Hazel Budzinski - he/they

@hazelbud.bsky.social

461 Followers 379 Following

25 🏳️‍⚧️ Cornish writer + artist ✨ Working on cover art and writing a fantasy horror novel. Full of whimsy, not harbouring an evil god Portfolio: https://hazelbud.carrd.co Comms open 🌱 Looking for work! ✉️ skazinbud@gmail.com

A poster with the words 'Art Raffle, celebrating 400 flowers. WIN AN ILLUSTRATION OF A LITTLE GUY. To enter - Be following me - RP this -Comment what little creature you'd like drawn'. The poster shows two examples at the top, of a fuzzy rabbit creature to the left, and a fuzzy boar to the right.
YEAR OF THE HORSE A lunar new year illustration created by the artists hazelbud and YerLakar. It shows a horse drawn in a grainy red texture with blurred edges. The horse is positioned facing the viewer with one hoof stopped on the ground and another raised in the air. It's head curves in front of its body, with its main spiking out. A reign is attached to its face but has shattered at the end. Surrounding the horse is a green outline glow, and the background consists of the traditional Chinese character for horse (錏) in a faint red, patterned around. In the right hand character there is a pink 錏 that stands out from the others. Framing the piece are pieces of red rope that form knots, but are all ultimately lose or untied in some way. In the left corner are two green and pink banners that form the phrase 'I WILL NOT BE' and at the bottom is the pink word 'CONSTRAINED' bordered by two light green and grey chains that shatter at their ends.
A figure, leaping and reaching towards a ball of light streaking out like a star. His face is in anguish, his skin and hair dissolving into noise, stretching up to the light. Surrounding the star is a circle of millipedes, centipedes and a few silverfish. The figure has iridescent skin, like an Opal stone. Behind him is a murky green background, with hues of red and blue. Closer to the figure and the star, the background turns yellow, blue and green, echoing the hues of the figures skin.
A lunar new year illustration created by the artists hazelbud and YerLakar. It shows a horse drawn in a grainy red texture with blurred edges. The horse is positioned facing the viewer with one hoof stopped on the ground and another raised in the air. It's head curves in front of its body, with its main spiking out. A reign is attached to its face but has shattered at the end. Surrounding the horse is a green outline glow, and the background consists of the traditional Chinese character for horse (錏) in a faint red, patterned around. In the right hand character there is a pink 錏 that stands out from the others. Framing the piece are pieces of red rope that form knots, but are all ultimately lose or untied in some way. In the left corner are two green and pink banners that form the phrase 'I WILL NOT BE' and at the bottom is the pink word 'CONSTRAINED' bordered by two light green and grey chains that shatter at their ends.
A lunar new year illustration created by the artists hazelbud and YerLakar. It shows a horse drawn in a grainy red texture with blurred edges. The horse is positioned facing the viewer with one hoof stopped on the ground and another raised in the air. It’s head curves in front of its body, with its main spiking out. A reign is attached to its face but has shattered at the end. Surrounding the horse is a green outline glow, and the background consists of the traditional Chinese character for horse (⾺) in a faint red, patterned around. In the right hand character there is a pink ⾺ that stands out from the others. Framing the piece are pieces of red rope that form knots, but are all ultimately lose or untied in some way. In the left corner are two green and pink banners that form the phrase ‘I WILL NOT BE’ and at the bottom is the pink word ‘CONSTRAINED’ bordered by two light green and grey chains that shatter at their ends.
A fanart illustration of the character Guinevere from Knights of Guinevere, made by hazelbud. It shows a blue female figure floating in the air, back facing the floor, unnaturally long arms dangling down with her knees tucked upwards. Wires curve up and around her limbs, with one stabbing into her left wrist and wriggling inside, another into her neck, one into her belly, with others posed at the ready. Her neck is unnaturally turned towards the viewer as though it’s broken, an uncanny smile and wide staring eyes on her face. Behind her is a pink palace, hazy and ethereal. Fireworks explode in front of it, casting a glow against her silhouette
A digital illustration by the artist hazelbud. It shows a man wearing a red dress, leaning back mid dance, with a happy smile on his face. One of his hands rests on his chest, whilst the other is lifted up in the air, pointing upwards. Surrounding the illustration is a black frame, with a glowing border and glowing stars, and top surgery scars positioned at the top. His pointing hand sticks over the frame, and half of his dress covers over the top of the frame too. Behind him are frames on a wall, warped to a curved perspective that curves towards him. The illustration is not finished, the frames are all empty and the man is not fully rendered. His face is the most detailed part of the drawing, showing a moustache, goatie, short curly hair and dark eyelashes closed in a smile.
