Ian

@ianwday.me

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Film and television and food and technology and words. Toronto. 🇨🇦🇭🇰🏳️‍🌈 (he/him) (e/esan) Avatar: Memoji - a person with shoulder-length wavy brown hair, green eyes, and wearing black rectangular glasses https://www.miscellanian.ca/about/

A wooden planter box filled with a variety of colourful flowers and greenery, including red, yellow, purple, pink, and white blooms, sits on an asphalt street. The planter has a decorative sign with a pink cartoon flower featuring a single eye in the centre. The text reads, “LOOKS DON’T LAST FOREVER.” in yellow and “IF NO ONE EVER TOLD YOU, WE WILL (with love)” in teal and purple. A QR code and the website “GMSH.CA” are also on the sign. Bright pink wooden chairs are positioned on either side of the planter. In the background, there is a street with cracked pavement, traffic cones, and a sidewalk with stair railings and a building entrance.
Two men are sitting on a wooden park bench surrounded by autumn leaves, with a backdrop of trees showing yellow and green foliage. The man on the left has short hair, a light moustache, and is wearing a tan coat with a red lining over a brown vest, a light collared shirt, and brown corduroy pants. He is leaning back slightly, resting his arm along the back of the bench. The man on the right is wearing a dark coat, a white shirt with a tie, tan pants, black socks, and black dress shoes, along with a brown fedora hat. He sits with his legs crossed, leaning towards the other man, and they are almost touching hands on the back of the bench. Above them, large white letters read “AGAINST THE LAW.”
A silhouetted group of six people stands on a rocky landscape under a star-filled night sky with a colourful gradient from deep purple to reddish-orange near the horizon. One person is pointing upward as a bright, glowing blue streak of light curves dramatically from the horizon into the sky, ending in a shining star. A crescent planet or moon is visible in the distance above the horizon. The title “SOLARBABIES” is displayed in bold, white, futuristic lettering at the bottom of the image.
A black-and-white image featuring a man with light-coloured, short, wavy hair, partially illuminated against a dark background. His stern face is half in shadow, with deep-set eyes and a furrowed brow, giving an intense, contemplative expression. At the bottom of the image, the words “THE SEVENTH SEAL” are displayed in all capital letters in a clean, serif font.
A wooden upright piano with a matching bench is placed on a street under a canopy tent. The piano has a classic design with a small lock on the front panel. Behind the piano, the street is visible with green and pink wooden barriers separating a pedestrian area from the road. In the background, storefronts and signs are visible, including one that says “Indian Roti House” and another that says “North of Brooklyn.”
Three dogs are lying in a patch of lush, green grass surrounded by leafy plants. One small brown dog is sitting upright in the top left, panting happily. A larger brown-and-white dog is lying in the middle, also panting, with a bright pink and green frisbee in front of it. A white dog with light brown ears and face is lying on its back in the bottom right, looking relaxed and playful. The scene is outdoors, and the grass is vibrant and slightly overgrown.
A dramatic, colourful poster features a high-speed train spiralling around a towering figure of a glamorous person with short, styled hair, wearing a black leather outfit with gold details and large earrings. The train twists and loops like a roller coaster, with various passengers hanging out of the windows in exaggerated, panicked poses. Some are screaming, gesturing, or clinging to the sides, while a group of flight-attendant-like characters in red uniforms stand and react on top of the train. The scene is set against a stormy sky with lightning bolts and dark clouds. The train explodes through rocky terrain at the bottom, with pieces of debris flying. Bold, yellow 3D block letters in the centre read: “STOP! THAT! TRAIN!”
An animated illustration of the character Hong Kong Phooey jumping energetically from an office filing cabinet drawer in a cityscape. He is a brown dog wearing an orange karate robe with a yellow belt, smiling widely with one paw in the air. Beside him, a chubby yellow-and-black striped cat is being pulled along, looking startled as it punches the air. In the background, several tall grey and brown city buildings rise against a blue sky with light clouds. A small green car with helicopter blades flies in the upper left corner, piloted by a character wearing orange. At the top of the image, large orange text with black outlines reads “HONG KONG PHOOEY.”
