Liminally_Ill

@liminallyill.bsky.social

40 Followers 49 Following

Come have fun at the backrooms. It’s not as bad as they say =) Find all my socials and my discord server for Blender liminal spaces creators beginners and advanced at https://linktr.ee/liminallyill Only rule of my discord server is be nice to others 🖤🖤🖤

We fly forward on a green foggy plain under a starry sky. We pass a small house and figures of Bubbles from Powerpuff Girls and Greg from Diary of a Wimpy Kid. We fly towards a green forest with Mario's Pad from Mario RPG. A structure rises revealing Traverse Town. We fly through it. A Koopa Clown Car flies across. We see Whomp's Fortress from Mario 64 amongst the stars and glide past it revealing Zelda standing alone. We approach an isolated concrete platform on an ocean. An Arwing from Star Fox flies past us. We approach the ocean platform with tall buildings. The Koopa Clown Car flies back. The platform has multiple levels connected by a ladder. We fly forward, passing between the towering buildings and zooming towards a small illuminated Oxxo convenience store glowing warmly beneath the starry sky.
Inside an ornate golden gallery, the video is set to Mozart’s “Laudate Dominum,” sung by Katherine Jenkins. The camera glides slowly forward through haze and glowing white light. A distant angel statue stands centered in front of a bright window, framed by the gallery’s curved architecture and by the wings of two closer angel statues. The left angel leans forward over a pedestal with its head resting on its folded arms, while the right angel sits upright with one hand extended outward, holding a wreath. Painted ceilings, gilded ornamentation, tall windows, side doorways, and polished wooden floors are visible through the mist. As the camera moves closer, the central angel becomes clearer, with one arm open toward the viewer. The window light grows stronger until it overwhelms the room, making the architecture and statues fade into a soft, bright blur.
The camera slowly moves forward through an endless, narrow concrete hall under a green foggy sky. The space has one thin walkway on each side, separated by a huge central precipice dropping into darkness. On the right walkway, we pass a black trashcan with a floating balloon tied to it. Ahead, a nostalgic 90s fast food setup appears: colorful burger-shaped stools, a small table, a tray, and a soda cup. Further in, a giant framed painting shows @Angelwangangel’s colorful clown character: pink hair, red clown nose, striped stockings, oversized shoes, and a vivid jester costume in red, yellow, blue, and purple. A second head drawing in the corner removes its mask, revealing the mysterious true self behind it. Beside the painting, a glowing burger carousel stands on a concrete pillar. Its rotating burger seats cast moving shadows on the wall, like Chinese shadow puppetry. The camera pauses near it, then slowly descends as the music fades away. I think I hear tomorrow coming...
We see a bedroom at night through a security camera. A woman is sleeping on the bed, unaware of anything around her. Suddenly, a giant skull emerges from the floor. It slowly rises and glides toward the sleeping woman and stops near the bed, watching her for a moment, then disappears through the floor. After a camera cut, the bedroom's door opens on its own. After another cut, we see the skull again. It floats upward while holding a blanket and moves towards the bed. It gently places the blanket over the sleeping woman, tucking her in. After another cut, the skull floats silently in the room, observing her. Then it disappears through the floor. Sweet paranormal dreams... CREDITS: Bed by the theme, Pendant Lamp by Visual Diverse, Chair by Rex Hans, Skull Smithsonian 3d Scan, Hum sound by Yau Audio
We're in a dimly lit super long and super tall but extremely narrow concrete hallway. It's so narrow that there's barely space for one person. The walls, floor, and ceiling are made of raw gray concrete. We're running towards something in the distance, it's illuminated by backlight. When we arrive we see a simple single bed with a mattress, a pillow, and minimal bedding. A colorful Super Mario 3 poster is above the bed but there's no other furniture or decorations. We lay down on the bed and take our shoes off using our feet. They fall to the floor. We turn the light switch off. Have a good night in this isolated concrete hallway
You're in a boat on a vast ocean with green mist. You see a house on a concrete platform almost at water level, its windows glow pink light from inside. There's a chair on the platform. You turn around and see a distant high platform with a supermarket on top. The boat approaches the house platform and you jump on top. The rug from Mario 64 Peach Castle is in the room. You go upstairs. The room upstairs has a couch, a TV and a Super Nintendo on a table. You look at your small boat through the window. You are now sitting playing Donkey Kong. You grab a soda and drink from the straw. The supermarket is visible through the window behind the TV. Camera moves out to the ocean, revealing the house from behind, the supermarket in the distance and the boat floating between the two.