A drawing made with colour pencils. It shows three characters, a brown rabbit, a ginger cat and a yellow dog stargazing. Above them is a multicoloured sky with shooting stars, lit in blues,greens,purples,yellows and pinks. The three characters sit on a dark green hill, and all three of them have a white and orange glow to them. The middle cat looks up in awe at the shooting stars, to the left the rabbit holds their hands to their face and closes their eyes happily, and to the right the puppy sits facing the side with a teary angry eye.
A figure, leaping and reaching towards a ball of light streaking out like a star. His face is in anguish, his skin and hair dissolving into noise, stretching up to the light. Surrounding the star is a circle of millipedes, centipedes and a few silverfish. The figure has iridescent skin, like an Opal stone. Behind him is a murky green background, with hues of red and blue. Closer to the figure and the star, the background turns yellow, blue and green, echoing the hues of the figures skin. On top of the illustration is the title 'ILL-MADE GODS' in a medieval like font, with the O for Gods centred over the bright star. At the bottom of the illustration is my name 'Hazel Budzinski'
An illustration by Hazel Budzinski. The main focus of the piece is a large tree, with branches that twist in and out of each other. Tied around branches are golden braids of varying lengths. The tree has lichen and moss upon it's branches, and surrounding this tree are turquoise ghostly visages of other trees. There is a grain to the illustration, overall giving a feeling of a flash photo taken at night, or something taken with a night camera.
A fanart illustration of the character Guinevere from Knights of Guinevere, made by Hazel Budzinski. It shows a blue female figure floating in the air, back facing the floor, unnaturally long arms dangling down with her knees tucked upwards. Wires curve up and around her limbs, with one stabbing into her left wrist and wriggling inside, another into her neck, one into her belly, with others posed at the ready. Her neck is unnaturally turned towards the viewer as though it’s broken, an uncanny smile and wide staring eyes on her face. Behind her is a pink palace, hazy and ethereal. Fireworks explode in front of it, casting a glow against her silhouette
A photograph of a tunnel book, made out of cut out paper and lit with red lighting. It shows a badger in the middle section of the tunnel book, with a glowing eye, face half turned to the viewer. In front of him are two trees, and behind him the forest continues. To the right of him is a badger cage, empty and covered in thorns.
A book cover of The Lies That Lie Beneath by Gerrit Van Eck, illustration by Hazel Budzinski. The upper half of the composition is a forest, lit in a blue haze that fades to green. A ring of mushrooms sits on the forest floor. The dark brown roots from the trees of this forest reach down underneath the earth, taking up the majority of the canvas. The soil turns from a greenish brown to blue as the roots get further down. On top of the illustration is the title of the book, which is formed by mushroom roots
An extremely low saturated photograph taken at nighttime. Black overhanging tree branches cover the majority of the composition, backlit by a small full moon in the centre of the photo. Just below the moon is a church, imposing and hazy in a fog.
A fanart illustration of the character Guinevere from Knights of Guinevere, made by Hazel Budzinski. It shows a blue female figure floating in the air, back facing the floor, unnaturally long arms dangling down with her knees tucked upwards. Wires curve up and around her limbs, with one stabbing into her left wrist and wriggling inside, another into her neck, one into her belly, with others posed at the ready. Her neck is unnaturally turned towards the viewer as though it’s broken, an uncanny smile and wide staring eyes on her face. Behind her is a pink palace, hazy and ethereal. Fireworks explode in front of it, casting a glow against her silhouette
A up close detailed crop from the next illustration. It shows millipedes and centipedes in an arc, which form a full circle in the full piece. Around them are varying shades of colour in different texture: greens and yellows, blues and browns. In the left bottom hand corner there is an arc of yellow blue light shooting out towards the center
At the bottom of the image are dark purple pine trees, with sketchy vibrant red lines around them which look like fire. Behind the trees is pillowing smoke, desatured blue and grey in colour, which blends into a mid-toned purple , then dark purple. At the top of the smoke trails of sketchy red begin, blending into a yellow wolf that leaps forward. On top of the whole piece is the title of the book ‘The Gods Must Burn’ and the authors name ‘T. R. Moore,
A greyscale sketch showing a figure (Guinevere from Knights of Guinevere) floating in the air, back facing the floor with knees tucked upwards, arms dangling, as though she’s lying on a surface which isn’t there. Wires curve up and around her limbs, with one stabbing into her chest and another into her wrist. Her neck is unnaturally turned towards the viewer as though it’s broken, a uncanny smile on her face.
A figure, leaping and reaching towards a ball of light streaking out like a star. His face is in anguish, his skin and hair dissolving into noise, stretching up to the light. Surrounding the star is a circle of millipedes, centipedes and a few silverfish. The figure has iridescent skin, like an Opal stone. Behind him is a murky green background, with hues of red and blue. Closer to the figure and the star, the background turns yellow, blue and green, echoing the hues of the figures skin
A vertical image, showing an illustration of a red skeleton with tattered red wings holding a grey sword. The skeleton takes up 80% of the composition, wearing a grey cape that covers its body. The cape serves as a backdrop for the text ‘Between Two Fires’ in a medieval looking script, and below it the author’s name ‘Christopher Buehlman’. Behind the Skelton is a bright red background with what could either be a yellow sun behind the skeleton’s head, or a halo.
