Jerry

@jeratthemovies.bsky.social

814 Followers 502 Following

Interests include motion pictures, film, and cinema. Opinions included. Toronto.

Two soldiers in flight suits crouch beside a helicopter, looking upward with tense expressions; one holds a clear medical IV bag.
Two bronze sculptures of seated figures in a garden, one reading a book and the other in thought, surrounded by green shrubs and a stone building.
A young musician in a bright blue shirt plays a wind instrument while people behind them strike dramatic, trance-like poses during an outdoor festival performance.
An auditorium event featuring Jane Schoenbrun on a large screen, with text details about the event and an engaged audience in the foreground.
Two women sit side by side in warm amber lighting, one wearing glasses and a red knit sweater in sharp focus while the other, with curled blonde hair, sits slightly behind her in soft focus against a geometric patterned wall.
Three individuals stand on stage; a man in a black coat, a woman in a light blue shirt with a sequined skirt, and another in a blue blouse with a black skirt, in front of an audience with a colorful promotional banner behind them.
A man with glasses is seated on stage against purple curtains, discussing a masterclass. That person is director Nicolas Winding Refn, with event details displayed in a blue text box.
A tall dark metal winged statue stands on a pedestal next to the stone facade of Salle Bourgie Hall, with arched windows and decorative stonework. Lush greenery and flowers surround the area.
Screenshot from Letterboxd of my most recent watches. From left to right: - HER PRIVATE HELL (2026): 3.5/5 ♥️ - THE ODYSSEY (2026): 5/5 ♥️ - STEAL THIS STORY, PLEASE! (2025): 3.5/5 - THE FLAVOR OF GREEN TEA OVER RICE (1952): 3.5/5
A person with dark hair looks toward the camera under dramatic blue and pink neon lighting in a dimly lit room.
Two people in historical-style clothing stand in a vast, barren coastal landscape. A bearded man in a muted green cloak stands in the foreground, while a woman in a light-colored head covering and robe stands behind him. The background shows shallow water, flat terrain, and a pale sky.
A man in a blue suit holds a trophy on stage at an awards event, with an audience watching and capturing the moment on their phones.
A close-up film poster featuring a man in a leather jacket with a purple background, displaying the title "Son Enfer Secret de NWR," and details about the cast and release date.
Promotional poster for "The Odyssey," a film directed by Christopher Nolan, featuring a warrior in armor with a sword, set against a blue forest background. Cast names are displayed at the top, and the release date is "07.17.26" at the bottom.
A poster for "Mile End Kicks" is displayed in a window with street reflections, featuring film credits and several people posing closely together.
A yellow storefront sign for "Mile End Kicks" displays a cat graphic and the establishment year. The shop has a white entrance and large windows showcasing merchandise, while graffiti decorates the upper wall.
Alt text: Book cover of The Loneliness of Sonia and Sunny by Kiran Desai, featuring a dark blue background with decorative circular patterns in gold and blue, pale pink title text, and a Booker Prize 2025 Shortlisted badge.
Bright pink jellyfish floating in a softly lit aquarium tank, with visitors reflected in the glass.
Two abstract human figures made of layered material stand with raised arms, set against large glass windows.
Three individuals at a film event: a woman in a black top and white pants stands beside a woman in a blue top speaking into a microphone; a man with gray hair stands to the right, observing. A screen in the background shows "hotdocs TED ROGERS CINEMA."
Poster featuring a woman holding a microphone with the text "GO TO WHERE THE SILENCE IS, AND SAY SOMETHING." - Amy Goodman, and "Steal This Story, Please!"
Movie poster for "Obsession," featuring a hand holding a heart-shaped object, with the text "BE CAREFUL WHO YOU WISH FOR..." and "ONLY IN THEATRES MAY 15."
Screenshot from Letterboxd of my most recent watches. From left to right: - COURAGE UNDER FIRE (1996): 4.5/5 ♥️ - ACE IN THE HOLE (1951): 4.5/5 ♥️ - THE INVITE (2026): 3.5/5 - COOL HAND LUKE (1967): 4.5/5 ♥️
Three 4K UHD cases on a light background: "The Dead" with a dark cover, "Hairspray" with a colorful design, and "The Wiz" featuring an illustration of characters.
Person in a red shirt and jeans sitting on a red seat, holding a phone and a black backpack. The mood is casual, likely in a public transport setting.
Screenshot of my letterboxd page indicating I've seen 0 Neil Simon movies.
Movie theater display showing a poster for The Invite with four actors around a dinner table, plus a banner above announcing a 4:20 showtime.
Screenshot from Letterboxd of my most recent watches. From left to right: - BACKROOMS (2026): 2.5/5 - TRON: ARES (2025): 1.5/5 - DISTURBING BEHAVIOR (1998): 2/5 - AUDITION (1999): 4.5/5 ♥️