A colourful illustrated poster shows an older woman with white curly hair, wearing a large navy blue sailor hat, a black coat with gold buttons, and a flowing red scarf. She is water skiing on an oversized wooden ski while holding a rope, her arm extended forward and her expression determined. Beneath her, a group of sailors in blue uniforms row on the same ski and a woman in a pink bathing cap and swimsuit clings to the back. White water splashes around them against a bright blue sky. At the top, bold yellow text with a black shadow reads “MURDER AHOY.”
A bright yellow poster featuring a cartoon illustration of two older individuals riding a rocking horse. Both are dressed in formal black attire with bowler hats. The person in the front has white hair and a stern expression, holding a riding crop in the air, while the person behind appears heavier, wearing a checkered coat, and has a slightly worried or nervous expression. The rocking horse is white with a red bridle and saddle, its legs bent as if in motion. In large, stylized red letters at the top, it reads “Murder at the Gallop,” with “the” tilted diagonally. In the background, faint silhouettes of galloping horses are visible.
A young man is sitting in a dark car at night, illuminated softly by a dim light, looking intently at an object in his hands, possibly a small card or photograph. Outside the car window, a suburban house is visible with warm yellow light spilling from the front porch. A shadowy figure stands on the porch, silhouetted against the doorway. The scene has a tense, moody atmosphere, with blurred streetlights and reflections in the background. The word “OBSESSION” appears at the top in bold, white letters with a subtle rainbow glow around the edges.
A vintage illustrated poster features a steam train speeding along tracks under a dark blue night sky with a full yellow moon. Smoke billows from the engine as the train moves from left to right, with a figure in green seemingly running near the tracks. The ground beneath the train and the foreground is coloured a striking red. On the right side, a caricature of an older woman with a stern expression is depicted, wearing a green coat, a black hat with white curls peeking out, and holding a walking stick. A revolver is tucked into her coat pocket. At the top, large yellow letters read “MURDER” and slightly smaller yellow letters below read “SHE SAID...”
A vibrant movie poster featuring the title “JOURNEY TO THE WEST: CONQUERING THE DEMONS” at the top in golden letters with a decorative yellow border and geometric patterns in the corners. The centre of the poster shows a massive Buddha statue with one hand raised and surrounded by numerous flying swords. In front of the statue are several characters: a man in white robes with messy hair and hands pressed together in prayer, a confident woman in a white top reaching her hand forward, a woman with long hair wielding a weapon, and a man in a scholar’s hat holding an open box. A pig-like creature dressed in yellow and a large, menacing fish-like demon appear near the bottom. Smaller figures engage in action poses, including one leaping with a weapon, while waves and golden light form part of the background.
A dark, menacing image of a wolf’s face with glowing white eyes and its mouth wide open, baring sharp fangs and teeth. The fur is barely visible against the black background, highlighting the intense expression and eerie glow of the eyes. Inside the open mouth, the word “WOLFEN” appears in jagged, white, claw-like letters, blending with the sharpness of the teeth to create a horror-themed visual.
A movie poster featuring a shirtless man holding a pillow in front of his body, with two interlocked male and female symbols below him. Beneath this image are two black-and-white scenes: the left shows two smiling young men interacting with a serious man in a military uniform, and the right depicts a shirtless young man lying in bed, embracing and kissing a smiling woman. At the bottom, red text reads “THE GAY DECEIVERS,” with the word “GAY” styled in a cursive font.
A group of people and various sheep are standing in a grassy field in front of a silver trailer under a blue sky with some clouds. In the centre, a man wearing a flat cap, tan jacket, and brown pants holds a shepherd’s crook and smiles. Surrounding him are several sheep of different colours, including white, brown, black, and tan, along with a few lambs. Behind him, six other people stand: a young woman in a red sweater, a man in a yellow sweater and green cap, an older woman in a purple skirt suit holding a matching handbag, a man in a light blue shirt and dark tie with a police-style cap and crossed arms, a woman in patterned clothing and glasses holding a cup, and a young man with blond hair and glasses holding a camera. On top of the trailer, several sheep and a black ram with curled horns stand and look forward. At the bottom of the image, large white text reads “THE SHEEP DETECTIVES,” with the letter P stylized as part of a magnifying glass.
Two people, a man and a woman, are running hand-in-hand down a long wooden pier toward a pavilion with a blue roof, surrounded by multiple lampposts. The sky is overcast with soft, muted tones of sunrise or sunset. The water on either side of the pier appears calm and misty, blending into the horizon. At the top of the image, the words “NEVER LET ME GO” are written in large, thin, white, modern font.
