Mika Latokartano

@imaginarytime.bsky.social

290 Followers 774 Following

Skeptic, secular humanist, interested in philosophy and science. Amateur photographer. Nerd. Exploring anthro-complexity, narrative research and sense-making. Theoria, poiesis, praxis, logos. Confessions of a theorist: I'm a theorist.

Poster for The Mummy (1999). A man and woman stand back-to-back in the foreground — he holds a rope overhead and grips a rifle — set against a golden, sandstorm-colored sky. Behind them, a massive shadowy mummy figure rises from swirling sand. In the background: pyramids, biplanes, and rows of silhouetted figures. Tagline reads: "The sands will rise. The heavens will part. The power will be unleashed." Title "THE MUMMY" glows in bold gold letters at the bottom.
A glass of bright orange-pink Aperol Spritz, held up in the foreground, frames a summer view of a calm blue archipelago sea. A small white motorboat is moored at a wooden dock built onto smooth granite rocks, with pine trees and scattered islets lining the horizon under a clear blue sky with light wisps of cloud. Tufts of green moss and lichen dot the rocky foreground.
This is a vertically arranged movie poster for the 1998 German film Run Lola Run, also known by its German title “Lola rennt.” The design is divided into three horizontal strips stacked on top of each other, each showing a blurred side-profile image of a young woman running at high speed. The woman has bright red hair streaming behind her, suggesting motion and urgency. Her face is shown in profile as she runs from left to right in most sections of the poster. The background is heavily motion-blurred in green, black, and yellow tones, giving the impression of speed and frantic movement. At the top of the poster, small white text lists the lead actors’ names, including Franka Potente and Moritz Bleibtreu. In the center strip, the movie title appears prominently: “lola rennt.” The word “lola” is in black lowercase letters, while “rennt” is in bold red lowercase letters. Beneath the title is a red banner with white German text announcing the theatrical release date. The overall visual style is energetic and tense, emphasizing movement, time pressure, and adrenaline. The repeated images of the running woman create a rhythmic, almost comic-book-like effect that reflects the film’s fast-paced narrative.
A minimalist movie poster on a white background. At the top, a small line reads “From the director of *Field of Dreams*.” Beneath it, a tall vertical stack of large metallic-gray names fills most of the poster. Near the bottom, the film’s title SNEAKERS appears in bold, bright red capital letters. Under the title, a tagline reads: “A burglar, a spy, a fugitive, a delinquent, a hacker, and a piano teacher… and these are the good guys.” In the lower right corner, the page appears to peel back like a folded sheet, revealing a strip of faces of main characters of the movie looking forward with curious or cautious expressions, partially hidden under the curl. The design suggests secrecy and intrigue, hinting at a team of unconventional experts.
A colorful, hand-painted poster for The African Queen shows Humphrey Bogart holding Katharine Hepburn on a small riverboat amid jungle chaos. Around them, crocodiles attack, people struggle in the water, and a steamboat explodes in flames, capturing the film’s mix of danger, adventure, and romance.
Overhead movie poster for Paul: a small grey alien with a large head and black eyes stands between Simon Pegg and Nick Frost, who look up in shock. Purple glowing sci-fi background with the tagline, “Who’s up for a close encounter?”
Movie poster of Chevy Chase movie Fletch.
This image is the album cover for Neil Young's 1982 album, 'Trans'. It features a striking, retro-futuristic or synthwave aesthetic with a strong contrast between technology and nature, all bathed in a vivid, orange and red sunset glow.
A bunch of velvet bolete mushrooms on a newspaper to absorb some moisture from the mushrooms.
MacBook Pro 16” 2019 display showing several multi-colored vertical glitch lines. The display is broken.
Thin-crust pizza topped with red onions, jalapeños, blue cheese crumbles, and fresh garlic on a golden, crispy base.
Homemade smoked and dehydrated venison/pork/beef snack sticks.
A bowl full of freshly picked chanterelle mushrooms.
Movie poster for the film Lola rennt. English title Run Lola Run.
