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@meishali.bsky.social

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🎨 Illustrator / Writer / TTRPG designer / Game Master 📧 meishaliart@gmail.com ☕ https://ko-fi.com/meishali 🌐 https://www.meishali.com/ 🪙 https://www.patreon.com/Meishali ✊🏽/ 🏳️‍🌈 — Black and Queer 🔍 Don't want me to spam your timeline? Check my feeds!

This is a digital illustration. Sketched and painted in monochromatic wine and pink reds, the portrait of a handsome vampire with darkened lips and a sharp gaze. They have a huge diamond earring, long hair, an asymmetric high collar, and look to the viewer knowingly. Their hair flows out of the black frame they are in. Their asymmetric collar as well.
This is a digital illustration. A FFXIV Au Ra Raen woman with long black hair and tan skin is looking fondly at hibiscus flowers. She's wearing a red and gold outfit. The colors are flat and fibrant, only choice highlights being seen in her hair or on the gold texture.
This is a digital illustration. A confident human man with tan skin, blond hair and a roguish demeanor and outfit is leaning on a barrel. One of his gloved hands rests on the handle of his sword. He looks ahead with a smirk.
This is a digital illustration, and a fan art of Revolutionary Girl Utena. A long-haired Anthy is reaching out to brush Utena's cheek with the back of her fingers, softly as though trying to reassure her. Utena has an open palm in a pleading motion towards Anthy's chest, a single tear on her cheek. Both have their eyes closed in sad but somehow serene expressions. The piece is exclusively in pink monochrome, dark in some places. There are complex rose and thorns frames around the picture. The picture is asqaure format.
This is a digital illustration. Sketched hastily and digitally painted stands my character Calvaire. He has long curly hair swept by the wind, creole earrings, medium brown skin and an unimpressed stare and pout. He looks directly to the viewer with piercing and reddened eyes. The suggestion of an ascot and vest is visible. The style is painterly, sketchy and has strong white rim lighting.
This is a digital illustration. Silhouettes of various characters are interwoven in strong blacks and red glow. It is meant to give an impression of grandeur. At the forefront, a man with a huge axe and his companion. Behind him, an ominous dancing priestess. And in the background, a vision of the past depicting two people atop a cliff. A mysterious figure cradles this vision.
This is a digital illustration. A woman with short choppy black hair looks to the viewer. The style is sketchy, and the black and grayscale only has a touch of color with golden rim lighting and some red on the cheeks. She has big black eyes and her skin is depicted as white-greyish.
This is a picture of Meishali's book shelf. The brand new game "Last Train to Bremen"'s box is exposed, with a few popular TTRPG games behind it.
This is a digital illustration, a portrait. A spectacled Hrothgar from the game Final Fantasy 14. She has a grey mane and beard, very light grey fur, sharp canines and a bright smile on his face. She sports golden jewelry and pink and mauve feathers don their hair.
This is a digital illustration. In a super deformed style heavy with nice flats and thick outlines, the profile of a young freckled man. He has fair skin, round glasses, a small smile, and his ashen blond hair is tied up in a ponytail with bangs framing his face. He has a brown and green cardigan with a tie. The background is dusty pink. He smiles timidly.
This is a digital illustration and a colored bust shot. A Final Fantasy 14 miqo'te looks to the viewer with a big wide grin and is winking. He has medium dark skin as well as big turquoise eyes and lilies in his hair. His hair is black with red streaks.
This is a digital illustration. All is sketched in bright, sanguine orange hues. Two vampires frame a prey; on the left, one of them has curled hair, a focused, calm expression, as they lick a fang, eyes shut. On the right, one with bright, straight hair has their maw right open, tongue and fangs sticking out. Their quarry is a woman in a dark dress, lifted and held upside down, long dark hair down, eyes shut and lips bitten in apprehension. Her head is cradled by one of the vampires, while the other is gently held between fingers by the other.