A vintage martial arts movie poster features a man in traditional Chinese warrior attire holding a sword in a battle-ready stance against a red and purple background. Below him, a woman in a red and blue robe wields a sword while standing beside a man with long hair seated in a large, mechanical wheelchair. In the background, a group of warriors in colourful costumes stand together holding weapons. The title in black Chinese characters appears prominently across the centre, with the English title “SWIFT SWORD” in blue letters to the right. Additional yellow and red Chinese text appears across the top and bottom of the poster, along with a small “SB” logo in the bottom left corner.
A freshly baked round loaf of artisan bread with a golden-brown crust and star-shaped scoring rests on a metal cooling rack. The crust shows a mix of crispy textures and lightly floured areas, with deep ridges from the scoring pattern. In the background, there is a blurred kitchen scene with a red stand mixer, a green object, and a white plate. The surface beneath the rack is a wooden countertop dusted lightly with flour.
A bouquet of fresh flowers in a clear glass vase filled with water, placed on a black and gold patterned tray. The bouquet includes cream and pink roses, white daisies with yellow centres, white alstroemeria, small white filler flowers, and green leaves. The table beneath the tray is covered with a patterned fabric featuring red, orange, and blue designs. In the background, a dark wooden chair and part of a kitchen counter are visible, slightly out of focus.
A dramatic, colourful image featuring a blue hand with long, sharp, silver nails and adorned with large, sparkling rings emerging from a burst of vibrant, jagged shards of pink, purple, and blue. The background is a cascade of glittering, sequin-like textures in shades of red, purple, and teal, with scattered glowing particles creating a cosmic, otherworldly effect. At the bottom, the bold, glowing turquoise text reads “QUEENS OF THE DEAD,” with “OF THE” nested within the larger word “DEAD.” The overall design is vivid, dynamic, and theatrical, evoking a supernatural or fantasy theme.
A movie poster for “Enola Holmes 3” featuring a collage of characters and settings. At the top, a young man and woman stand close together, with the man leaning his forehead against the woman’s; she smiles slightly with her hair styled in an intricate braided updo and wearing a cream-coloured Victorian dress. Behind them, an ornate clock face and architectural elements are visible. Below them, several characters are depicted: a woman in a blue dress with a green scarf holding flowers, a man with a beard in a blue coat and hat, another man in a teal suit and yellow bow tie holding a pipe, and a serious-looking woman in a green jacket. The background features a historic building with classical architecture, flowers, and cacti scattered around. At the bottom, a young woman in Victorian attire runs along a coastal cityscape with domed buildings and golden sunlight reflecting off the water. The words “Enola Holmes 3” appear prominently across the middle in bold, stylized letters, with the number 3 in a gold medallion.
A movie poster featuring the title “CHINESE MACK” in bold yellow letters with a red outline at the top. The central figure is a shirtless man with a muscular build, short black hair, and a tattoo on his shoulder, crouching in a martial arts stance with fists raised. Behind him is a burst of bright blue light radiating outward. On the left side of the poster, there is the head of a young woman with short black hair and a serious expression, wearing a blue collar with purple trim. On the right side, another young woman with long dark hair styled with decorative hairpins and earrings looks slightly off to the side with a calm expression. The overall design has a dramatic and energetic feel.
A movie poster features a giant green and black reptilian monster with glowing yellow claws and laser beams shooting from its eyes, rampaging through a city. Explosions erupt behind the creature, with fire and smoke filling the streets. Lightning bolts crack across the stormy night sky. Below, terrified people run in panic, some looking back at the monster, while cars and buildings are in chaos. The title at the top reads “Zarkorr The Invader” in large metallic gold letters, and a tagline in yellow says, “Citizens of the Earth Beware!”
A colourful movie poster for the Walt Disney film “Return to Oz.” The top half features a bright green and yellow brick sign with the movie title in bold yellow letters. Below, a young girl with brown hair in pigtails wearing a pink dress rides a wooden couch with ropes and chains, which is attached to a moose-like creature with large antlers and a smiling face. Surrounding her are fantastical characters: a mechanical man with round glasses and a metal body, a tall figure with a jack-o’-lantern head and polka dot sleeves, and a metallic figure resembling a tin soldier with a cone-shaped hat. The background shows a lush green landscape with winding yellow paths under a blue sky with clouds.