We see a Mexico City metro station in the sky. A sign says “Dreams”. A rainbow appears. Walls have dreamcore graffiti; angelic eyes, the words “BE HAPPY”, “wake up” and similar visible. An announcer says in Spanish: “Next Stop: Dreams. Don't forget to pickup your memories. Mind the gap between goodbye and yesterday.” The RATP Serge le Lapin bunny appears, staring at us with pink ears and yellow shirt. A Xochimilco boat floats on a cloud with a small blue “Alien Nymph”. The announcer says “Next Stop: Adelita. Next Stop: Bunnies.” The station sign sometimes says "Dreamcore" and others "Wake Up". An eye with wings flies carrying a house by a rope. We see the bunny sitting on a ledge, gazing at the sky
We see a lonely liminal field of grass beside a massive concrete wall. An Ed supermarket sits at the end of a path; suddenly the entire supermarket sinks into the ground, revealing an opening and a stairway. We descend into a vast underground concrete chamber filled with colorful 90s-style diner tables and hamburger-shaped stools, arranged before a giant skull. The skull begins to dance to the beat of “Enferma de Amor” by Jeans. The scene cuts through various angles. Outside more skulls dance: one with a pink bow, one with heart-shaped glasses and one with round, rose glasses, all happily dancing. We go back inside and a cinema screen plays Enferma de Amor music video while the skulls dance near it. A red bubblegum machine sits below the screen near the tables. The camera goes back outside and we see the screen lights flicker through the open ground hole. The supermarket lifts back up, covering the entrance as the music fades out.
The camera slowly rises from the grass, revealing a beautiful bright sky over a floating fortress high above the clouds. We recognize Whomp's Fortress from Mario 64 but the textures look realistic. There's cracked stone paths, patches of dirt and green, and suspended platforms bathed in soft light. And a tall tower with brick against the glowing sky. We're standing on a floating platform full of grass. The view tilts toward the bright sun. A Koopa Clown Car flies across, quickly passing in front of the sun just to disappear later out of view into the sky.
The video opens in the Backrooms with yellow walls, carpet and fluorescent lights. The room is filled with museum pieces: statues, vases, and paintings like the Mona Lisa scattered across the room. Text appears: we have museum please come. The camera turns, revealing a Partygoer wearing a jeweled crown and a historic jewelry necklace, as if looted from the Louvre. A map of the Louvre hangs behind it. Text flashes: oops. The camera quickly faces the statues again, pretending nothing happened. CREDITS: Chair Rex Hans, partygoer by cameron on Sketchfab, Mona Lisa Asset by Industrial Puddle, Corwn by Joachim Bornemann, Necklace by Axinovium, painting (frame) by Brainsick Games, Enée et Anchise by Benjamin Bardou, Vase by Benjamin Bardou
The video opens on a small wooden boat drifting on a pale, silent ocean. The water is calm, merging seamlessly into a white sky that stretches endlessly in every direction. The emptiness feels infinite, like the world has been erased. The character says “Nothing ever happens in this place. The ocean is always calm. The sky is always white. No clouds. No stars. No sun. No nothing. I don’t know how I got here. Or how long I’ve been here. But there’s nothing. Nothing. There’s no hunger either. No thirst. Nothing. Is this forever? I guess, we just keep on sailing.”
We see a neon rainbow track with a retro racing UI. “Flash Warning” text appears briefly. We race through the track, cross a bridge and come back to the rainbow track. We pass by a giant Club Penguin figure that almost steps on us then see retro-style spaceships soar into the pink sky and vanish into the distance while a voice says “Good Luck”. Small moles pop up from the ground, followed by the appearance of a giant mole, larger than the track itself. Faraway we see a familiar glowing video game castle. From water on the side of the track a dolphin jumps over us, then two dolphins peak out the water. Back at the beginning of the track night suddenly falls and pixelated letters spell out the game’s title: Fast Racer Bros.
We see a small floating island in outer space. The cozy island is lush with green trees, bushes, and a dirt path leading to a cozy wooden house whose sign reads “Mario House.” The starry sky stretches infinitely, with the hazy band of a galaxy visible across the horizon. We see two shots of the island, emphasizing its tranquility against the cosmic backdrop. We see the house up close with its warm, rustic details. A wooden box drifts toward the island from the sky, moving slowly because of the low gravity. The box lands softly in front of the house, its lid popping off and flying away. We zoom into the box, revealing a miniature world inside: Mario 64 town Wet-Dry World. As we descend into the town, we see a small replica of the house in a corner, this one labeled “Malon House.” From inside the box we see a little bit of sky, from where suddenly Malon from Zelda: Ocarina of Time peeks in curiously from above, her face framed against the starry sky.
