Charlie / imaginary hallways

@imaginaryhallways.bsky.social

301 Followers 343 Following

Cisgender white he/him doing rpg things, worshipping da Moon, circling within circles. Made some games here: https://charvus.itch.io Love games, only have done solo things for a while now. Abolish ICE, break bars, free Palestine.

Pen drawing of a Dungeon Girl, a psychonaut who used telekinesis and telepathy to very good effect during the game.
A close-up of what seems to be a digital, pixel-art face created with images copied and pasted atop one another, slightly offset, so that the features along the edges form a strong chin of glitch. Primarily in blues and purples and whites and light grey. An eye is visible, the other seems to be covered with a large rectangle which also covers the nose and some of the mouth. It could represent a large hunk of hair, or a glitchy disguise.
Image of the Pope-fellow spitting hot universal filthy truth into the microphone as a packed crowd of his crew and photographers look like they're doing a slow-motion rugby scrimmage.
Closeup image of the box of horrible pain from Dune, the 2021 movie.
Fisheye lens view of the sky and Sun, contrails and corona have a glitch blue-green afterimage-like effect. The AC unit and a tiny access staircase at the top of a building squat low in the frame, and because skyscrapers are in the background, it looks like a surreal cityscape under a psychedelic sky.
Close-up image of a dog sitting indoors on wall-to-wall carpet, sunlight in the background accentuates her ears which are sticking out to the sides, halfway between up and down. She is mostly yellow, with a splash of white beginning between her large brown eyes, covering her snout, and going down her chest. She looks quizzical, expectant, or perhaps even perturbed. Or simply blank. She was very tired when we brought her home.
A photo of a dog standing on a light-blue deck. The dog's back legs and tail are translucent. A ghostly blur is in front of the dog, the same color as its coat (brindle brown-and-black). Her tail is curved upwards and she is looking at something with her ears perked. Long-exposure photography allows the dog to move and leave a ghostly trail.
Abstract drawing, red pen on yellow paper. Triangles, disembodied eyes, strange sigils, something that looks like a flame. At the bottom are the words, 'Weight you can bear' in all-caps.
3 strange beings - of dark grey skin whorled like heartwood of a tree, naked save for strange horned, bestial masks, hair of what seem to be brown dreadlocks but are also roots, spring into frame. They seem to be the size of young children, and a cut-off figure of a person stands next to them - they only come to the adult figure's waist at highest. 'Wisps' is labelled above the three. One strikes a very dramatic 'one arm out grasping' pose, one has their arms and eyes splayed out, and one has their hands at hips, bottoms of their feet nearly clapped together as they jump the highest of all, as though it were nothing.
Scan of a collage that has been printed and scanned until lossy static textures what you see. What looks like a hill of ridges rises up to a structure on a horizon. The structure extends up into a large circular shape with curves beneath it. In the middle is a starkly presented eye, schlera-white, iris all black, wavering, with a cat's-slit of a pupil filled with static. Text is laid out haphazardly: "UNDER SUN rises", "serene Star, birdsong", "Corridors give way to sandy dune" - the last of which is surrounded by a dark corridor-like framing, connected to overlaid lines in a grid.
Another gif of Logan's Run (1976). Continues the dialogue from the first gif. Logan 3 tells Jessica 6 that 'Sandmen terminate runners'. They 'terminate Runners' by shooting them to death.
Gif of Logan's Run (1976). Medium shot of Logan 3 telling Jessica 6 that he's 'never killed anyone in his life.' He is very serious - if you could hear his words, he would sound like tightly tamped-down anger.
Black background, with a sun in the middle in white, rays all around it. Across a roughly horizontal axis of the sun, an eye squints down.
Shot of Steve Carell from the US version of the Office. He is shaking his own hand (image magic). He has long hair, a blue tie, and a matching waist bag / belly bag / whatever.
Close-up of River Cartwright from Slow Horses looking surprised and grossed out.
Digitally processed image. A vent of sagging grey walls has a black object half-filling it a short distance from the viewer. Darkness pools around the object.
A çäť íñ á třéé stãřęś ďöŵñ ät théè