A promotional poster for “The Muppets’ Wizard of Oz” features a bright yellow and green background with a golden path leading to the Emerald City in the distance. On the left, a smiling woman with medium brown skin and straight, dark brown hair is dressed in a pink and white checkered top. Beside her are several Muppet characters: Kermit the Frog dressed as the Scarecrow with a brown hat, Miss Piggy as Glinda the Good Witch holding a star-tipped wand, Gonzo as the Tin Man with a silver funnel hat and metallic body, Fozzie Bear as the Cowardly Lion with a bushy mane, and Pepe the King Prawn perched on Fozzie’s head wearing a red shirt. The title “The Muppets’ Wizard of Oz” appears prominently at the top in large green and gold letters with whimsical, curved lettering. The overall poster has a magical, whimsical feel with warm glowing colours.
A movie poster for “Vampires: The Turning” featuring a dark, intense design. The top part of the poster shows the movie title in large, gold text over a black background. Below the title, a large image of a vampire woman with glowing yellow eyes, red skin, and sharp fangs fills the upper right side. In the foreground, a serious-looking man with short dark hair stares forward with a determined expression, lit by a yellowish-orange glow. Below him, another man holds a sword horizontally, ready for battle, with city lights and neon signs in the background. At the bottom of the poster, the tagline reads: “From the one… came the many.”
A dramatic movie poster featuring a young man in traditional Chinese attire with a serious expression, wearing a dark head covering and a light robe with bloodstains. Behind him, an action scene shows sword fighting, with one man slashing another who is spurting blood. The lower section of the poster depicts another intense moment of the man in white swinging a weapon while moving through a wooden structure. Across the centre of the poster, the bold text reads “HAVE SWORD, WILL TRAVEL” in white and orange capital letters, accompanied by Chinese characters beneath it. The background is filled with warm, earthy tones and dynamic motion, emphasizing martial arts combat.
A freshly baked round loaf of rustic bread with a golden-brown crust and deep scoring sits on a metal cooling rack on a wooden countertop. The surface of the bread is lightly dusted with flour, and the crust has a crisp, textured appearance with prominent cracks. In the blurred background, there is a kitchen sink, a faucet, and a bowl of brightly coloured lemons and limes. The overall lighting is warm, highlighting the bread’s crust and texture.
A poster for the 2026 show “Spider-Noir” features a dark, rainy cityscape with a masked figure dressed in a trench coat and fedora crouching on the edge of a building, mid-leap, with white glowing eyes. The character is surrounded by streaks of rain and motion blur, emphasizing speed and action. The title “SPIDER-NOIR” is written in stylized white text across the image. To the right, a review reads: “Spider-Noir 2026. I finally finished Spider-Noir. I loved it. Nicolas Cage’s quirky style just adds to the character of the show. Since you asked, I watched it in both black and white and then in colour.” Above the text, a label says “First Time.” At the bottom are four reaction options: a shocked face emoji, a thumbs-down emoji, a thumbs-up emoji, and a the highlighted reaction, a clapping hands emoji.
A wide view of a baseball stadium with a partially open retractable roof under a cloudy sky. The field is green with players positioned near the infield, and the stands are sparsely populated with spectators. Tall modern buildings rise in the background beyond the stadium. Bright stadium lights illuminate the seating areas, and electronic advertising boards line the outfield wall, featuring a large blue VISA sign and other ads along the field’s edge.
A colourful street painting of a koi fish is depicted on cracked asphalt. The fish is mostly white with large orange and black patches, and features abstract geometric patterns including squares, lines, and a heart shape. The artwork is positioned at an angle, stretching across part of the road near the curb. In the background, there is a sidewalk and buildings with a grey brick façade and brightly coloured window frames in yellow, red, and blue. A bike is locked to a post, a few people are walking, and a chalkboard-style sign stands on the street near a purple and pink triangular barrier. The sky is clear, and the shadows indicate bright sunlight.
An old, sepia-toned map of the City of Toronto and surrounding areas, showing Lake Ontario at the bottom with a large harbour and a sandbar island. The city grid is drawn in the centre near the waterfront, with streets and blocks neatly laid out. To the north are rectangular plots of land divided into concessions and lots, with some waterways and creeks marked. The harbour is labelled, and a marshy area is indicated along the eastern shoreline. The map’s title in the lower right reads “City of Toronto and Liberties,” followed by a note about the boundaries and the surveyor’s information in decorative script. Edges of the map are torn and worn, with visible folds and creases.