This is a digital illustration. This is a bustshot. A brown-skinned man looks to the side with a satisfied expression, eyes lidded. His eyes are of a brown hazel color, and his hair, curly and of a deep black color, swept back and tied in a ribbon with a low ponytail. He has a goatee and a high collar with a bright crimson inner color and black outer cloth. He has an ascot. Curly strands of hair frame his face. His earring sparkles in a single flash. The linework is sketchy, quick, and red rim lighting shines on him. He stands on a white plain background, providing a stark contrast.
This is a screenshot of two pages from my tabletop game Ivresang, the Ashen Kingdoms, an Ironsworn based and inspired gothic game.
This is a digital illustration. Painted, brushed and textured, a drawing of eugénie, my Dragon Age roleplaying character. She stretches out her hand to cast a white, blinding spell. The style imitates the Dragon Age 2 rough wall paintings of the Kirkwall loading screens, but is far more colorful.
This is a digital illustration. In washed off, grungy colors, a sketchy portrait of a Final Fantasy 14 Au Ra man. He looks mature, with carved cheekbones, a subtle scale beard, long, straight white hair and dark skin. The picture frames a bustshot of the man who looks sideways, pensively, a roughly sketched hand (his own) over his chest, holding something. He sports curved inward horns.
This is a digital illustration. A mosaic of super deformed character portraits in colorful or washed off tones. There are six portraits total, including a traveler with a fur-lined coat, a Final Fantasy XIV raen character with a beret, a sad blue woman with a jellyfish cut, a steely-gazed woman with a military collar, a wet sad grey man with a half-petrified face and a glassy gaze, and a cocky blond man with a patterned poncho.
This is a digital illustration. In a loose, painterly style, a woman looks up, wearing an oversized coat, a leather and gold choker as well as a white shirt with golden details. She has olive skin, a pixie cut brown hair with short, and white bangs at the front. There's a cute profile sketch of her in the background, on the right-hand side of the picture. Strong green rim lighting comes off the left-hand side of the picture.
This is a preview of an artwork for the BIPOCVAMPDAY CHARITY ZINE. In front of a stained glass artwork, a vampire with bloodied claw looks to the viewer. The rest is obscured, giving a sense that the artwork is much bigger than it looks like. The frame reads "VOC VOLUME 4 BIPOCVAMPDAY CHARITY ZINE benefiting the Sickle Cell Disease Association of America"
This is a digital illustration. Ifan Ben-Mezd and a Godwoken avatar from Divinity: Original Sin 2 are lounging, resting on what may be inn seats or camping beds. They have discarded their respective armors. Ifan smiles and laughs, looking up fondly to his interlocutor, who, in turn, smiles down on him with affection. They have a full muscular figure, a medium dark skin color as well as dark curly afro hair, and gold eyes. Their body is scarred here and their, and she also sports a brown harness as well as an off white linen shirt and black pants. The suggestion of a background and their fully colored figured focuses on the intimacy between the two characters.
This is a piece featuring my digital illustration skills and offering SD commissions. Character art is featured for 58€ +48€ per character, and small icons are featured at 36€, 55€ for 2 and 72€ for 3.
This is a digital illustration of four stylized mechs. On a grey background, each of them are of a different gradient color, and appear to be of different styles. The first one is reddish-pink, sports an energy sword and a buckler shield, intimidating pauldrons and is knight-like. The second one is smaller than the others, green, insect-like, very futuristic. It's standing proud with clenched fist, cannons over its shoulders. The third one is blue and has bladed feet and two set of arms, one pair holding fans, the other having clawed hands. A lot of tubes and halos frame its members. The fourth one is more mystical, with a long cape and a flat, hammer-head like head, as well as a strange staff. It is signaling something with three large and flat insect-like fingers.
