Kaleidic

@kaleidic.com

541 Followers 542 Following

Music (electronic, harsh, dark, drone, odd, industrial, noise rock, gothic, shoegaze, ambient, pop); synthesizers.

Screenshot of everynoise dot com after attempt to search for Decree, reporting no such artist has been mapped.
YouTube promo blurb “What Being Skinned Alive Was Really Like”
Received text message: Anyway if I had a nickel for for every strugatsky book that was adapted into both a janky game and a cult classic art film , I'd have 2 nickels , which isn't a lot but its weird it happened twice .
The deeper issue: theory’s claimed breadth was never actually empirical The discipline’s self-image as a universal descriptive grammar for “music” was built almost entirely by induction from the common-practice tonal repertoire (roughly Corelli to Brahms, with jazz and pop harmony as a later graft using the same functional logic). It was never tested against drone, spectral, or non-pulsed music because that material didn’t exist in the canon-forming period. So the claim to universality wasn’t falsified by Roach — it was never actually warranted in the first place. That’s an important distinction from your framing: it’s less “theory failed when tested against new music” and more “theory’s universalist claims were always parochial, and ambient drone music simply makes the parochialism visible.”
Contradicting the post’s text suggesting this is a modular synthesizer, the picture is of the flight deck of a Concorde supersonic airliner.
Still photo from The Prisoner with the central character looking warily at the enforcement sphere, framing a helicopter behind them. The sea forms the far background.
Synthesizer setup including original Grendel Drone Commander, GDC2, C4RBN, Mercury7, Timeslip, and several mixers.
Two similar images of an arm, one beside the other. In both pics the arm is muscular with bulging veins. The first is captioned “Before investing in Eurorack” and the arm grips the steering wheel of a car going down a highway. The second is captioned “After investing in Eurorack“ and the arm grips the seat ahead on a public bus.
Excerpt from a Google AI response: 1. The Mask of Scientific ObjectivityThe anti-Romantics believed they were grounding music in a stable, universal reality rather than opening it up to the postmodern "death of the author".Formalism as Science: Hanslick aimed to turn music aesthetics into a "scientific" discipline. He argued that beauty was an inherent property of the musical object, not a subjective feeling in the listener.The Illusion of Purity: By stripping away external stories, they thought they were finding the "pure" essence of music. They didn't see this as a postmodernist deconstruction, but as a Classical restoration.
Screenshot from extreme corner of chart labeled HOW USELESS IS YOUR GEAR? showing two categories, “spends more time browsing reverb.com than making music” and “stuck on a GAS treadmill”
Faked still from sensationalist TV show titled “MY SON WANTS TO BE A DAWLESS JAMMER” A DEVASTATING FAMILY DRAMA with a worried mother’s face.
Photograph of a sidewalk on which a rocket ship with flaming propulsion has been drawn in chalk, the day of NASA Artemis II launch.
Art from 1979 board game The Creature that Ate Sheboygan
Album cover art to Weighing Souls With Sand by the Angelic Process
Album cover of the self-titled debut by Meat Puppets, 1982
Exterior view of entrance to a Buc-ee’s 24 hour truck stop store.
Mounted buck deer head. Colorado kitsch, or perhaps just authentic culture.
A newly arrived stack of ten shrink wrapped CDs rubber-banded together from shipment.
Hands holding a self-help pamphlet with a photo of guitar pedals on a table, titled “SO YOU’VE RUINED YOUR LIFE BY STARTING A NOISE PROJECT”
Panel one: “A new sci-fi fil/TV series just dropped” (pic of astonished Grogu) Panel two: “Spaceships traveling through space make sound” (pic of dejected Grogu)
Album cover art to W by Boris.
Portion of lyrics from the song Billion3: Lend me a trillion We can have a war If you lend me a trillion I'll do things you've never seen before It's an invitation to join the club If wе didn't do it Someone elsе would
YouTube analysis putting me in top 0.1% of Tafony channel viewers.
A YouTube video comment: Robert Fripp once made a deal with the devil. No one knows what Fripp got, but the devil got guitar lessons.
Edison Amberola, a crank-wound cylinder record player
Ad on Google main page from Gibson Guitars displaying a dark purple Gibson Les Paul Studio Modern Guitar, not terribly different from the only guitar Wata plays.
David Lynch refusing to elaborate on the meaning of his film.
Cover art of Nostalgia: 2000-06 by Pedestrian Deposit with note of 44 tracks, 3 hours
The official soundtrack for the 2025 movie Anemone, starring Daniel Day-Lewis and directed by Ronan Day-Lewis, is composed by Bobby Krlic (aka The Haxan Cloak) and will be released on October 3, 2025, alongside the film. The score features guitars, tape machines, and layers of analogue effects, aiming for an unfiltered, childlike sound. The soundtrack will be available on digital music services following the film's theatrical release.
YouTube comment: “Pronouncing Shoegaze like Fugazi” (@mikoiri 1y ago; 4K likes…)
CD packaging for Dire Days in front of autumn-yellow trees.
Photo of Chewbacca on the Millennium Falcon wearing a headset mic and looking incredibly cool.
Europe Emerges: Transition Toward an Industrial World-wide Society 600-1750 Book by Robert L. Reynolds
“I picked a bad time to build a modular synth” over a picture used as the Airplane Wrong Week meme template, for which the script was “Looks like I picked the wrong week to give up smoking.”
Cover art of Dire Days by Snowbeasts
“Don’t say you are an Indie Music fan if you can’t name this band” (with photo of four 80s movie characters who weren’t in a band.)
Section from Wikipedia page on Dinosaur Jr: Lou Barlow has described the Phoenix, Arizona band Meat Puppets as "the singularly most influential band on both Dinosaur Jr. and Sebadoh." The band has also highlighted the influence of Neil Young, Black Sabbath, the Birthday Party, Scratch Acid, Sonic Youth, Green on Red, the Dream Syndicate, and Throbbing Gristle. The band's sound has been described as "combining an insouciant cool with explosions of pure guitar noise."
Sine Mountain at his modular synth, in shadow far left with abstract color screen centered under bone-intensive venue logo above the stage.
Bumper sticker in all caps: “I’D RATHER BE SLOWLY CONSUMED BY MOSS”