This image is a movie poster for the film "Thief," starring James Caan. The poster features a high-contrast, grainy, close-up shot of a man's face, presumably James Caan's character. He is wearing large, round sunglasses that reflect a bright, possibly explosive light source. The light also illuminates the edges of his hair, creating a fiery halo effect. His expression is intense and serious. The background is dark, with what appear to be sparks or embers floating around his head, further suggesting a scene of action or danger. The name "JAMES CAAN" is printed in a bold, white, sans-serif font just below the man's chin. Below that, the title "Thief" is displayed in a large, stylized, blue font with a metallic sheen. The lower portion of the poster contains additional credits in smaller white text, including names like Tuesday Weld, Robert Prosky, and Willie Nelson, as well as production credits. There's an "R" rating symbol in the bottom left corner and a "United Artists" logo in the bottom right. The overall color palette is dark with strong contrasts of orange, yellow, and white highlights against the black. At the very top, in smaller white text, a tagline reads: "Tonight his take-home pay is $410,000... tax free."
Charlie Brown is standing next to a mailbix reading to Linus a letter from Snoopy. Woodstock stands next to Charlie Brown. The letter begins with: ”Dear Round-Headed Kid”.
A jar of pickled jalapenos. There’s a red slice of jalapeno that stands out among the dark green slices. There are also slices of stalk celery in the mix and a bunch of jalapeno seeds can be seen on the bottom of the jar.
Robot Santa from Futurama.
This is a black-and-white Andy Capp cartoon strip, consisting of four panels, featuring Andy Capp, a humorous working-class character, and his interactions with others. Here’s a description of each panel: 1. Panel 1: A police officer is peeking around a doorway, speaking to a woman named Freda. He says, “Sorry, Freda, I’ll ‘ave to break our date—they’ve put me on ‘nights’.” The officer looks apologetic and is wearing a typical British police helmet. 2. Panel 2: Freda, standing at a bar with her arms crossed, replies dismissively, “Suits me! I prefer fellers who aren’t married to their jobs!” She appears unimpressed, with a stern expression. There’s a drink placed on the bar near her. 3. Panel 3: Andy Capp, wearing his signature flat cap, is now at the bar, speaking to Freda. He says with a sly grin, “I’ve got no ties, darlin’—” implying he’s free and available. 4. Panel 4: Freda sarcastically responds to Andy while glaring at him, saying, “I can quite believe it, mate—yer scarf looks like it’s only fit for rags, too.” Andy looks stunned, his scarf loosely wrapped around his neck as Freda mocks its worn-out appearance. The cartoon uses playful humor and witty exchanges to highlight Andy’s laid-back personality and his knack for awkward encounters, a hallmark of the series.
This photo captures a serene and atmospheric scene of a yellow boat turned upside down on a sandy shore. The boat is the central focus, with its bright yellow hull standing out vividly against the muted, misty backdrop. The smooth curves and ridges of the boat’s design are highlighted, leading the viewer's eye toward the horizon. The shore is strewn with patches of dried grass and sand, giving a natural, slightly untidy look. Behind the boat, the beach gently slopes into a calm body of water, partially covered in mist, which creates a mysterious and tranquil ambiance. Rocks and small pools of water are visible in the distance, leading toward the foggy horizon where the water and sky blur seamlessly together. The atmosphere is quiet and contemplative, with soft lighting and subdued colors (apart from the bold yellow of the boat) that evoke a cool, misty day by the sea. The image feels isolated, peaceful, and reflective, emphasising the simplicity and beauty of the natural environment.
This photo features Annantalo, a historic building in Helsinki, Finland, captured during a nighttime event. The building’s light-yellow facade is illuminated with a vibrant projection of orange and red flames, creating the illusion that the structure is engulfed in a dynamic, artistic fire. The flames dance across the windows and walls, providing a striking contrast to the dark blue evening sky above. In the foreground, there are bushes that add to the depth perception, while the ground is blanketed in snow, reflecting the warm light from the projection. To the right, an old water pumpt stands prominently, partially covered in snow, adding depth and a sense of place to the scene. The surrounding area to the right, near the building, shows groups of people, dressed warmly, are seen walking or gathered near the building, enjoying the festive atmosphere. The modern and historic architecture of nearby buildings frames the scene, blending Helsinki’s urban character with the enchanting ambiance of the light installation. The overall mood is vibrant and lively, showcasing the cultural and artistic spirit of the city during wintertime.