This is a digital illustration, and a triptych specifically. All illustrations are in black and off-white, depicting three different scenes, or character portraits. The style never fully shows the characters' gaze, heavy on the shadows and solid blacks. The first portrait shows a man in heavy armor with wavy, dark hair, dark lips. His expression is somber, his disposition forbidding. The flying standard of a rose stand behind him. His left eye looks damaged, and a chain links his fur collar. The second picture depicts a whole scene, centered around a character with short hair, holding a pistol and looking around the block. Under street lights, two shadowed figures hold hands, addressing one another. The main character of this picture seems to be spying upon them. The third portrait shows a woman with a veiled coiffe and braided loops smiling to the viewer with an outstretched, gloved right hand. She holds a thurible in her left hand, the smoke engulfing a good portion of the picture. Behind her, a flying crow and a an undead guard holding a machete, framing moonlight.
This is a digital illustration. In flat colors, a symmetrical artwork of a woman in a golden half-mask, with dark, curly hair, and a blue coiffe. She is wearing dark, clawed gloves, and lavender and blue robes with golden accents. The lower part of her face suggests focus or disdain. Her hands are put up, as though she was preparing a spell, and her hair frames her face, flying around her, dropping on her shoulders. Her main coat is burgundy, draped over her. The background is brass, dark oranges, suggesting shadows tethered to her, with a floral overlay and lavender circle acting as a halo around her face. Her skin is olive, her cheekbones carved.
This is a digital showing of the Ivresang character sheet to play Ironsworn and Ivresang. It is landscape oriented, and very ornate. It features everyone one needs to play Delve as well. A huge red "SAMPLE" can be seen over it. Details featured are sun, moons. The entire character sheet is in black and white.
This is a screenshot of one of the pages of Ivresang's demo.
This is a digital illustration. Two characters, a young, thoughtful, nonchalant woman and a smiling vicar with shut eyes and a lit cigarette sit at a table. The woman has short light-colored hair and pale skin, and seems to interrupt her writing to look to the viewer. The vicar smiles wholly, showing dimples, stirring his coffee cup, a lit cigarette in his free hand. He has long dark hair, his complexion might be olive, and he sits in a long sofa and the mirror behind him casts a vague reflection with horns. The drawing is grey scaled and sketchy, painted in some places, loose in other. The round table, the seating, the mirror are reminiscent of french bistrots. Strong white rim lighting frames the left side of the picture, as well as their silhouettes. In bright red, a signature reads "Thank you! Apr 20." one right hand side of the picture.
This is the screenshot of a page, my own writing for my TTRPG project, a serif font on an off-white textured paper background. It reads as such: DEMO Ivresang: The Ashen Kingdoms An Ironsworn Vampire Fantasy Supplement Written & Designed by Meishali Below, a worn stamp-like ink of Notre Dame de Chartres by Pierre Roche. The Dame stands above the labyrinth, in a symmetrical representation of the Chartres Cathedral. The vaulted ceiling behind her is similar to folded bat wings. The title is in deep blood red, but the illustration is in a washed out dark blue-green color.
This picture is a digiltal illustration. In a warm toned set, a young, dynamic pirate (he/she pronouns) shoots at two-fingered wave at viewer, offering them a wink and a grin, leaning on a stone fence. Her face is scarred, and he sports a mechanical arm makes of all sorts of parts, short black hair, a red corset top, and striped black and white pants. Around her waist is tied a brown vest.
This is a digital illustration of my character Jacob. On a card-like frame in two dark blue colors, the suggestion of a cathedral or gothic-like cityscape. In front of it, a youthful black man in a dark grey uniform coat, holding a particularly long sword. He pops out of the frame, the sword pointing out of it, keeping it tightly in his right fist. His other free hand follows the blade's angle without touching it. He had short nappy and afro hair, and lips slightly parted, exposing his teeth in frustration, or as though he were speaking. He side-eyes something off frame, brows knitted. Jacob sports an ascot, golden buttons and cuffs, as well as round pearl earrings. The sword's guard is very ornate.