A movie poster featuring a martial artist in a white jacket and black pants, mid-air performing a high kick against a group of men dressed in black suits and hats. The background depicts a glowing yellow-orange street scene with traditional-style buildings. Several men are being thrown back dramatically, and axes are flying through the air. At the top, bold red and yellow gradient letters spell out “KUNG FU HUSTLE.” The scene is energetic and action-packed, with a mix of chaos and humour.
A surreal illustration of a planet resembling Earth exploding in space, with cracks, debris, and lightning radiating outward. Emerging from the cracked surface is a red, human-like face with wide, fearful eyes and a partially open mouth, surrounded by molten orange and red fragments. The background transitions from dark outer space to a glowing light behind the planet. At the bottom of the image, stylized red and white text reads “End of the World.”
A group of four people walks through a snowy, futuristic cityscape with tall, sleek skyscrapers in the background. In the foreground, a man in a dark coat with a glowing hexagonal blue pattern on his chest strides forward holding a handgun. Behind him, a woman in a long maroon coat carries a bag, a man with short hair and a two-tone blond style wears a patterned shirt and necklace, and another man in a black beanie and tactical gear carries a large rifle. Snow is falling around them, and the scene has a cold, tense atmosphere. At the bottom, the word “SIMULANT” is displayed in bold, distressed black letters.
A stylized illustration depicts a person with long black hair in two braids, tied with light blue bows, wearing a blue and white gingham dress with a white shirt underneath. Around their neck is a large, shiny gold necklace with the words “It’s Dorothy!” in cursive letters. A tornado swirls in the background on the right side. The image is mostly in shades of grey except for the blue dress, bows, and the gold necklace, which stand out vividly.
A lush garden scene with vibrant red roses in full bloom surrounded by dense green foliage. The rose bush occupies the upper part of the image, with clusters of vivid red flowers and glossy green leaves. Below the roses, bright yellow daylilies with long, arching green leaves are scattered among unopened buds. Sunlight highlights the flowers and leaves, creating a vivid contrast of red, yellow, and green against the darker shaded background.
A stylized, pop-art style illustration of a man’s face in bright yellow with black hair, wearing red-tinted aviator sunglasses that reflect a sparkle of light. He is holding a cigarette in his mouth. The background is a solid red-orange color, and the lower third of the image is black. On the black area, the text reads “THE KID STAYS IN THE PICTURE,” with “THE KID STAYS IN” in red and “THE PICTURE” in yellow, with small star-like sparkles on some of the letters.
A stylized illustration shows a dark, humanoid figure with glowing green eyes outlined in red, carrying a limp, tan-coloured human figure in its arms. Behind them, an apocalyptic cityscape with black building silhouettes is partially engulfed in bright orange and yellow flames. Above the figures, bold black text reads: “IN THE YEAR 2889.” The background is mostly light grey with a large orange border along the top resembling a fiery sky.
A formal portrait of a man wearing a black tuxedo with a white shirt, black bow tie, and a yellow rose pinned to his lapel, set against a completely black background. He has dark, slicked-back hair and a serious expression, looking slightly to the side. Near the bottom of the image, the text reads “The Godfather Part II” in white, with a puppet hand logo above the word “Godfather.”
A man in a black tuxedo with a white shirt and black bow tie is shown against a dark background, holding a brown tabby cat in his hands. He has slicked-back hair with some grey and a serious expression on his face. A red rose is pinned to his left lapel. Below his hands is the text “The Godfather” in white, with a marionette hand symbol above the letters.
Six people standing and sitting against a solid red background. Two men are seated in wooden director’s chairs at the front. The man on the left wears a fitted red long-sleeve shirt, black pants, and black shoes, leaning back with his hands clasped. The man on the right wears a green beanie, wire-rimmed glasses, a tan jacket, a white shirt, and green cargo pants, sitting forward with his hands clasped. Behind them, four people stand: on the far left, a man in a grey pinstripe suit with a red tie; next to him, a woman with long blonde hair in a striped blouse and black pants with her arms crossed; beside her, a man in a grey suit with a red tie and glasses; and on the far right, a man in a light green polo shirt with black trim and dark pants with his hands on his hips. At the bottom of the image, in bold white stylized letters, is the title "The Offer."