Black and white, static-y image, abstract collage. An eye-like shape with a 'pupil' of a crescent white shape surrounded by darkness, black static on one side, nearly white on the other, contrasting with the background which seems to come in waves of dark tiny dots. 'soul.' is written below the eye.
A Leman Russ Tank, depicted in two combined drawings. One above is the crab-like tank, its central systems looking like a combination of a human face and crab shell, and below, a Leman Russ that has been destroyed, its armor wrent, underneath you can see a giant humanoid skull beneath the crab carapace. In the foreground, human grunts in duck-like masks walk with a multi-legged servitor-schlepper.
A painting or drawing of the Imperium of 'Man' - the Organ looks like a biomechanical tank, squared off as though to fit in cargo. Humans slump in duck-billed masks, a Ratling beside them squats in a strange helm. An Astartes stands in silver armor, no apparent head - a face on a giant torso, holding a weapon longer than it is tall. A Tech-Priest stands above them all, giant, an angelic golden mocha with three legs and a grimacing face. A Servitor rounds out this, schlepping an enormous backpack, its once-human head seemingly completely replaced with a small, flat box with an antenna spike. In the center, a psyker with a head like a fungus glows with shimmers of the warp.
Movie still of Star Wars: Empire Strikes back, with the money vie title watermarked top-left. Luke Skywalker floats in a tank of fresh, delicious bacta, healing from being nearly frozen to death on Hoth. He wears a fitted bacta tank diaper and breathes through a mouthpiece attached to a length of umbilical cabling. The tank is brilliantly lit in the center of the shot, the bacta at the top nearly white, fading to a strong blue hue. Two medical droids stand on either side, underlit and dimmer. Even a tank of used bacta is valuable.
Screenshot of a sweatshirt. FU GeorgiA is prominently displayed - above in smaller text, 'Freedom University', an Atlanta-area organization helping undocumented folks get higher education, and below, 'Est. 2011'
Shot of Robert Pattison as Batman. Close-in shot of him just after injecting a heroic dose of adrenaline into his leg, eyes rolling back, mouth opening wider and wider in a soundless scream of agony.
Glitch-art of sky, orange-pink jet contrails, and an oak tree. A trail of purple, pink, mauve, and grey images border one side. The contrails are crudely copied and moved in places to look like a sun, or to look like more than two cross. Long horizontal bands of glitchy imagery appear here and there.
Photo of the sky, a thick golden contrail, pink around the edges, is crossed by a newer, thinner contrail, just an impression of one compared to the central one. At the edge of the photo, a water oak's limbs peek. A crossroads in the sky.
An image from the PS2 game .hack//QUARANTINE. A humanoid body with a static-y TV head sits with its back against a low-texture wall. Its face is an abstract image of a person's face glowing from the TV. It is dressed in rags and is hunched over. The area around it, the Net Slum, has a strange mix of textures over dense urban buildings. A fleshy patch on a building across the way has an open eye squinting out. Eyes and octopus tentacles seem to be part of the building texture, as is a traffic sign, pixellated and canted. The place looks slipshod and rough. An area of the game-world not created by the game's devs. A place where discarded data came to dwell.
Still image from the movie They Live (1988). Keith David and Roddy Piper stand before a hotel clerk, wearing identical dark plastic sunglasses, their faces bloody and swollen from an extended fight they had in order to get Keith to wear the sunglasses and see that... They Live.
Still photo of the Cats (2019) movie, of Taylor Swift as a cat-human hybrid singing. She stares directly at the camera, whiskers and smol cat ears and a fancy collar.
Scan of a black-and-white image. Inkblots on paper. What looks like a pair of eyes peaks above a sort-of butterfly-like image; the lower abdomen of the insect seemingly ending in pincers. The wings are a grey-black irregular pattern on the wings and thorax almost looks like a pair of distorted eyes, and eye-like orbs float aside each wing like afterimages. The eyes above all this insect-like imagery look very human, calm, their tear-ducts neatly touched by small dots of what could be antenna from the mask-like butterfly.
Doodle of a man's face in blue pen. Strange abstract shapes spike and flow around parts of him. The paper bears dirt as well. The man's face is distended and wavery with a multitude of lines.