A greyscale vertical drawing. At the bottom of the canvas are dark grey pine trees. Behind them in the middle is a mid toned grey that blends into a light grey, which in turn forms the shape of a leaping wolf.
A mock-up cover for the book The Gods Must burn by T. R. Moore. At the bottom half of the picture are burning pine trees surrounded by a vibrant red fire. Smoke pillows out of the trees and transitions at the top half of the image into a burning wolf.
Moodboard showing various images: Celtic standing stones in the mist, butterfly cocoon, flooded grass creating a river, Celtic knotwork, the quote “ignore every instinct to flee. Remember you are a monster too”, ancient roundhouse, artwork of Druids, artwork of someone drowning, a centipede.
Moodboard showing various images: Celtic standing stones in the mist, butterfly cocoon, flooded grass creating a river, trees growing out of water, Celtic knotwork, the quote “ignore every instinct to flee. Remember you are a monster too”, ancient roundhouse, artwork of Druids, artwork of someone drowning, a centipede.
Pitch slide, showing a piece of artwork on the right of a bit reaching towards a light, surrounded by a ring of centipedes and millipedes.
A figure, leaping and reaching towards a ball of light. His face is in anguish and his skin and hair is dissolving into noise, stretching up to the star. Surrounding the ball of light is a circle of millipedes, centipedes and a few silverfish. The figure has iridescent skin, like an Opal stone. Behind him is a murky green background, with hues of red and blue. Closer to the figure and the star, the background turns yellow, blue and green, echoing the hues of the figures skin
A figure, leaping and reaching towards a ball of light. His face is in anguish and his skin and hair is dissolving into noise, stretching up to the star. Surrounding the ball of light is a circle of millipedes, centipedes and a few silverfish. The figure has iridescent skin, like an Opal stone. Behind him is a murky green background, with hues of red and blue. Closer to the figure and the star, the background turns yellow, blue and green, echoing the hues of the figures skin
A collage featuring different images. A roundhouse is ontop of a misty moor background, with lichen and a pool of water on the floor. Pasted around are various images: a cutout illustration of ancient Celtic druids, a cutout of a white / cream centipede , a cutout of a larvae, and 3 cutouts of Celtic tapestry knotwork
Photo of the book cover for 'The Writer's Map: An atlas of Imaginary Land'
A screenshot from the drawing application Procreate. At the top is the application border, showing the drawing tools such as pen, smudge tool, eraser etc. The white canvas has a sketch of a figure leaping upwards, in a ballet pose. He has a glowing orb in his hands, and above it is the skull of a crow. Smoke wisps streak across the canvas, moving top right, to middle left, to bottom right.
A photograph of a bed. There is a grey fluffy blanket curving it and in the centre a pale pink pile of fabric. A cat’s grey head pokes out, with her nose still under the covers. Behind the bed are orange velvet curtains.
Grid with 9 pictures. 1st image: Celtic roundhouse in mist, smoke sitting on its roof. 2nd: Mossy knotted ancient trees from Wistmans Woods. 3rd: Artwork by Elioli of abstract trees at night, the sky is blue and the trees are dark red. 4th: Artwork by Iris Compiet of knotted trees in a blue misty setting, standing stones at the bottom with a ghostly figure in the foreground. 5th: Text showing 'Even a worm will turn. Even a worm will turn is an expression used to convey the message that even the meekest or most docile of creatures will retaliate or seek revenge if pushed too far. 6th: A photo of a long windy yellow centipede on wood. 7th: A photo of a diving bug nymph. 8th: A screenshot from Elden Ring of Liurna of the Lakes. 9th: A photo of a stone circle in the mist
An illustration of standing stones in the mist, with a grid border around it from Procreate. The illustration shows 7 standing stones in an arc, eluding at a stone circle. The stone in the foreground is bent at a slightly odd shape, and the stone next to it has a pool of water at its base. The stones are a rich dark brown, with ochre colours at the tips. The grass is in hues of green and orange blending into each other. The sky is a light grey, with a pink hue to it at the base, where the mist sinks onto the floor.
A hazy illustration of trees in the mist. In the foreground there are red reedy plants. The floor is in various hinted shades of green, blue and yellow. In the background are the trees, blending into the grey sky
Stone walls of an old iron age village, with a gap in the middle showing the old entrance to the derelict roundhouse. The walls are covered in heather, and on the grass floor there is stone tiling that is peeking through. The sky is grey and cloudy .