This photo is an artistic and colorful close-up of a wooden barn wall, capturing the natural texture of the wood combined with vibrant, enhanced colours. The planks are vertical, with visible grain, knots, and subtle imperfections that give the surface a rustic and organic feel. The lighting in the image is dynamic, with warm, golden tones illuminating portions of the wood, likely caused by sunlight casting through slats or windows. This creates bold contrasts between areas of light and shadow. The light is layered with cooler hues of blue and purple, blending with the natural brown and reddish tones of the wood, resulting in a visually rich palette. The interplay of warm and cool colors makes the wood appear almost abstract, with a painterly quality. The overall mood is vibrant and intriguing, with the combination of natural textures and vivid colors creating a sense of warmth, depth, and artistry. The image seems to highlight the beauty in everyday objects, encouraging a closer look at the ordinary.
This image shows a freshly baked Italian pinsa, a variant of pizza with a distinctive oval shape and rustic, slightly irregular edges. The crust is golden-brown with a crisp texture, indicating it was cooked at a high temperature. The toppings are generously spread across the surface, including: • Thin slices of cured meat, possibly prosciutto or speck, which are slightly crisped and add a savory element. • Pieces of artichoke, pale yellow-green, scattered throughout, adding a soft, earthy texture. • Dark, sautéed mushrooms, which give a rich, umami depth to the dish. • A light dusting of grated cheese, melted and slightly browned, enhancing the flavors. The pinsa is placed on a baking sheet lined with a non-stick mat, and there are a few crumbs and bits of topping scattered around, adding to the homemade feel of the image. The dish looks hearty and artisanal, with a balance of textures and earthy flavors characteristic of Italian cuisine.
This image is a promotional cover for the science fiction show Sapphire and Steel. It features two main characters, Sapphire and Steel, standing next to each other in a formal and composed pose. Sapphire, portrayed by a blonde woman, is on the left, wearing a light blue blouse with a soft, flowing fabric that conveys elegance. Her expression is confident and enigmatic, reflecting her role in the series as an intelligent and powerful being. Steel, a man with short, light brown hair, is on the right. He is dressed in a gray suit, complete with a tie, giving him a serious and professional appearance. His expression is intense and reserved, aligning with his stoic and no-nonsense personality in the show. Between the two characters, Steel is holding an antique-style clock with a wooden frame, emphasizing the show’s theme of time manipulation and its importance to the storyline. The background is a simple gradient of blue, with the title Sapphire and Steel prominently displayed in bold white and light blue letters above the characters. At the bottom of the cover, there is a small red banner that hints at new and exciting adventures. The image conveys the mysterious and timeless nature of the show, reflecting its themes of solving otherworldly phenomena and confronting disruptions in time.
This image captures an abandoned, decaying room with an atmosphere of neglect and desolation. The floor is a checkerboard pattern of black and beige tiles, many of which are cracked or stained. The walls are peeling, with patches of bright green paint faded and chipped, revealing rough concrete and weathered plaster underneath. A few remnants of the room’s former life are scattered around. A blue armchair, worn but still intact, sits to the right near a window, facing the open space as if someone once used it for solitary reflection. Near the armchair, wooden boards lie on the floor, possibly parts of broken furniture. In the foreground, an old newspaper is partially crumpled and dusty, hinting at the passage of time. The room has two windows, one of which is partially open, allowing natural light to enter and illuminate parts of the room, highlighting the dust and details of decay. The open door in the back shows a glimpse of greenery outside, a stark contrast to the room’s dark and abandoned state, suggesting the resilience of nature outside the decaying interior. The overall mood is one of abandonment, with hints of mystery and nostalgia, evoking questions about the room’s past and who may have occupied it long ago.