A man and a woman are in a warmly lit bar, surrounded by vintage dĂŠcor and hanging lamps. The woman has shoulder-length blonde hair and is wearing a cream satin blouse, holding a black coat draped over her arm, and smiling down at the man. The man, seated on a barstool, is wearing a dark blue suit and gazes up at her with one hand over his chest and the other resting on his knee, holding a cigar. Behind them is a vase of red flowers on the bar, and shelves filled with various bottles, glasses, and decorations. The words "BLUE MOON" are displayed across the bottom in large, light blue capital letters.
A dark, surreal poster featuring a man with glasses and a trench coat standing with his back slightly turned, his face in profile. He appears twice, mirrored vertically, surrounded by a chaotic collage of faces and figures in various orientations, giving a disorienting, dreamlike effect. Two red, heart-shaped balloons or objects with metallic strings appear on either side of the central figure. The background is filled with shadowy, overlapping images of people, including some lying down or looking distressed. In the centre of the image, the word "HOKUM" is displayed in spaced-out, capital letters, with the letter "M" stylized slightly differently. The overall colour palette is muted and dark, with earthy tones and occasional deep red highlights.
A vintage movie poster featuring the title “Heaven and Hell” in bold yellow letters on the left, with large Chinese characters in fiery shades of orange and yellow dominating the center. Above the title is a small blue and gold SB logo with English and Chinese text indicating it is a Chinese film with English subtitles. The background shows dramatic scenes of figures in combat, some holding weapons, silhouetted against a red and orange fiery backdrop. In the middle, a golden ornate gate is surrounded by small figures and shadowy warriors. At the bottom, a man in a dark leather outfit protects a woman in a reddish dress as they embrace, both looking intensely ahead. The lower section fades into a greenish hue, with additional shadowy figures and rows of white Chinese text listing actors and crew.
A freshly baked round loaf of rustic bread with a golden-brown crust and light dusting of flour sits on a metal cooling rack. The bread has deep, irregular scoring patterns that have opened up during baking, creating a textured surface. The cooling rack rests on a dark, quilted-pattern mat on a colourful patterned tablecloth. In the background, there is a black circular tray with a vase of green leaves, and various items like folded fabric and containers are partially visible.
A colourful bouquet of flowers in a glass vase sits on a black tray with a gold geometric pattern, placed on a table covered with a vibrant, patterned tablecloth. The flowers include pink roses, yellow lilies, small yellow flowers, and various green leaves. A small rainbow Pride flag is placed in the bouquet. To the left, there is a round loaf of rustic bread cooling on a wire rack. In the background, a red stand mixer, a black foam roller, and part of a kitchen counter are visible, along with some boxes and kitchen items.
A dramatic fantasy illustration featuring a muscular young warrior with flowing hair, standing in a stormy ocean surrounded by massive waves and mythical sea dragons. The warrior wields a long spear, has a red ribbon swirling around his body, and his feet are engulfed in fire as he hovers above the water. Several serpentine dragons with glowing features emerge from the turbulent sea, with one coiling directly beneath him. Sunlight pierces through the storm clouds above, casting a golden glow on the scene. At the bottom of the image, large yellow text reads “NE ZHA 2.”
A poster with a bright red background featuring two characters from “The Rocky Horror Picture Show.” On the left is a person with short, curly black hair, heavy makeup with blue eyeshadow, red lipstick, and wearing a black sequined outfit with a pearl necklace and a tattoo of a bleeding heart with the word “BOSS” on their upper arm. They are facing slightly to the right, mouth slightly open. On the right is a person with pale skin and long, thin, yellow hair, bald on top, leaning toward the other character with a somber expression, dressed in a dark coat. Large white, distressed text at the top reads “STRANGE JOURNEY,” and a white banner with red text at the bottom reads “THE STORY OF ROCKY HORROR.”
