, I came to realize the most important form of currency in the mod scene is an e-mail message from a listener telling you that your music is awesome.
a snippet from Rene T. A. Lysloff's 2003 "Musical Community on the Internet: An On-line Ethnography" that reads as follows: However, despite the fact that we may be experiencing radically new forms of social interaction as a result of media technologies, the quality of these social interactions still depends on the humans that give rise to them (see Escobar 1999).
Even though my Internet fieldwork seemed, in the realm of embodied sensation, a rather solitary experience, it was still no less intensely social. Although I conducted my research without ever leaving my home, my work involved immersing myself in a new musical community, but with informants I would never actually meet face-to-face, people whose presence I could only infer from their textual messages. I wondered whether what I was doing really was fieldwork because I never had to go anywhere physically, never had to make demands on my body or endure the tangible hazards that field researchers routinely face. Instead, fieldwork meant spending many late nights in front of my computer, "traveling" the far corners of cyberspace.
a blurry pic of a small bird running super fast on the shoreline of a beach
youtube's video editing timeline. the bottom of the timeline features several thumbnails spanning the length of the video, which combine into a pleasant gradient.
3 pages of a google docs text document that is mostly unreadable charts with lines scrawled all over them. some of the text is redacted
the ending cutscene to Psychic World (for the Sega Master System) followed by an arrangement of that same song
viewer demographic data showing that 1.9% of GST Channel's audience is within the agerange of 13-17
THIS SITE IS PRO-HENTAI. Lookin for it? Hell yeah.
multiple lines and graphs and such, on top of a repeating square pattern, all superimposed on a shot of some water
an email from Patreon with the header: Your pricing is not changing
a performance graph that shows 9 views after 1 hour: 181 views fewer than normal for my channel.
a black and white image of a ton of lines
contemporary pic of a late 90s era PC running Cakewalk on Windows 95
vectorscope depiction of the checkered Amiga ball, but the lines are way more wobbly than they should be
a notification: New achievement: 😁 5,000,000 views
a group picture, labeled "95 MIDIORG in TOYAMA"
How MIDI Session works: a screenshot of a diagram built from highly compressed GIFs and table elements.
several crusty 3D render of assorted christian imagery, accompanying 3 tables about christian music webrings
a center-text geocities page, reading as follows: My stepdaughter, Tavia, wanted to know if I could compose some techno music. Not knowing much about anything like I do, I still decided to give it a shot. When I played it for her, she said it sounded like jazz. Hey presto: technojazz. (So that's what that stuff was...)
a view of some sample manipulation in ableton live
email from twitch that reads: "Nice Work! You have leveled up to Twitch Affiliate."
4K picture of a chalkboard behind a projector screen and a CRT TV. the projector screen obscures part of the date on the chalkboard, so only "Feb 17," is visible.
a chalkboard behind a large projector screen and CRT TV. due to the projector screen, only "Feb 1" is visible on the chalkboard.
Nov 92: Super Play Volume 1, as displayed in an abstracted night sky
a timeline on a field of grass with a graph extending into 3D space
various applications of the square version of Sega styled "GST♥" logotext as a profile picture on youtube
various applications of the square version of the Sega "GST♥" logo
profile pics of everyone I've interacted with or reposted are all exploding away from a sphere
python code that shows several for loops and try-except blocks
Happy 1995
a wolf character looks at a -15 Subscriber drop and turns to the camera to say "lol"
a drawing of a blue fox fursona sitting in a chair and saying "have you ever sat in a gaussian splatted room? this couch doesn't have a backside."