Dr Auntie Kui

@kui.bsky.social

618 Followers 194 Following

Researcher | Digital Blackness | Black Feminism. Here for mayhem and mucene.

Screenshot of Afroman’s verified Instagram profile (@ogafroman), showing 4,318 posts, 914K followers, and 456 following. His profile photo shows him wearing American flag-style sunglasses and a flag-patterned shirt, with a “Freedom of Speech” themed backdrop visible behind him.
Image of stacked vintage suitcases in different colours and sizes, symbolising travel and migration. Over the image is the title: “No Longer at Home, Yet Never Departed: Why the Term ‘Migrant’ Cannot Contain Blackness.” Below the title, it reads “Digital Black Feminist Life” and “kuimac.substack.com.”
Teal and gold abstract digital background with a quote that reads: “Blackness is an identity that is simultaneously both at home and not at home, on a journey and not on a journey, departed and not departed.” The quote is attributed to Dr Küi Mackay. At the bottom, the image reads “My Digital Black Feminist Life” and shows the website kuimac.substack.com.
Graphic with a teal and gold abstract digital background featuring the quote: “My Blackness was too Black for the project and I was not willing to shrink it.” The quote is attributed to Dr Kũi Mackay. At the bottom of the image, it reads “My Digital Black Feminist Life” and includes the website kuimac.substack.com.
Graphic by BRK Ujima with a dark green background and the title “Why We Reimagined the Most Widely Shared Image in Racial Justice Work.” Four illustrated panels each show a wooden door on a teal wall, representing access to opportunity, with different means of reaching it: (1) Unjust World — stairs only; (2) Racial Equality — a ramp added alongside stairs, same access, different path; (3) Racial Equity — stairs, ramp, and an elevator, multiple accommodations; (4) Liberation — the door is open, light floods out, and there are no barriers at all. © BRK Ujima 2025, CC BY-NC-SA 4.0.​​​​​​​​​​​​​​​​
Deterritorializing gender in Sydney's breakdancing scene: a B-girl's experience of B-boying Thesis posted on 2022-03-28, 13:49 authored byRachael Louise Gunn This thesis critically interrogates how masculinist practices of breakdancing offers a site for the transgression of gendered norms. Drawing on my own experiences as a female within the male-dominated breakdancing scene in Sydney, first as a spectator, then as an active crew member, this thesis questions why so few female participants engage in this creative space, and how breakdancing might be the space to displace and deterritorialise gender. I use analytic autoetthnography and interviews with scene members in collaboration with theoretical
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Selection of plants in a tabletop greenhouse
Screenshot of a tweet and quote tweet. Tweet by Caitlin Jenner saying “Good Riddance #OJSimpson” @j0vintage quote replies with “Didn’t you kill somebody too!?”
A bunch of pinkish roses
A Rolex: A chapati rolled around an omelette. Cut in half and placed on a plate
Much of my formal academic training has been designed to show me that I must alienate myself from my communities, my family, and even my own self in order to produce credible intellectual work - Patrica Hill Collins