ᴇᴅɪᴄɪᴏɴᴇs ɪɴᴇᴅɪᴛᴀs

@ineditas.bsky.social

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on Tongva territory, a.k.a. LOS ANGELES. an anti-colonial & anti-political prole project for ANARCHY & COMMUNISM, in the mix since '98. website: ineditas.noblogs.org

a photo of a waymo vehicle covered in graffiti and in flames, pluming smoke.
a photo of a back of a silver SUV. hung with red tape, a cardboard sign hangs. printed texted of black on white reads as "everything must go."
a photo of a corner section of wall, with a gate atop it and palo verde trees behind. in the foreground graffiti in blue paint reads, "ABAJO EL TRABAJO".
a black & white photo of a Parisian bridge, with views of buildings on the far side of the perspective. graffiri on the bridge wall reads, "soyez realistes, demandez l'impossible." from may, 1968.
a photo of a white banner tied on a black metal fence. text reads "inland empire anarchist bookfair." a black flag is masted from the fence.
a poster for 1994 MTV cartoon series, "The Head." The titular character, a man with a tall & oblong head, is seen pointing into the sky. A purple alien sidekick is beside him with a walkie talkie. "The Head" title is emerging from the top of his head.
This is a black and white photograph showing a Jack Parsons in formal attire (suit and tie) examining the fuse on an explosive device.
a screenshot of black text on a white background, "It should be noted that something like a communisation thesis was arrived at independently by Alfredo Bonanno and other ‘insurrectionary anarchists’ in the 1980s. Yet they tended to understand it as a lesson to be applied to every particular struggle. As Debord says of anarchism in general, such an idealist and normative methodology ‘abandons the historical terrain’ in assuming that the adequate forms of practice have all been found (Debord, Society of the Spectacle (Rebel Press, 1992), § 93 p.49). Like a broken clock, such anarchism is always capable of telling the right time, but only at a single instant, so that when the time finally comes it will make little difference that it is finally right."
Black and white image, banner is black with white letters reading: NI DICTADURA NI DEMOCRACIA VIVA LA ANARQUIA
a graphic with a yellow star, anthropomorphized to have a smiley face, surrounded by festive balloons and noise makers. overlaid is bold black text which reads, "AI project down."
a line drawing illustration of a bird saying "awebo! awebo!"
a propaganda poster by British anarchist group, Class War. At the top in stylized text, reads "Class War" with anarchist circle-As on the As. A black white photo below shows a cemetery with rows of white crosses. Below reads text as, "We have found new homes for the rich."
a photo of a flaming and tagged up waymo vehicle.
a photo of graffiti which reads "FUCK ICE."
a triptych of film captures. first panel shows a woman crying, with subtitle reading "please, God. please" and a vampire looking on. the second panel shows the vampire look up at the sky and asks "God?" in the third panel a close of the vampire shows he says "No God."
a photo of a bridge lamp with "fuck ice" written on the lamp base. a blue sky is in the background.
a black and white, high-contrast, photo shows a man in a broad hat with outstretched arms and his face held up. men behind him in white look on. over the top of the photo is the word "crudos" in Old English font. at bottom it reads, "ilegal, y qué?"
an illustration of an Ouroboros, a snake looped in a circle, swallowing its own tail.
a black and white photo of an anti-ICE protest in Santa Aana. on a road barrier graffiti reads, "no paz al puebo. no paz al gov."
a photo of a bus stop advertisement for the film "Melania." written over is the phrase "FUCK TRUMO." In the background a chainlink fence and traffic street lights.
a black and white photo of Samuel Beckett from his left side. He is looking down at his sunglasses, sporting a knit sweater, a bag with large silver clasps, slacks and a silver timepiece.
The cover for a split ep between groups Chat Pile & Portrayal of Guilt. Cover art shows an explosive head on crash between two 80s style cars. two figures emerge from the explosion: one a figure without skin, back to us, and a black figure, both with arms outstretched at each other.
a photo of a fire escape landing outside an old downtown building. a white banner hangs with black text which reads, "i'm tired."
A photo of Cheech Marin in the movie Up In Smoke looking troubled, gazing out his car window.
a screen still from the Simpsons showing homer in front of his home wearing a blue jacket with auburn text that reads "Mr. Plow".
A photo of a professional wrestler in the middle of a move is rendered in black and red. White text overlaid reads as "Elections are ritual sacrifices to the belief that consent equals change which can then give hope that settler rule is transforming into something just. Consent becomes the tool used to mask the colony's continuity. In this way, the act of voting is surrender to the colonizers comfort with manageable change that doesn't disturb property relations, extractive infrastructure, or colonial sovereignty. Settler voters don't question whether the colony itself should persist in its current form, only who should lead it. FUCK HOPE A PROJECT OF INDIGENOUS NIHILISM."