This is a digital illustration. In grayscale, the messy portrait sketch of my character Khadim, a black man with dark skin, long beautiful locs tied in a messy half buns. They have a hoop earring and a long pendant earring, the tiniest hint of greying hairs, deep black eyes, and a trimmed goatee with a small braid, held by a gold clip. A discrete scar passes over their left eyebrow, and they have a downward dagger tattoo under the corner of their right eye, as well as several other tattoos around the neck, and over the chest. The hint of a high-collared, completely open black shirt Khadim looks to the viewer with a lovely smile, radiating warmth, showing teeth.
This is a digital illustration. On a white bright background, a muscular woman is standing, arms opened and palms up, wearing a skintight leotard, a cape, as well as dark rubbery gloves and thighboots. Super-hero looking, she is looking up, smiling, eyes glowing white. She's blue-violet skinned, long-eared, and her cape clasps feature little lightning decorations. Her hair, medium length, sways in the conjured winds, and her cap fades off into clouds. A stylized circle behind her features heavy rain and lightning. She smiles confidently, welcoming.
This is a digital illustration. On a white background, a black, inked linework. This is a portrait from a half-elezen half-hyuran character from the game Final Fantasy 14. The portrait is in profile, and he seems to have a subdued, somewhat smiling expression, the tiniest hints of afro hair under his cap, and two-toned lips. He has small scars going next to his eye, and over his eyebrow.
This is a commission post for digital illustration. It reads "MEISHALI'S FLASH COMMS (Non-Commercial)" and shows Black and White Portraits for 90€, Palette Portraits for 135€ with various samples from past artworks.
This is a digital illustration. On a white background, seven youthful black characters in colorful, unique clothing. All have names written next to their form with little arrows pointed at them. From left to right, The first one is labeled "Vivaldi". An older teenager. He has nappy hair with a comb, a long green open coat with long sleeves, his torso is bear save for bandages around his abdomen, and he sports red pants, as well as gold jewelry. He appears calm, vaguely amused. The second one is labeled "Mei-Lin". A teenager. She has a blue bandana, turquoise and red outfits, and a pince-nez, she looks down at a crying kid, a bit worried. The third one is the crying kid, labeled "Cassandra". No older than six or seven years old. She's gripping her red dress and crying, looking down. She has fox ears and a thick fox tail comes from under her dress. She's holding the hand of an older kid. The fourth kid is labeled "Ahmar". Around 12 years. He has a red shirt and grey pants, and black boots, and is holding Cassandra's hand. He's pissed and seemingly yelling at an older teenager. The fifth kid is an older teenager labeled "Laith". He has green locs and a mocking smile, gold jewelry and long boots, as well as a white shirt. He has his arm around the sixth kid, labeled "Naa'irah", while looking at Ahmar, as if gesturing to say that it's fine. Naa'irah herself has big thick round glasses and looks pissed that Laith is passing his arm around her, arms crossed. She has striped blue pants and a long lavender doublet. The last person in the lineup is youthful but appears to be the oldest and is labeled "Rose-Marie". She has a rifle at her back, an ascot, a long dark cape, and looks at this lineup with a bit of a bothered expression. She's holding a traditional Senegalese mask in her hand, contrasting with her very french red-skirted dress and blue corset.
This is a digital illustration. In strong, rich burgundy and reds veering on pink, a small scene at court. At the foreground, out of focus, two people arguing with each other. Their physical attitudes are hostile, and closer attention to details shows them bearing claws, sharp-eared and showing off fanged teeth. They're dressed finely. In the background, sat lazily upon a gothic throne, is an exasperated-looking vampyr, legs crossed, finger pressed against his forehead. His shirt is open and his presentation a little disheveled, as though they had been here for a long while. The style is sketched in parts, painted in others, giving it a rough, concept-art feeling.
