Lincoln College, University of Oxford

@lincoln.ox.ac.uk

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The official account of Lincoln College, University of Oxford

Portrait of June Bam, AfOx Visiting Fellow, against a solid maroon background with her name and title displayed.
Group of alumni and friends seated at long tables in a warmly lit restaurant, smiling towards the camera during a brunch gathering at Ambar in Washington, DC. Wine bottles line the walls, with hanging lights and pink floral decorations overhead, and plates of food and drinks spread across the tables.
Wide view of Chapel Quad on a bright day, with a sweep of purple crocuses forming a subtle pathway across the green lawn from the arch towards the Chapel under a blue sky
Historic building facade in Front Quad covered in green and red ivy with arched windows and an open wooden door under a slate roof.
A long table set for lunch with around twenty people seated on both sides, smiling towards the camera and raising their glasses. The Rector sits among them in a wood-panelled dining room with large windows looking out over Zurich.
Monica Ruiz and Jaeah Kim walk together through Chapel quad, smiling and chatting. Jaeah wears a long black coat, and Monica wears a black leather jacket with jeans. Behind them are potted plants and the Chapel with arched windows and autumn leaves.
Poster for a talk titled John Le Carré at Oxford & Beyond at Lincoln College. The design features two black-and-white caricature illustrations of men, framed in red boxes. Event details read: “With Dr Jessica Douthwaite, curator & historian, Bodleian Libraries.” The date is 4 November at 5:15 pm, held online and at Lincoln. A red QR code for registration is centred at the bottom. The background is pale grey with a clean, modern layout.
Inside the main library with guests milling around in black tie and dresses. The atmosphere is celebratory.
A hand holds up a copy of Imprint 2025, the Lincoln College magazine, in the College’s garden. The magazine’s cover shows the same garden scene, with lush green foliage, ferns and Gunnera leaves in front of a stone wall and the chapel’s tall windows. The real garden behind mirrors the image on the cover, with autumnal trees and filtered sunlight.
Dark blue background with colourful science-themed illustrations (test tubes, molecules, DNA helix). At the top is the Lincoln College, University of Oxford crest and name. Text reads: “Life Sciences Essay Competition 2026. Lincoln College is delighted to announce an essay competition for Year 12 students interested in the life sciences. Full details of the competition will be released in January 2026, with a deadline for submission in March. Scan below to register your interest.” A QR code is displayed at the bottom.
Group photo of Lincoln College clinical medical students and tutors gathered in Dr Arabella Begin’s living room. Dr Begin is seated front centre, surrounded by students and colleagues smiling for the camera. The atmosphere is warm and friendly, with a green and yellow heart-rate line graphic along the bottom of the image.
Christiano the porter is smiling, standing behind the reception desk at Lincoln College Lodge, wearing a white shirt and Lincoln College tie. Behind him are pigeonholes, bottles, and office equipment.
Portrait of Dr Emily Howard against a dark blue background. She is wearing a navy jacket over a grey T-shirt with a geometric design, and smiling at the camera.
Poster for Let’s talk about: Relationships at Lincoln College, 1 Oct 11am. Guest speaker Dr Tara Swart with host Micon Garvilles. Includes book covers The Signs and The Source, plus sign-up QR code.
Headshot of Professor Michael Willis, smiling and wearing glasses and a blue jumper. The photo is framed by a gold circle. Below the image is text reading: “Professor Michael Willis – Arthur C. Cope Scholar Award”.
The full tapestry still on the loom, depicting a barbershop scene with chairs, mirrors, plants, and figures, woven in rich browns, greens, and blues.
Shabana Mahmood, smiling, standing against a plain grey background. She has shoulder-length dark hair and is wearing a dark jacket over a black top.
Book cover of The London Private Banker: A Social History, 1660–1825 by Perry Gauci, featuring a painted portrait of Thomas Coutts in dark coat and white cravat against a muted background.
Close-up of Lincoln College’s 2024–25 Beyond Gold Green Impact Award plaque, made of reclaimed wood, surrounded by lush green leaves.
Laptop screen displaying the 2025 cover of Lincoln College’s alumni magazine, Commonwealth. The screen shows green ivy leaves next to a college window with the text “YOUR GIFT. ITS IMPACT. OUR THANKS.” Overlaid. The Commonwealth 2025 cover includes the Lincoln 600 logo and an image of a student portrait inside the College.
: Portrait of John Wesley with the text 'John Wesley Lecture, 22 May' overlaid. Painted by George Romney.
Five runners pose together after a race in sunny weather, smiling and wearing medals. Four of them are holding up the fifth teammate horizontally in a playful celebration. All are in athletic gear, standing on a plaza with a crowd in the background.
The Marquise de Amodio holding a commemorative book and her dog Bonnie, standing with representatives from Lincoln College and the British Embassy in front of a flag.
Lincoln cricket team posing together outside a pavilion after a match, all wearing white uniforms with medals around their necks. Some players are seated on the ground while others kneel or stand behind them. A trophy is placed in front, and a sign reading 'No spikes in pavilion' is visible on the wall behind them. cricket team posing together outside a pavilion after a match, all wearing white uniforms with medals around their necks. Some players are seated on the ground while others kneel or stand behind them. A trophy is placed in front, and a sign reading 'No spikes in pavilion' is visible on the wall behind them.cricket team posing together outside a pavilion after a match, all wearing white uniforms with medals around their necks. Some players are seated on the ground while others kneel or stand behind them. A trophy is placed in front, and a sign reading 'No spikes in pavilion' is visible on the wall behind them.
The Lincoln Imp wearing a '600' shirt sits on a black iron fence in front of a historic stone courtyard with green grass and ivy-covered walls. A single pink tulip is tucked into the fence next to the toy. The sky above is clear and blue.
A young woman wearing hoop earrings sits on a train, smiling at the camera. She’s wearing a navy blue zip-up with the Lincoln College Oxford crest embroidered on it. One hand rests near her face, and she has a wireless earbud in. The train interior is softly lit, with a beige panel behind her.
Cover of "The Forger’s Creed: Reinventing Art History in Early Modern China" by J.P. Park. The black background features five traditional Chinese landscape paintings in various shapes, arranged around a central circular image. The title appears in orange and gold serif text at the top, with the author’s name at the bottom.
A professional portrait of Dr Roel Konijnendijk smiling in a suit against a softly blurred green background. Next to the image is a banner with the text "NEW BLOG" and a quote: “Movies skip over the mundane and the practical in the pursuit of spectacle… most warriors stood far from the bloodshed.”
Lucy Matheson holding a small gold trophy and smiling with teammates Claire Riseley, Pat Cripps, Lucy Langton, Molly Leith, and Mike White after Lincoln clinched victory in the Intercollegiate Accounts Quiz. The team stands together in celebration against a red wall, with a large yellow star edited into the top corner to highlight their achievement.
Nigel Clifford wearing glasses, a beige cap with a crest, a black puffer jacket, and a purple checkered shirt smiles at the camera on a city street. Behind him is a street sign for 'Rector St' in New York City, along with a pedestrian crossing signal, a subway entrance, and tall buildings including a historic church with a red brick wall.
Illustrated book cover of Wreckers: Disaster in the Age of Discovery by Simon Park. The artwork depicts a chaotic maritime scene with stormy skies, tangled rigging, and sailors struggling aboard a distressed ship, evoking the peril and drama.
Amelia Kopacz with curly brown hair and glasses smiles at the camera. She is wearing a dark blazer with a white collared blouse and a delicate gold necklace. A red and white flower pin is attached to her blazer. The background is softly blurred, showing indistinct figures and warm lighting, suggesting an indoor event or gathering.