A vibrant, retro-styled poster featuring the band Earth, Wind & Fire. Nine members are standing in colourful, shiny outfits, including flared pants, robes, and jumpsuits in red, orange, gold, purple, turquoise, green, and blue. One member holds a golden electric guitar. Behind them are two large pyramids under a starry night sky with phases of the moon arranged in a semicircle. Above the pyramids is a glowing white starburst and the astrological symbol for Jupiter, surrounded by a circular grid with zodiac symbols along the edges on an orange gradient background. Below the group, the text reads: “EARTH, WIND & FIRE (TO BE CELESTIAL vs. THAT’S THE WEIGHT OF THE WORLD).” The scene has a mystical, cosmic, and Egyptian-inspired aesthetic.
A poster featuring a large, metallic blue robotic head with a stern expression set against a black background. Inside the transparent top of the robot’s head are four young people: two men and one woman in the front, and another man slightly behind them, dressed in punk and rebellious attire including leather jackets and chains. Above the head is the bold red and white text “CLASS OF 1999” in a futuristic font.
A dramatic movie poster featuring several characters in action poses. At the centre, a muscular man with a stern expression and a topknot hairstyle is shown shirtless, flexing his arm as if in combat, with golden bands around his arm. A woman in a light blue traditional Chinese dress with floral patterns and elaborate hair ornaments is next to him, appearing distressed as a weapon is held near her neck. In the background, multiple faded images depict fighting scenes: one shows a man in a dark robe in profile, another shows two men in combat with one holding a golden weapon. At the bottom left, a small sepia-toned image shows another fight with a man and a woman in motion. The title text in bold yellow letters reads “THE KID WITH THE GOLDEN ARM,” with additional vertical Chinese characters to the left of the title. The overall tone is intense and action-packed, with a mix of warm and dark colours.
A man with light brown hair and a short beard floats upside down in a spacecraft, looking out through a circular window into space filled with stars and a nebula. He is wearing a white ringer T-shirt with red trim that has the words “HORSE SHOE BEND AUTO” in red letters and a pair of checkered racing flags printed on it. A pair of glasses dangles from his neck. The interior of the spacecraft is dimly lit with orange and green lights. In the foreground, the title “PROJECT HAIL MARY” is displayed in bright white futuristic font.
A movie poster with a black background. The poster features a group of people in martial arts poses. The text on the poster is in white and yellow. The text reads "Kung Fu Stuntmen: Never Say No!".
A young person with short dark brown hair is lying sideways on a patterned carpet, smiling broadly and looking relaxed. They are wearing a dark plaid shirt. The carpet has a diamond-shaped geometric pattern in shades of brown and beige. Superimposed text near the bottom of the image reads: “MARTY LIFE IS SHORT” in bold white capital letters.
A vintage movie poster with a green background features a large, black-and-white illustration of a blonde woman with long hair and wide, terrified eyes. She appears to be screaming or gasping in shock. In the top right corner, there is a noose hanging down. Below the woman, there is a group of ten smaller figures, both men and women, dressed in mid-20th-century attire, some holding guns and one holding a dagger. They appear tense and alert, with serious or fearful expressions. Along the top of the poster, large, black, blocky text reads “TEN LITTLE INDIANS,” with the noose forming part of the letter “S.” In the bottom left corner, two small silhouetted figures are engaged in a fight, one kicking the other.
A horrifying image of a mummy wrapped in ancient, tattered brown cloth covered with glowing golden runes and symbols, lying in a partially opened stone sarcophagus. The mummy’s mouth is wide open in a silent scream, showing its teeth, and one eye is dimly visible, giving an eerie, lifelike impression. The background is dark and shadowy, emphasizing the decayed, supernatural figure. At the bottom, the text reads “Lee Cronin’s The Mummy” in bold, golden letters.
A vibrant pink rose in full bloom is surrounded by lush green leaves. The petals are layered and slightly ruffled, with a bright yellow centre where a small insect is visible. Sunlight illuminates the flower and leaves, creating shadows and highlights that enhance the texture and vivid colours. The background is blurred, showing hints of branches and a building.
A black-and-white poster features three people standing close together, with a man in front and two women behind him. The man has short curly hair, a beard, and wears a necklace and a striped shirt. His expression is serious. A torn strip with the word “OUTLAWS” in bold black letters on a pink background runs horizontally across the image, covering the lower part of his face. Above, in white italic text, it says, “Criminalised for love. Fighting back with pride.” At the bottom, small credits and production details are visible, indicating the film is by James Lewis and Lex Powney. The background is blurred, suggesting an urban outdoor setting.