The animation begins in the dim basement of Peach's Castle. The camera slowly pans toward the Lethal Lava Land painting. in front of the painting a part of the floor is covered in shallow water. We hear I Don’t Want to Set the World on Fire by The Ink Spots but slowed. The painting, where we can see an eerie creature's face made of lava, begins to glow, casting a reflection on the floor water and walls. The scene fades into Dire Dire Docks. The slowed-reverbed Spiral Mountain from Banjo-Kazooie plays. The camera glides through the industrial room. Deep water lies at the bottom, there are red industrial grates on the ceiling as ceiling and walls and some suspended concrete platforms in the middle. Elevated high above the water, sits a platform with a messy bed, a shutoff CRT TV, a VCR and some VHS lying around. There's no stairs and no obvious way to reach the platform. The shot lingers, emphasizing the stillness and height of the floating platform with the bed. We fade to black.
Accessibility Transcript: You're in the middle of an agitated ocean with dark water. In front of you a red warning light blinks atop a small concrete platform. You look around and realize the space is fully surrounded by concrete walls. You're then pulled underwater and see the cylindrical concrete pillar extending down into the dark, unknowable depths. Later scene cuts to an external view, first focusing on the red light, then slowly zooming out and rising to reveal the full setting: a massive, enclosed concrete basin filled with agitated dark water, with the solitary platform and blinking red light suspended at its heart. It is also surrounded by dark water, as far as the eye can see. Accessibility Note: The silcence pauses in the video are cuts to black frames where nothing happens, to increase the suspense.
The video starts in a surreal neighborhood with rows of small, identical houses painted in saturated color like purple, yellow, red, etc. They’re lined up perfectly on either side of a narrow path. The foggy sky above is unnaturally dark green glowing faintly without any visible light source. Suspended mid-air are a lot of colored spheres floating. The ground is covered in artificial-looking grass that stretches endlessly into the fog. There’s a pavement road stretching to the horizon. The camera turns right and sees nothing but more houses the left and sees a hauntingly empty horizon where the houses abruptly stop, leaving only an infinite grassy void under a green fog.
We see a yellow humanoid figure sitting alone at a table in a brightly decorated children party room. The walls are lined with cheerful wallpaper featuring rainbows and smileys faces and a row of framed pictures of kittens and puppies. The humanoid (a Partygoer) sits waiting sad at the table with two chocolate bunnies and a madeleine with a candle on top. One bunny has a big kitchen on the head. Text says "POV: Nobody showed up to my friend’s human party :(". Next, the Partygoer stands beside the table carefully arranging the cake with text: “He was so excited to share normal cake with human friends =).” The final scene is a zoom into the now empty table. We see empty chairs, brightly colored burger shaped 90s fast food stools and a big plastic burger decoration behind. Text says “Pliz come and bring people, shower and don’t eat spicy before before pliz =)”.
In this dreamy, first-person POV video, we stand on an endless corridor high above the clouds, paved with glossy black-and-white checkered tiles that stretch infinitely into the horizon. There's no ceiling or walls, just the corridor infinite floor. The scene begins with our hand lifting a pair of retro orange headphones, placing them over our head. We start walking along the Sky Corridor. As we move forward, the sky continuously shifts to different times of day—passing through clear daylight, soft dusk, starlit night, and glowing cloudy skies. Captions appear on screen as the narrator says “Let’s walk the Sky Corridor. Leave everything behind. Walk under the stars. We’re never coming back.”
This video is a nostalgic and cozy nighttime view of Kokiri Village from The Legend of Zelda: Ocarina of Time, set to a slowed and reverbed version of “A Town with an Ocean View” from Kiki’s Delivery Service. The scene unfolds under a clear, star-filled sky surrounded by Rocky Mountains. Stone houses with glowing yellow windows and timber-framed rooftops line narrow pathways and staircases, creating a warm and peaceful town atmosphere. A small fenced-in chicken coop sits quietly beside one home, and a wooden sign hangs at the village gate, inviting the viewer into the tranquil world. The camera moves gently through the quiet village, enhancing the calm, dreamlike ambiance evoked by the music and the soft glow of the lights. You can stay here and live a happy little life in a happy little town.
