Hans

@hansdurchholz.com

186 Followers 719 Following

28, progressive, software dev, gamer (derogatory), improv enjoyer. ✨Fuck genAI✨ You might know me as B_Hands, grunchy_hands, grunch. Gunch. he/they

Pikmin 4 screenshot: Oatchi holding a donut decor Pikmin in his mouth
Mario Kart World screenshot of 6 Stingbys hopping around Bee Wario on a lily pad near Acorn Heights
Screenshot of OpenRCT2's github page's "Languages" section. C++ has 98.2% usage, visualized by a color-coded graph in which C++ dominates the other languages.
Hulk hogan Twitter exchange circa 2016: "Poop in my gym brother HH" "I really hope you mean pop. Sorry to correct you, brother" "poop brother HH"
Mario Kart World update 1.1.2: "Adjusted courses selected in "Random" when selecting next course in a wireless "VS Race."
Hans & his dog Heidi cuddling. Heidi is looking at me with glee and love in her eyes
Screenshot of Google Image Search - my site & Frog.gif are the second result, behind my LinkedIn page
Mother 3 Screenshot - "Inside the mailbox was the sound of yourself crying."
Blue Heron taking flight across a lake
32-bit pixel art of Worm on a String, purple variant
A strip of 3 panels from Kaleb Horton's "The D*lbert Project." These panels are formatted identically to Scott Adams' work, watermarks and all, alongside repurposed assets from the comic strip. Panel 1: Dilbert, donning his classic fuckass silly tie, is typing away at his computer while stating, "I must set the fire. I must set the fire for the rebels. The panel's background is a green-white gradient and is covered top to bottom with Dilbert's writings, detailing the cold mechanical dying world and his plans to cleanse the world of its suffering. The panel has a vignette effect, aligned to the right. Panel 2: Pointy-haired boss is standing outside of The Compound, a repurposed asset of Path-E-Tech Management from the original comic strip. He is holding his typical coffee mug with his other arm extended and he is yelling the following phrase 6 times: "Time to rise!" The vignette effect has vanished for this panel. Panel 3: We return to Dilbert, who is now leaning back in his chair while the panel has become monochrome with a simple solid background. The vignette effect is back, this time aligned to the left. The narration reads, "But he is too afraid. And so he waits." Dilbert states, "The liars are coming."