This is a digital illustration. In fiery reds, orange, and deep blacks, a sketched scene out of a story book. Flames at the foreground frame three silhouettes of dark knights, each riding a dark horse, wearing horned helmets. They look directly at the viewer, with only two red, shining eyes visible. The one on the left faces the viewer, sporting a spear and shield, with a small halo. The one on the right is rearing on his horse's back, raising a long black, banner framing the top of the picture, with a small halo in turn. At the center, the most prominent figure has immense, bull-like horns on his helmet. He is riding, turning sideways to stare down the user, a large sun serving as his halo, a longsword in his fist. The style is sketchy, messy, quick. Some parts glow eerily, and the hues give an impression of heat.
This is the screenshot of a portion of text, my own writing, a black serif font on a white background. It reads as such: NATHANIEL OF SALEM: "[...] It's a grand display of vulnerability you've offered me there. I believe it to be a strength, at the core of things. I can not do that. Because I know full well we live in a world where people are keen to blame the victim for not staying safe; when it was the man with the knife who shouldn't have cut, or the swindler who shouldn't have cheated in the first place." NATHANIEL OF SALEM: "You can not do what I do without having a few hideous things kept within. This isn't dissuasion. This is me being truthful." NATHANIEL OF SALEM: "I was born in one of Ul'dah's many brothels, son of a woman who held my face and said that so long as my dignity remained, I would always be prince among men. To walk with my head high; to speak the tongue those in power spoke." NATHANIEL OF SALEM: "That I confuse those who would treat me like mud." NATHANIEL OF SALEM: "What I can not charm, I seduce, what I can not seduce, I blame; what I can not blame, I break." He looks at her, tilting his head. "I'm not what you see." NATHANIEL OF SALEM: "But my well-wishes were sincere. If they have touched you; then keep them close at heart. These are the only truths I speak, these days." He concludes. FFXIV Fanwork Meishali as Nathaniel of Salem, priest of Nald’thal Text-based Roleplaying Session (2025)
This is a digital illustration. In majorly black, grey and with white highlights, and with a paper, grainy texture. Four different characters stand, some in portrait, one in fully body, another in thigh-up shot... Without seemingly any relation. One with nappy hair and piercings looks ahead, distantly. Another with choppy hair seems ready to run, readying her whip, in a tight, sporty gothic look. Another looks to the side with a cravat and an asymmetrical collar, long curly black hair framing the side of his face. The last one stands tall, showing claws, looking directly to the viewer, a small rat on his shoulder.
This is a digital illustration. In a highly stylized, blocky and painterly fashion, a Raen Au Ra from the game Final Fantasy 14. The hues majorly blue and pale yellow-ish greens, with subtle white highlights. She looks ahead of herself, focused but distant. Her horns are small and horizontal, and there are hints of scales on her cheeks, her forehead and her neck. The woman has bangs, long straight pale hair with dark ribbons, white flowers, and small white pearls in it. The atmosphere is moody and the background abstract, giving a strange discrepancy between the softness of the subject and the steely ambiance and the focused gaze she sports.
This is a digital illustration. In a highly stylized linework, a brown-skinned Hyur of the game FFXIV, resembling a thin young man with fine features. He has very short choppy black hair, dark eyes, nicely defined eyebrows, and a white shirt. He looks to the viewer, mirthful and knowing. The hues are mainly chocolate and sky blue, ashy in some parts, with a very dark blue.