Video opens in a narrow industrial hallway lined with metal ducts and pipes, scattered cans on the floor. A sign reads "Danger” with an image of a wooden Bowser-shaped carriage. The character hears wooden wheels behind her. She turns and the Bowser Car is there. She walks away. The sound returns, she turns again the car is closer so she runs and the car chases her. She spots a wall opening and falls through. The car is too wide to follow her. She runs to another room and slams the door. Inside, she finds herself in Doom’s E1M1 map. A reverb slow nostalgic song plays. The room has rusted green walls, a red bubblegum machine, a mattress on the floor and a large metallic door in the distance. She looks back at the door she just slammed, which has on top a pixelated portrait of a person with an eye instead of a head, a reference to Compact_vfx.
The video begins in Doom’s E1M1 level but empty and dimly lit. Camera slowly pans through a room with brick walls, blue carpet and dark corners. Camera switches to a control room with glowing monitors and futuristic panels, casting a cold, sterile glow. Then to an area where glowing pools of green liquid reflect against metallic walls, with hallways dimly lit. Final scene is E1M1 last section with industrial architecture. We see a CRT TV near a bed and a VCR with VHS tapes. It displays Dragon Quest: Las Aventuras de Fly and the music shifts from a liminal spaces ambience based on Dust Collector by YG Hypnos to a slow and reverb version of Spiral Mountain Underwater from Banjo-Kazooie. The space feels both scary but comforting.
In a pixel-art scene with slight 3D elements, the video opens with a prairie under a vast sky, where a large sun shines over a tranquil landscape with trees swaying in the breeze. Birds glide across the sun as the words "Hey you" appear on the screen. The camera pans, revealing a girl standing with her back to the viewer, gazing at the horizon. The text shifts to "I hope" as she remains still, lost in thought. She then turns around, and the words "Whatever it is" appear. She begins to walk away, and the text changes to "You can let it go" accompanied by a rainy cloud emoji. As the scene continues, birds once again fly across the sun, this time in the opposite direction, and the rainy cloud transforms into a bright sun emoji.
In a dimly lit room styled like a typical childhood bedroom, a wall TV mounted plays an episode of the cartoon Tom and Jerry. The nostalgic scene is interrupted by sudden flickering lights, and a dark silhouette appears ominously in front of the TV, blocking the screen. The figure quickly approaches but vanishes just as abruptly. The camera pans to look around. A wall has transformed into the yellow backrooms wallpaper. Outside the window, instead of the exterior world that was there before, more endless backrooms corridors appear. The TV screen now displays colorful bars, accompanied by the ominous text “You Never Left.” Gradually, the room undergoes a complete metamorphosis, with walls, floors, and windows becoming indistinguishable parts of the backrooms level zero. The video concludes in silence, with the bedroom fully consumed by the backrooms.
In a white pool-tiled hallway, brightly lit by evenly spaced ceiling lights, rows of red bubble gum machines fill the space. The machines are identical, filled with colorful gumballs, reflecting the stark white tiles around them. The camera slowly pans around, revealing the character’s perspective as they move forward to a doorway. Upon stepping through the door, they are met with a precipice and service stairs leading into the void. Across the gap, a towering, multi-story structure emerges from the darkness, each level densely lined with even more bubble gum machines. The structure ascends into the sky, seemingly infinite under a deep, moonlit blue hue and descends into the void seemingly infinitely.
We see a dreamlike scene with a foggy green environment on astroturf floor. The audio repeats phrases like “This is not real, t’s just a dream, please, wake up.” As the camera pans around, it first focuses on a small, stone house. The camera shifts to reveal an empty chair standing alone in the landscape. Returning to the house, its appearance has changed; it now has strange, repeating patterns on its walls. The camera then turns to reveal a large cardboard cutout of Bubbles from The Powerpuff Girls, her oversized figure looming in the mist. The view shifts back to the house, now overshadowed by a giant penguin character from Club Penguin. Finally, the camera moves further into the fog, showing a distant silhouette of Greg from Diary of a Wimpy Kid standing among faint trees.
The video opens with a vast, eerie backrooms level 0 scene with a big precipice that has some sort of construction site or multi level parking on the other side. That structure has some yellow pillars scattered around. On this side of the precipice there’s rows of empty black chairs arranged under large, towering stadium lights. The character approaches and walks amongst the chairs then approaches a weathered stone structure with the words “The Game” inscribed on a reflective plaque. Beyond the plaque, the scene unfolds to reveal that the arrangement of pillars forms the message “You Lost” towering across multiple levels of the site. Suddenly, the lights begin to turn off floor by floor. Only the ceiling lights remain on.
