karen han

@karenhan.bsky.social

15361 Followers 670 Following

🍒 screenwriter and culture writer 🍊 author of BONG JOON HO: DISSIDENT CINEMA 🍋 reps: lit entertainment/uta 🍐 krnyhan@gmail.com 🫐 https://www.karenhan.org

a road sign that says “churchmans crossing”
martin short trying to act like a real boy in the movie clifford
a google search for burn gorman turning up a picture of him with his forehead tripled
hbo max’s home screen displays footage of MADAGASCAR under the title OPUS
a sephiroth deck box and cute pokemon card sleeves
top panel: a man who looks like guillermo del toro speaking through a shiba bottom panel: a salaryman reincarnated as a kitten
tobias funke standing up and yelling, "there are dozens of us. dozens!"
i'm in this photo and i don't like it
a full-page VARIETY ad reading: "dear sid sheinberg, when are you going to release my film, 'brazil'? terry gilliam"
a pair of hands buckling dollman from DEATH STRANDING 2 into a seat
jonathan pryce in a robot suit with his head turning into explosive magma
john holding a balthier and fran card!
a quiver (a carrying case for magic decks) covered in stickers, along with a playmat tube and a musubi dice pouch
a haenyeo miffy plush with a can of tropical bliss recess drink
a screenshot indicating that my book, BONG JOON HO: DISSIDENT CINEMA, was pirated to train AI
an illustration of a person in anguished tears on the floor
buster keaton holding playing cards in his hand at all different angles
ma dong seok in death stranding 2
an okja plushie and a creeper plushie
a creeper plush 🥹
george constanza with the caption: “i gotta focus. i’m shifting to mickey 17 mode.”
the cover of the book BONG JOON HO: DISSIDENT CINEMA, featuring a photo of the director at work
a screencap of walton goggins’ instagram story in which he has posted a picture of himself with the caption “gatdamn i just realized i look like my favorite emoji”
lemon pig
essay excerpt: But high output alone can’t account for Netflix’s garbage quality. In the 1920s and ’30s, studios like Paramount and Warner Bros. put out as many as seventy movies per year. Around its peak in the ’90s, Miramax tried releasing a new film almost every week. The difference between Netflix and its predecessors is that the older studios had a business model that rewarded cinematic expertise and craft. Netflix, on the other hand, is staffed by unsophisticated executives who have no plan for their movies and view them with contempt.
a lamp in the shape of a pikmin onion
ben affleck staring out to sea
the ben affleck smoking meme (not the one where he's on a balcony, the one where he's standing outside a door)
glowing mr. burns
joe hisaishi performing at the hollywood bowl with the LA philharmonic
the bonkers beautiful rivendell lego set