This is the screenshot of a portion of text, my own writing, a black serif font on a white background. It reads as such: RAPSALI: “And if you do that, you’re… What, his whore?” BASIRA: “I don’t mind being a whore. Seriously, listen to people these days. You cook, you clean, you’re a whore. You don’t cook, you don’t clean, you’re a whore. You fuck the person, you’re a whore. You don’t, still a whore. You raise the dead a few times as I have, boom, you’re a witch-whore.” RAPSALI: “You’ve had time to think about this.” BASIRA: “I was locked in an iron maiden for six months, and fed through a tube.” RAPSALI: “That’s fair. Go on.” BASIRA: “I’ve yet to meet someone who didn’t need a whore. And even those who think they don’t, do, it just happens they do not know about the true function—or the many functions—of a whore.” BASIRA: “And as it so happens, I like being both indispensable and multi-functional.” Ivresang “Commander Rapsali & Necrodomitor Basira Having a Chat on the Bank of the Edun River” 2025, Meishali
This is small section of digital a TTRPG (Ironsworn) sheet. In black and white, a variety of things from the base ironsworn game, such as a Vows list, and experience tracker. Banes & Burdens are listed near what seems to be a momentum list, as well as new conditions under "Humanity", listing "Cold" "Callous" and "Inhumane". A skull blows cold air in the direction of the condition list, crowned over a shroud. A tranquil moon rests in the corner. The style is gothic, ornery.
This is a digital illustration. It is made in a very graphic, "cutout" silhouette style and in shades of dark maroons, bright red and pale yellows, reminiscent for 90's cartoons title cards. A crowd of various FFXIV characters surround a crater, cheering and jeering, at two fighters in the distance, presumably in a fighting pit. An overseer with a weapon at his back seems to be watching two men in fist-fighting stances. In the back, a face off and close up on their profiled silhouettes yelling, with a huge "clash" effect. Fumes frame them, and mining support beams can be guessed in the background.
This is a digital illustration, and 1st part of that mini comic. It is in black and white, gray scale. My character Lise says "Hello guys! I'm raising funds for charity—I'd love if you could come to our little contest this sunday.", an off-speech bubble text saying "Here's the address". Meredith and Mamoru, two other characters, respond with "sounds fun" and "oh" also off-speech bubble.
This is a digital illustration, mimicking the like of an office pass card. The card itself is grey and white, and reads "Lise Niang, Consultant". It has a lo On it, the photo a black woman with dark brown hair smiling awkwardly. She has a turquoise blazer, a very light (nigh white) pink top. nice edges and braids, all tied up in a high pony tail. She has golden hoop earrings and a necklace with golden accents. She looks like she doesn't want to be here.
This is a digital illustration. On a white background, a loosely sketched knight in integral black plate armor, with a light-grey cloak is holding a sort of flail: a chain with a handle, holding a morning star. His helmet is tusked, covering his entire face, the visor only a slit. On it is attached some sort of bright, red mane. He's standing in a dignified manner, facing 3/4th from the viewer, back straightened. The sketch uses a lot of square brushes, and is lightly watercolor textured.
This is a digital illustration done in a painterly style, showing the portrait of a young woman. She has dark green eyes, medium dark skin, and her brows knit in subtle concern, eyes wet. Strong mint green rim lighting hits her face, a high contrast next to the soft pinks she basks in. She has short brown hair, and her front bangs are white.
This is a digital sketch, on a white background, with a square, semi-transparent and marker-like brush. It's loosely sketched. This is a depiction and a bustshot of my Final Fantasy 14 Au Ra Raen character, Sahadeva. He looks off to the side with a sly smile and a light frown, elbow propped, holding a lit cigarette in his right hand, between index and major. He has curved, forward horns, long clicked back hair, and long braids falling on either side of his face. He has strong defined cheekbones, a jaw with auri scales, and is wide-shouldered. While he appears ageless, his traits suggest wisdom, and that he may be a little older than he seems. His pose suggests relaxation, and the sketch suggests an open shirt.
This is a screenshot of a work in progress on Aseprite. Isometric pixel art chairs are on a grid, seen from four different angles. They are rustic, made of warm-colored wood, with straw seats.
This is a screen capture of a japanese anime. In a distinct 80's style, we see a close-up of a middle-aged man with round glasses clenching his fist, with a single tear in his eyes, crying out. The subtitle below read "Be strong...!"
This is a small screenshot of the credits of Dark Cloud soundtrack off spotify.
