JasMinmo

@jasminmo.bsky.social

378 Followers 99 Following

Oneiric, autumnal, liminal.

A page of The One Ring second edition’s core rulebook, signed by Sean Astin.
An illustration of an oil refinery in the early morning, grey smoke and white lights against a black foreground and a black sky.
Jinx, from the original Teen Titans cartoon, looking mean, but in a cute way maybe??
JasMinmo, standing out in nature, wearing a denim jacket with an Ernalda pin and a “good luck” Hello Kitty shirt.
The eye of the Uffington White Horse on Whitehorse Hill, the oldest horse on the hills of Britain, made of chalk ground into trenches. I took this picture.
G.K. Chesterton’s poem “The Ballad of the White Horse,” printed on demand - which is why there’s just a random white horse in front of the sea on the cover.
“The Zero Wane: Early Lunar Art from Blessed Torang,” containing Gloranthan art by the peerless Katrin Dirim depicting the life of Teelo Estara/Teelo Imara before her ascension, when she danced the Red Moon into the sky. The cover portrays the Battle of Four Arrows of Light, where the Lunars decisively defeated the Carmanian Empire. Teelo Imara, on the far left, is haloed in power offered to her by her worshippers. Above the battle, Kana Poor, Scribe of Time and Wielder of Age, drives back the Carmanian deities; the Carmanian war god Humakt bears down on Lunar General Yanafal Tarnils, Ram and Warrior; and Irrippi Ontor, Master of Secrets, bedazzles and defeats Carmanian spirits. Below, the Char-un horse nomads and Lunar foot troops clash with Carmanian cataphracts.
That’s right, I have the fancy printing of “The Twisted Ones,” written by Ursula Vernon under the pen name T. Kingfisher. The deer skull (not upside down) is in the center, surrounded by leaves and stones with faces carved on them, and I made faces like the faces on the rocks, and I twisted myself about like the twisted ones, and I lay down flat on the ground like the dead ones, and I made faces like the faces on the rocks, and I twisted myself about like the twisted ones, and I lay down flat on the ground like the dead ones, and I made faces like the faces on the rocks, and I twisted myself about like the twisted ones, and I lay down flat on the ground like the dead ones—
“Rumo and his Miraculous Adventures,” a surrealist fantasy novel by German author Walter Moers. In the title, a baby Rumo clutches the talking knife Dandelion; two dinosaurs, a Clockwork Killer and a wolpertinger are at the bottom.
A copy of the supplement “Vermissian Black Ops” for the tabletop roleplaying game “HEART: THE CITY BENEATH.” Three dissident dark elves are in the abandoned subway tunnels of the Vermissian. The one in front brandishes a rifle, the one behind (wearing a diving helmet) waves a mace, and a third in a gas mask seems to have noticed a growing light in the tunnel behind…
A copy of Peter S. Beagle’s “The Lasy Unicorn,” with a unicorn as the focal point of the cover.
A copy of “In the Night Garden,” the first part of the Orphan’s Tales duology by Catherynne Valente. Characters from its many interlocking stories are depicted.
The cover of the limited edition of Moria - Through the Doors of Durin, depicting the Door itself in silver on black faux leather.
A green d20 displaying 12 on its face, lying on a leather dice mat depicting Thorin’s map from “The Hobbit.”
A view of the Temple, taken from the edge of the inner courtyard.
A shelf full of books for the world of Glorantha. (The brown leather cover is protecting “Kingdom of Heroes.”)
A stack of books, including from top to bottom: Basil Johnston’s “The Manitous,” Catherynne Valente’s “In the Night Garden,” Ted Hughes’ “Selected Poems 1957-1994,” Lord Dunsany’s “The King of Elfland’s Daughter,” T. Kingfisher’s “The Twisted Ones,” Peter S. Beagle’s “The Last Unicorn,” Catherynne Valente’s “The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making,” Phyllis Ann Karr’s “The Idylls of the Queen,” Brandon Sanderson’s “The Way of Kings,” and J.R.R. Tolkien’s “The Hobbit.”