An image of black flags slowly increasing in verticallity, on steps following a staggered arrow that goes from left to right. below in red text reads, " my anti-political journey"
a photo of black graffiti on a red background that reads "fuck jura"
A collage over a white background. Text at top reads, "los angeles' hottest car culture". below three images of cop cars on fire. one from 2020, one from 1970 and another from 1992.
a video surveillance screenshot of a group of people smashing into store display cases. in text overlaid, text reads "crimewave or... Nice Shit For Everybody... ¡¿porqué no Los does?!"
A photo of the exterior of the KIA Forum venue at night. A large banner reads, "NINE INCH NAILS PEEL IT BACK TOUR 2025". Above a projected image of the NIN logo.
A photo of Black & nonBlack Latinx looters taking TVs. Overlaid is text which reads, "In a riot the price of a commodity is reduced to zero. What a sale. Everything must go."
A black and white illustration: a monster truck is in the air, about to crash down on a white van that says "police / ice" it. Over both vehicles black text reads as "chinga la migra!"
Over a photo of persons at a series of conveyor belts, in full body PPE, is overlayed a semi-transparent hot pink box. Stylized text in white, over this box, reads "for a world without work. for anarchy & communism."
a screenshot of a zine cover. in red bold text over a dark blue background reads, "AVULSION." below in white italicized texts reads "we will tear us apart."
During the Soviet invasion of Czechoslovakia, Czechoslovaks carry their national flag past a burning tank in Prague.
A photo of a poster in a golden color frame. A person with medium-length hair is seen laying in a bed, their head resting on a pillow. Text overlaid reads as, "I didn't go to work today... I don't think I'll go tomorrow. Let's take control of our lives and live for pleasure not pain."
A screenshot of a Reuters article with the headline: "Big Tech may be breaking the bank for Al, but investors love it" The deck reads:"Big Tech is spending more than ever on artificial intelligence - but the returns are rising too, and investors are buying in." The text for a graph shows a 162% in the value of the so-called Magnificent Seven.
A photo of a streetside mural. Flanking the left, bottom and right side of the mural is an aztec meandering border. In the center a Native family with a woman with an infant in a sling and a monarch on her head and a red face covering. To her right is a child with a yellow face covering. To her left is a man in a black balaclava. Above their head a phrase in Spanish reads: " Una comunidad unida es más segura."
"The historical moment when Bolshevism triumphed for itself in Russia and social democracy fought victoriously for the old world marks the inauguration of the state of affairs that is at the heart of the modern spectacle’s domination: the representation of the working class has become an enemy of the working class. "
A panel from Love and Rockets where a character on the left says "we are anarchists to the communists" and another character says "and communists to the anarchists."
A photo of Chacal, a running character on Spanish-language television show Sábado gigante who wears a costume of black over their whole body and bands od silver across it's body, waist shoulders and marking their face. The character holds a brass horn.
A photograph of the 101 Freeway running through Downtown Los Angeles. Protestors view from a bridge CBP SUVs pelted by rocks, e-scooters & fireworks.
A propaganda poster by Class War. White stylized script reads at the top as "Class War." In the center a cross-filled cemetery. At the bottom it reads, "We have found new homes for the rich."
A photo of a Mexico City printing press office called El Hijo del Ahuizote. A banner is hung that reads "la constitucion ha muerto."
A panel from a comic strip where two persons are speaking to each other, a word bubble above the first person says "what do we work towards?". a world bubble above the first person says "The liberation from work!"
a spray painted tag on a off-white wall, "ICE Me lo pelan!"
A photo of a close of face mural of Nintendo character, Luigi.
A bus stop advertisement for movie, "The Phoenician Scheme" with Benicio Del Toro in a tub with a cigar. Sprayed over this advertisement is the phrase, "FUCK ICE."
A white image with red text, at the center is an illustration by José Guadalupe Posada of dancing skeletons at a pachanga. Red text at top and center reads as "the abolition of work is the real movement which abolishes the present state of things or it is nothing!" Two red circle-As symbols flank the center illustration. At bottom, red text reads as "the abolition of work is not a moment, a season or a lifestyle. it is part of the content of communism!"
a stylized script of the phrase "comunismo y anarquía" in black marker on a white background.
A photo from the Los Angeles riots of 1992. In the foreground are 4 persons, along a rock slate wall. In the background a parking lot and a burning store, pluming with black smoke & flames.