Accessibility Transcript: The video is a nostalgic collage of early 2000s internet culture, featuring an ICQ interface with user lists and statuses (e.g., “Available,” “Away,” “Do Not Disturb”) the classic Winamp media player playing and a blurred Frutiger Aero-style 3d video in the background. The text at the top reads “That feeling when you get home and see your crush is connected on ICQ!!” written in exaggerated retro internet typing style with mixed capitalization, leetspeak and kaomoji. Bright neon pink and white colors make the text stand out, while the ICQ flower logo and ICQ emojis loop their retro animations.
This is a video explaining the different steps needed to animate Kirby sleep bubbles in Blender. The video shows the Blender interface as it explains the steps to do it. It shows one left pane with Kirby sleeping while bubbles pop out from the mouth and then pop off in the air. The left pane shows Kirby in colors as it is Blender’s material mode. A right pane shows the same scene but all gray since it is Blender’s Solid mode. Just a single bubble is green. The bottom part shows the values for Alhpa and size.
Found footage of the backrooms. The room is filled with 90s style tables and burger shaped chairs. On the wall there's a big painting portraying a yellow plastic character wearing a black top hat reminiscent of theme park trashcans. The person steps into a dark hallway where Kirby is wearing a green polka dotted hat and sleeping with sleep bubbles coming out of Kirby's mouth. The person turns back and sees the floor covered with hundreds of small white creatures resembling the Tick enemies from Kirby, all smiling with a red top cone hat. In the background, a structure resembling the ship from Mario Odyssey is seen, with a red hat shaped body, blue globe, and white base. So the person turns back to the hallway. Kirby is now awake holding a knife, staring at the camera with a cute smile. The person runs in the other direction. We hear Kirby's swallow sound and everything starts to be aspired by Kirby. Bon Appetit!
A two-story house stands in an infinite expanse of astroturf under dense green fog. A streetlamp illuminates it. A young woman is on the porch. The streetlamp glitches and multiplies forming an infinite row of floating lamps. The perspective shifts to first person. She says "Oh, come on!" and gets up. She grabs a baseball bat from the ground and hits the lamp. The impact solves the glitch. Only the original one remains. Back on the porch she takes out her Game Boy and resumes playing Pokémon.
We see a giant Kirby, peacefully asleep in the backrooms. There's some black chairs scattered around. Kirby is very large, like a huge statue or a whale sized creature, the chairs look small compared to Kirby. Kirby is pink and round with closed eyes and rosy cheeks, wearing a green polka-dotted sleeping hat. Sleeping bubbles float gently above Kirby’s head, emphasizing a dreamlike state. This post showcases the progression of a Blender 3D scene through three stages of visualization. Solid Mode: The scene appears all gray with no textures or lighting.
Accesibility Transcript: This is a video explaining the different steps needed to download and use 3D video games models for use in Blender. The video shows the Blender interface as it explains the steps to do it. The Blender model used is the Mario Kart 8 Toad Harbor race. The video also shows the website model resources dot com, a ChatGPT script as well as an online notepad containing the script for easy copy paste. It enda with a render of a skyline of Toad Harbor not usually seen in the game with a blue sky with a prominent moon or planet beyond the skyline.
You see a surreal room covered in white pool tiles, submerged in shallow water. The light dances across the walls, reflecting the water’s movement. A large rectangular window reveals a cloudy blue sky. A CRT TV sits on a table partially submerged in the water. It glows with Donkey Kong Country’s aquatic level. A Super Nintendo and controller rest next to it. The camera shifts. You see a white couch, also partially submerged. A striped fast-food soda cup sits on the armrest, while the water laps gently against the couch. The perspective changes again, widening to reveal an inflatable pool donut drifting in the water. A metal ladder leans against the tiled edge. Finally, the camera moves behind the couch. You now see the TV from the viewer’s perspective, the Super Nintendo glowing faintly in the soft light. The reflections of the water ripple across the screen and furniture, as the endless blue sky visible through the window provides a serene backdrop.
We see a small house isolated on a platform in the middle of an astroturf terrain, surrounded by ground holes on all sides. The platform is inside a giant room whose ceiling has an opening showing the sky. Floating cubes descend from the ceiling opening. An alarm goes off, waking her. She’s is in pajamas, in a sparsely furnished room. She steps outside to the cubes saying “Please be pizza”. She looks up at the descending cubes, which deliver a carton of eggs. Next, she’s seen frying the eggs on a portable stove while watching TV. She eats the eggs while watching cartoons. A bottle of almond water sits on the furniture she is eating on. Then it’s nighttime. The opening in the ceiling shows a starry night. She reads a comic book on her bed and the alarm goes off. She returns to the cubes, still hoping for pizza. Instead, she receives a pillow and a Kirby plushie. She says “Oh, cute.”