This is a digital illustration. The sketch is hasty, done with a square brush, with very subtle values. Two headshots of handsome characters in sunset colors, with strong yellow rim lighting coming from the right side of the picture. In the upper left corner, the first character, shown 3/4 headshot looks in the distance, to the light source. They have a square jaw, a long nose, slightly pointy ears and dark brows. They smile knowingly. In the bottom right, the character faces front, but looks to the right as well, with a similarly smarmy smile. They frown a touch more, have long curly dark hair, dark lips, and their hair is tied in a braid held over their shoulder. Their left eye is covered by a dark eyepatch. Overall, both characters have similar features, leaving the viewer to wonder if they are related.
This is a digital illustration in landscape. Cutout, faceless geometric silhouettes in a pop-art style depict a crowd cheering and jeering composed of various Eorzean races from the game Final Fantasy 14 in the foreground. In the distance, two fighters facing off in a depression on the ground. One of them looks Roegadyn or Highlander, and the other miqo'te. Behind them is an overseer wielding a bhuj axe, likely an arbiter of the fighting grounds, with hints of an Auri tail and a pair of horns. The crater the fighters stand in gives off fumes where you can see the shades of both fighters' profiles, giving a war cry, with a clashing, spiked background.
This is a digital illustration. The whole picture is bathed in violet, mauve, purple lighting. The image displays the waist-up shot of a muscular woman reaching to the viewer, looking directly at them and opening the hand in an inviting gesture, as if to tell them to take her hand. She has dark skin, full black lips, messy black hair, blown by an invisible gust of wind. She sports a white support bra, and the suggestion of a black or dark pair of pants. Her eyes shine an eerie purple glow, a call back to a full light or halo behind her, while she stands in the backlight.
This is a digital illustration. In an array of colors, three characters are squeezed in a vertical frame. On the right, a man with an annoyed expression and a large hat is latching onto a pensive woman in the center, who is looking up to another character on the far left in turn. The latter and third character seems to be taunting the hatted man by poking at the the brim of his hat. The character on the left has dark skin, beautiful long black locs greying at the roots, golden accessories, dark eyes, a maroon shirt, and an array of tattoos. They seem confident and relaxed, lips slightly parted in a smile and framed by a salt and pepper goatee. The character in the middle has middle-length chestnut hair, brown monolid eyes and olive skin, a white underdess and the suggestion of a checkered skirt. She's lifting an index pensively, touching her cheek, seemingly unbothered or neutral. The bothered character on the right has a peach tone, blond hair, blue eyes, a beige shirt and a brown large-brimmed hat. He has a singular tear shaped earring, a clown-like fang makeup on the corner of his left eye, and looks decidedly pissed.
This is a digital illustration. It shows the soft profile and bustshot of a dark-skinned woman who appears flustered, shy, or thoughtful. She looks over into the distance with a light pout. She has long, heavy dark hair braided and kept over her shoulder, and a peach-colored dress. A symmetrical wreath of coral-colored roses and yellowish shells, and their coral colored pearls frame her face. She sports a large orange-coral pearl.
This is a digital illustration. This is a cartoonish depiction of my character Cervantes "Calvaire" de la Cavalliera. He smiles with fangs bared, dark circles under his eyes, and one of his pistols in each hand, pointed up. He has long, curly type A3 hair, tan skin, a goatee, and thick eyebrows bending back up at their edges. He sports dark clothes, a white ascot, long boots, dark gloves. He has a long dark cape with gold trims, and a ruby red interior, with an asymmetrical color, its clasp a golden skull held by an iron chain. The super deformed style gives him a playful, pop-like energy.
This is a digital illustration. The portrait of a character with long, curly hair, in a painterly style, with a lot of grunge, scratchy marks. They sport dark salt and pepper hair, looking directly to the viewer with snake-like slit pupils. Dark veins encircle their eyes, and their mouth suggests disdain, even if their eyebrows aren't knit. Golden light rises from behind them, giving way to a water green background. Their skin is ochre-toned. A phantom diadem and phantom leaves, also golden, crown them.