A black-and-white newspaper entertainment page featuring a large headline about Long Day’s Journey Into Night, surrounded by movie ads for Independence Day, Twister, and Eraser, plus a dense grid of cinema showtimes.
A weathered movie poster for Backrooms mounted on a gray stone wall, partially obscured by green plants at the bottom.
A brightly lit movie theater poster for Supergirl, showing the superhero from behind in a red cape, with “Filmed for IMAX” above and a release date at the bottom.
Screenshot from Letterboxd of my most recent watches. From left to right: - ERASER (1996): 3/5 - THE SEARCHERS (1956): 5/5 ♥️ - LEVITICUS (2026): 2.5/5 - SLEEPAWAY CAMP (1983): 2.5:5
A book called The New York Trilogy by Paul Auster next to two 4K UHD discs of Eraser and Audition.
A man and a teenage girl stand on a porch at night, facing each other in warm light.
Black-and-white newspaper advertisement for the movie Eraser, featuring a large photo of a man in the foreground and a woman behind him, surrounded by review quotes. The title “ERASER” and “SCHWARZENEGGER” appear prominently, with “Now Showing” at the bottom.
Digital poster for the film "Leviticus," featuring two male characters embracing in a blue-toned scene, with the title and a quote above them.
Poster for the horror movie Sleepaway Camp showing a blood-stained sneaker hanging from a knife, with a handwritten camp letter in the background and the title “Sleepaway Camp” in dripping red text on a dark background.
Screenshot from Letterboxd of my most recent watches. From left to right: - EL (1953): 3/5 - DISCLOSURE DAY (2026): 4/5 ♥️ - CAROLINA CAROLINE (2026): 3/5 - THE STORY OF A SMALL BUG (2020)
A movie poster for "Disclosure Day" directed by Steven Spielberg, showing a person standing in a field with a large IMAX logo and release date 06.12.26.
A movie poster for "Carolina Caroline" showing two people about to kiss, with the tagline "The sexiest crime thriller of the year" and the main actors’ names above.
Screenshot from Letterboxd of my most recent watches. From left to right: - THE STORY OF A SMALL BUG (2020) - KISS OF THE SPIDER WOMAN (1985): 3.5/5 - STAR WARS: MANDALORIAN AND GROGU (2026): 3/5 - THE DOOM GENERATION (1995): 0.5/5
Opening crawl from the movie Star Wars: Episode I – The Phantom Menace showing yellow text receding into a star-filled space background, beginning with “Episode I – The Phantom Menace” and describing turmoil in the Galactic Republic and a Trade Federation blockade.
A Criterion Blu-Ray of "It Happened One Night" beside the book "Angel Down" by Daniel Kraus.
Newspaper advertisement for Ghostbusters, showing the Ghostbusters team posed beneath the no-ghost logo with the headline “They’re Here to Save the World.”
Boarded-up storefront with “Blue Rose Spa” signs, surrounded by construction fencing in front of an aging urban building.
Screenshot of my letterboxd app showing films logged: THE SWEET HEREAFTER, EXOTICA, EXOTICA, THE LOST WORLD: JURASSIC PARK, G.I. JANE, EXOTICA
Promotional wall mural for The Mandalorian and Grogu, featuring Grogu behind the armored Mandalorian, with “Only in theatres!” text and a vertical sign beside it.
A person wearing glasses and a black Star Wars shirt featuring Darth Vader stands in a modern kitchen, facing the camera with hands clasped in front.
Screenshot from Letterboxd of my most recent watches. From left to right: - HOKUM (2026): 3.5/5 ♥️ - DANGER: DIABOLIK (1968): 3.5/5 - MELVIN GOES TO DINNER (2003): 2.5/5 - PARTY GIRL (1995): 1/5
A book rests on a table beside a steaming coffee cup, creating a cozy reading atmosphere.
Movie theater poster for “HOKUM” featuring a man in a tan coat at the center, surrounded by a collage of faces and scenes, with two bright red heart-shaped locks standing out against the dark, moody background.
Screenshot from Letterboxd of my most recent watches. From left to right: - MELVIN GOES TO DINNER (2003): 2.5/5 - PARTY GIRL (1995): 1/5 - I LOVE BOOSTERS (2026): 2.5/5 - VERNON, FLORIDA (1981): 3.5/5
TV broadcast of a basketball game showing New York players on court with the score 50–28 against Cleveland in the second quarter.
Movie poster for "I Love Boosters" featuring a diverse group of colorfully dressed characters with flower accents.
Screenshot from Letterboxd of my most recent watches. From left to right: - DISCLOSURE (1994): 2/5 - HOWL’S MOVING CASTLE (2004): 4.5/5 ♥️ - SINGIN’ IN THE RAIN (1952): 5/5 ♥️ - MICHAEL (2026): 1/5
Black athletic shoes with silver stripes and orange midsoles on a black and white shoebox.
White door in a dim hallway labeled "1" with a small window. Above, a sign reads "Howl's Moving Castle," suggesting a theater entrance.
Promotional-style banner for the film 12 Years a Slave showing two people facing each other in a dimly lit room, with large title text and a row of ranked movie posters along the bottom