This image captures a serene sunset on the coast of Hanko, Finland. The colors of the sky are a vibrant gradient of warm hues, ranging from deep orange near the horizon to soft pinks and purples higher up, fading into the darker blue of the evening sky. The water is calm, its surface appearing smooth and glassy due to a long exposure effect, which enhances the tranquil and ethereal quality of the scene. A line of rocks juts out from the shore, leading the eye from the foreground toward the horizon. The rocks are partially submerged, softened by the gentle lapping of the water, which blurs into a misty effect around them. The shoreline in the foreground has a sandy, reddish-brown texture, with subtle footprints and scattered pebbles adding a sense of grounded reality to the dreamy seascape. The scene is peaceful, almost surreal, evoking a sense of stillness and solitude as the day transitions into night. The soft, pastel tones and the quiet composition emphasize the natural beauty of the Finnish coast.
This image is a triptych consisting of three circular, abstract representations of frozen ice. Each circle appears as a textured, frozen world, highlighting intricate details of ice, cracks, and patterns. Left Panel: This image has a cold, blue tone, giving it a feeling of icy depth. The swirling shapes and lines almost resemble an alien face. Middle Panel: The central image is rendered in a warmer, sepia or amber tone, providing a stark contrast to the left panel. The texture here is more flowing, with winding curves and softer lines, evoking a sense of movement and warmth within the frozen structure. The abstract shapes are reminiscent of organic forms, almost like a topographic map. Right Panel: The final image, also warm-toned, has an intense, symmetrical design that draws the viewer's eye toward its center. This panel also has a resemblance of an alien face. Together, these three images explore the diverse textures and forms of ice, transformed through color and shape into abstract, otherworldly images. The interplay of warm and cool tones across the panels adds a dynamic balance to the composition.
This image depicts a serene and almost haunting winter scene. A person is walking away from the camera, leaving deep footprints in the snow. The figure is silhouetted and fades into the distance, creating a sense of isolation or solitude. The snow stretches out in front, completely covering the landscape, and the footsteps create a clear path leading toward the figure, drawing the viewer's eye into the image. The sky is a deep, cool blue, blending with the white and blue tones of the snow-covered ground. The atmosphere is misty or foggy, particularly toward the horizon, where the figure seems to be heading into a bright, diffuse light. There are faint shapes of trees or land far in the distance, shrouded in mist, adding to the ethereal and mysterious mood. The overall feeling conveyed by this image is one of quiet reflection or journeying into the unknown, heightened by the soft lighting and smooth, undisturbed snow. The vastness of the snowfield emphasizes the isolation of the lone walker.
This image depicts a modern architectural scene with a strong focus on glass and steel structures. The photo seems to capture the interior of a building, possibly an atrium, looking upwards through a cylindrical glass elevator shaft. The structure is composed of several layers of transparent glass, creating overlapping reflections of various architectural elements like beams, railings, and windows. The reflections and play of light create a kaleidoscopic, almost abstract composition. The color palette is dominated by cool blues and greens from the glass and steel, contrasting with warm tones from wooden or metallic accents seen through the reflections. The light coming through the windows above adds a sense of depth and geometric complexity, with lines and shapes interweaving. This creates a visually intriguing image with strong architectural elements, making it both abstract and futuristic in its appearance.
This image is a creative and artistic photo of a reflection on a puddle. The puddle is on a cobblestone street, and through the reflection, you can see part of a historic building with large windows and a streetlamp. The colors are muted and earthy, with shades of brown, gray, and yellow, creating an autumn-like atmosphere. The reflection shows a person walking while pushing a stroller, with the figure somewhat blurred, adding a sense of motion and a dreamlike quality to the scene. The perspective is inverted because the reflection is captured in the puddle, which gives the photo an abstract and surreal feeling. The texture of the cobblestones is prominent, adding depth to the image.
A cover for a Peanuts comic. Charlie Brown and Linus van Pelt are leaning on a red brick wall on a summer day. Charlie Brown seems a bit pensive, perhaps lost in thought. Cover text reads: “Summers fly, winters walk”.
According to your answers, the particle which fits your personality best is a muon. The muon is the big sister/brother of the electron. It has a mass 200 times greater than the electron. After 2 microseconds, muons typically transform into electrons and neutrinos. Muons are created all the time in our atmosphere by cosmic particles.
A baking plate filled with chanterelle mushrooms:
An image from the second episode of Blackadder the Third, ”Ink and Incapability”. Dr. Johnson is feverishly writing down new (made-up by Blackadder) words into his Dictionary that was supposed to have been complete.